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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A21AB1 it is the complementary color #5DE54E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A21AB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A21AB1 shade: #A71AAC, #B82CBF, #C93ED2, #DA50E5 and #EB62F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A21AB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A21AB1 shade: #A21AB1, #91089E, #80008B, #6F0078 and #5E0065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A21AB1 shade: #A21AB1, #B11A97, #B11A6F, #B11A46 and #B11A1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A21AB1 shade: #A21AB1, #791AB1, #511AB1, #281AB1 and #1A1AB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A21AB1 shade matches the following richer shades: #A21AB1 and #AF0AC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A21AB1 shade: #A21AB1, #952BA0, #883B90, #7A4C7F and #6D5C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A21AB1 shade: #511AB1, #7A1AB1, #A21AB1, #B11A98 and #B11A70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A21AB1 shade: #600F69, #81158D, #A21AB1, #C31FD5 and #D13CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A21AB1 shade: #A21AB1, #B1291A and #1AB166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A21AB1 shade: #A21AB1, #B1A21A and #1AB1A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A21AB1 shade: #A21AB1, #B1291A, #29B11A and #1AA2B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A21AB1 shade: #A21AB1, #B1561A, #29B11A and #1A75B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

Complementary color

CMYK 59 / 0 / 66 / 10

HEX #5DE54E

RGB 93 229 78

HSL 114.04, 0.74%, 0.6%

LAB 81.25, -64.54, 60.41

 

CMYK 3 / 85 / 0 / 33

HEX #A71AAC

RGB 167 26 172

HSL 297.95, 0.74%, 0.39%

LAB 41.11, 68.78, -44.87

 

CMYK 4 / 77 / 0 / 25

HEX #B82CBF

RGB 184 44 191

HSL 297.14, 0.63%, 0.46%

LAB 46.65, 70.66, -47.05

 

CMYK 4 / 70 / 0 / 18

HEX #C93ED2

RGB 201 62 210

HSL 296.35, 0.62%, 0.53%

LAB 52.42, 71.64, -48.66

 

CMYK 5 / 65 / 0 / 10

HEX #DA50E5

RGB 218 80 229

HSL 295.57, 0.74%, 0.61%

LAB 58.32, 72, -49.88

 

CMYK 5 / 60 / 0 / 3

HEX #EB62F8

RGB 235 98 248

HSL 294.8, 0.91%, 0.68%

LAB 64.3, 71.97, -50.82

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 8 / 95 / 0 / 38

HEX #91089E

RGB 145 8 158

HSL 294.8, 0.9%, 0.33%

LAB 35.33, 65.56, -45.95

 

CMYK 8 / 100 / 0 / 45

HEX #80008B

RGB 128 0 139

HSL 295.25, 1%, 0.27%

LAB 30.53, 60.72, -42.18

 

CMYK 8 / 100 / 0 / 53

HEX #6F0078

RGB 111 0 120

HSL 295.5, 1%, 0.24%

LAB 25.97, 54.72, -37.73

 

CMYK 7 / 100 / 0 / 60

HEX #5E0065

RGB 94 0 101

HSL 295.84, 1%, 0.2%

LAB 21.28, 48.55, -33.15

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 0 / 85 / 15 / 31

HEX #B11A97

RGB 177 26 151

HSL 310.33, 0.74%, 0.4%

LAB 41.72, 67.61, -31.18

 

CMYK 0 / 85 / 37 / 31

HEX #B11A6F

RGB 177 26 111

HSL 326.23, 0.74%, 0.4%

LAB 39.97, 62.78, -9.22

 

CMYK 0 / 85 / 60 / 31

HEX #B11A46

RGB 177 26 70

HSL 342.52, 0.74%, 0.4%

LAB 38.77, 59.34, 15.11

 

CMYK 0 / 85 / 84 / 31

HEX #B11A1D

RGB 177 26 29

HSL 358.81, 0.74%, 0.4%

LAB 38.15, 57.5, 39.4

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 32 / 85 / 0 / 31

HEX #791AB1

RGB 121 26 177

HSL 277.75, 0.74%, 0.4%

LAB 33.94, 61.92, -59.81

 

CMYK 54 / 85 / 0 / 31

HEX #511AB1

RGB 81 26 177

HSL 261.85, 0.74%, 0.4%

LAB 28.54, 56.71, -68.87

 

CMYK 77 / 85 / 0 / 31

HEX #281AB1

RGB 40 26 177

HSL 245.56, 0.74%, 0.4%

LAB 24.84, 53.37, -75.12

 

CMYK 85 / 85 / 0 / 31

HEX #1A1AB1

RGB 26 26 177

HSL 240, 0.74%, 0.4%

LAB 24.11, 52.74, -76.36

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 9 / 95 / 0 / 24

HEX #AF0AC1

RGB 175 10 193

HSL 294.1, 0.9%, 0.4%

LAB 43.04, 75.89, -54.1

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 7 / 73 / 0 / 37

HEX #952BA0

RGB 149 43 160

HSL 294.36, 0.58%, 0.4%

LAB 38.99, 58.37, -41.24

 

CMYK 6 / 59 / 0 / 44

HEX #883B90

RGB 136 59 144

HSL 294.35, 0.42%, 0.4%

LAB 38.51, 45.38, -32.45

 

CMYK 4 / 40 / 0 / 50

HEX #7A4C7F

RGB 122 76 127

HSL 294.12, 0.25%, 0.4%

LAB 39.31, 28.41, -20.94

 

CMYK 2 / 17 / 0 / 56

HEX #6D5C6F

RGB 109 92 111

HSL 293.68, 0.09%, 0.4%

LAB 41.3, 10.65, -8.22

 

CMYK 54 / 85 / 0 / 31

HEX #511AB1

RGB 81 26 177

HSL 261.85, 0.74%, 0.4%

LAB 28.54, 56.71, -68.87

 

CMYK 31 / 85 / 0 / 31

HEX #7A1AB1

RGB 122 26 177

HSL 278.15, 0.74%, 0.4%

LAB 34.09, 62.07, -59.56

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 0 / 85 / 14 / 31

HEX #B11A98

RGB 177 26 152

HSL 309.93, 0.74%, 0.4%

LAB 41.77, 67.75, -31.71

 

CMYK 0 / 85 / 37 / 31

HEX #B11A70

RGB 177 26 112

HSL 325.83, 0.74%, 0.4%

LAB 40.01, 62.89, -9.79

 

CMYK 9 / 86 / 0 / 59

HEX #600F69

RGB 96 15 105

HSL 294, 0.75%, 0.24%

LAB 23.16, 46.07, -32.72

 

CMYK 9 / 85 / 0 / 45

HEX #81158D

RGB 129 21 141

HSL 294, 0.74%, 0.32%

LAB 32.09, 57.57, -40.89

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 8 / 85 / 0 / 16

HEX #C31FD5

RGB 195 31 213

HSL 294.07, 0.75%, 0.48%

LAB 48.74, 79.34, -56.31

 

CMYK 7 / 73 / 0 / 12

HEX #D13CE1

RGB 209 60 225

HSL 294.18, 0.73%, 0.56%

LAB 54.26, 76.47, -54.17

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 0 / 77 / 85 / 31

HEX #B1291A

RGB 177 41 26

HSL 5.96, 0.74%, 0.4%

LAB 39.59, 53.3, 42.26

 

CMYK 85 / 0 / 42 / 31

HEX #1AB166

RGB 26 177 102

HSL 150.2, 0.74%, 0.4%

LAB 63.85, -54.19, 28.14

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 0 / 8 / 85 / 31

HEX #B1A21A

RGB 177 162 26

HSL 54.04, 0.74%, 0.4%

LAB 65.95, -8.19, 64.61

 

CMYK 85 / 0 / 8 / 31

HEX #1AB1A2

RGB 26 177 162

HSL 174.04, 0.74%, 0.4%

LAB 65.18, -39.83, -2.8

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 0 / 77 / 85 / 31

HEX #B1291A

RGB 177 41 26

HSL 5.96, 0.74%, 0.4%

LAB 39.59, 53.3, 42.26

 

CMYK 77 / 0 / 85 / 31

HEX #29B11A

RGB 41 177 26

HSL 114.04, 0.74%, 0.4%

LAB 63.33, -61.23, 59.57

 

CMYK 85 / 8 / 0 / 31

HEX #1AA2B1

RGB 26 162 177

HSL 185.96, 0.74%, 0.4%

LAB 60.99, -28.23, -17.46

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 0 / 51 / 85 / 31

HEX #B1561A

RGB 177 86 26

HSL 23.84, 0.74%, 0.4%

LAB 47.08, 33.46, 48.75

 

CMYK 77 / 0 / 85 / 31

HEX #29B11A

RGB 41 177 26

HSL 114.04, 0.74%, 0.4%

LAB 63.33, -61.23, 59.57

 

CMYK 85 / 34 / 0 / 31

HEX #1A75B1

RGB 26 117 177

HSL 203.84, 0.74%, 0.4%

LAB 47.13, -3.57, -38.95

 

Description

Color code: HEX #A21AB1 | qconv.com Color code: HEX #A21AB1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 26 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 26 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 85 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 85% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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