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Color name
HEX #A2385D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2385D it is the complementary color #5DC7A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2385D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2385D shade: #A73858, #B84A6B, #C95C7E, #DA6E91 and #EB80A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2385D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2385D shade: #A2385D, #91264A, #801437, #6F0224 and #5E0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2385D shade: #A3375D, #A33740 and #A33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2385D shade: #A3375D, #A3377A, #A33797, #9237A3 and #7537A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2385D shade matches the following richer shades: #A3375D, #B52658, #C61452 and #D8024D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2385D shade: #A3375D, #914962, #7F5B68, #6E6D6D and #5C7E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2385D shade: #A33796, #A3377A, #A3375D, #A33740 and #A34B37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2385D shade: #65223A, #842D4B, #A3375D, #BF456F and #C96387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2385D shade: #A2385D, #A39337 and #3788A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2385D shade: #A2385D, #5DA337 and #375DA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2385D shade: #A2385D, #A39337, #37A37D and #3748A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2385D shade: #A2385D, #93A337, #37A37D and #4837A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 43 / 36

HEX #A2385D

RGB 162 56 93

HSL 339.06, 0.49%, 0.43%

LAB 40.08, 46.94, 1.95

 

Complementary color

CMYK 53 / 0 / 19 / 22

HEX #5DC7A2

RGB 93 199 162

HSL 159.06, 0.49%, 0.57%

LAB 73.4, -39.5, 9.3

 

CMYK 0 / 66 / 47 / 35

HEX #A73858

RGB 167 56 88

HSL 342.7, 0.5%, 0.44%

LAB 40.81, 48.04, 6.26

 

CMYK 0 / 60 / 42 / 28

HEX #B84A6B

RGB 184 74 107

HSL 342, 0.44%, 0.51%

LAB 47.17, 47.52, 4

 

CMYK 0 / 54 / 37 / 21

HEX #C95C7E

RGB 201 92 126

HSL 341.28, 0.5%, 0.57%

LAB 53.58, 46.77, 2.19

 

CMYK 0 / 50 / 33 / 15

HEX #DA6E91

RGB 218 110 145

HSL 340.56, 0.59%, 0.64%

LAB 59.98, 45.94, 0.68

 

CMYK 0 / 46 / 30 / 8

HEX #EB80A4

RGB 235 128 164

HSL 339.81, 0.73%, 0.71%

LAB 66.35, 45.08, -0.61

 

CMYK 0 / 65 / 43 / 36

HEX #A2385D

RGB 162 56 93

HSL 339.06, 0.49%, 0.43%

LAB 40.08, 46.94, 1.95

 

CMYK 0 / 74 / 49 / 43

HEX #91264A

RGB 145 38 74

HSL 339.81, 0.58%, 0.36%

LAB 33.77, 47.01, 4.62

 

CMYK 0 / 84 / 57 / 50

HEX #801437

RGB 128 20 55

HSL 340.56, 0.73%, 0.29%

LAB 27.75, 46.21, 8.23

 

CMYK 0 / 98 / 68 / 56

HEX #6F0224

RGB 111 2 36

HSL 341.28, 0.96%, 0.22%

LAB 22.13, 44.2, 13.04

 

CMYK 0 / 100 / 82 / 63

HEX #5E0011

RGB 94 0 17

HSL 349.15, 1%, 0.18%

LAB 17.55, 39.12, 19.55

 

CMYK 0 / 66 / 43 / 36

HEX #A3375D

RGB 163 55 93

HSL 338.89, 0.5%, 0.43%

LAB 40.1, 47.69, 2

 

CMYK 0 / 66 / 61 / 36

HEX #A33740

RGB 163 55 64

HSL 355, 0.5%, 0.43%

LAB 39.39, 45.12, 19.25

 

CMYK 0 / 66 / 66 / 36

HEX #A33737

RGB 163 55 55

HSL 0, 0.5%, 0.43%

LAB 39.23, 44.52, 24.61

 

CMYK 0 / 66 / 43 / 36

HEX #A3375D

RGB 163 55 93

HSL 338.89, 0.5%, 0.43%

LAB 40.1, 47.69, 2

 

CMYK 0 / 66 / 25 / 36

HEX #A3377A

RGB 163 55 122

HSL 322.78, 0.5%, 0.43%

LAB 41.1, 51.21, -14.6

 

CMYK 0 / 66 / 7 / 36

HEX #A33797

RGB 163 55 151

HSL 306.67, 0.5%, 0.43%

LAB 42.39, 55.58, -30.3

 

CMYK 10 / 66 / 0 / 36

HEX #9237A3

RGB 146 55 163

HSL 290.56, 0.5%, 0.43%

LAB 40.39, 53.5, -40.84

 

CMYK 28 / 66 / 0 / 36

HEX #7537A3

RGB 117 55 163

HSL 274.44, 0.5%, 0.43%

LAB 36.29, 46.69, -47.64

 

CMYK 0 / 66 / 43 / 36

HEX #A3375D

RGB 163 55 93

HSL 338.89, 0.5%, 0.43%

LAB 40.1, 47.69, 2

 

CMYK 0 / 79 / 51 / 29

HEX #B52658

RGB 181 38 88

HSL 339.02, 0.65%, 0.43%

LAB 41.08, 58.67, 7

 

CMYK 0 / 90 / 59 / 22

HEX #C61452

RGB 198 20 82

HSL 339.1, 0.82%, 0.43%

LAB 42.94, 66.59, 13.87

 

CMYK 0 / 99 / 64 / 15

HEX #D8024D

RGB 216 2 77

HSL 338.97, 0.98%, 0.43%

LAB 45.88, 72.51, 21.59

 

CMYK 0 / 66 / 43 / 36

HEX #A3375D

RGB 163 55 93

HSL 338.89, 0.5%, 0.43%

LAB 40.1, 47.69, 2

 

CMYK 0 / 50 / 32 / 43

HEX #914962

RGB 145 73 98

HSL 339.17, 0.33%, 0.43%

LAB 40.68, 33.27, -0.63

 

CMYK 0 / 28 / 18 / 50

HEX #7F5B68

RGB 127 91 104

HSL 338.33, 0.17%, 0.43%

LAB 42.75, 16.91, -1.57

 

CMYK 0 / 1 / 1 / 57

HEX #6E6D6D

RGB 110 109 109

HSL 0, 0%, 0.43%

LAB 46.12, 0.39, 0.13

 

CMYK 27 / 0 / 10 / 51

HEX #5C7E72

RGB 92 126 114

HSL 158.82, 0.16%, 0.43%

LAB 49.99, -14.78, 2.63

 

CMYK 0 / 66 / 8 / 36

HEX #A33796

RGB 163 55 150

HSL 307.22, 0.5%, 0.43%

LAB 42.34, 55.42, -29.77

 

CMYK 0 / 66 / 25 / 36

HEX #A3377A

RGB 163 55 122

HSL 322.78, 0.5%, 0.43%

LAB 41.1, 51.21, -14.6

 

CMYK 0 / 66 / 43 / 36

HEX #A3375D

RGB 163 55 93

HSL 338.89, 0.5%, 0.43%

LAB 40.1, 47.69, 2

 

CMYK 0 / 66 / 61 / 36

HEX #A33740

RGB 163 55 64

HSL 355, 0.5%, 0.43%

LAB 39.39, 45.12, 19.25

 

CMYK 0 / 54 / 66 / 36

HEX #A34B37

RGB 163 75 55

HSL 11.11, 0.5%, 0.43%

LAB 42.91, 34.87, 29.11

 

CMYK 0 / 66 / 43 / 60

HEX #65223A

RGB 101 34 58

HSL 338.51, 0.5%, 0.26%

LAB 24.37, 32.55, 0.65

 

CMYK 0 / 66 / 43 / 48

HEX #842D4B

RGB 132 45 75

HSL 339.31, 0.49%, 0.35%

LAB 32.46, 40.02, 1.76

 

CMYK 0 / 66 / 43 / 36

HEX #A3375D

RGB 163 55 93

HSL 338.89, 0.5%, 0.43%

LAB 40.1, 47.69, 2

 

CMYK 0 / 64 / 42 / 25

HEX #BF456F

RGB 191 69 111

HSL 339.34, 0.49%, 0.51%

LAB 47.6, 52.44, 2.33

 

CMYK 0 / 51 / 33 / 21

HEX #C96387

RGB 201 99 135

HSL 338.82, 0.49%, 0.59%

LAB 55.17, 44.4, -0.81

 

CMYK 0 / 65 / 43 / 36

HEX #A2385D

RGB 162 56 93

HSL 339.06, 0.49%, 0.43%

LAB 40.08, 46.94, 1.95

 

CMYK 0 / 10 / 66 / 36

HEX #A39337

RGB 163 147 55

HSL 51.11, 0.5%, 0.43%

LAB 60.72, -5.17, 49.16

 

CMYK 66 / 17 / 0 / 36

HEX #3788A3

RGB 55 136 163

HSL 195, 0.5%, 0.43%

LAB 53.02, -15.84, -21.59

 

CMYK 0 / 65 / 43 / 36

HEX #A2385D

RGB 162 56 93

HSL 339.06, 0.49%, 0.43%

LAB 40.08, 46.94, 1.95

 

CMYK 43 / 0 / 66 / 36

HEX #5DA337

RGB 93 163 55

HSL 98.89, 0.5%, 0.43%

LAB 60.6, -41.46, 47.59

 

CMYK 66 / 43 / 0 / 36

HEX #375DA3

RGB 55 93 163

HSL 218.89, 0.5%, 0.43%

LAB 40.06, 9.91, -41.89

 

CMYK 0 / 65 / 43 / 36

HEX #A2385D

RGB 162 56 93

HSL 339.06, 0.49%, 0.43%

LAB 40.08, 46.94, 1.95

 

CMYK 0 / 10 / 66 / 36

HEX #A39337

RGB 163 147 55

HSL 51.11, 0.5%, 0.43%

LAB 60.72, -5.17, 49.16

 

CMYK 66 / 0 / 23 / 36

HEX #37A37D

RGB 55 163 125

HSL 158.89, 0.5%, 0.43%

LAB 60.33, -39.88, 10.9

 

CMYK 66 / 56 / 0 / 36

HEX #3748A3

RGB 55 72 163

HSL 230.56, 0.5%, 0.43%

LAB 34.17, 23.68, -51.35

 

CMYK 0 / 65 / 43 / 36

HEX #A2385D

RGB 162 56 93

HSL 339.06, 0.49%, 0.43%

LAB 40.08, 46.94, 1.95

 

CMYK 10 / 0 / 66 / 36

HEX #93A337

RGB 147 163 55

HSL 68.89, 0.5%, 0.43%

LAB 63.9, -20.56, 52.07

 

CMYK 66 / 0 / 23 / 36

HEX #37A37D

RGB 55 163 125

HSL 158.89, 0.5%, 0.43%

LAB 60.33, -39.88, 10.9

 

CMYK 56 / 66 / 0 / 36

HEX #4837A3

RGB 72 55 163

HSL 249.44, 0.5%, 0.43%

LAB 31.24, 37.42, -56.06

 

Description

Color code: HEX #A2385D | qconv.com Color code: HEX #A2385D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 56 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 56 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 43 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 43% 36% C M Y K

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Provide designers and agencies with accurate color values.

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