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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2027C it is the complementary color #5DFD83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2027C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2027C shade: #A70277, #B8148A, #C9269D, #DA38B0 and #EB4AC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2027C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2027C shade: #A2027C, #910069, #800056, #6F0043 and #5E0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2027C shade: #A1017B, #A10150, #A10125 and #A10101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2027C shade: #A1017B, #9C01A1, #7101A1, #4601A1 and #1B01A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2027C shade matches the following richer shades: #A1017B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2027C shade: #A1017B, #940E74, #871C6D, #792966 and #6C365F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2027C shade: #7101A1, #9C01A1, #A1017C, #A10151 and #A10126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2027C shade: #4F003D, #78015C, #A1017B, #CA029A and #F302BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2027C shade: #A2027C, #A14601 and #01A186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2027C shade: #A2027C, #7CA101 and #017CA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2027C shade: #A2027C, #A14601, #01A126 and #015CA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2027C shade: #A2027C, #A17601, #01A126 and #012CA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 23 / 36

HEX #A2027C

RGB 162 2 124

HSL 314.25, 0.98%, 0.32%

LAB 36.33, 64.53, -23.21

 

Complementary color

CMYK 63 / 0 / 48 / 1

HEX #5DFD83

RGB 93 253 131

HSL 134.25, 0.98%, 0.68%

LAB 89.02, -66.68, 46.07

 

CMYK 0 / 99 / 29 / 35

HEX #A70277

RGB 167 2 119

HSL 317.45, 0.98%, 0.33%

LAB 37.1, 64.95, -18.8

 

CMYK 0 / 89 / 25 / 28

HEX #B8148A

RGB 184 20 138

HSL 316.83, 0.8%, 0.4%

LAB 42.04, 68.49, -22.67

 

CMYK 0 / 81 / 22 / 21

HEX #C9269D

RGB 201 38 157

HSL 316.2, 0.68%, 0.47%

LAB 47.29, 70.9, -25.78

 

CMYK 0 / 74 / 19 / 15

HEX #DA38B0

RGB 218 56 176

HSL 315.56, 0.69%, 0.54%

LAB 52.81, 72.3, -28.21

 

CMYK 0 / 69 / 17 / 8

HEX #EB4AC3

RGB 235 74 195

HSL 314.91, 0.8%, 0.61%

LAB 58.51, 72.99, -30.13

 

CMYK 0 / 99 / 23 / 36

HEX #A2027C

RGB 162 2 124

HSL 314.25, 0.98%, 0.32%

LAB 36.33, 64.53, -23.21

 

CMYK 0 / 100 / 28 / 43

HEX #910069

RGB 145 0 105

HSL 316.55, 1%, 0.28%

LAB 31.9, 59.02, -18.3

 

CMYK 0 / 100 / 33 / 50

HEX #800056

RGB 128 0 86

HSL 319.69, 1%, 0.25%

LAB 27.47, 53.18, -13.02

 

CMYK 0 / 100 / 40 / 56

HEX #6F0043

RGB 111 0 67

HSL 323.78, 1%, 0.22%

LAB 22.95, 47.24, -7.41

 

CMYK 0 / 100 / 49 / 63

HEX #5E0030

RGB 94 0 48

HSL 329.36, 1%, 0.18%

LAB 18.33, 41.2, -1.38

 

CMYK 0 / 99 / 24 / 37

HEX #A1017B

RGB 161 1 123

HSL 314.25, 0.99%, 0.32%

LAB 36.04, 64.32, -23.04

 

CMYK 0 / 99 / 50 / 37

HEX #A10150

RGB 161 1 80

HSL 330.38, 0.99%, 0.32%

LAB 34.35, 59.95, 1.95

 

CMYK 0 / 99 / 77 / 37

HEX #A10125

RGB 161 1 37

HSL 346.5, 0.99%, 0.32%

LAB 33.42, 57.44, 28.74

 

CMYK 0 / 99 / 99 / 37

HEX #A10101

RGB 161 1 1

HSL 0, 0.99%, 0.32%

LAB 33.14, 56.67, 46.83

 

CMYK 0 / 99 / 24 / 37

HEX #A1017B

RGB 161 1 123

HSL 314.25, 0.99%, 0.32%

LAB 36.04, 64.32, -23.04

 

CMYK 3 / 99 / 0 / 37

HEX #9C01A1

RGB 156 1 161

HSL 298.13, 0.99%, 0.32%

LAB 37.23, 68.72, -44.6

 

CMYK 30 / 99 / 0 / 37

HEX #7101A1

RGB 113 1 161

HSL 282, 0.99%, 0.32%

LAB 29.68, 62.4, -57.2

 

CMYK 57 / 99 / 0 / 37

HEX #4601A1

RGB 70 1 161

HSL 265.88, 0.99%, 0.32%

LAB 23.33, 58.12, -67.88

 

CMYK 83 / 99 / 0 / 37

HEX #1B01A1

RGB 27 1 161

HSL 249.75, 0.99%, 0.32%

LAB 19.34, 56.21, -74.62

 

CMYK 0 / 99 / 24 / 37

HEX #A1017B

RGB 161 1 123

HSL 314.25, 0.99%, 0.32%

LAB 36.04, 64.32, -23.04

 

CMYK 0 / 99 / 24 / 37

HEX #A1017B

RGB 161 1 123

HSL 314.25, 0.99%, 0.32%

LAB 36.04, 64.32, -23.04

 

CMYK 0 / 91 / 22 / 42

HEX #940E74

RGB 148 14 116

HSL 314.33, 0.83%, 0.32%

LAB 33.71, 59.02, -22.45

 

CMYK 0 / 79 / 19 / 47

HEX #871C6D

RGB 135 28 109

HSL 314.58, 0.66%, 0.32%

LAB 32, 51.82, -20.86

 

CMYK 0 / 66 / 16 / 53

HEX #792966

RGB 121 41 102

HSL 314.25, 0.49%, 0.32%

LAB 30.9, 42.06, -18.27

 

CMYK 0 / 50 / 12 / 58

HEX #6C365F

RGB 108 54 95

HSL 314.44, 0.33%, 0.32%

LAB 31, 30, -13.79

 

CMYK 30 / 99 / 0 / 37

HEX #7101A1

RGB 113 1 161

HSL 282, 0.99%, 0.32%

LAB 29.68, 62.4, -57.2

 

CMYK 3 / 99 / 0 / 37

HEX #9C01A1

RGB 156 1 161

HSL 298.13, 0.99%, 0.32%

LAB 37.23, 68.72, -44.6

 

CMYK 0 / 99 / 23 / 37

HEX #A1017C

RGB 161 1 124

HSL 313.88, 0.99%, 0.32%

LAB 36.09, 64.45, -23.6

 

CMYK 0 / 99 / 50 / 37

HEX #A10151

RGB 161 1 81

HSL 330, 0.99%, 0.32%

LAB 34.38, 60.03, 1.35

 

CMYK 0 / 99 / 76 / 37

HEX #A10126

RGB 161 1 38

HSL 346.13, 0.99%, 0.32%

LAB 33.43, 57.48, 28.13

 

CMYK 0 / 100 / 23 / 69

HEX #4F003D

RGB 79 0 61

HSL 313.67, 1%, 0.15%

LAB 15.48, 39.18, -15.31

 

CMYK 0 / 99 / 23 / 53

HEX #78015C

RGB 120 1 92

HSL 314.12, 0.98%, 0.24%

LAB 26.12, 52.01, -19.21

 

CMYK 0 / 99 / 24 / 37

HEX #A1017B

RGB 161 1 123

HSL 314.25, 0.99%, 0.32%

LAB 36.04, 64.32, -23.04

 

CMYK 0 / 99 / 24 / 21

HEX #CA029A

RGB 202 2 154

HSL 314.4, 0.98%, 0.4%

LAB 45.54, 75.96, -26.67

 

CMYK 0 / 99 / 23 / 5

HEX #F302BA

RGB 243 2 186

HSL 314.19, 0.98%, 0.48%

LAB 54.7, 87.37, -30.74

 

CMYK 0 / 99 / 23 / 36

HEX #A2027C

RGB 162 2 124

HSL 314.25, 0.98%, 0.32%

LAB 36.33, 64.53, -23.21

 

CMYK 0 / 57 / 99 / 37

HEX #A14601

RGB 161 70 1

HSL 25.88, 0.99%, 0.32%

LAB 41.15, 34.78, 51.17

 

CMYK 99 / 0 / 17 / 37

HEX #01A186

RGB 1 161 134

HSL 169.88, 0.99%, 0.32%

LAB 59.18, -41.98, 4.1

 

CMYK 0 / 99 / 23 / 36

HEX #A2027C

RGB 162 2 124

HSL 314.25, 0.98%, 0.32%

LAB 36.33, 64.53, -23.21

 

CMYK 23 / 0 / 99 / 37

HEX #7CA101

RGB 124 161 1

HSL 73.88, 0.99%, 0.32%

LAB 61.46, -31.31, 63.57

 

CMYK 99 / 23 / 0 / 37

HEX #017CA1

RGB 1 124 161

HSL 193.88, 0.99%, 0.32%

LAB 48.25, -15.1, -27.87

 

CMYK 0 / 99 / 23 / 36

HEX #A2027C

RGB 162 2 124

HSL 314.25, 0.98%, 0.32%

LAB 36.33, 64.53, -23.21

 

CMYK 0 / 57 / 99 / 37

HEX #A14601

RGB 161 70 1

HSL 25.88, 0.99%, 0.32%

LAB 41.15, 34.78, 51.17

 

CMYK 99 / 0 / 76 / 37

HEX #01A126

RGB 1 161 38

HSL 133.88, 0.99%, 0.32%

LAB 57.69, -59.31, 50.56

 

CMYK 99 / 43 / 0 / 37

HEX #015CA1

RGB 1 92 161

HSL 205.88, 0.99%, 0.32%

LAB 38.26, 4.29, -43.65

 

CMYK 0 / 99 / 23 / 36

HEX #A2027C

RGB 162 2 124

HSL 314.25, 0.98%, 0.32%

LAB 36.33, 64.53, -23.21

 

CMYK 0 / 27 / 99 / 37

HEX #A17601

RGB 161 118 1

HSL 43.88, 0.99%, 0.32%

LAB 52.44, 8.15, 58.43

 

CMYK 99 / 0 / 76 / 37

HEX #01A126

RGB 1 161 38

HSL 133.88, 0.99%, 0.32%

LAB 57.69, -59.31, 50.56

 

CMYK 99 / 73 / 0 / 37

HEX #012CA1

RGB 1 44 161

HSL 223.88, 0.99%, 0.32%

LAB 24.89, 36.72, -65.42

 

Description

Color code: HEX #A2027C | qconv.com Color code: HEX #A2027C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 2 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 2 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 23 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 23% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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