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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1EDDD it is the complementary color #5E1222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1EDDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1EDDD shade: #A6EDD8, #B7FFEB, #C8FFFE, #D9FFFF and #EAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1EDDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1EDDD shade: #A1EDDD, #90DBCA, #7FC9B7, #6EB7A4 and #5DA591

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1EDDD shade: #A0EDDC, #A0EDC8, #A0EDB3, #A2EDA0 and #B6EDA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1EDDD shade: #A0EDDC, #A0E8ED, #A0D3ED, #A0BFED and #A0AAED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1EDDD shade matches the following richer shades: #A0EDDC and #97F6E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1EDDD shade: #A0EDDC, #A9E3D7, #B2DAD2, #BBD1CD and #C5C8C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1EDDD shade: #A0EDB3, #A0EDC8, #A0EDDC, #A0E9ED and #A0D4ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1EDDD shade: #5BDFC3, #7EE6D0, #A0EDDC, #C3F3E9 and #E6FAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1EDDD shade: #A1EDDD, #A0A2ED and #EDBDA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1EDDD shade: #A1EDDD, #DCA0ED and #EDDCA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1EDDD shade: #A1EDDD, #A0A2ED, #EDA0B1 and #EDEBA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1EDDD shade: #A1EDDD, #B6A0ED, #EDA0B1 and #D7EDA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 7 / 7

HEX #A1EDDD

RGB 161 237 221

HSL 167.37, 0.68%, 0.78%

LAB 88.62, -26.78, 0.28

 

Complementary color

CMYK 0 / 81 / 64 / 63

HEX #5E1222

RGB 94 18 34

HSL 347.37, 0.68%, 0.22%

LAB 19.75, 34.74, 10.61

 

CMYK 30 / 0 / 9 / 7

HEX #A6EDD8

RGB 166 237 216

HSL 162.25, 0.66%, 0.79%

LAB 88.75, -26.42, 3.11

 

CMYK 28 / 0 / 8 / 0

HEX #B7FFEB

RGB 183 255 235

HSL 163.33, 1%, 0.86%

LAB 94.99, -26.25, 2.42

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFE

RGB 200 255 254

HSL 178.91, 1%, 0.89%

LAB 96.39, -17.39, -5.21

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 32 / 0 / 7 / 7

HEX #A1EDDD

RGB 161 237 221

HSL 167.37, 0.68%, 0.78%

LAB 88.62, -26.78, 0.28

 

CMYK 34 / 0 / 8 / 14

HEX #90DBCA

RGB 144 219 202

HSL 166.4, 0.51%, 0.71%

LAB 82.3, -26.95, 0.98

 

CMYK 37 / 0 / 9 / 21

HEX #7FC9B7

RGB 127 201 183

HSL 165.41, 0.41%, 0.64%

LAB 75.89, -27.12, 1.71

 

CMYK 40 / 0 / 10 / 28

HEX #6EB7A4

RGB 110 183 164

HSL 164.38, 0.34%, 0.57%

LAB 69.37, -27.3, 2.5

 

CMYK 44 / 0 / 12 / 35

HEX #5DA591

RGB 93 165 145

HSL 163.33, 0.29%, 0.51%

LAB 62.74, -27.48, 3.34

 

CMYK 32 / 0 / 7 / 7

HEX #A0EDDC

RGB 160 237 220

HSL 166.75, 0.68%, 0.78%

LAB 88.55, -27.27, 0.69

 

CMYK 32 / 0 / 16 / 7

HEX #A0EDC8

RGB 160 237 200

HSL 151.17, 0.68%, 0.78%

LAB 88.07, -31.4, 10.45

 

CMYK 32 / 0 / 24 / 7

HEX #A0EDB3

RGB 160 237 179

HSL 134.81, 0.68%, 0.78%

LAB 87.63, -35.34, 20.73

 

CMYK 32 / 0 / 32 / 7

HEX #A2EDA0

RGB 162 237 160

HSL 118.44, 0.68%, 0.78%

LAB 87.38, -37.91, 30.15

 

CMYK 23 / 0 / 32 / 7

HEX #B6EDA0

RGB 182 237 160

HSL 102.86, 0.68%, 0.78%

LAB 88.47, -31.34, 31.8

 

CMYK 32 / 0 / 7 / 7

HEX #A0EDDC

RGB 160 237 220

HSL 166.75, 0.68%, 0.78%

LAB 88.55, -27.27, 0.69

 

CMYK 32 / 2 / 0 / 7

HEX #A0E8ED

RGB 160 232 237

HSL 183.9, 0.68%, 0.78%

LAB 87.63, -21.03, -9.57

 

CMYK 32 / 11 / 0 / 7

HEX #A0D3ED

RGB 160 211 237

HSL 200.26, 0.68%, 0.78%

LAB 81.93, -10.39, -18.1

 

CMYK 32 / 19 / 0 / 7

HEX #A0BFED

RGB 160 191 237

HSL 215.84, 0.68%, 0.78%

LAB 76.59, 0.23, -26.23

 

CMYK 32 / 28 / 0 / 7

HEX #A0AAED

RGB 160 170 237

HSL 232.21, 0.68%, 0.78%

LAB 71.1, 11.81, -34.67

 

CMYK 32 / 0 / 7 / 7

HEX #A0EDDC

RGB 160 237 220

HSL 166.75, 0.68%, 0.78%

LAB 88.55, -27.27, 0.69

 

CMYK 39 / 0 / 8 / 4

HEX #97F6E2

RGB 151 246 226

HSL 167.37, 0.84%, 0.78%

LAB 90.77, -32.63, 0.75

 

CMYK 32 / 0 / 7 / 7

HEX #A0EDDC

RGB 160 237 220

HSL 166.75, 0.68%, 0.78%

LAB 88.55, -27.27, 0.69

 

CMYK 26 / 0 / 5 / 11

HEX #A9E3D7

RGB 169 227 215

HSL 167.59, 0.51%, 0.78%

LAB 86.15, -20.88, -0.13

 

CMYK 18 / 0 / 4 / 15

HEX #B2DAD2

RGB 178 218 210

HSL 168, 0.35%, 0.78%

LAB 84.1, -14.65, -0.41

 

CMYK 11 / 0 / 2 / 18

HEX #BBD1CD

RGB 187 209 205

HSL 169.09, 0.19%, 0.78%

LAB 82.15, -8.14, -0.54

 

CMYK 1 / 0 / 0 / 22

HEX #C5C8C7

RGB 197 200 199

HSL 160, 0.03%, 0.78%

LAB 80.35, -1.21, 0.13

 

CMYK 32 / 0 / 24 / 7

HEX #A0EDB3

RGB 160 237 179

HSL 134.81, 0.68%, 0.78%

LAB 87.63, -35.34, 20.73

 

CMYK 32 / 0 / 16 / 7

HEX #A0EDC8

RGB 160 237 200

HSL 151.17, 0.68%, 0.78%

LAB 88.07, -31.4, 10.45

 

CMYK 32 / 0 / 7 / 7

HEX #A0EDDC

RGB 160 237 220

HSL 166.75, 0.68%, 0.78%

LAB 88.55, -27.27, 0.69

 

CMYK 32 / 2 / 0 / 7

HEX #A0E9ED

RGB 160 233 237

HSL 183.12, 0.68%, 0.78%

LAB 87.9, -21.53, -9.17

 

CMYK 32 / 11 / 0 / 7

HEX #A0D4ED

RGB 160 212 237

HSL 199.48, 0.68%, 0.78%

LAB 82.2, -10.9, -17.7

 

CMYK 59 / 0 / 13 / 13

HEX #5BDFC3

RGB 91 223 195

HSL 167.27, 0.67%, 0.62%

LAB 81.26, -42.81, 2.93

 

CMYK 45 / 0 / 10 / 10

HEX #7EE6D0

RGB 126 230 208

HSL 167.31, 0.68%, 0.7%

LAB 84.78, -35.45, 1.32

 

CMYK 32 / 0 / 7 / 7

HEX #A0EDDC

RGB 160 237 220

HSL 166.75, 0.68%, 0.78%

LAB 88.55, -27.27, 0.69

 

CMYK 20 / 0 / 4 / 5

HEX #C3F3E9

RGB 195 243 233

HSL 167.5, 0.67%, 0.86%

LAB 92.39, -17.26, -0.25

 

CMYK 8 / 0 / 2 / 2

HEX #E6FAF6

RGB 230 250 246

HSL 168, 0.67%, 0.94%

LAB 96.76, -7.24, -0.33

 

CMYK 32 / 0 / 7 / 7

HEX #A1EDDD

RGB 161 237 221

HSL 167.37, 0.68%, 0.78%

LAB 88.62, -26.78, 0.28

 

CMYK 32 / 32 / 0 / 7

HEX #A0A2ED

RGB 160 162 237

HSL 238.44, 0.68%, 0.78%

LAB 69.06, 16.31, -37.84

 

CMYK 0 / 20 / 32 / 7

HEX #EDBDA0

RGB 237 189 160

HSL 22.6, 0.68%, 0.78%

LAB 80.14, 13.23, 21.21

 

CMYK 32 / 0 / 7 / 7

HEX #A1EDDD

RGB 161 237 221

HSL 167.37, 0.68%, 0.78%

LAB 88.62, -26.78, 0.28

 

CMYK 7 / 32 / 0 / 7

HEX #DCA0ED

RGB 220 160 237

HSL 286.75, 0.68%, 0.78%

LAB 73.85, 35.28, -30.01

 

CMYK 0 / 7 / 32 / 7

HEX #EDDCA0

RGB 237 220 160

HSL 46.75, 0.68%, 0.78%

LAB 87.84, -2.89, 31.64

 

CMYK 32 / 0 / 7 / 7

HEX #A1EDDD

RGB 161 237 221

HSL 167.37, 0.68%, 0.78%

LAB 88.62, -26.78, 0.28

 

CMYK 32 / 32 / 0 / 7

HEX #A0A2ED

RGB 160 162 237

HSL 238.44, 0.68%, 0.78%

LAB 69.06, 16.31, -37.84

 

CMYK 0 / 32 / 25 / 7

HEX #EDA0B1

RGB 237 160 177

HSL 346.75, 0.68%, 0.78%

LAB 73.75, 30.88, 2.94

 

CMYK 0 / 1 / 32 / 7

HEX #EDEBA0

RGB 237 235 160

HSL 58.44, 0.68%, 0.78%

LAB 91.67, -10.45, 36.71

 

CMYK 32 / 0 / 7 / 7

HEX #A1EDDD

RGB 161 237 221

HSL 167.37, 0.68%, 0.78%

LAB 88.62, -26.78, 0.28

 

CMYK 23 / 32 / 0 / 7

HEX #B6A0ED

RGB 182 160 237

HSL 257.14, 0.68%, 0.78%

LAB 70.32, 23.75, -35.76

 

CMYK 0 / 32 / 25 / 7

HEX #EDA0B1

RGB 237 160 177

HSL 346.75, 0.68%, 0.78%

LAB 73.75, 30.88, 2.94

 

CMYK 9 / 0 / 32 / 7

HEX #D7EDA0

RGB 215 237 160

HSL 77.14, 0.68%, 0.78%

LAB 90.58, -19.65, 34.98

 

Description

Color code: HEX #A1EDDD | qconv.com Color code: HEX #A1EDDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 237 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 237 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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