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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1E835 it is the complementary color #5E17CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1E835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1E835 shade: #A6E830, #B7FA43, #C8FF56, #D9FF69 and #EAFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1E835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1E835 shade: #A1E835, #90D622, #7FC40F, #6EB200 and #5DA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1E835 shade: #A1E835, #D1E835, #E8CE35, #E89E35 and #E86E35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1E835 shade: #A1E835, #70E835, #40E835, #35E859 and #35E88A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1E835 shade matches the following richer shades: #A1E835 and #A5FA22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1E835 shade: #A1E835, #9DD647, #99C459, #96B26B and #929F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1E835 shade: #E8CD35, #D3E835, #A3E835, #73E835 and #44E835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1E835 shade: #76B614, #8EDB18, #A1E835, #B2EC5A and #C3F07F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1E835 shade: #A1E835, #35E89D and #E535E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1E835 shade: #A1E835, #35A3E8 and #E835A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1E835 shade: #A1E835, #35E89D, #7935E8 and #E8357F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1E835 shade: #A1E835, #35E8D3, #7935E8 and #E83549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

Complementary color

CMYK 53 / 89 / 0 / 21

HEX #5E17CA

RGB 94 23 202

HSL 263.8, 0.8%, 0.44%

LAB 32.38, 65.11, -77.25

 

CMYK 28 / 0 / 79 / 9

HEX #A6E830

RGB 166 232 48

HSL 81.52, 0.8%, 0.55%

LAB 85.01, -45.37, 75.27

 

CMYK 27 / 0 / 73 / 2

HEX #B7FA43

RGB 183 250 67

HSL 81.97, 0.95%, 0.62%

LAB 91.16, -45.95, 75.73

 

CMYK 22 / 0 / 66 / 0

HEX #C8FF56

RGB 200 255 86

HSL 79.53, 1%, 0.67%

LAB 93.65, -40.75, 71.91

 

CMYK 15 / 0 / 59 / 0

HEX #D9FF69

RGB 217 255 105

HSL 75.2, 1%, 0.71%

LAB 94.86, -33.03, 65.98

 

CMYK 8 / 0 / 51 / 0

HEX #EAFF7C

RGB 234 255 124

HSL 69.62, 1%, 0.74%

LAB 96.19, -25, 59.54

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 33 / 0 / 84 / 16

HEX #90D622

RGB 144 214 34

HSL 83.33, 0.73%, 0.49%

LAB 78.54, -46.29, 72.55

 

CMYK 35 / 0 / 92 / 23

HEX #7FC40F

RGB 127 196 15

HSL 82.87, 0.86%, 0.41%

LAB 72.25, -45.4, 70.37

 

CMYK 38 / 0 / 100 / 30

HEX #6EB200

RGB 110 178 0

HSL 82.92, 1%, 0.35%

LAB 65.87, -44.27, 66.74

 

CMYK 42 / 0 / 100 / 37

HEX #5DA000

RGB 93 160 0

HSL 85.13, 1%, 0.31%

LAB 59.41, -42.84, 61.37

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 10 / 0 / 77 / 9

HEX #D1E835

RGB 209 232 53

HSL 67.71, 0.8%, 0.56%

LAB 87.74, -28.5, 77.36

 

CMYK 0 / 11 / 77 / 9

HEX #E8CE35

RGB 232 206 53

HSL 51.28, 0.8%, 0.56%

LAB 82.68, -6.18, 73.45

 

CMYK 0 / 32 / 77 / 9

HEX #E89E35

RGB 232 158 53

HSL 35.2, 0.8%, 0.56%

LAB 70.78, 18.94, 62.44

 

CMYK 0 / 53 / 77 / 9

HEX #E86E35

RGB 232 110 53

HSL 19.11, 0.8%, 0.56%

LAB 60.4, 43.83, 52.37

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 52 / 0 / 77 / 9

HEX #70E835

RGB 112 232 53

HSL 100.22, 0.8%, 0.56%

LAB 82.6, -62.64, 70.73

 

CMYK 72 / 0 / 77 / 9

HEX #40E835

RGB 64 232 53

HSL 116.31, 0.8%, 0.56%

LAB 81.32, -73.07, 69.06

 

CMYK 77 / 0 / 62 / 9

HEX #35E859

RGB 53 232 89

HSL 132.07, 0.8%, 0.56%

LAB 81.4, -71.51, 55.81

 

CMYK 77 / 0 / 41 / 9

HEX #35E88A

RGB 53 232 138

HSL 148.49, 0.8%, 0.56%

LAB 82, -64.35, 33.49

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 34 / 0 / 86 / 2

HEX #A5FA22

RGB 165 250 34

HSL 83.61, 0.96%, 0.56%

LAB 90.08, -53.66, 82.83

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 27 / 0 / 67 / 16

HEX #9DD647

RGB 157 214 71

HSL 83.92, 0.64%, 0.56%

LAB 79.45, -39.6, 62.08

 

CMYK 22 / 0 / 55 / 23

HEX #99C459

RGB 153 196 89

HSL 84.11, 0.48%, 0.56%

LAB 74.17, -31.39, 48.43

 

CMYK 16 / 0 / 40 / 30

HEX #96B26B

RGB 150 178 107

HSL 83.66, 0.32%, 0.56%

LAB 69.03, -21.77, 33.16

 

CMYK 8 / 0 / 21 / 38

HEX #929F7D

RGB 146 159 125

HSL 82.94, 0.15%, 0.56%

LAB 63.66, -10.86, 16.23

 

CMYK 0 / 12 / 77 / 9

HEX #E8CD35

RGB 232 205 53

HSL 50.95, 0.8%, 0.56%

LAB 82.42, -5.67, 73.22

 

CMYK 9 / 0 / 77 / 9

HEX #D3E835

RGB 211 232 53

HSL 67.04, 0.8%, 0.56%

LAB 87.88, -27.69, 77.54

 

CMYK 30 / 0 / 77 / 9

HEX #A3E835

RGB 163 232 53

HSL 83.13, 0.8%, 0.56%

LAB 84.87, -46.24, 73.68

 

CMYK 50 / 0 / 77 / 9

HEX #73E835

RGB 115 232 53

HSL 99.22, 0.8%, 0.56%

LAB 82.71, -61.81, 70.87

 

CMYK 71 / 0 / 77 / 9

HEX #44E835

RGB 68 232 53

HSL 114.97, 0.8%, 0.56%

LAB 81.4, -72.42, 69.16

 

CMYK 35 / 0 / 89 / 29

HEX #76B614

RGB 118 182 20

HSL 83.7, 0.8%, 0.4%

LAB 67.54, -42.66, 65.52

 

CMYK 35 / 0 / 89 / 14

HEX #8EDB18

RGB 142 219 24

HSL 83.69, 0.8%, 0.48%

LAB 79.89, -49.37, 75.59

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 25 / 0 / 62 / 7

HEX #B2EC5A

RGB 178 236 90

HSL 83.84, 0.79%, 0.64%

LAB 87.09, -40.19, 62.97

 

CMYK 19 / 0 / 47 / 6

HEX #C3F07F

RGB 195 240 127

HSL 83.89, 0.79%, 0.72%

LAB 89.61, -32.33, 49.65

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 77 / 0 / 32 / 9

HEX #35E89D

RGB 53 232 157

HSL 154.86, 0.8%, 0.56%

LAB 82.33, -60.69, 24.25

 

CMYK 1 / 77 / 0 / 9

HEX #E535E8

RGB 229 53 232

HSL 298.99, 0.8%, 0.56%

LAB 57.11, 83.48, -53.4

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 77 / 30 / 0 / 9

HEX #35A3E8

RGB 53 163 232

HSL 203.13, 0.8%, 0.56%

LAB 63.98, -7.63, -43.42

 

CMYK 0 / 77 / 30 / 9

HEX #E835A3

RGB 232 53 163

HSL 323.13, 0.8%, 0.56%

LAB 54.39, 74.87, -17.94

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 77 / 0 / 32 / 9

HEX #35E89D

RGB 53 232 157

HSL 154.86, 0.8%, 0.56%

LAB 82.33, -60.69, 24.25

 

CMYK 48 / 77 / 0 / 9

HEX #7935E8

RGB 121 53 232

HSL 262.79, 0.8%, 0.56%

LAB 41.9, 65.23, -78.73

 

CMYK 0 / 77 / 45 / 9

HEX #E8357F

RGB 232 53 127

HSL 335.2, 0.8%, 0.56%

LAB 53.2, 71.28, 1.69

 

CMYK 31 / 0 / 77 / 9

HEX #A1E835

RGB 161 232 53

HSL 83.8, 0.8%, 0.56%

LAB 84.76, -46.97, 73.54

 

CMYK 77 / 0 / 9 / 9

HEX #35E8D3

RGB 53 232 211

HSL 172.96, 0.8%, 0.56%

LAB 83.53, -47.94, -2.31

 

CMYK 48 / 77 / 0 / 9

HEX #7935E8

RGB 121 53 232

HSL 262.79, 0.8%, 0.56%

LAB 41.9, 65.23, -78.73

 

CMYK 0 / 77 / 69 / 9

HEX #E83549

RGB 232 53 73

HSL 353.3, 0.8%, 0.56%

LAB 52.04, 67.65, 32.47

 

Description

Color code: HEX #A1E835 | qconv.com Color code: HEX #A1E835 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 232 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 232 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 77% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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