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Color name
HEX #A1DF80

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1DF80 it is the complementary color #5E207F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1DF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1DF80 shade: #A6DF7B, #B7F18E, #C8FFA1, #D9FFB4 and #EAFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1DF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1DF80 shade: #A1DF80, #90CD6D, #7FBB5A, #6EA947 and #5D9734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1DF80 shade: #A1DF80, #BBDF80, #D4DF80, #DFD080 and #DFB680

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1DF80 shade: #A1DF80, #87DF80, #80DF92, #80DFAC and #80DFC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1DF80 shade matches the following richer shades: #A1DF80, #9DEC73 and #99F866

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1DF80 shade: #A1DF80, #A5D28D, #A9C59A, #ADB9A6 and #B1ACB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1DF80 shade: #D4DF80, #BBDF80, #A1DF80, #88DF80 and #80DF91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1DF80 shade: #70CE3E, #89D75F, #A1DF80, #B9E7A1 and #D2EFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1DF80 shade: #A1DF80, #80DFD1 and #DF80C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1DF80 shade: #A1DF80, #80A1DF and #DF80A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1DF80 shade: #A1DF80, #80DFD1, #BE80DF and #DF808E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1DF80 shade: #A1DF80, #80D1DF, #BE80DF and #DF8E80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

Complementary color

CMYK 26 / 75 / 0 / 50

HEX #5E207F

RGB 94 32 127

HSL 279.16, 0.6%, 0.31%

LAB 26.58, 44.06, -41.33

 

CMYK 26 / 0 / 45 / 13

HEX #A6DF7B

RGB 166 223 123

HSL 94.2, 0.61%, 0.68%

LAB 83.08, -35.39, 43.1

 

CMYK 24 / 0 / 41 / 5

HEX #B7F18E

RGB 183 241 142

HSL 95.15, 0.78%, 0.75%

LAB 89.36, -35.31, 41.95

 

CMYK 22 / 0 / 37 / 0

HEX #C8FFA1

RGB 200 255 161

HSL 95.11, 1%, 0.82%

LAB 94.47, -33.38, 39.41

 

CMYK 15 / 0 / 29 / 0

HEX #D9FFB4

RGB 217 255 180

HSL 90.4, 1%, 0.85%

LAB 95.82, -24.88, 31.94

 

CMYK 8 / 0 / 22 / 0

HEX #EAFFC7

RGB 234 255 199

HSL 82.5, 1%, 0.89%

LAB 97.28, -16.2, 24.53

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 30 / 0 / 47 / 20

HEX #90CD6D

RGB 144 205 109

HSL 98.13, 0.49%, 0.62%

LAB 76.49, -36.61, 41.49

 

CMYK 32 / 0 / 52 / 27

HEX #7FBB5A

RGB 127 187 90

HSL 97.11, 0.42%, 0.54%

LAB 70.03, -36.67, 42.67

 

CMYK 35 / 0 / 58 / 34

HEX #6EA947

RGB 110 169 71

HSL 96.12, 0.41%, 0.47%

LAB 63.46, -36.66, 43.8

 

CMYK 38 / 0 / 66 / 41

HEX #5D9734

RGB 93 151 52

HSL 95.15, 0.49%, 0.4%

LAB 56.79, -36.52, 44.76

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 16 / 0 / 43 / 13

HEX #BBDF80

RGB 187 223 128

HSL 82.74, 0.6%, 0.69%

LAB 84.43, -27.19, 42.62

 

CMYK 5 / 0 / 43 / 13

HEX #D4DF80

RGB 212 223 128

HSL 66.95, 0.6%, 0.69%

LAB 86.17, -17.68, 45.18

 

CMYK 0 / 7 / 43 / 13

HEX #DFD080

RGB 223 208 128

HSL 50.53, 0.6%, 0.69%

LAB 83.1, -5.81, 41.51

 

CMYK 0 / 18 / 43 / 13

HEX #DFB680

RGB 223 182 128

HSL 34.11, 0.6%, 0.69%

LAB 76.5, 7.75, 33.03

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 39 / 0 / 43 / 13

HEX #87DF80

RGB 135 223 128

HSL 115.58, 0.6%, 0.69%

LAB 81.56, -44.95, 38.38

 

CMYK 43 / 0 / 35 / 13

HEX #80DF92

RGB 128 223 146

HSL 131.37, 0.6%, 0.69%

LAB 81.53, -44.22, 29.18

 

CMYK 43 / 0 / 23 / 13

HEX #80DFAC

RGB 128 223 172

HSL 147.79, 0.6%, 0.69%

LAB 82.02, -39.47, 16.35

 

CMYK 43 / 0 / 12 / 13

HEX #80DFC5

RGB 128 223 197

HSL 163.58, 0.6%, 0.69%

LAB 82.59, -34.2, 3.96

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 33 / 0 / 51 / 7

HEX #9DEC73

RGB 157 236 115

HSL 99.17, 0.76%, 0.69%

LAB 86.2, -45.16, 50.65

 

CMYK 38 / 0 / 59 / 3

HEX #99F866

RGB 153 248 102

HSL 99.04, 0.91%, 0.69%

LAB 89.33, -52.81, 60.07

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 21 / 0 / 33 / 18

HEX #A5D28D

RGB 165 210 141

HSL 99.13, 0.43%, 0.69%

LAB 79.62, -27.23, 29.55

 

CMYK 14 / 0 / 22 / 23

HEX #A9C59A

RGB 169 197 154

HSL 99.07, 0.27%, 0.69%

LAB 76.5, -17.37, 18.5

 

CMYK 6 / 0 / 10 / 27

HEX #ADB9A6

RGB 173 185 166

HSL 97.89, 0.12%, 0.69%

LAB 73.76, -7.69, 8.22

HEX #ADB9A6

CMYK 1 / 4 / 0 / 30

HEX #B1ACB3

RGB 177 172 179

HSL 282.86, 0.04%, 0.69%

LAB 70.94, 3.09, -2.96

HEX #B1ACB3

CMYK 5 / 0 / 43 / 13

HEX #D4DF80

RGB 212 223 128

HSL 66.95, 0.6%, 0.69%

LAB 86.17, -17.68, 45.18

 

CMYK 16 / 0 / 43 / 13

HEX #BBDF80

RGB 187 223 128

HSL 82.74, 0.6%, 0.69%

LAB 84.43, -27.19, 42.62

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 39 / 0 / 43 / 13

HEX #88DF80

RGB 136 223 128

HSL 114.95, 0.6%, 0.69%

LAB 81.6, -44.65, 38.45

 

CMYK 43 / 0 / 35 / 13

HEX #80DF91

RGB 128 223 145

HSL 130.74, 0.6%, 0.69%

LAB 81.52, -44.39, 29.67

 

CMYK 46 / 0 / 70 / 19

HEX #70CE3E

RGB 112 206 62

HSL 99.17, 0.6%, 0.53%

LAB 74.78, -52.31, 59.98

 

CMYK 36 / 0 / 56 / 16

HEX #89D75F

RGB 137 215 95

HSL 99, 0.6%, 0.61%

LAB 78.89, -44.99, 50.95

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 20 / 0 / 30 / 9

HEX #B9E7A1

RGB 185 231 161

HSL 99.43, 0.59%, 0.77%

LAB 87.02, -27.34, 29.37

 

CMYK 12 / 0 / 19 / 6

HEX #D2EFC2

RGB 210 239 194

HSL 98.67, 0.58%, 0.85%

LAB 91.38, -17.47, 18.65

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 43 / 0 / 6 / 13

HEX #80DFD1

RGB 128 223 209

HSL 171.16, 0.6%, 0.69%

LAB 82.9, -31.46, -1.95

 

CMYK 0 / 43 / 11 / 13

HEX #DF80C7

RGB 223 128 199

HSL 315.16, 0.6%, 0.69%

LAB 65.94, 46.24, -21.11

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 43 / 28 / 0 / 13

HEX #80A1DF

RGB 128 161 223

HSL 219.16, 0.6%, 0.69%

LAB 66.06, 4.54, -34.99

 

CMYK 0 / 43 / 28 / 13

HEX #DF80A1

RGB 223 128 161

HSL 339.16, 0.6%, 0.69%

LAB 64.72, 40.55, -1.48

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 43 / 0 / 6 / 13

HEX #80DFD1

RGB 128 223 209

HSL 171.16, 0.6%, 0.69%

LAB 82.9, -31.46, -1.95

 

CMYK 15 / 43 / 0 / 13

HEX #BE80DF

RGB 190 128 223

HSL 279.16, 0.6%, 0.69%

LAB 63.11, 40.69, -39.22

 

CMYK 0 / 43 / 36 / 13

HEX #DF808E

RGB 223 128 142

HSL 351.16, 0.6%, 0.69%

LAB 64.23, 38.14, 8.6

 

CMYK 28 / 0 / 43 / 13

HEX #A1DF80

RGB 161 223 128

HSL 99.16, 0.6%, 0.69%

LAB 82.87, -36.5, 40.31

 

CMYK 43 / 6 / 0 / 13

HEX #80D1DF

RGB 128 209 223

HSL 188.84, 0.6%, 0.69%

LAB 79.34, -21.18, -14.7

 

CMYK 15 / 43 / 0 / 13

HEX #BE80DF

RGB 190 128 223

HSL 279.16, 0.6%, 0.69%

LAB 63.11, 40.69, -39.22

 

CMYK 0 / 36 / 43 / 13

HEX #DF8E80

RGB 223 142 128

HSL 8.84, 0.6%, 0.69%

LAB 66.97, 29.16, 20.31

 

Description

Color code: HEX #A1DF80 | qconv.com Color code: HEX #A1DF80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 223 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 223 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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