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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1F17F it is the complementary color #5E0E80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1F17F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1F17F shade: #A6F17A, #B7FF8D, #C8FFA0, #D9FFB3 and #EAFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1F17F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1F17F shade: #A1F17F, #90DF6C, #7FCD59, #6EBB46 and #5DA933

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1F17F shade: #A0F07E, #BFF07E, #DEF07E, #F0E47E and #F0C57E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1F17F shade: #A0F07E, #81F07E, #7EF09A, #7EF0B8 and #7EF0D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1F17F shade matches the following richer shades: #A0F07E and #9BFC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1F17F shade: #A0F07E, #A5E58A, #A9D995, #AECEA1 and #B3C2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1F17F shade: #DDF07E, #BFF07E, #A0F07E, #82F07E and #7EF099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1F17F shade: #69E834, #85EC59, #A0F07E, #BBF4A3 and #D7F8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1F17F shade: #A1F17F, #7EF0E5 and #F07ECE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1F17F shade: #A1F17F, #7EA0F0 and #F07EA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1F17F shade: #A1F17F, #7EF0E5, #CE7EF0 and #F07E89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1F17F shade: #A1F17F, #7ED9F0, #CE7EF0 and #F0957E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 47 / 5

HEX #A1F17F

RGB 161 241 127

HSL 102.11, 0.8%, 0.72%

LAB 87.98, -44.6, 47.21

 

Complementary color

CMYK 27 / 89 / 0 / 50

HEX #5E0E80

RGB 94 14 128

HSL 282.11, 0.8%, 0.28%

LAB 24.49, 50.55, -45.35

 

CMYK 31 / 0 / 49 / 5

HEX #A6F17A

RGB 166 241 122

HSL 97.82, 0.81%, 0.71%

LAB 88.17, -43.53, 49.87

 

CMYK 28 / 0 / 45 / 0

HEX #B7FF8D

RGB 183 255 141

HSL 97.89, 1%, 0.78%

LAB 93.24, -41.7, 47.34

 

CMYK 22 / 0 / 37 / 0

HEX #C8FFA0

RGB 200 255 160

HSL 94.74, 1%, 0.81%

LAB 94.46, -33.51, 39.89

 

CMYK 15 / 0 / 30 / 0

HEX #D9FFB3

RGB 217 255 179

HSL 90, 1%, 0.85%

LAB 95.8, -25.03, 32.42

 

CMYK 8 / 0 / 22 / 0

HEX #EAFFC6

RGB 234 255 198

HSL 82.11, 1%, 0.89%

LAB 97.26, -16.35, 25.02

 

CMYK 33 / 0 / 47 / 5

HEX #A1F17F

RGB 161 241 127

HSL 102.11, 0.8%, 0.72%

LAB 87.98, -44.6, 47.21

 

CMYK 35 / 0 / 52 / 13

HEX #90DF6C

RGB 144 223 108

HSL 101.22, 0.64%, 0.65%

LAB 81.72, -44.67, 48.37

 

CMYK 38 / 0 / 57 / 20

HEX #7FCD59

RGB 127 205 89

HSL 100.34, 0.54%, 0.58%

LAB 75.39, -44.68, 49.49

 

CMYK 41 / 0 / 63 / 27

HEX #6EBB46

RGB 110 187 70

HSL 99.49, 0.46%, 0.5%

LAB 68.97, -44.57, 50.48

 

CMYK 45 / 0 / 70 / 34

HEX #5DA933

RGB 93 169 51

HSL 98.64, 0.54%, 0.43%

LAB 62.46, -44.3, 51.2

 

CMYK 33 / 0 / 48 / 6

HEX #A0F07E

RGB 160 240 126

HSL 102.11, 0.79%, 0.72%

LAB 87.63, -44.61, 47.25

 

CMYK 20 / 0 / 48 / 6

HEX #BFF07E

RGB 191 240 126

HSL 85.79, 0.79%, 0.72%

LAB 89.35, -33.89, 49.75

 

CMYK 8 / 0 / 48 / 6

HEX #DEF07E

RGB 222 240 126

HSL 69.47, 0.79%, 0.72%

LAB 91.4, -22.28, 52.71

 

CMYK 0 / 5 / 48 / 6

HEX #F0E47E

RGB 240 228 126

HSL 53.68, 0.79%, 0.72%

LAB 89.64, -9.35, 50.9

 

CMYK 0 / 18 / 48 / 6

HEX #F0C57E

RGB 240 197 126

HSL 37.37, 0.79%, 0.72%

LAB 81.82, 6.49, 41.22

 

CMYK 33 / 0 / 48 / 6

HEX #A0F07E

RGB 160 240 126

HSL 102.11, 0.79%, 0.72%

LAB 87.63, -44.61, 47.25

 

CMYK 46 / 0 / 48 / 6

HEX #81F07E

RGB 129 240 126

HSL 118.42, 0.79%, 0.72%

LAB 86.25, -54.02, 45.24

 

CMYK 48 / 0 / 36 / 6

HEX #7EF09A

RGB 126 240 154

HSL 134.74, 0.79%, 0.72%

LAB 86.55, -50.6, 31.79

 

CMYK 48 / 0 / 23 / 6

HEX #7EF0B8

RGB 126 240 184

HSL 150.53, 0.79%, 0.72%

LAB 87.1, -45.09, 17.19

 

CMYK 48 / 0 / 10 / 6

HEX #7EF0D7

RGB 126 240 215

HSL 166.84, 0.79%, 0.72%

LAB 87.81, -38.42, 2.05

 

CMYK 33 / 0 / 48 / 6

HEX #A0F07E

RGB 160 240 126

HSL 102.11, 0.79%, 0.72%

LAB 87.63, -44.61, 47.25

 

CMYK 38 / 0 / 55 / 1

HEX #9BFC72

RGB 155 252 114

HSL 102.17, 0.96%, 0.72%

LAB 90.69, -52.6, 56.42

 

CMYK 33 / 0 / 48 / 6

HEX #A0F07E

RGB 160 240 126

HSL 102.11, 0.79%, 0.72%

LAB 87.63, -44.61, 47.25

 

CMYK 28 / 0 / 40 / 10

HEX #A5E58A

RGB 165 229 138

HSL 102.2, 0.64%, 0.72%

LAB 84.93, -36.54, 38.04

 

CMYK 22 / 0 / 31 / 15

HEX #A9D995

RGB 169 217 149

HSL 102.35, 0.47%, 0.72%

LAB 81.96, -27.99, 28.58

 

CMYK 16 / 0 / 22 / 19

HEX #AECEA1

RGB 174 206 161

HSL 102.67, 0.31%, 0.72%

LAB 79.45, -18.98, 18.92

 

CMYK 8 / 0 / 11 / 24

HEX #B3C2AC

RGB 179 194 172

HSL 100.91, 0.15%, 0.72%

LAB 76.77, -9.21, 9.32

 

CMYK 8 / 0 / 48 / 6

HEX #DDF07E

RGB 221 240 126

HSL 70, 0.79%, 0.72%

LAB 91.32, -22.67, 52.61

 

CMYK 20 / 0 / 48 / 6

HEX #BFF07E

RGB 191 240 126

HSL 85.79, 0.79%, 0.72%

LAB 89.35, -33.89, 49.75

 

CMYK 33 / 0 / 48 / 6

HEX #A0F07E

RGB 160 240 126

HSL 102.11, 0.79%, 0.72%

LAB 87.63, -44.61, 47.25

 

CMYK 46 / 0 / 48 / 6

HEX #82F07E

RGB 130 240 126

HSL 117.89, 0.79%, 0.72%

LAB 86.29, -53.74, 45.29

 

CMYK 48 / 0 / 36 / 6

HEX #7EF099

RGB 126 240 153

HSL 134.21, 0.79%, 0.72%

LAB 86.53, -50.77, 32.28

 

CMYK 55 / 0 / 78 / 9

HEX #69E834

RGB 105 232 52

HSL 102.33, 0.8%, 0.56%

LAB 82.36, -64.55, 70.71

 

CMYK 44 / 0 / 62 / 7

HEX #85EC59

RGB 133 236 89

HSL 102.04, 0.79%, 0.64%

LAB 84.84, -55.43, 60.28

 

CMYK 33 / 0 / 48 / 6

HEX #A0F07E

RGB 160 240 126

HSL 102.11, 0.79%, 0.72%

LAB 87.63, -44.61, 47.25

 

CMYK 23 / 0 / 33 / 4

HEX #BBF4A3

RGB 187 244 163

HSL 102.22, 0.79%, 0.8%

LAB 90.74, -32.47, 33.36

 

CMYK 13 / 0 / 19 / 3

HEX #D7F8C8

RGB 215 248 200

HSL 101.25, 0.77%, 0.88%

LAB 94.21, -19.2, 19.56

 

CMYK 33 / 0 / 47 / 5

HEX #A1F17F

RGB 161 241 127

HSL 102.11, 0.8%, 0.72%

LAB 87.98, -44.6, 47.21

 

CMYK 48 / 0 / 5 / 6

HEX #7EF0E5

RGB 126 240 229

HSL 174.21, 0.79%, 0.72%

LAB 88.17, -35.12, -4.75

 

CMYK 0 / 48 / 14 / 6

HEX #F07ECE

RGB 240 126 206

HSL 317.89, 0.79%, 0.72%

LAB 67.95, 53.63, -21.77

 

CMYK 33 / 0 / 47 / 5

HEX #A1F17F

RGB 161 241 127

HSL 102.11, 0.8%, 0.72%

LAB 87.98, -44.6, 47.21

 

CMYK 48 / 33 / 0 / 6

HEX #7EA0F0

RGB 126 160 240

HSL 222.11, 0.79%, 0.72%

LAB 66.42, 9.51, -43.78

 

CMYK 0 / 48 / 33 / 6

HEX #F07EA0

RGB 240 126 160

HSL 342.11, 0.79%, 0.72%

LAB 66.51, 47.29, 1.96

 

CMYK 33 / 0 / 47 / 5

HEX #A1F17F

RGB 161 241 127

HSL 102.11, 0.8%, 0.72%

LAB 87.98, -44.6, 47.21

 

CMYK 48 / 0 / 5 / 6

HEX #7EF0E5

RGB 126 240 229

HSL 174.21, 0.79%, 0.72%

LAB 88.17, -35.12, -4.75

 

CMYK 14 / 48 / 0 / 6

HEX #CE7EF0

RGB 206 126 240

HSL 282.11, 0.79%, 0.72%

LAB 65.23, 49.82, -45.19

 

CMYK 0 / 48 / 43 / 6

HEX #F07E89

RGB 240 126 137

HSL 354.21, 0.79%, 0.72%

LAB 65.95, 44.71, 14.18

 

CMYK 33 / 0 / 47 / 5

HEX #A1F17F

RGB 161 241 127

HSL 102.11, 0.8%, 0.72%

LAB 87.98, -44.6, 47.21

 

CMYK 48 / 10 / 0 / 6

HEX #7ED9F0

RGB 126 217 240

HSL 192.11, 0.79%, 0.72%

LAB 82.03, -21.23, -19.72

 

CMYK 14 / 48 / 0 / 6

HEX #CE7EF0

RGB 206 126 240

HSL 282.11, 0.79%, 0.72%

LAB 65.23, 49.82, -45.19

 

CMYK 0 / 38 / 48 / 6

HEX #F0957E

RGB 240 149 126

HSL 12.11, 0.79%, 0.72%

LAB 70.54, 31.8, 26.59

 

Description

Color code: HEX #A1F17F | qconv.com Color code: HEX #A1F17F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 241 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 241 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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