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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A229B2 it is the complementary color #5DD64D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A229B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A229B2 shade: #A729AD, #B83BC0, #C94DD3, #DA5FE6 and #EB71F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A229B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A229B2 shade: #A229B2, #91179F, #80058C, #6F0079 and #5E0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A229B2 shade: #A228B2, #B2289D, #B22878, #B22853 and #B2282D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A229B2 shade: #A228B2, #7D28B2, #5828B2, #3228B2 and #2828B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A229B2 shade matches the following richer shades: #A228B2, #B016C4 and #BD05D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A229B2 shade: #A228B2, #943AA0, #874C8F, #795D7D and #6C6F6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A229B2 shade: #5628B2, #7B28B2, #A028B2, #B228A0 and #B2287B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A229B2 shade: #65196F, #832091, #A228B2, #BE33D0 and #C955D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A229B2 shade: #A229B2, #B23128 and #28B269

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A229B2 shade: #A229B2, #B2A028 and #28B2A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A229B2 shade: #A229B2, #B23128, #3AB228 and #28A9B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A229B2 shade: #A229B2, #B25B28, #3AB228 and #2880B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 77 / 0 / 30

HEX #A229B2

RGB 162 41 178

HSL 292.99, 0.63%, 0.43%

LAB 41.97, 64.96, -47.1

 

Complementary color

CMYK 57 / 0 / 64 / 16

HEX #5DD64D

RGB 93 214 77

HSL 112.99, 0.63%, 0.57%

LAB 76.65, -59.31, 55.81

 

CMYK 3 / 76 / 0 / 32

HEX #A729AD

RGB 167 41 173

HSL 297.27, 0.62%, 0.42%

LAB 42.49, 65.11, -43.26

 

CMYK 4 / 69 / 0 / 25

HEX #B83BC0

RGB 184 59 192

HSL 296.39, 0.53%, 0.49%

LAB 48.42, 65.95, -44.82

 

CMYK 5 / 64 / 0 / 17

HEX #C94DD3

RGB 201 77 211

HSL 295.52, 0.6%, 0.56%

LAB 54.48, 66.16, -45.96

 

CMYK 5 / 59 / 0 / 10

HEX #DA5FE6

RGB 218 95 230

HSL 294.67, 0.73%, 0.64%

LAB 60.61, 65.99, -46.82

 

CMYK 6 / 55 / 0 / 2

HEX #EB71F9

RGB 235 113 249

HSL 293.82, 0.92%, 0.71%

LAB 66.76, 65.59, -47.49

 

CMYK 9 / 77 / 0 / 30

HEX #A229B2

RGB 162 41 178

HSL 292.99, 0.63%, 0.43%

LAB 41.97, 64.96, -47.1

 

CMYK 9 / 86 / 0 / 38

HEX #91179F

RGB 145 23 159

HSL 293.82, 0.75%, 0.36%

LAB 36.24, 63.22, -45.08

 

CMYK 9 / 96 / 0 / 45

HEX #80058C

RGB 128 5 140

HSL 294.67, 0.93%, 0.28%

LAB 30.86, 60.12, -42.27

 

CMYK 8 / 100 / 0 / 53

HEX #6F0079

RGB 111 0 121

HSL 295.04, 1%, 0.24%

LAB 26.04, 54.89, -38.25

 

CMYK 8 / 100 / 0 / 60

HEX #5E0066

RGB 94 0 102

HSL 295.29, 1%, 0.2%

LAB 21.35, 48.72, -33.69

 

CMYK 9 / 78 / 0 / 30

HEX #A228B2

RGB 162 40 178

HSL 293.04, 0.63%, 0.43%

LAB 41.87, 65.26, -47.27

 

CMYK 0 / 78 / 12 / 30

HEX #B2289D

RGB 178 40 157

HSL 309.13, 0.63%, 0.43%

LAB 43.38, 65.26, -32.17

 

CMYK 0 / 78 / 33 / 30

HEX #B22878

RGB 178 40 120

HSL 325.22, 0.63%, 0.43%

LAB 41.75, 60.43, -12.12

 

CMYK 0 / 78 / 53 / 30

HEX #B22853

RGB 178 40 83

HSL 341.3, 0.63%, 0.43%

LAB 40.58, 56.83, 9.37

 

CMYK 0 / 78 / 75 / 30

HEX #B2282D

RGB 178 40 45

HSL 357.83, 0.63%, 0.43%

LAB 39.87, 54.55, 32.1

 

CMYK 9 / 78 / 0 / 30

HEX #A228B2

RGB 162 40 178

HSL 293.04, 0.63%, 0.43%

LAB 41.87, 65.26, -47.27

 

CMYK 30 / 78 / 0 / 30

HEX #7D28B2

RGB 125 40 178

HSL 276.96, 0.63%, 0.43%

LAB 36.16, 58.27, -56.76

 

CMYK 51 / 78 / 0 / 30

HEX #5828B2

RGB 88 40 178

HSL 260.87, 0.63%, 0.43%

LAB 31.36, 52.27, -64.8

 

CMYK 72 / 78 / 0 / 30

HEX #3228B2

RGB 50 40 178

HSL 244.35, 0.63%, 0.43%

LAB 27.87, 47.8, -70.67

 

CMYK 78 / 78 / 0 / 30

HEX #2828B2

RGB 40 40 178

HSL 240, 0.63%, 0.43%

LAB 27.25, 46.99, -71.72

 

CMYK 9 / 78 / 0 / 30

HEX #A228B2

RGB 162 40 178

HSL 293.04, 0.63%, 0.43%

LAB 41.87, 65.26, -47.27

 

CMYK 10 / 89 / 0 / 23

HEX #B016C4

RGB 176 22 196

HSL 293.1, 0.8%, 0.43%

LAB 43.93, 74.99, -54.4

 

CMYK 12 / 98 / 0 / 16

HEX #BD05D6

RGB 189 5 214

HSL 292.82, 0.95%, 0.43%

LAB 46.69, 81.85, -60.25

 

CMYK 9 / 78 / 0 / 30

HEX #A228B2

RGB 162 40 178

HSL 293.04, 0.63%, 0.43%

LAB 41.87, 65.26, -47.27

 

CMYK 7 / 64 / 0 / 37

HEX #943AA0

RGB 148 58 160

HSL 292.94, 0.47%, 0.43%

LAB 40.99, 52.09, -38.07

 

CMYK 6 / 47 / 0 / 44

HEX #874C8F

RGB 135 76 143

HSL 292.84, 0.31%, 0.43%

LAB 41.69, 35.95, -26.85

 

CMYK 3 / 26 / 0 / 51

HEX #795D7D

RGB 121 93 125

HSL 292.5, 0.15%, 0.43%

LAB 43.32, 17.48, -13.58

 

CMYK 3 / 0 / 4 / 56

HEX #6C6F6B

RGB 108 111 107

HSL 105, 0.02%, 0.43%

LAB 46.47, -1.96, 1.82

 

CMYK 52 / 78 / 0 / 30

HEX #5628B2

RGB 86 40 178

HSL 260, 0.63%, 0.43%

LAB 31.14, 51.98, -65.18

 

CMYK 31 / 78 / 0 / 30

HEX #7B28B2

RGB 123 40 178

HSL 276.09, 0.63%, 0.43%

LAB 35.87, 57.91, -57.24

 

CMYK 10 / 78 / 0 / 30

HEX #A028B2

RGB 160 40 178

HSL 292.17, 0.63%, 0.43%

LAB 41.54, 64.87, -47.81

 

CMYK 0 / 78 / 10 / 30

HEX #B228A0

RGB 178 40 160

HSL 307.83, 0.63%, 0.43%

LAB 43.54, 65.7, -33.73

 

CMYK 0 / 78 / 31 / 30

HEX #B2287B

RGB 178 40 123

HSL 323.91, 0.63%, 0.43%

LAB 41.86, 60.77, -13.81

 

CMYK 9 / 77 / 0 / 56

HEX #65196F

RGB 101 25 111

HSL 293.02, 0.63%, 0.27%

LAB 25.59, 45.05, -32.66

 

CMYK 10 / 78 / 0 / 43

HEX #832091

RGB 131 32 145

HSL 292.57, 0.64%, 0.35%

LAB 33.78, 55.56, -40.63

 

CMYK 9 / 78 / 0 / 30

HEX #A228B2

RGB 162 40 178

HSL 293.04, 0.63%, 0.43%

LAB 41.87, 65.26, -47.27

 

CMYK 9 / 75 / 0 / 18

HEX #BE33D0

RGB 190 51 208

HSL 293.12, 0.63%, 0.51%

LAB 49.34, 72.63, -52.53

 

CMYK 7 / 61 / 0 / 15

HEX #C955D8

RGB 201 85 216

HSL 293.13, 0.63%, 0.59%

LAB 55.96, 63.68, -46.45

 

CMYK 9 / 77 / 0 / 30

HEX #A229B2

RGB 162 41 178

HSL 292.99, 0.63%, 0.43%

LAB 41.97, 64.96, -47.1

 

CMYK 0 / 72 / 78 / 30

HEX #B23128

RGB 178 49 40

HSL 3.91, 0.63%, 0.43%

LAB 40.92, 51.26, 36.15

 

CMYK 78 / 0 / 41 / 30

HEX #28B269

RGB 40 178 105

HSL 148.26, 0.63%, 0.43%

LAB 64.41, -52.49, 27.32

 

CMYK 9 / 77 / 0 / 30

HEX #A229B2

RGB 162 41 178

HSL 292.99, 0.63%, 0.43%

LAB 41.97, 64.96, -47.1

 

CMYK 0 / 10 / 78 / 30

HEX #B2A028

RGB 178 160 40

HSL 52.17, 0.63%, 0.43%

LAB 65.56, -6.23, 60.25

 

CMYK 78 / 0 / 10 / 30

HEX #28B2A0

RGB 40 178 160

HSL 172.17, 0.63%, 0.43%

LAB 65.62, -39.58, -1.03

 

CMYK 9 / 77 / 0 / 30

HEX #A229B2

RGB 162 41 178

HSL 292.99, 0.63%, 0.43%

LAB 41.97, 64.96, -47.1

 

CMYK 0 / 72 / 78 / 30

HEX #B23128

RGB 178 49 40

HSL 3.91, 0.63%, 0.43%

LAB 40.92, 51.26, 36.15

 

CMYK 67 / 0 / 78 / 30

HEX #3AB228

RGB 58 178 40

HSL 112.17, 0.63%, 0.43%

LAB 64.07, -57.76, 56.42

 

CMYK 78 / 5 / 0 / 30

HEX #28A9B2

RGB 40 169 178

HSL 183.91, 0.63%, 0.43%

LAB 63.38, -30.12, -14.39

 

CMYK 9 / 77 / 0 / 30

HEX #A229B2

RGB 162 41 178

HSL 292.99, 0.63%, 0.43%

LAB 41.97, 64.96, -47.1

 

CMYK 0 / 49 / 78 / 30

HEX #B25B28

RGB 178 91 40

HSL 22.17, 0.63%, 0.43%

LAB 48.39, 31.7, 43.85

 

CMYK 67 / 0 / 78 / 30

HEX #3AB228

RGB 58 178 40

HSL 112.17, 0.63%, 0.43%

LAB 64.07, -57.76, 56.42

 

CMYK 78 / 28 / 0 / 30

HEX #2880B2

RGB 40 128 178

HSL 201.74, 0.63%, 0.43%

LAB 50.81, -8.31, -33.71

 

Description

Color code: HEX #A229B2 | qconv.com Color code: HEX #A229B2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 41 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 41 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 77 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 77% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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