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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A24E6C it is the complementary color #5DB193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A24E6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A24E6C shade: #A74E67, #B8607A, #C9728D, #DA84A0 and #EB96B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A24E6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A24E6C shade: #A24E6C, #913C59, #802A46, #6F1833 and #5E0620

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A24E6C shade: #A14D6B, #A14D55 and #A14D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A24E6C shade: #A14D6B, #A14D82, #A14D99, #934DA1 and #7D4DA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A24E6C shade matches the following richer shades: #A14D6B, #B53A66, #C82760, #DB135B and #EF0055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A24E6C shade: #A14D6B, #8E6171, #7B7476, #67887C and #549B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A24E6C shade: #A14D99, #A14D83, #A14D6C, #A14D56 and #A15B4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A24E6C shade: #6A3346, #854059, #A14D6B, #B46481 and #C18097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A24E6C shade: #A24E6C, #A1934D and #4D8EA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A24E6C shade: #A24E6C, #6CA14D and #4D6CA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A24E6C shade: #A24E6C, #A1934D, #4DA183 and #4D5BA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A24E6C shade: #A24E6C, #96A14D, #4DA183 and #594DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 33 / 36

HEX #A24E6C

RGB 162 78 108

HSL 338.57, 0.35%, 0.47%

LAB 44.54, 38.1, -0.86

 

Complementary color

CMYK 47 / 0 / 17 / 31

HEX #5DB193

RGB 93 177 147

HSL 158.57, 0.35%, 0.53%

LAB 66.43, -32.79, 7.52

 

CMYK 0 / 53 / 38 / 35

HEX #A74E67

RGB 167 78 103

HSL 343.15, 0.36%, 0.48%

LAB 45.14, 39.25, 3.18

 

CMYK 0 / 48 / 34 / 28

HEX #B8607A

RGB 184 96 122

HSL 342.27, 0.38%, 0.55%

LAB 51.79, 38.34, 1.67

 

CMYK 0 / 43 / 30 / 21

HEX #C9728D

RGB 201 114 141

HSL 341.38, 0.45%, 0.62%

LAB 58.39, 37.43, 0.4

 

CMYK 0 / 39 / 27 / 15

HEX #DA84A0

RGB 218 132 160

HSL 340.47, 0.54%, 0.69%

LAB 64.92, 36.56, -0.7

 

CMYK 0 / 36 / 24 / 8

HEX #EB96B3

RGB 235 150 179

HSL 339.53, 0.68%, 0.75%

LAB 71.37, 35.73, -1.67

 

CMYK 0 / 52 / 33 / 36

HEX #A24E6C

RGB 162 78 108

HSL 338.57, 0.35%, 0.47%

LAB 44.54, 38.1, -0.86

 

CMYK 0 / 59 / 39 / 43

HEX #913C59

RGB 145 60 89

HSL 339.53, 0.41%, 0.4%

LAB 37.79, 38.91, 0.8

 

CMYK 0 / 67 / 45 / 50

HEX #802A46

RGB 128 42 70

HSL 340.47, 0.51%, 0.33%

LAB 31.08, 39.49, 2.96

 

CMYK 0 / 78 / 54 / 56

HEX #6F1833

RGB 111 24 51

HSL 341.38, 0.64%, 0.26%

LAB 24.55, 39.48, 5.95

 

CMYK 0 / 94 / 66 / 63

HEX #5E0620

RGB 94 6 32

HSL 342.27, 0.88%, 0.2%

LAB 18.43, 38.22, 10.26

 

CMYK 0 / 52 / 34 / 37

HEX #A14D6B

RGB 161 77 107

HSL 338.57, 0.35%, 0.47%

LAB 44.16, 38.13, -0.82

 

CMYK 0 / 52 / 47 / 37

HEX #A14D55

RGB 161 77 85

HSL 354.29, 0.35%, 0.47%

LAB 43.57, 35.56, 11.85

 

CMYK 0 / 52 / 52 / 37

HEX #A14D4D

RGB 161 77 77

HSL 0, 0.35%, 0.47%

LAB 43.39, 34.77, 16.5

 

CMYK 0 / 52 / 34 / 37

HEX #A14D6B

RGB 161 77 107

HSL 338.57, 0.35%, 0.47%

LAB 44.16, 38.13, -0.82

 

CMYK 0 / 52 / 19 / 37

HEX #A14D82

RGB 161 77 130

HSL 322.14, 0.35%, 0.47%

LAB 44.94, 41.43, -13.68

 

CMYK 0 / 52 / 5 / 37

HEX #A14D99

RGB 161 77 153

HSL 305.71, 0.35%, 0.47%

LAB 45.89, 45.29, -26.06

 

CMYK 9 / 52 / 0 / 37

HEX #934DA1

RGB 147 77 161

HSL 290, 0.35%, 0.47%

LAB 44.35, 42.7, -33.37

 

CMYK 22 / 52 / 0 / 37

HEX #7D4DA1

RGB 125 77 161

HSL 274.29, 0.35%, 0.47%

LAB 41.6, 36.43, -37.9

 

CMYK 0 / 52 / 34 / 37

HEX #A14D6B

RGB 161 77 107

HSL 338.57, 0.35%, 0.47%

LAB 44.16, 38.13, -0.82

 

CMYK 0 / 68 / 44 / 29

HEX #B53A66

RGB 181 58 102

HSL 338.54, 0.51%, 0.47%

LAB 43.96, 52.99, 2.37

 

CMYK 0 / 81 / 52 / 22

HEX #C82760

RGB 200 39 96

HSL 338.76, 0.67%, 0.47%

LAB 45.05, 64.15, 8.12

 

CMYK 0 / 91 / 58 / 14

HEX #DB135B

RGB 219 19 91

HSL 338.4, 0.84%, 0.47%

LAB 47.34, 72.39, 14.98

 

CMYK 0 / 100 / 64 / 6

HEX #EF0055

RGB 239 0 85

HSL 338.66, 1%, 0.47%

LAB 50.69, 78.38, 23.86

 

CMYK 0 / 52 / 34 / 37

HEX #A14D6B

RGB 161 77 107

HSL 338.57, 0.35%, 0.47%

LAB 44.16, 38.13, -0.82

 

CMYK 0 / 32 / 20 / 44

HEX #8E6171

RGB 142 97 113

HSL 338.67, 0.19%, 0.47%

LAB 46.3, 20.76, -1.62

 

CMYK 0 / 6 / 4 / 52

HEX #7B7476

RGB 123 116 118

HSL 342.86, 0.03%, 0.47%

LAB 49.51, 3.08, -0.14

 

CMYK 24 / 0 / 9 / 47

HEX #67887C

RGB 103 136 124

HSL 158.18, 0.14%, 0.47%

LAB 53.97, -14.28, 2.65

 

CMYK 46 / 0 / 16 / 39

HEX #549B82

RGB 84 155 130

HSL 158.87, 0.3%, 0.47%

LAB 58.92, -28.5, 6.22

 

CMYK 0 / 52 / 5 / 37

HEX #A14D99

RGB 161 77 153

HSL 305.71, 0.35%, 0.47%

LAB 45.89, 45.29, -26.06

 

CMYK 0 / 52 / 19 / 37

HEX #A14D83

RGB 161 77 131

HSL 321.43, 0.35%, 0.47%

LAB 44.97, 41.59, -14.23

 

CMYK 0 / 52 / 33 / 37

HEX #A14D6C

RGB 161 77 108

HSL 337.86, 0.35%, 0.47%

LAB 44.19, 38.26, -1.39

 

CMYK 0 / 52 / 47 / 37

HEX #A14D56

RGB 161 77 86

HSL 353.57, 0.35%, 0.47%

LAB 43.59, 35.66, 11.27

 

CMYK 0 / 43 / 52 / 37

HEX #A15B4D

RGB 161 91 77

HSL 10, 0.35%, 0.47%

LAB 46.44, 27.16, 20.57

 

CMYK 0 / 52 / 34 / 58

HEX #6A3346

RGB 106 51 70

HSL 339.27, 0.35%, 0.31%

LAB 29.09, 26.87, -0.4

 

CMYK 0 / 52 / 33 / 48

HEX #854059

RGB 133 64 89

HSL 338.26, 0.35%, 0.39%

LAB 36.7, 32.51, -1.03

 

CMYK 0 / 52 / 34 / 37

HEX #A14D6B

RGB 161 77 107

HSL 338.57, 0.35%, 0.47%

LAB 44.16, 38.13, -0.82

 

CMYK 0 / 44 / 28 / 29

HEX #B46481

RGB 180 100 129

HSL 338.25, 0.35%, 0.55%

LAB 52.29, 35.72, -1.83

 

CMYK 0 / 34 / 22 / 24

HEX #C18097

RGB 193 128 151

HSL 338.77, 0.34%, 0.63%

LAB 60.79, 28.4, -1.97

 

CMYK 0 / 52 / 33 / 36

HEX #A24E6C

RGB 162 78 108

HSL 338.57, 0.35%, 0.47%

LAB 44.54, 38.1, -0.86

 

CMYK 0 / 9 / 52 / 37

HEX #A1934D

RGB 161 147 77

HSL 50, 0.35%, 0.47%

LAB 60.76, -4.36, 38.59

 

CMYK 52 / 12 / 0 / 37

HEX #4D8EA1

RGB 77 142 161

HSL 193.57, 0.35%, 0.47%

LAB 55.58, -15.33, -16.46

 

CMYK 0 / 52 / 33 / 36

HEX #A24E6C

RGB 162 78 108

HSL 338.57, 0.35%, 0.47%

LAB 44.54, 38.1, -0.86

 

CMYK 33 / 0 / 52 / 37

HEX #6CA14D

RGB 108 161 77

HSL 97.86, 0.35%, 0.47%

LAB 60.97, -33.04, 37.92

 

CMYK 52 / 33 / 0 / 37

HEX #4D6CA1

RGB 77 108 161

HSL 217.86, 0.35%, 0.47%

LAB 45.46, 4.4, -32.08

 

CMYK 0 / 52 / 33 / 36

HEX #A24E6C

RGB 162 78 108

HSL 338.57, 0.35%, 0.47%

LAB 44.54, 38.1, -0.86

 

CMYK 0 / 9 / 52 / 37

HEX #A1934D

RGB 161 147 77

HSL 50, 0.35%, 0.47%

LAB 60.76, -4.36, 38.59

 

CMYK 52 / 0 / 19 / 37

HEX #4DA183

RGB 77 161 131

HSL 158.57, 0.35%, 0.47%

LAB 60.52, -32.92, 7.91

 

CMYK 52 / 43 / 0 / 37

HEX #4D5BA1

RGB 77 91 161

HSL 230, 0.35%, 0.47%

LAB 40.63, 15.07, -39.72

 

CMYK 0 / 52 / 33 / 36

HEX #A24E6C

RGB 162 78 108

HSL 338.57, 0.35%, 0.47%

LAB 44.54, 38.1, -0.86

 

CMYK 7 / 0 / 52 / 37

HEX #96A14D

RGB 150 161 77

HSL 67.86, 0.35%, 0.47%

LAB 63.76, -16.49, 41.92

 

CMYK 52 / 0 / 19 / 37

HEX #4DA183

RGB 77 161 131

HSL 158.57, 0.35%, 0.47%

LAB 60.52, -32.92, 7.91

 

CMYK 45 / 52 / 0 / 37

HEX #594DA1

RGB 89 77 161

HSL 248.57, 0.35%, 0.47%

LAB 37.85, 26.86, -44.1

 

Description

Color code: HEX #A24E6C | qconv.com Color code: HEX #A24E6C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 78 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 78 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 33 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 33% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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