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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A20DAE it is the complementary color #5DF251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A20DAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A20DAE shade: #A70DA9, #B81FBC, #C931CF, #DA43E2 and #EB55F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A20DAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A20DAE shade: #A20DAE, #91009B, #800088, #6F0075 and #5E0062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A20DAE shade: #A30DAF, #AF0D8F, #AF0D64, #AF0D38 and #AF0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A20DAE shade: #A30DAF, #770DAF, #4B0DAF, #200DAF and #0D0DAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A20DAE shade matches the following richer shades: #A30DAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A20DAE shade: #A30DAF, #961CA0, #892B90, #7C3B81 and #6F4A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A20DAE shade: #4B0DAF, #760DAF, #A10DAF, #AF0D91 and #AF0D66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A20DAE shade: #5B0762, #7F0A89, #A30DAF, #C710D5 and #DE20EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A20DAE shade: #A20DAE, #AF200D and #0DAF61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A20DAE shade: #A20DAE, #AFA10D and #0DAFA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A20DAE shade: #A20DAE, #AF200D, #1AAF0D and #0D9CAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A20DAE shade: #A20DAE, #AF500D, #1AAF0D and #0D6BAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 93 / 0 / 32

HEX #A20DAE

RGB 162 13 174

HSL 295.53, 0.86%, 0.37%

LAB 39.62, 70.39, -48.49

 

Complementary color

CMYK 62 / 0 / 67 / 5

HEX #5DF251

RGB 93 242 81

HSL 115.53, 0.86%, 0.63%

LAB 85.21, -68.73, 63.5

 

CMYK 1 / 92 / 0 / 34

HEX #A70DA9

RGB 167 13 169

HSL 299.23, 0.86%, 0.36%

LAB 40.19, 70.45, -44.55

 

CMYK 2 / 84 / 0 / 26

HEX #B81FBC

RGB 184 31 188

HSL 298.47, 0.72%, 0.43%

LAB 45.36, 73.41, -47.35

 

CMYK 3 / 76 / 0 / 19

HEX #C931CF

RGB 201 49 207

HSL 297.72, 0.62%, 0.5%

LAB 50.83, 75.21, -49.48

 

CMYK 4 / 70 / 0 / 11

HEX #DA43E2

RGB 218 67 226

HSL 296.98, 0.73%, 0.57%

LAB 56.5, 76.19, -51.09

 

CMYK 4 / 65 / 0 / 4

HEX #EB55F5

RGB 235 85 245

HSL 296.25, 0.89%, 0.65%

LAB 62.3, 76.6, -52.34

 

CMYK 7 / 93 / 0 / 32

HEX #A20DAE

RGB 162 13 174

HSL 295.53, 0.86%, 0.37%

LAB 39.62, 70.39, -48.49

 

CMYK 6 / 100 / 0 / 39

HEX #91009B

RGB 145 0 155

HSL 296.13, 1%, 0.3%

LAB 34.77, 66.1, -45.01

 

CMYK 6 / 100 / 0 / 47

HEX #800088

RGB 128 0 136

HSL 296.47, 1%, 0.27%

LAB 30.32, 60.23, -40.65

 

CMYK 5 / 100 / 0 / 54

HEX #6F0075

RGB 111 0 117

HSL 296.92, 1%, 0.23%

LAB 25.75, 54.21, -36.16

 

CMYK 4 / 100 / 0 / 62

HEX #5E0062

RGB 94 0 98

HSL 297.55, 1%, 0.19%

LAB 21.06, 48.03, -31.52

 

CMYK 7 / 93 / 0 / 31

HEX #A30DAF

RGB 163 13 175

HSL 295.56, 0.86%, 0.37%

LAB 39.86, 70.72, -48.69

 

CMYK 0 / 93 / 18 / 31

HEX #AF0D8F

RGB 175 13 143

HSL 311.85, 0.86%, 0.37%

LAB 40.22, 68.25, -28.69

 

CMYK 0 / 93 / 43 / 31

HEX #AF0D64

RGB 175 13 100

HSL 327.78, 0.86%, 0.37%

LAB 38.41, 63.46, -4.64

 

CMYK 0 / 93 / 68 / 31

HEX #AF0D38

RGB 175 13 56

HSL 344.07, 0.86%, 0.37%

LAB 37.28, 60.32, 22.03

 

CMYK 0 / 93 / 93 / 31

HEX #AF0D0D

RGB 175 13 13

HSL 0, 0.86%, 0.37%

LAB 36.8, 58.99, 45.82

 

CMYK 7 / 93 / 0 / 31

HEX #A30DAF

RGB 163 13 175

HSL 295.56, 0.86%, 0.37%

LAB 39.86, 70.72, -48.69

 

CMYK 32 / 93 / 0 / 31

HEX #770DAF

RGB 119 13 175

HSL 279.26, 0.86%, 0.37%

LAB 32.49, 64.1, -61

 

CMYK 57 / 93 / 0 / 31

HEX #4B0DAF

RGB 75 13 175

HSL 262.96, 0.86%, 0.37%

LAB 26.39, 59.35, -71.26

 

CMYK 82 / 93 / 0 / 31

HEX #200DAF

RGB 32 13 175

HSL 247.04, 0.86%, 0.37%

LAB 22.62, 56.94, -77.63

 

CMYK 93 / 93 / 0 / 31

HEX #0D0DAF

RGB 13 13 175

HSL 240, 0.86%, 0.37%

LAB 21.83, 56.5, -78.97

 

CMYK 7 / 93 / 0 / 31

HEX #A30DAF

RGB 163 13 175

HSL 295.56, 0.86%, 0.37%

LAB 39.86, 70.72, -48.69

 

CMYK 7 / 93 / 0 / 31

HEX #A30DAF

RGB 163 13 175

HSL 295.56, 0.86%, 0.37%

LAB 39.86, 70.72, -48.69

 

CMYK 6 / 83 / 0 / 37

HEX #961CA0

RGB 150 28 160

HSL 295.45, 0.7%, 0.37%

LAB 37.58, 63.14, -43.5

 

CMYK 5 / 70 / 0 / 44

HEX #892B90

RGB 137 43 144

HSL 295.84, 0.54%, 0.37%

LAB 36.1, 52.74, -36.26

 

CMYK 4 / 54 / 0 / 49

HEX #7C3B81

RGB 124 59 129

HSL 295.71, 0.37%, 0.37%

LAB 35.98, 38.99, -27.34

 

CMYK 3 / 35 / 0 / 55

HEX #6F4A72

RGB 111 74 114

HSL 295.5, 0.21%, 0.37%

LAB 36.91, 23.04, -16.71

 

CMYK 57 / 93 / 0 / 31

HEX #4B0DAF

RGB 75 13 175

HSL 262.96, 0.86%, 0.37%

LAB 26.39, 59.35, -71.26

 

CMYK 33 / 93 / 0 / 31

HEX #760DAF

RGB 118 13 175

HSL 278.89, 0.86%, 0.37%

LAB 32.34, 63.96, -61.26

 

CMYK 8 / 93 / 0 / 31

HEX #A10DAF

RGB 161 13 175

HSL 294.81, 0.86%, 0.37%

LAB 39.51, 70.39, -49.28

 

CMYK 0 / 93 / 17 / 31

HEX #AF0D91

RGB 175 13 145

HSL 311.11, 0.86%, 0.37%

LAB 40.32, 68.51, -29.76

 

CMYK 0 / 93 / 42 / 31

HEX #AF0D66

RGB 175 13 102

HSL 327.04, 0.86%, 0.37%

LAB 38.48, 63.65, -5.8

 

CMYK 7 / 93 / 0 / 62

HEX #5B0762

RGB 91 7 98

HSL 295.38, 0.87%, 0.21%

LAB 21.05, 45.77, -31.57

 

CMYK 7 / 93 / 0 / 46

HEX #7F0A89

RGB 127 10 137

HSL 295.28, 0.86%, 0.29%

LAB 30.72, 58.68, -40.63

 

CMYK 7 / 93 / 0 / 31

HEX #A30DAF

RGB 163 13 175

HSL 295.56, 0.86%, 0.37%

LAB 39.86, 70.72, -48.69

 

CMYK 7 / 92 / 0 / 16

HEX #C710D5

RGB 199 16 213

HSL 295.74, 0.86%, 0.45%

LAB 48.66, 82.23, -56.41

 

CMYK 7 / 87 / 0 / 7

HEX #DE20EE

RGB 222 32 238

HSL 295.34, 0.86%, 0.53%

LAB 54.8, 87.6, -60.52

 

CMYK 7 / 93 / 0 / 32

HEX #A20DAE

RGB 162 13 174

HSL 295.53, 0.86%, 0.37%

LAB 39.62, 70.39, -48.49

 

CMYK 0 / 82 / 93 / 31

HEX #AF200D

RGB 175 32 13

HSL 7.04, 0.86%, 0.37%

LAB 38.16, 55.12, 46.72

 

CMYK 93 / 0 / 45 / 31

HEX #0DAF61

RGB 13 175 97

HSL 151.11, 0.86%, 0.37%

LAB 63.02, -55.32, 29.65

 

CMYK 7 / 93 / 0 / 32

HEX #A20DAE

RGB 162 13 174

HSL 295.53, 0.86%, 0.37%

LAB 39.62, 70.39, -48.49

 

CMYK 0 / 8 / 93 / 31

HEX #AFA10D

RGB 175 161 13

HSL 54.81, 0.86%, 0.37%

LAB 65.46, -8.83, 66.71

 

CMYK 93 / 0 / 8 / 31

HEX #0DAFA1

RGB 13 175 161

HSL 174.81, 0.86%, 0.37%

LAB 64.42, -39.97, -3.38

 

CMYK 7 / 93 / 0 / 32

HEX #A20DAE

RGB 162 13 174

HSL 295.53, 0.86%, 0.37%

LAB 39.62, 70.39, -48.49

 

CMYK 0 / 82 / 93 / 31

HEX #AF200D

RGB 175 32 13

HSL 7.04, 0.86%, 0.37%

LAB 38.16, 55.12, 46.72

 

CMYK 85 / 0 / 93 / 31

HEX #1AAF0D

RGB 26 175 13

HSL 115.19, 0.86%, 0.37%

LAB 62.43, -62.97, 61.24

 

CMYK 93 / 11 / 0 / 31

HEX #0D9CAF

RGB 13 156 175

HSL 187.04, 0.86%, 0.37%

LAB 58.94, -26.63, -19.46

 

CMYK 7 / 93 / 0 / 32

HEX #A20DAE

RGB 162 13 174

HSL 295.53, 0.86%, 0.37%

LAB 39.62, 70.39, -48.49

 

CMYK 0 / 54 / 93 / 31

HEX #AF500D

RGB 175 80 13

HSL 24.81, 0.86%, 0.37%

LAB 45.47, 35.48, 51.79

 

CMYK 85 / 0 / 93 / 31

HEX #1AAF0D

RGB 26 175 13

HSL 115.19, 0.86%, 0.37%

LAB 62.43, -62.97, 61.24

 

CMYK 93 / 39 / 0 / 31

HEX #0D6BAF

RGB 13 107 175

HSL 205.19, 0.86%, 0.37%

LAB 43.79, 0.95, -43.08

 

Description

Color code: HEX #A20DAE | qconv.com Color code: HEX #A20DAE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 13 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 13 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 93 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 93% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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