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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2466D it is the complementary color #5DB992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2466D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2466D shade: #A74668, #B8587B, #C96A8E, #DA7CA1 and #EB8EB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2466D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2466D shade: #A2466D, #91345A, #802247, #6F1034 and #5E0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2466D shade: #A0446B, #A04453 and #A04444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2466D shade: #A0446B, #A04484, #A0449D, #8B44A0 and #7244A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2466D shade matches the following richer shades: #A0446B, #B33268, #C51F66 and #D80D63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2466D shade: #A0446B, #8E576E, #7B6971, #687C74 and #568F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2466D shade: #A0449D, #A04485, #A0446C, #A04454 and #A04E44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2466D shade: #662C45, #833858, #A0446B, #B75780 and #C37495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2466D shade: #A2466D, #A08B44 and #4491A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2466D shade: #A2466D, #6CA044 and #446CA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2466D shade: #A2466D, #A08B44, #44A078 and #445AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2466D shade: #A2466D, #9AA044, #44A078 and #4A44A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 33 / 36

HEX #A2466D

RGB 162 70 109

HSL 334.57, 0.4%, 0.45%

LAB 43.01, 42.29, -3.71

 

Complementary color

CMYK 50 / 0 / 21 / 27

HEX #5DB992

RGB 93 185 146

HSL 154.57, 0.4%, 0.55%

LAB 68.82, -36.73, 11.48

 

CMYK 0 / 58 / 38 / 35

HEX #A74668

RGB 167 70 104

HSL 338.97, 0.41%, 0.46%

LAB 43.65, 43.36, 0.39

 

CMYK 0 / 52 / 33 / 28

HEX #B8587B

RGB 184 88 123

HSL 338.13, 0.4%, 0.53%

LAB 50.22, 42.59, -1.23

 

CMYK 0 / 47 / 29 / 21

HEX #C96A8E

RGB 201 106 142

HSL 337.26, 0.47%, 0.6%

LAB 56.76, 41.74, -2.57

 

CMYK 0 / 43 / 26 / 15

HEX #DA7CA1

RGB 218 124 161

HSL 336.38, 0.56%, 0.67%

LAB 63.26, 40.89, -3.71

 

CMYK 0 / 40 / 23 / 8

HEX #EB8EB4

RGB 235 142 180

HSL 335.48, 0.7%, 0.74%

LAB 69.69, 40.06, -4.7

 

CMYK 0 / 57 / 33 / 36

HEX #A2466D

RGB 162 70 109

HSL 334.57, 0.4%, 0.45%

LAB 43.01, 42.29, -3.71

 

CMYK 0 / 64 / 38 / 43

HEX #91345A

RGB 145 52 90

HSL 335.48, 0.47%, 0.39%

LAB 36.39, 42.86, -1.89

 

CMYK 0 / 73 / 45 / 50

HEX #802247

RGB 128 34 71

HSL 336.38, 0.58%, 0.32%

LAB 29.88, 42.99, 0.56

 

CMYK 0 / 86 / 53 / 56

HEX #6F1034

RGB 111 16 52

HSL 337.26, 0.75%, 0.25%

LAB 23.66, 42.15, 4

 

CMYK 0 / 100 / 65 / 63

HEX #5E0021

RGB 94 0 33

HSL 338.94, 1%, 0.18%

LAB 17.87, 39.98, 8.79

 

CMYK 0 / 58 / 33 / 37

HEX #A0446B

RGB 160 68 107

HSL 334.57, 0.4%, 0.45%

LAB 42.26, 42.34, -3.62

 

CMYK 0 / 58 / 48 / 37

HEX #A04453

RGB 160 68 83

HSL 350.22, 0.4%, 0.45%

LAB 41.58, 39.6, 10.3

 

CMYK 0 / 58 / 58 / 37

HEX #A04444

RGB 160 68 68

HSL 0, 0.4%, 0.45%

LAB 41.26, 38.24, 19.13

 

CMYK 0 / 58 / 33 / 37

HEX #A0446B

RGB 160 68 107

HSL 334.57, 0.4%, 0.45%

LAB 42.26, 42.34, -3.62

 

CMYK 0 / 58 / 18 / 37

HEX #A04484

RGB 160 68 132

HSL 318.26, 0.4%, 0.45%

LAB 43.17, 45.91, -17.6

 

CMYK 0 / 58 / 2 / 37

HEX #A0449D

RGB 160 68 157

HSL 301.96, 0.4%, 0.45%

LAB 44.29, 50.1, -30.95

 

CMYK 13 / 58 / 0 / 37

HEX #8B44A0

RGB 139 68 160

HSL 286.3, 0.4%, 0.45%

LAB 41.47, 44.94, -37.39

 

CMYK 29 / 58 / 0 / 37

HEX #7244A0

RGB 114 68 160

HSL 270, 0.4%, 0.45%

LAB 38.29, 38.3, -42.65

 

CMYK 0 / 58 / 33 / 37

HEX #A0446B

RGB 160 68 107

HSL 334.57, 0.4%, 0.45%

LAB 42.26, 42.34, -3.62

 

CMYK 0 / 72 / 42 / 30

HEX #B33268

RGB 179 50 104

HSL 334.88, 0.56%, 0.45%

LAB 42.56, 55.65, -0.95

 

CMYK 0 / 84 / 48 / 23

HEX #C51F66

RGB 197 31 102

HSL 334.34, 0.73%, 0.45%

LAB 43.96, 65.78, 2.74

 

CMYK 0 / 94 / 54 / 15

HEX #D80D63

RGB 216 13 99

HSL 334.58, 0.89%, 0.45%

LAB 46.69, 72.88, 9.03

 

CMYK 0 / 58 / 33 / 37

HEX #A0446B

RGB 160 68 107

HSL 334.57, 0.4%, 0.45%

LAB 42.26, 42.34, -3.62

 

CMYK 0 / 39 / 23 / 44

HEX #8E576E

RGB 142 87 110

HSL 334.91, 0.24%, 0.45%

LAB 43.79, 26.07, -3.5

 

CMYK 0 / 15 / 8 / 52

HEX #7B6971

RGB 123 105 113

HSL 333.33, 0.08%, 0.45%

LAB 46.32, 8.61, -1.83

 

CMYK 16 / 0 / 6 / 51

HEX #687C74

RGB 104 124 116

HSL 156, 0.09%, 0.45%

LAB 50.24, -9.04, 1.92

 

CMYK 40 / 0 / 17 / 44

HEX #568F77

RGB 86 143 119

HSL 154.74, 0.25%, 0.45%

LAB 55.03, -24.49, 6.93

 

CMYK 0 / 58 / 2 / 37

HEX #A0449D

RGB 160 68 157

HSL 301.96, 0.4%, 0.45%

LAB 44.29, 50.1, -30.95

 

CMYK 0 / 58 / 17 / 37

HEX #A04485

RGB 160 68 133

HSL 317.61, 0.4%, 0.45%

LAB 43.21, 46.07, -18.15

 

CMYK 0 / 58 / 33 / 37

HEX #A0446C

RGB 160 68 108

HSL 333.91, 0.4%, 0.45%

LAB 42.29, 42.47, -4.19

 

CMYK 0 / 58 / 48 / 37

HEX #A04454

RGB 160 68 84

HSL 349.57, 0.4%, 0.45%

LAB 41.61, 39.7, 9.71

 

CMYK 0 / 51 / 58 / 37

HEX #A04E44

RGB 160 78 68

HSL 6.52, 0.4%, 0.45%

LAB 43.27, 33.06, 21.76

 

CMYK 0 / 57 / 32 / 60

HEX #662C45

RGB 102 44 69

HSL 334.14, 0.4%, 0.29%

LAB 26.89, 29.14, -3.04

 

CMYK 0 / 57 / 33 / 49

HEX #833858

RGB 131 56 88

HSL 334.4, 0.4%, 0.37%

LAB 34.72, 35.9, -3.34

 

CMYK 0 / 58 / 33 / 37

HEX #A0446B

RGB 160 68 107

HSL 334.57, 0.4%, 0.45%

LAB 42.26, 42.34, -3.62

 

CMYK 0 / 52 / 30 / 28

HEX #B75780

RGB 183 87 128

HSL 334.38, 0.4%, 0.53%

LAB 50.03, 43.4, -4.52

 

CMYK 0 / 41 / 24 / 24

HEX #C37495

RGB 195 116 149

HSL 334.94, 0.4%, 0.61%

LAB 58.29, 35.35, -4.48

 

CMYK 0 / 57 / 33 / 36

HEX #A2466D

RGB 162 70 109

HSL 334.57, 0.4%, 0.45%

LAB 43.01, 42.29, -3.71

 

CMYK 0 / 13 / 58 / 37

HEX #A08B44

RGB 160 139 68

HSL 46.3, 0.4%, 0.45%

LAB 58.37, -1.19, 40.31

 

CMYK 58 / 9 / 0 / 37

HEX #4491A0

RGB 68 145 160

HSL 189.78, 0.4%, 0.45%

LAB 56.11, -19.19, -15.12

 

CMYK 0 / 57 / 33 / 36

HEX #A2466D

RGB 162 70 109

HSL 334.57, 0.4%, 0.45%

LAB 43.01, 42.29, -3.71

 

CMYK 33 / 0 / 58 / 37

HEX #6CA044

RGB 108 160 68

HSL 93.91, 0.4%, 0.45%

LAB 60.56, -33.6, 41.84

 

CMYK 58 / 33 / 0 / 37

HEX #446CA0

RGB 68 108 160

HSL 213.91, 0.4%, 0.45%

LAB 44.93, 2, -32.36

 

CMYK 0 / 57 / 33 / 36

HEX #A2466D

RGB 162 70 109

HSL 334.57, 0.4%, 0.45%

LAB 43.01, 42.29, -3.71

 

CMYK 0 / 13 / 58 / 37

HEX #A08B44

RGB 160 139 68

HSL 46.3, 0.4%, 0.45%

LAB 58.37, -1.19, 40.31

 

CMYK 58 / 0 / 25 / 37

HEX #44A078

RGB 68 160 120

HSL 153.91, 0.4%, 0.45%

LAB 59.64, -37.08, 12.78

 

CMYK 58 / 44 / 0 / 37

HEX #445AA0

RGB 68 90 160

HSL 225.65, 0.4%, 0.45%

LAB 39.71, 13.34, -40.61

 

CMYK 0 / 57 / 33 / 36

HEX #A2466D

RGB 162 70 109

HSL 334.57, 0.4%, 0.45%

LAB 43.01, 42.29, -3.71

 

CMYK 4 / 0 / 58 / 37

HEX #9AA044

RGB 154 160 68

HSL 63.91, 0.4%, 0.45%

LAB 63.7, -15.07, 46.25

 

CMYK 58 / 0 / 25 / 37

HEX #44A078

RGB 68 160 120

HSL 153.91, 0.4%, 0.45%

LAB 59.64, -37.08, 12.78

 

CMYK 54 / 58 / 0 / 37

HEX #4A44A0

RGB 74 68 160

HSL 243.91, 0.4%, 0.45%

LAB 34.25, 28.81, -49.36

 

Description

Color code: HEX #A2466D | qconv.com Color code: HEX #A2466D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 70 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 70 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 33 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 33% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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