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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A243F3 it is the complementary color #5DBC0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A243F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A243F3 shade: #A743EE, #B855FF, #C967FF, #DA79FF and #EB8BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A243F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A243F3 shade: #A243F3, #9131E0, #801FCD, #6F0DBA and #5E00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A243F3 shade: #A244F3, #D144F3, #F344E5, #F344B6 and #F34486

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A243F3 shade: #A244F3, #7344F3, #4444F3 and #4444F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A243F3 shade matches the following richer shades: #A244F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A243F3 shade: #A244F3, #A154E2, #9F64D2, #9E74C2 and #9D84B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A243F3 shade: #4444F3, #7244F3, #A144F3, #D044F3 and #F344E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A243F3 shade: #7A0DD6, #8F1DF0, #A244F3, #B56AF5 and #C891F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A243F3 shade: #A243F3, #F34472 and #44F35B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A243F3 shade: #A243F3, #F3A144 and #44F3A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A243F3 shade: #A243F3, #F34472, #95F344 and #44F3C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A243F3 shade: #A243F3, #F34944, #95F344 and #44EDF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 72 / 0 / 5

HEX #A243F3

RGB 162 67 243

HSL 272.39, 0.88%, 0.61%

LAB 49.7, 68.54, -72

 

Complementary color

CMYK 51 / 0 / 94 / 26

HEX #5DBC0C

RGB 93 188 12

HSL 92.39, 0.88%, 0.39%

LAB 68.26, -53.58, 66.88

 

CMYK 30 / 72 / 0 / 7

HEX #A743EE

RGB 167 67 238

HSL 275.09, 0.83%, 0.6%

LAB 49.98, 68.35, -68.7

 

CMYK 28 / 67 / 0 / 0

HEX #B855FF

RGB 184 85 255

HSL 274.94, 1%, 0.67%

LAB 55.99, 67.67, -68.35

 

CMYK 21 / 60 / 0 / 0

HEX #C967FF

RGB 201 103 255

HSL 278.68, 1%, 0.7%

LAB 61.08, 63.12, -60.07

 

CMYK 15 / 53 / 0 / 0

HEX #DA79FF

RGB 218 121 255

HSL 283.43, 1%, 0.74%

LAB 66.37, 58.58, -51.54

 

CMYK 8 / 45 / 0 / 0

HEX #EB8BFF

RGB 235 139 255

HSL 289.66, 1%, 0.77%

LAB 71.79, 54.16, -42.87

 

CMYK 33 / 72 / 0 / 5

HEX #A243F3

RGB 162 67 243

HSL 272.39, 0.88%, 0.61%

LAB 49.7, 68.54, -72

 

CMYK 35 / 78 / 0 / 12

HEX #9131E0

RGB 145 49 224

HSL 272.91, 0.74%, 0.54%

LAB 43.65, 68.41, -71.2

 

CMYK 38 / 85 / 0 / 20

HEX #801FCD

RGB 128 31 205

HSL 273.45, 0.74%, 0.46%

LAB 37.8, 67.52, -69.93

 

CMYK 40 / 93 / 0 / 27

HEX #6F0DBA

RGB 111 13 186

HSL 273.99, 0.87%, 0.39%

LAB 32.29, 65.41, -67.93

 

CMYK 44 / 100 / 0 / 35

HEX #5E00A7

RGB 94 0 167

HSL 273.77, 1%, 0.33%

LAB 27.21, 61.69, -64.99

 

CMYK 33 / 72 / 0 / 5

HEX #A244F3

RGB 162 68 243

HSL 272.23, 0.88%, 0.61%

LAB 49.84, 68.13, -71.77

 

CMYK 14 / 72 / 0 / 5

HEX #D144F3

RGB 209 68 243

HSL 288.34, 0.88%, 0.61%

LAB 56.25, 76.95, -61.1

 

CMYK 0 / 72 / 6 / 5

HEX #F344E5

RGB 243 68 229

HSL 304.8, 0.88%, 0.61%

LAB 60.65, 81.62, -45.96

 

CMYK 0 / 72 / 25 / 5

HEX #F344B6

RGB 243 68 182

HSL 320.91, 0.88%, 0.61%

LAB 58.57, 75.28, -22.45

 

CMYK 0 / 72 / 45 / 5

HEX #F34486

RGB 243 68 134

HSL 337.37, 0.88%, 0.61%

LAB 56.99, 70.22, 3.24

 

CMYK 33 / 72 / 0 / 5

HEX #A244F3

RGB 162 68 243

HSL 272.23, 0.88%, 0.61%

LAB 49.84, 68.13, -71.77

 

CMYK 53 / 72 / 0 / 5

HEX #7344F3

RGB 115 68 243

HSL 256.11, 0.88%, 0.61%

LAB 44.59, 60.54, -80.56

 

CMYK 72 / 72 / 0 / 5

HEX #4444F3

RGB 68 68 243

HSL 240, 0.88%, 0.61%

LAB 40.95, 55, -86.68

 

CMYK 72 / 72 / 0 / 5

HEX #4444F3

RGB 68 68 243

HSL 240, 0.88%, 0.61%

LAB 40.95, 55, -86.68

 

CMYK 33 / 72 / 0 / 5

HEX #A244F3

RGB 162 68 243

HSL 272.23, 0.88%, 0.61%

LAB 49.84, 68.13, -71.77

 

CMYK 33 / 72 / 0 / 5

HEX #A244F3

RGB 162 68 243

HSL 272.23, 0.88%, 0.61%

LAB 49.84, 68.13, -71.77

 

CMYK 29 / 63 / 0 / 11

HEX #A154E2

RGB 161 84 226

HSL 272.54, 0.71%, 0.61%

LAB 51.16, 56.87, -60.07

 

CMYK 24 / 52 / 0 / 18

HEX #9F64D2

RGB 159 100 210

HSL 272.18, 0.55%, 0.61%

LAB 53.1, 44.42, -47.91

 

CMYK 19 / 40 / 0 / 24

HEX #9E74C2

RGB 158 116 194

HSL 272.31, 0.39%, 0.61%

LAB 55.74, 31.52, -34.64

 

CMYK 12 / 26 / 0 / 30

HEX #9D84B2

RGB 157 132 178

HSL 272.61, 0.23%, 0.61%

LAB 58.87, 18.45, -20.68

 

CMYK 72 / 72 / 0 / 5

HEX #4444F3

RGB 68 68 243

HSL 240, 0.88%, 0.61%

LAB 40.95, 55, -86.68

 

CMYK 53 / 72 / 0 / 5

HEX #7244F3

RGB 114 68 243

HSL 255.77, 0.88%, 0.61%

LAB 44.49, 60.39, -80.72

 

CMYK 34 / 72 / 0 / 5

HEX #A144F3

RGB 161 68 243

HSL 271.89, 0.88%, 0.61%

LAB 49.72, 67.96, -71.98

 

CMYK 14 / 72 / 0 / 5

HEX #D044F3

RGB 208 68 243

HSL 288, 0.88%, 0.61%

LAB 56.1, 76.75, -61.34

 

CMYK 0 / 72 / 5 / 5

HEX #F344E7

RGB 243 68 231

HSL 304.11, 0.88%, 0.61%

LAB 60.74, 81.92, -46.92

 

CMYK 43 / 94 / 0 / 16

HEX #7A0DD6

RGB 122 13 214

HSL 272.54, 0.89%, 0.45%

LAB 36.52, 72.54, -77.28

 

CMYK 40 / 88 / 0 / 6

HEX #8F1DF0

RGB 143 29 240

HSL 272.42, 0.88%, 0.53%

LAB 42.78, 77.33, -81.72

 

CMYK 33 / 72 / 0 / 5

HEX #A244F3

RGB 162 68 243

HSL 272.23, 0.88%, 0.61%

LAB 49.84, 68.13, -71.77

 

CMYK 26 / 57 / 0 / 4

HEX #B56AF5

RGB 181 106 245

HSL 272.37, 0.87%, 0.69%

LAB 58.72, 54.78, -58.45

 

CMYK 19 / 42 / 0 / 3

HEX #C891F8

RGB 200 145 248

HSL 272.04, 0.88%, 0.77%

LAB 68.97, 39.74, -43.74

 

CMYK 33 / 72 / 0 / 5

HEX #A243F3

RGB 162 67 243

HSL 272.39, 0.88%, 0.61%

LAB 49.7, 68.54, -72

 

CMYK 0 / 72 / 53 / 5

HEX #F34472

RGB 243 68 114

HSL 344.23, 0.88%, 0.61%

LAB 56.49, 68.58, 14.38

 

CMYK 72 / 0 / 63 / 5

HEX #44F35B

RGB 68 243 91

HSL 127.89, 0.88%, 0.61%

LAB 85.04, -72.68, 59.13

 

CMYK 33 / 72 / 0 / 5

HEX #A243F3

RGB 162 67 243

HSL 272.39, 0.88%, 0.61%

LAB 49.7, 68.54, -72

 

CMYK 0 / 34 / 72 / 5

HEX #F3A144

RGB 243 161 68

HSL 31.89, 0.88%, 0.61%

LAB 72.87, 22.59, 58.76

 

CMYK 72 / 0 / 34 / 5

HEX #44F3A1

RGB 68 243 161

HSL 151.89, 0.88%, 0.61%

LAB 85.96, -62.09, 27.18

 

CMYK 33 / 72 / 0 / 5

HEX #A243F3

RGB 162 67 243

HSL 272.39, 0.88%, 0.61%

LAB 49.7, 68.54, -72

 

CMYK 0 / 72 / 53 / 5

HEX #F34472

RGB 243 68 114

HSL 344.23, 0.88%, 0.61%

LAB 56.49, 68.58, 14.38

 

CMYK 39 / 0 / 72 / 5

HEX #95F344

RGB 149 243 68

HSL 92.23, 0.88%, 0.61%

LAB 87.44, -54.76, 71.16

 

CMYK 72 / 0 / 19 / 5

HEX #44F3C4

RGB 68 243 196

HSL 163.89, 0.88%, 0.61%

LAB 86.66, -54.55, 10.11

 

CMYK 33 / 72 / 0 / 5

HEX #A243F3

RGB 162 67 243

HSL 272.39, 0.88%, 0.61%

LAB 49.7, 68.54, -72

 

CMYK 0 / 70 / 72 / 5

HEX #F34944

RGB 243 73 68

HSL 1.71, 0.88%, 0.61%

LAB 56.32, 64.16, 40.87

 

CMYK 39 / 0 / 72 / 5

HEX #95F344

RGB 149 243 68

HSL 92.23, 0.88%, 0.61%

LAB 87.44, -54.76, 71.16

 

CMYK 72 / 2 / 0 / 5

HEX #44EDF3

RGB 68 237 243

HSL 182.06, 0.88%, 0.61%

LAB 86.14, -39.76, -15.27

 

Description

Color code: HEX #A243F3 | qconv.com Color code: HEX #A243F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 67 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 67 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 72 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 72% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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