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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1E872 it is the complementary color #5E178D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1E872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1E872 shade: #A6E86D, #B7FA80, #C8FF93, #D9FFA6 and #EAFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1E872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1E872 shade: #A1E872, #90D65F, #7FC44C, #6EB239 and #5DA026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1E872 shade: #A1E872, #C1E872, #E0E872, #E8CF72 and #E8B072

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1E872 shade: #A1E872, #81E872, #72E883, #72E8A2 and #72E8C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1E872 shade matches the following richer shades: #A1E872 and #9EF565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1E872 shade: #A1E872, #A4DA7F, #A6CD8D, #A9C09A and #ACB3A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1E872 shade: #E0E872, #C0E872, #A1E872, #82E872 and #72E882

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1E872 shade: #72DC2B, #89E24F, #A1E872, #B9ED96 and #D0F3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1E872 shade: #A1E872, #72E8D0 and #E872D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1E872 shade: #A1E872, #72A1E8 and #E872A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1E872 shade: #A1E872, #72E8D0, #B972E8 and #E8728A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1E872 shade: #A1E872, #72DCE8, #B972E8 and #E87E72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

Complementary color

CMYK 33 / 84 / 0 / 45

HEX #5E178D

RGB 94 23 141

HSL 276.1, 0.72%, 0.32%

LAB 26.49, 50.74, -50.23

 

CMYK 28 / 0 / 53 / 9

HEX #A6E86D

RGB 166 232 109

HSL 92.2, 0.73%, 0.67%

LAB 85.47, -41.01, 52.65

 

CMYK 27 / 0 / 49 / 2

HEX #B7FA80

RGB 183 250 128

HSL 92.95, 0.92%, 0.74%

LAB 91.68, -41.01, 51.55

 

CMYK 22 / 0 / 42 / 0

HEX #C8FF93

RGB 200 255 147

HSL 90.56, 1%, 0.79%

LAB 94.27, -35.14, 45.97

 

CMYK 15 / 0 / 35 / 0

HEX #D9FFA6

RGB 217 255 166

HSL 85.62, 1%, 0.83%

LAB 95.59, -26.77, 38.61

 

CMYK 8 / 0 / 27 / 0

HEX #EAFFB9

RGB 234 255 185

HSL 78, 1%, 0.86%

LAB 97.03, -18.19, 31.26

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 33 / 0 / 56 / 16

HEX #90D65F

RGB 144 214 95

HSL 95.29, 0.59%, 0.61%

LAB 78.95, -42.19, 51.11

 

CMYK 35 / 0 / 61 / 23

HEX #7FC44C

RGB 127 196 76

HSL 94.5, 0.5%, 0.53%

LAB 72.57, -42.11, 52.1

 

CMYK 38 / 0 / 68 / 30

HEX #6EB239

RGB 110 178 57

HSL 93.72, 0.51%, 0.46%

LAB 66.1, -41.89, 52.85

 

CMYK 42 / 0 / 76 / 37

HEX #5DA026

RGB 93 160 38

HSL 92.95, 0.62%, 0.39%

LAB 59.53, -41.48, 53.11

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 17 / 0 / 51 / 9

HEX #C1E872

RGB 193 232 114

HSL 79.83, 0.72%, 0.68%

LAB 87.13, -30.69, 52.71

 

CMYK 3 / 0 / 51 / 9

HEX #E0E872

RGB 224 232 114

HSL 64.07, 0.72%, 0.68%

LAB 89.29, -18.72, 55.8

 

CMYK 0 / 11 / 51 / 9

HEX #E8CF72

RGB 232 207 114

HSL 47.29, 0.72%, 0.68%

LAB 83.44, -3, 49

 

CMYK 0 / 24 / 51 / 9

HEX #E8B072

RGB 232 176 114

HSL 31.53, 0.72%, 0.68%

LAB 75.71, 13.21, 39.49

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 44 / 0 / 51 / 9

HEX #81E872

RGB 129 232 114

HSL 112.37, 0.72%, 0.68%

LAB 83.75, -52.35, 47.85

 

CMYK 51 / 0 / 44 / 9

HEX #72E883

RGB 114 232 131

HSL 128.64, 0.72%, 0.68%

LAB 83.41, -54.11, 39.09

 

CMYK 51 / 0 / 30 / 9

HEX #72E8A2

RGB 114 232 162

HSL 144.41, 0.72%, 0.68%

LAB 83.91, -48.87, 24.08

 

CMYK 51 / 0 / 16 / 9

HEX #72E8C2

RGB 114 232 194

HSL 160.68, 0.72%, 0.68%

LAB 84.58, -42.3, 8.34

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 36 / 0 / 59 / 4

HEX #9EF565

RGB 158 245 101

HSL 96.25, 0.88%, 0.68%

LAB 88.69, -50.06, 59.84

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 25 / 0 / 42 / 15

HEX #A4DA7F

RGB 164 218 127

HSL 95.6, 0.55%, 0.68%

LAB 81.6, -33.29, 39.24

 

CMYK 19 / 0 / 31 / 20

HEX #A6CD8D

RGB 166 205 141

HSL 96.56, 0.39%, 0.68%

LAB 78.28, -24.45, 27.77

 

CMYK 12 / 0 / 20 / 25

HEX #A9C09A

RGB 169 192 154

HSL 96.32, 0.23%, 0.68%

LAB 75.12, -14.83, 16.58

 

CMYK 4 / 0 / 7 / 30

HEX #ACB3A7

RGB 172 179 167

HSL 95, 0.07%, 0.68%

LAB 72.1, -4.69, 5.27

 

CMYK 3 / 0 / 51 / 9

HEX #E0E872

RGB 224 232 114

HSL 64.07, 0.72%, 0.68%

LAB 89.29, -18.72, 55.8

 

CMYK 17 / 0 / 51 / 9

HEX #C0E872

RGB 192 232 114

HSL 80.34, 0.72%, 0.68%

LAB 87.06, -31.06, 52.62

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 44 / 0 / 51 / 9

HEX #82E872

RGB 130 232 114

HSL 111.86, 0.72%, 0.68%

LAB 83.8, -52.06, 47.91

 

CMYK 51 / 0 / 44 / 9

HEX #72E882

RGB 114 232 130

HSL 128.14, 0.72%, 0.68%

LAB 83.39, -54.26, 39.56

 

CMYK 48 / 0 / 80 / 14

HEX #72DC2B

RGB 114 220 43

HSL 95.93, 0.72%, 0.52%

LAB 79.01, -58.2, 70.23

 

CMYK 39 / 0 / 65 / 11

HEX #89E24F

RGB 137 226 79

HSL 96.33, 0.72%, 0.6%

LAB 81.99, -51.06, 61.29

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 22 / 0 / 37 / 7

HEX #B9ED96

RGB 185 237 150

HSL 95.86, 0.71%, 0.76%

LAB 88.49, -31.72, 36.89

 

CMYK 14 / 0 / 24 / 5

HEX #D0F3B9

RGB 208 243 185

HSL 96.21, 0.71%, 0.84%

LAB 92.14, -21.52, 24.31

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 51 / 0 / 10 / 9

HEX #72E8D0

RGB 114 232 208

HSL 167.8, 0.72%, 0.68%

LAB 84.92, -39.09, 1.47

 

CMYK 0 / 51 / 10 / 9

HEX #E872D0

RGB 232 114 208

HSL 312.2, 0.72%, 0.68%

LAB 64.76, 57.35, -27.87

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 51 / 31 / 0 / 9

HEX #72A1E8

RGB 114 161 232

HSL 216.1, 0.72%, 0.68%

LAB 65.67, 3.8, -40.62

 

CMYK 0 / 51 / 31 / 9

HEX #E872A1

RGB 232 114 161

HSL 336.1, 0.72%, 0.68%

LAB 63.15, 50.64, -3.65

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 51 / 0 / 10 / 9

HEX #72E8D0

RGB 114 232 208

HSL 167.8, 0.72%, 0.68%

LAB 84.92, -39.09, 1.47

 

CMYK 20 / 51 / 0 / 9

HEX #B972E8

RGB 185 114 232

HSL 276.1, 0.72%, 0.68%

LAB 60.05, 48.74, -49.09

 

CMYK 0 / 51 / 41 / 9

HEX #E8728A

RGB 232 114 138

HSL 347.8, 0.72%, 0.68%

LAB 62.53, 47.96, 8.64

 

CMYK 31 / 0 / 51 / 9

HEX #A1E872

RGB 161 232 114

HSL 96.1, 0.72%, 0.68%

LAB 85.25, -42.2, 50.02

 

CMYK 51 / 5 / 0 / 9

HEX #72DCE8

RGB 114 220 232

HSL 186.1, 0.72%, 0.68%

LAB 82.16, -27.43, -15.32

 

CMYK 20 / 51 / 0 / 9

HEX #B972E8

RGB 185 114 232

HSL 276.1, 0.72%, 0.68%

LAB 60.05, 48.74, -49.09

 

CMYK 0 / 46 / 51 / 9

HEX #E87E72

RGB 232 126 114

HSL 6.1, 0.72%, 0.68%

LAB 64.4, 39.6, 24.85

 

Description

Color code: HEX #A1E872 | qconv.com Color code: HEX #A1E872 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 232 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 232 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 51 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 51% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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