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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2429D it is the complementary color #5DBD62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2429D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2429D shade: #A74298, #B854AB, #C966BE, #DA78D1 and #EB8AE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2429D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2429D shade: #A2429D, #91308A, #801E77, #6F0C64 and #5E0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2429D shade: #A2429D, #A24283, #A24269, #A2424F and #A24242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2429D shade: #A2429D, #8D42A2, #7342A2, #5942A2 and #4242A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2429D shade matches the following richer shades: #A2429D, #B52FAE, #C81DBF and #DA0ACF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2429D shade: #A2429D, #90558D, #7D677C, #6B7A6C and #588C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2429D shade: #7442A2, #8E42A2, #A2429E, #A24284 and #A2426A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2429D shade: #682A65, #853681, #A2429D, #B955B4 and #C572C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2429D shade: #A2429D, #A25A42 and #42A281

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2429D shade: #A2429D, #9EA242 and #429EA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2429D shade: #A2429D, #A25A42, #42A247 and #428AA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2429D shade: #A2429D, #A27742, #42A247 and #426DA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

Complementary color

CMYK 51 / 0 / 48 / 26

HEX #5DBD62

RGB 93 189 98

HSL 123.13, 0.42%, 0.55%

LAB 69.19, -47.18, 37.34

 

CMYK 0 / 60 / 9 / 35

HEX #A74298

RGB 167 66 152

HSL 308.91, 0.43%, 0.46%

LAB 44.77, 52.1, -27.13

 

CMYK 0 / 54 / 7 / 28

HEX #B854AB

RGB 184 84 171

HSL 307.8, 0.41%, 0.53%

LAB 51.23, 51.72, -28.14

 

CMYK 0 / 49 / 5 / 21

HEX #C966BE

RGB 201 102 190

HSL 306.67, 0.48%, 0.59%

LAB 57.69, 51.13, -28.93

 

CMYK 0 / 45 / 4 / 15

HEX #DA78D1

RGB 218 120 209

HSL 305.51, 0.57%, 0.66%

LAB 64.11, 50.46, -29.58

 

CMYK 0 / 41 / 3 / 8

HEX #EB8AE4

RGB 235 138 228

HSL 304.33, 0.71%, 0.73%

LAB 70.48, 49.74, -30.13

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 0 / 67 / 5 / 43

HEX #91308A

RGB 145 48 138

HSL 304.33, 0.5%, 0.38%

LAB 37.79, 51.64, -29.82

 

CMYK 0 / 77 / 7 / 50

HEX #801E77

RGB 128 30 119

HSL 305.51, 0.62%, 0.31%

LAB 31.46, 51.01, -28.15

 

CMYK 0 / 89 / 10 / 56

HEX #6F0C64

RGB 111 12 100

HSL 306.67, 0.8%, 0.24%

LAB 25.45, 49.12, -25.64

 

CMYK 0 / 100 / 14 / 63

HEX #5E0051

RGB 94 0 81

HSL 308.3, 1%, 0.18%

LAB 19.94, 45.29, -21.93

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 0 / 59 / 19 / 36

HEX #A24283

RGB 162 66 131

HSL 319.38, 0.42%, 0.45%

LAB 43.09, 47.32, -17.1

 

CMYK 0 / 59 / 35 / 36

HEX #A24269

RGB 162 66 105

HSL 335.63, 0.42%, 0.45%

LAB 42.15, 43.73, -2.51

 

CMYK 0 / 59 / 51 / 36

HEX #A2424F

RGB 162 66 79

HSL 351.88, 0.42%, 0.45%

LAB 41.44, 40.91, 12.64

 

CMYK 0 / 59 / 59 / 36

HEX #A24242

RGB 162 66 66

HSL 0, 0.42%, 0.45%

LAB 41.17, 39.81, 20.3

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 13 / 59 / 0 / 36

HEX #8D42A2

RGB 141 66 162

HSL 286.88, 0.42%, 0.45%

LAB 41.48, 46.9, -38.55

 

CMYK 29 / 59 / 0 / 36

HEX #7342A2

RGB 115 66 162

HSL 270.63, 0.42%, 0.45%

LAB 38.11, 40.17, -44.13

 

CMYK 45 / 59 / 0 / 36

HEX #5942A2

RGB 89 66 162

HSL 254.38, 0.42%, 0.45%

LAB 35.26, 33.93, -48.87

 

CMYK 59 / 59 / 0 / 36

HEX #4242A2

RGB 66 66 162

HSL 240, 0.42%, 0.45%

LAB 33.27, 29.17, -52.18

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 0 / 74 / 4 / 29

HEX #B52FAE

RGB 181 47 174

HSL 303.13, 0.59%, 0.45%

LAB 45.51, 66.4, -38.9

 

CMYK 0 / 86 / 5 / 22

HEX #C81DBF

RGB 200 29 191

HSL 303.16, 0.75%, 0.45%

LAB 48.16, 77.21, -44.48

 

CMYK 0 / 95 / 5 / 15

HEX #DA0ACF

RGB 218 10 207

HSL 303.17, 0.91%, 0.45%

LAB 51.41, 85.01, -48.37

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 0 / 41 / 2 / 44

HEX #90558D

RGB 144 85 141

HSL 303.05, 0.26%, 0.45%

LAB 44.73, 33.42, -20.85

 

CMYK 0 / 18 / 1 / 51

HEX #7D677C

RGB 125 103 124

HSL 302.73, 0.1%, 0.45%

LAB 46.33, 12.74, -8.4

 

CMYK 12 / 0 / 11 / 52

HEX #6B7A6C

RGB 107 122 108

HSL 124, 0.07%, 0.45%

LAB 49.65, -8.46, 5.8

 

CMYK 37 / 0 / 35 / 45

HEX #588C5B

RGB 88 140 91

HSL 123.46, 0.23%, 0.45%

LAB 53.59, -28, 20.84

 

CMYK 28 / 59 / 0 / 36

HEX #7442A2

RGB 116 66 162

HSL 271.25, 0.42%, 0.45%

LAB 38.23, 40.42, -43.93

 

CMYK 12 / 59 / 0 / 36

HEX #8E42A2

RGB 142 66 162

HSL 287.5, 0.42%, 0.45%

LAB 41.62, 47.16, -38.33

 

CMYK 0 / 59 / 2 / 36

HEX #A2429E

RGB 162 66 158

HSL 302.5, 0.42%, 0.45%

LAB 44.3, 51.76, -31.52

 

CMYK 0 / 59 / 19 / 36

HEX #A24284

RGB 162 66 132

HSL 318.75, 0.42%, 0.45%

LAB 43.13, 47.47, -17.64

 

CMYK 0 / 59 / 35 / 36

HEX #A2426A

RGB 162 66 106

HSL 335, 0.42%, 0.45%

LAB 42.18, 43.86, -3.08

 

CMYK 0 / 60 / 3 / 59

HEX #682A65

RGB 104 42 101

HSL 302.9, 0.42%, 0.29%

LAB 28.22, 36.34, -22.02

 

CMYK 0 / 59 / 3 / 48

HEX #853681

RGB 133 54 129

HSL 303.04, 0.42%, 0.37%

LAB 36.39, 44.13, -26.61

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 0 / 54 / 3 / 27

HEX #B955B4

RGB 185 85 180

HSL 303, 0.42%, 0.53%

LAB 51.96, 53.07, -32.25

 

CMYK 0 / 42 / 2 / 23

HEX #C572C1

RGB 197 114 193

HSL 302.89, 0.42%, 0.61%

LAB 59.67, 44.34, -27.63

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 0 / 44 / 59 / 36

HEX #A25A42

RGB 162 90 66

HSL 15, 0.42%, 0.45%

LAB 46.16, 27.17, 26.69

 

CMYK 59 / 0 / 20 / 36

HEX #42A281

RGB 66 162 129

HSL 159.38, 0.42%, 0.45%

LAB 60.41, -36.35, 8.83

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 2 / 0 / 59 / 36

HEX #9EA242

RGB 158 162 66

HSL 62.5, 0.42%, 0.45%

LAB 64.57, -14.56, 48.24

 

CMYK 59 / 2 / 0 / 36

HEX #429EA2

RGB 66 158 162

HSL 182.5, 0.42%, 0.45%

LAB 60.09, -25.72, -10.27

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 0 / 44 / 59 / 36

HEX #A25A42

RGB 162 90 66

HSL 15, 0.42%, 0.45%

LAB 46.16, 27.17, 26.69

 

CMYK 59 / 0 / 56 / 36

HEX #42A247

RGB 66 162 71

HSL 123.13, 0.42%, 0.45%

LAB 59.39, -47.15, 38.56

 

CMYK 59 / 15 / 0 / 36

HEX #428AA2

RGB 66 138 162

HSL 195, 0.42%, 0.45%

LAB 53.97, -15.21, -19.53

 

CMYK 0 / 59 / 3 / 36

HEX #A2429D

RGB 162 66 157

HSL 303.13, 0.42%, 0.45%

LAB 44.25, 51.58, -31

 

CMYK 0 / 27 / 59 / 36

HEX #A27742

RGB 162 119 66

HSL 33.13, 0.42%, 0.45%

LAB 53.24, 10.76, 35.36

 

CMYK 59 / 0 / 56 / 36

HEX #42A247

RGB 66 162 71

HSL 123.13, 0.42%, 0.45%

LAB 59.39, -47.15, 38.56

 

CMYK 59 / 33 / 0 / 36

HEX #426DA2

RGB 66 109 162

HSL 213.13, 0.42%, 0.45%

LAB 45.23, 1.63, -33.08

 

Description

Color code: HEX #A2429D | qconv.com Color code: HEX #A2429D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 66 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 66 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 3 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 3% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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