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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A20B9F it is the complementary color #5DF460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A20B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A20B9F shade: #A70B9A, #B81DAD, #C92FC0, #DA41D3 and #EB53E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A20B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A20B9F shade: #A20B9F, #91008C, #800079, #6F0066 and #5E0053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A20B9F shade: #A20B9F, #A20B76, #A20B4D, #A20B25 and #A20B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A20B9F shade: #A20B9F, #7C0BA2, #530BA2, #2B0BA2 and #0B0BA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A20B9F shade matches the following richer shades: #A20B9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A20B9F shade: #A20B9F, #941991, #862784, #783576 and #6A4369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A20B9F shade: #540BA2, #7C0BA2, #A20B9F, #A20B77 and #A20B4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A20B9F shade: #540553, #7B0879, #A20B9F, #C80DC5 and #EE11EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A20B9F shade: #A20B9F, #A22B0B and #0BA268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A20B9F shade: #A20B9F, #9FA20B and #0B9FA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A20B9F shade: #A20B9F, #A22B0B, #0BA20D and #0B81A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A20B9F shade: #A20B9F, #A2590B, #0BA20D and #0B54A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

Complementary color

CMYK 62 / 0 / 61 / 4

HEX #5DF460

RGB 93 244 96

HSL 121.19, 0.87%, 0.66%

LAB 85.94, -67.94, 58.2

 

CMYK 0 / 93 / 8 / 35

HEX #A70B9A

RGB 167 11 154

HSL 305, 0.88%, 0.35%

LAB 39.22, 68.46, -37.07

 

CMYK 0 / 84 / 6 / 28

HEX #B81DAD

RGB 184 29 173

HSL 304.26, 0.73%, 0.42%

LAB 44.36, 71.54, -40.12

 

CMYK 0 / 77 / 4 / 21

HEX #C92FC0

RGB 201 47 192

HSL 303.51, 0.62%, 0.49%

LAB 49.81, 73.43, -42.44

 

CMYK 0 / 70 / 3 / 15

HEX #DA41D3

RGB 218 65 211

HSL 302.75, 0.67%, 0.55%

LAB 55.47, 74.46, -44.22

 

CMYK 0 / 65 / 2 / 8

HEX #EB53E6

RGB 235 83 230

HSL 301.97, 0.79%, 0.62%

LAB 61.27, 74.91, -45.61

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 100 / 3 / 43

HEX #91008C

RGB 145 0 140

HSL 302.07, 1%, 0.28%

LAB 33.8, 63.76, -37.37

 

CMYK 0 / 100 / 5 / 50

HEX #800079

RGB 128 0 121

HSL 303.28, 1%, 0.25%

LAB 29.34, 57.86, -32.79

 

CMYK 0 / 100 / 8 / 56

HEX #6F0066

RGB 111 0 102

HSL 304.86, 1%, 0.22%

LAB 24.76, 51.81, -28.04

 

CMYK 0 / 100 / 12 / 63

HEX #5E0053

RGB 94 0 83

HSL 307.02, 1%, 0.18%

LAB 20.06, 45.6, -23.09

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 93 / 27 / 36

HEX #A20B76

RGB 162 11 118

HSL 317.48, 0.87%, 0.34%

LAB 36.42, 62.71, -19.3

 

CMYK 0 / 93 / 52 / 36

HEX #A20B4D

RGB 162 11 77

HSL 333.77, 0.87%, 0.34%

LAB 34.92, 58.66, 4.75

 

CMYK 0 / 93 / 77 / 36

HEX #A20B25

RGB 162 11 37

HSL 349.67, 0.87%, 0.34%

LAB 34.1, 56.38, 29.56

 

CMYK 0 / 93 / 93 / 36

HEX #A20B0B

RGB 162 11 11

HSL 0, 0.87%, 0.34%

LAB 33.87, 55.74, 43.34

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 23 / 93 / 0 / 36

HEX #7C0BA2

RGB 124 11 162

HSL 284.9, 0.87%, 0.34%

LAB 32.11, 62.56, -53.76

 

CMYK 49 / 93 / 0 / 36

HEX #530BA2

RGB 83 11 162

HSL 268.61, 0.87%, 0.34%

LAB 25.82, 57.4, -64.3

 

CMYK 73 / 93 / 0 / 36

HEX #2B0BA2

RGB 43 11 162

HSL 252.72, 0.87%, 0.34%

LAB 21.44, 54.39, -71.71

 

CMYK 93 / 93 / 0 / 36

HEX #0B0BA2

RGB 11 11 162

HSL 240, 0.87%, 0.34%

LAB 19.72, 53.4, -74.62

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 83 / 2 / 42

HEX #941991

RGB 148 25 145

HSL 301.46, 0.71%, 0.34%

LAB 36.05, 61.01, -36.83

 

CMYK 0 / 71 / 1 / 47

HEX #862784

RGB 134 39 132

HSL 301.26, 0.55%, 0.34%

LAB 34.37, 51.43, -31.64

 

CMYK 0 / 56 / 2 / 53

HEX #783576

RGB 120 53 118

HSL 301.79, 0.39%, 0.34%

LAB 33.66, 38.77, -24.15

 

CMYK 0 / 37 / 1 / 58

HEX #6A4369

RGB 106 67 105

HSL 301.54, 0.23%, 0.34%

LAB 34.19, 23.6, -15.31

 

CMYK 48 / 93 / 0 / 36

HEX #540BA2

RGB 84 11 162

HSL 269.01, 0.87%, 0.34%

LAB 25.96, 57.5, -64.07

 

CMYK 23 / 93 / 0 / 36

HEX #7C0BA2

RGB 124 11 162

HSL 284.9, 0.87%, 0.34%

LAB 32.11, 62.56, -53.76

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 93 / 27 / 36

HEX #A20B77

RGB 162 11 119

HSL 317.09, 0.87%, 0.34%

LAB 36.47, 62.83, -19.86

 

CMYK 0 / 93 / 51 / 36

HEX #A20B4F

RGB 162 11 79

HSL 332.98, 0.87%, 0.34%

LAB 34.97, 58.82, 3.53

 

CMYK 0 / 94 / 1 / 67

HEX #540553

RGB 84 5 83

HSL 300.76, 0.89%, 0.17%

LAB 18.44, 42.22, -25.79

 

CMYK 0 / 93 / 2 / 52

HEX #7B0879

RGB 123 8 121

HSL 301.04, 0.88%, 0.26%

LAB 28.81, 55.62, -33.68

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 94 / 1 / 22

HEX #C80DC5

RGB 200 13 197

HSL 300.96, 0.88%, 0.42%

LAB 47.75, 80.3, -48.62

 

CMYK 0 / 93 / 2 / 7

HEX #EE11EA

RGB 238 17 234

HSL 301.09, 0.87%, 0.5%

LAB 56.6, 91.52, -55.23

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 73 / 93 / 36

HEX #A22B0B

RGB 162 43 11

HSL 12.72, 0.87%, 0.34%

LAB 36.81, 47.45, 45.29

 

CMYK 93 / 0 / 36 / 36

HEX #0BA268

RGB 11 162 104

HSL 156.95, 0.87%, 0.34%

LAB 58.89, -49.31, 20.44

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 2 / 0 / 93 / 36

HEX #9FA20B

RGB 159 162 11

HSL 61.19, 0.87%, 0.34%

LAB 64.35, -16.53, 65.54

 

CMYK 93 / 2 / 0 / 36

HEX #0B9FA2

RGB 11 159 162

HSL 181.19, 0.87%, 0.34%

LAB 59.41, -32.4, -11.38

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 73 / 93 / 36

HEX #A22B0B

RGB 162 43 11

HSL 12.72, 0.87%, 0.34%

LAB 36.81, 47.45, 45.29

 

CMYK 93 / 0 / 92 / 36

HEX #0BA20D

RGB 11 162 13

HSL 120.79, 0.87%, 0.34%

LAB 57.98, -60.41, 57.42

 

CMYK 93 / 20 / 0 / 36

HEX #0B81A2

RGB 11 129 162

HSL 193.11, 0.87%, 0.34%

LAB 49.95, -17.06, -25.81

 

CMYK 0 / 93 / 2 / 36

HEX #A20B9F

RGB 162 11 159

HSL 301.19, 0.87%, 0.34%

LAB 38.59, 68.29, -41.15

 

CMYK 0 / 45 / 93 / 36

HEX #A2590B

RGB 162 89 11

HSL 30.99, 0.87%, 0.34%

LAB 45.43, 25.16, 51.39

 

CMYK 93 / 0 / 92 / 36

HEX #0BA20D

RGB 11 162 13

HSL 120.79, 0.87%, 0.34%

LAB 57.98, -60.41, 57.42

 

CMYK 93 / 48 / 0 / 36

HEX #0B54A2

RGB 11 84 162

HSL 210.99, 0.87%, 0.34%

LAB 36.02, 10.46, -47.83

 

Description

Color code: HEX #A20B9F | qconv.com Color code: HEX #A20B9F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 11 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 11 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 2 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 2% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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