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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A230AB it is the complementary color #5DCF54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A230AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A230AB shade: #A730A6, #B842B9, #C954CC, #DA66DF and #EB78F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A230AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A230AB shade: #A230AB, #911E98, #800C85, #6F0072 and #5E005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A230AB shade: #A230AB, #AB3092, #AB3071, #AB3050 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A230AB shade: #A230AB, #8030AB, #5F30AB, #3E30AB and #3030AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A230AB shade matches the following richer shades: #A230AB, #B11EBC and #C00CCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A230AB shade: #A230AB, #924199, #835387, #746575 and #657764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A230AB shade: #5F30AB, #8030AB, #A030AB, #AB3094 and #AB3073

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A230AB shade: #651E6A, #83278A, #A230AB, #BD3CC8 and #C85CD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A230AB shade: #A230AB, #AB3E30 and #30AB6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A230AB shade: #A230AB, #ABA030 and #30ABA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A230AB shade: #A230AB, #AB3E30, #3AAB30 and #309CAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A230AB shade: #A230AB, #AB6330, #3AAB30 and #3077AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

Complementary color

CMYK 55 / 0 / 59 / 19

HEX #5DCF54

RGB 93 207 84

HSL 115.61, 0.56%, 0.57%

LAB 74.57, -56, 50.44

 

CMYK 0 / 71 / 1 / 35

HEX #A730A6

RGB 167 48 166

HSL 300.5, 0.55%, 0.42%

LAB 42.89, 61.66, -38.47

 

CMYK 1 / 64 / 0 / 27

HEX #B842B9

RGB 184 66 185

HSL 299.5, 0.47%, 0.49%

LAB 48.99, 62.06, -39.82

 

CMYK 1 / 59 / 0 / 20

HEX #C954CC

RGB 201 84 204

HSL 298.5, 0.54%, 0.56%

LAB 55.19, 61.98, -40.84

 

CMYK 2 / 54 / 0 / 13

HEX #DA66DF

RGB 218 102 223

HSL 297.52, 0.65%, 0.64%

LAB 61.43, 61.61, -41.61

 

CMYK 3 / 50 / 0 / 5

HEX #EB78F2

RGB 235 120 242

HSL 296.56, 0.82%, 0.71%

LAB 67.65, 61.08, -42.23

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 5 / 80 / 0 / 40

HEX #911E98

RGB 145 30 152

HSL 296.56, 0.67%, 0.36%

LAB 36.4, 60.27, -40.59

 

CMYK 4 / 91 / 0 / 48

HEX #800C85

RGB 128 12 133

HSL 297.52, 0.83%, 0.28%

LAB 30.75, 57.86, -38.08

 

CMYK 3 / 100 / 0 / 55

HEX #6F0072

RGB 111 0 114

HSL 298.42, 1%, 0.22%

LAB 25.55, 53.71, -34.57

 

CMYK 1 / 100 / 0 / 63

HEX #5E005F

RGB 94 0 95

HSL 299.37, 1%, 0.19%

LAB 20.85, 47.52, -29.88

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 0 / 72 / 15 / 33

HEX #AB3092

RGB 171 48 146

HSL 312.2, 0.56%, 0.43%

LAB 42.53, 59.46, -26.96

 

CMYK 0 / 72 / 34 / 33

HEX #AB3071

RGB 171 48 113

HSL 328.29, 0.56%, 0.43%

LAB 41.16, 55.09, -8.79

 

CMYK 0 / 72 / 53 / 33

HEX #AB3050

RGB 171 48 80

HSL 344.39, 0.56%, 0.43%

LAB 40.17, 51.79, 10.49

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 25 / 72 / 0 / 33

HEX #8030AB

RGB 128 48 171

HSL 279.02, 0.56%, 0.43%

LAB 37.19, 54.13, -50.9

 

CMYK 44 / 72 / 0 / 33

HEX #5F30AB

RGB 95 48 171

HSL 262.93, 0.56%, 0.43%

LAB 32.89, 47.71, -58.08

 

CMYK 64 / 72 / 0 / 33

HEX #3E30AB

RGB 62 48 171

HSL 246.83, 0.56%, 0.43%

LAB 29.61, 42.51, -63.59

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 6 / 84 / 0 / 26

HEX #B11EBC

RGB 177 30 188

HSL 295.82, 0.72%, 0.43%

LAB 44.1, 72.35, -49.44

 

CMYK 7 / 94 / 0 / 19

HEX #C00CCE

RGB 192 12 206

HSL 295.67, 0.89%, 0.43%

LAB 46.88, 80.44, -55.31

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 5 / 58 / 0 / 40

HEX #924199

RGB 146 65 153

HSL 295.23, 0.4%, 0.43%

LAB 41.52, 46.94, -33.05

 

CMYK 3 / 39 / 0 / 47

HEX #835387

RGB 131 83 135

HSL 295.38, 0.24%, 0.43%

LAB 42.4, 29.02, -20.95

 

CMYK 1 / 14 / 0 / 54

HEX #746575

RGB 116 101 117

HSL 296.25, 0.07%, 0.43%

LAB 44.67, 9.11, -6.76

 

CMYK 15 / 0 / 16 / 53

HEX #657764

RGB 101 119 100

HSL 116.84, 0.09%, 0.43%

LAB 48.11, -10.62, 8.25

 

CMYK 44 / 72 / 0 / 33

HEX #5F30AB

RGB 95 48 171

HSL 262.93, 0.56%, 0.43%

LAB 32.89, 47.71, -58.08

 

CMYK 25 / 72 / 0 / 33

HEX #8030AB

RGB 128 48 171

HSL 279.02, 0.56%, 0.43%

LAB 37.19, 54.13, -50.9

 

CMYK 6 / 72 / 0 / 33

HEX #A030AB

RGB 160 48 171

HSL 294.63, 0.56%, 0.43%

LAB 42.04, 60.96, -42.85

 

CMYK 0 / 72 / 13 / 33

HEX #AB3094

RGB 171 48 148

HSL 311.22, 0.56%, 0.43%

LAB 42.63, 59.76, -28.02

 

CMYK 0 / 72 / 33 / 33

HEX #AB3073

RGB 171 48 115

HSL 327.32, 0.56%, 0.43%

LAB 41.23, 55.33, -9.93

 

CMYK 5 / 72 / 0 / 58

HEX #651E6A

RGB 101 30 106

HSL 296.05, 0.56%, 0.27%

LAB 25.97, 42.1, -28.84

 

CMYK 5 / 72 / 0 / 46

HEX #83278A

RGB 131 39 138

HSL 295.76, 0.56%, 0.35%

LAB 34.21, 51.79, -35.63

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 5 / 70 / 0 / 22

HEX #BD3CC8

RGB 189 60 200

HSL 295.29, 0.56%, 0.51%

LAB 49.76, 68.06, -47.26

 

CMYK 4 / 56 / 0 / 18

HEX #C85CD1

RGB 200 92 209

HSL 295.38, 0.56%, 0.59%

LAB 56.62, 59.01, -41.44

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 0 / 64 / 72 / 33

HEX #AB3E30

RGB 171 62 48

HSL 6.83, 0.56%, 0.43%

LAB 41.71, 43.84, 32.1

 

CMYK 72 / 0 / 35 / 33

HEX #30AB6F

RGB 48 171 111

HSL 150.73, 0.56%, 0.43%

LAB 62.42, -47.48, 21.49

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 0 / 6 / 72 / 33

HEX #ABA030

RGB 171 160 48

HSL 54.63, 0.56%, 0.43%

LAB 64.97, -8.97, 56.6

 

CMYK 72 / 0 / 6 / 33

HEX #30ABA0

RGB 48 171 160

HSL 174.63, 0.56%, 0.43%

LAB 63.58, -35.45, -4

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 0 / 64 / 72 / 33

HEX #AB3E30

RGB 171 62 48

HSL 6.83, 0.56%, 0.43%

LAB 41.71, 43.84, 32.1

 

CMYK 66 / 0 / 72 / 33

HEX #3AAB30

RGB 58 171 48

HSL 115.12, 0.56%, 0.43%

LAB 61.86, -54.77, 51.37

 

CMYK 72 / 9 / 0 / 33

HEX #309CAB

RGB 48 156 171

HSL 187.32, 0.56%, 0.43%

LAB 59.29, -24.89, -16.61

 

CMYK 5 / 72 / 0 / 33

HEX #A230AB

RGB 162 48 171

HSL 295.61, 0.56%, 0.43%

LAB 42.36, 61.4, -42.33

 

CMYK 0 / 42 / 72 / 33

HEX #AB6330

RGB 171 99 48

HSL 24.88, 0.56%, 0.43%

LAB 49.25, 24.78, 40.48

 

CMYK 66 / 0 / 72 / 33

HEX #3AAB30

RGB 58 171 48

HSL 115.12, 0.56%, 0.43%

LAB 61.86, -54.77, 51.37

 

CMYK 72 / 30 / 0 / 33

HEX #3077AB

RGB 48 119 171

HSL 205.37, 0.56%, 0.43%

LAB 47.96, -4.49, -34.11

 

Description

Color code: HEX #A230AB | qconv.com Color code: HEX #A230AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 48 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 48 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 72 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 72% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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