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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2508E it is the complementary color #5DAF71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2508E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2508E shade: #A75089, #B8629C, #C974AF, #DA86C2 and #EB98D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2508E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2508E shade: #A2508E, #913E7B, #802C68, #6F1A55 and #5E0842

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2508E shade: #A04F8C, #A04F76, #A04F60 and #A04F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2508E shade: #A04F8C, #9E4FA0, #884FA0, #724FA0 and #5C4FA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2508E shade matches the following richer shades: #A04F8C, #B33B96, #C728A0, #DA14AA and #EE01B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2508E shade: #A04F8C, #8D6282, #797578, #66896E and #539C64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2508E shade: #884FA0, #9D4FA0, #A04F8D, #A04F77 and #A04F62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2508E shade: #69335C, #844174, #A04F8C, #B365A0 and #C181B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2508E shade: #A2508E, #A0724F and #4FA093

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2508E shade: #A2508E, #8DA04F and #4F8DA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2508E shade: #A2508E, #A0724F, #4FA062 and #4F7DA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2508E shade: #A2508E, #A08A4F, #4FA062 and #4F64A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 12 / 36

HEX #A2508E

RGB 162 80 142

HSL 314.63, 0.34%, 0.47%

LAB 46.14, 42.15, -19.08

 

Complementary color

CMYK 47 / 0 / 35 / 31

HEX #5DAF71

RGB 93 175 113

HSL 134.63, 0.34%, 0.53%

LAB 65.1, -38.8, 24.25

 

CMYK 0 / 52 / 18 / 35

HEX #A75089

RGB 167 80 137

HSL 320.69, 0.35%, 0.48%

LAB 46.66, 42.95, -15.22

 

CMYK 0 / 47 / 15 / 28

HEX #B8629C

RGB 184 98 156

HSL 319.53, 0.38%, 0.55%

LAB 53.3, 42.22, -16.17

 

CMYK 0 / 42 / 13 / 21

HEX #C974AF

RGB 201 116 175

HSL 318.35, 0.44%, 0.62%

LAB 59.89, 41.45, -16.97

 

CMYK 0 / 39 / 11 / 15

HEX #DA86C2

RGB 218 134 194

HSL 317.14, 0.53%, 0.69%

LAB 66.41, 40.68, -17.66

 

CMYK 0 / 35 / 9 / 8

HEX #EB98D5

RGB 235 152 213

HSL 315.9, 0.67%, 0.76%

LAB 72.84, 39.94, -18.27

 

CMYK 0 / 51 / 12 / 36

HEX #A2508E

RGB 162 80 142

HSL 314.63, 0.34%, 0.47%

LAB 46.14, 42.15, -19.08

 

CMYK 0 / 57 / 15 / 43

HEX #913E7B

RGB 145 62 123

HSL 315.9, 0.4%, 0.41%

LAB 39.4, 42.77, -18.07

 

CMYK 0 / 66 / 19 / 50

HEX #802C68

RGB 128 44 104

HSL 317.14, 0.49%, 0.34%

LAB 32.68, 43.09, -16.71

 

CMYK 0 / 77 / 23 / 56

HEX #6F1A55

RGB 111 26 85

HSL 318.35, 0.62%, 0.27%

LAB 26.08, 42.78, -14.77

 

CMYK 0 / 91 / 30 / 63

HEX #5E0842

RGB 94 8 66

HSL 319.53, 0.84%, 0.2%

LAB 19.83, 41.12, -11.81

 

CMYK 0 / 51 / 13 / 37

HEX #A04F8C

RGB 160 79 140

HSL 314.81, 0.34%, 0.47%

LAB 45.58, 41.7, -18.76

 

CMYK 0 / 51 / 26 / 37

HEX #A04F76

RGB 160 79 118

HSL 331.11, 0.34%, 0.47%

LAB 44.76, 38.25, -6.66

 

CMYK 0 / 51 / 40 / 37

HEX #A04F60

RGB 160 79 96

HSL 347.41, 0.34%, 0.47%

LAB 44.1, 35.35, 5.84

 

CMYK 0 / 51 / 51 / 37

HEX #A04F4F

RGB 160 79 79

HSL 0, 0.34%, 0.47%

LAB 43.7, 33.51, 15.67

 

CMYK 0 / 51 / 13 / 37

HEX #A04F8C

RGB 160 79 140

HSL 314.81, 0.34%, 0.47%

LAB 45.58, 41.7, -18.76

 

CMYK 1 / 51 / 0 / 37

HEX #9E4FA0

RGB 158 79 160

HSL 298.52, 0.34%, 0.47%

LAB 46.18, 44.67, -29.81

 

CMYK 15 / 51 / 0 / 37

HEX #884FA0

RGB 136 79 160

HSL 282.22, 0.34%, 0.47%

LAB 43.31, 38.22, -34.52

 

CMYK 29 / 51 / 0 / 37

HEX #724FA0

RGB 114 79 160

HSL 265.93, 0.34%, 0.47%

LAB 40.75, 31.94, -38.73

 

CMYK 43 / 51 / 0 / 37

HEX #5C4FA0

RGB 92 79 160

HSL 249.63, 0.34%, 0.47%

LAB 38.56, 26.06, -42.35

 

CMYK 0 / 51 / 13 / 37

HEX #A04F8C

RGB 160 79 140

HSL 314.81, 0.34%, 0.47%

LAB 45.58, 41.7, -18.76

 

CMYK 0 / 67 / 16 / 30

HEX #B33B96

RGB 179 59 150

HSL 314.5, 0.5%, 0.47%

LAB 45.52, 58, -24.63

 

CMYK 0 / 80 / 20 / 22

HEX #C728A0

RGB 199 40 160

HSL 314.72, 0.67%, 0.47%

LAB 47.23, 70.34, -27.68

 

CMYK 0 / 91 / 22 / 15

HEX #DA14AA

RGB 218 20 170

HSL 314.55, 0.83%, 0.47%

LAB 49.87, 79.25, -29.25

 

CMYK 0 / 100 / 24 / 7

HEX #EE01B4

RGB 238 1 180

HSL 314.68, 0.99%, 0.47%

LAB 53.49, 85.84, -29.21

 

CMYK 0 / 51 / 13 / 37

HEX #A04F8C

RGB 160 79 140

HSL 314.81, 0.34%, 0.47%

LAB 45.58, 41.7, -18.76

 

CMYK 0 / 30 / 8 / 45

HEX #8D6282

RGB 141 98 130

HSL 315.35, 0.18%, 0.47%

LAB 46.99, 22.8, -10.84

 

CMYK 0 / 3 / 1 / 53

HEX #797578

RGB 121 117 120

HSL 315, 0.02%, 0.47%

LAB 49.67, 2.13, -1.11

 

CMYK 26 / 0 / 20 / 46

HEX #66896E

RGB 102 137 110

HSL 133.71, 0.15%, 0.47%

LAB 53.86, -18.09, 10.56

 

CMYK 47 / 0 / 36 / 39

HEX #539C64

RGB 83 156 100

HSL 133.97, 0.31%, 0.47%

LAB 58.54, -35.47, 22.45

 

CMYK 15 / 51 / 0 / 37

HEX #884FA0

RGB 136 79 160

HSL 282.22, 0.34%, 0.47%

LAB 43.31, 38.22, -34.52

 

CMYK 2 / 51 / 0 / 37

HEX #9D4FA0

RGB 157 79 160

HSL 297.78, 0.34%, 0.47%

LAB 46.04, 44.37, -30.03

 

CMYK 0 / 51 / 12 / 37

HEX #A04F8D

RGB 160 79 141

HSL 314.07, 0.34%, 0.47%

LAB 45.62, 41.87, -19.3

 

CMYK 0 / 51 / 26 / 37

HEX #A04F77

RGB 160 79 119

HSL 330.37, 0.34%, 0.47%

LAB 44.8, 38.39, -7.22

 

CMYK 0 / 51 / 39 / 37

HEX #A04F62

RGB 160 79 98

HSL 345.93, 0.34%, 0.47%

LAB 44.16, 35.59, 4.69

 

CMYK 0 / 51 / 12 / 59

HEX #69335C

RGB 105 51 92

HSL 314.44, 0.35%, 0.31%

LAB 29.77, 30.11, -13.78

 

CMYK 0 / 51 / 12 / 48

HEX #844174

RGB 132 65 116

HSL 314.33, 0.34%, 0.39%

LAB 37.75, 35.85, -16.43

 

CMYK 0 / 51 / 13 / 37

HEX #A04F8C

RGB 160 79 140

HSL 314.81, 0.34%, 0.47%

LAB 45.58, 41.7, -18.76

 

CMYK 0 / 44 / 11 / 30

HEX #B365A0

RGB 179 101 160

HSL 314.62, 0.34%, 0.55%

LAB 53.42, 39.66, -18.4

 

CMYK 0 / 33 / 8 / 24

HEX #C181B1

RGB 193 129 177

HSL 315, 0.34%, 0.63%

LAB 61.84, 32.12, -15.25

 

CMYK 0 / 51 / 12 / 36

HEX #A2508E

RGB 162 80 142

HSL 314.63, 0.34%, 0.47%

LAB 46.14, 42.15, -19.08

 

CMYK 0 / 29 / 51 / 37

HEX #A0724F

RGB 160 114 79

HSL 25.93, 0.34%, 0.47%

LAB 51.92, 13.89, 26.52

 

CMYK 51 / 0 / 8 / 37

HEX #4FA093

RGB 79 160 147

HSL 170.37, 0.34%, 0.47%

LAB 60.7, -28.05, -0.83

 

CMYK 0 / 51 / 12 / 36

HEX #A2508E

RGB 162 80 142

HSL 314.63, 0.34%, 0.47%

LAB 46.14, 42.15, -19.08

 

CMYK 12 / 0 / 51 / 37

HEX #8DA04F

RGB 141 160 79

HSL 74.07, 0.34%, 0.47%

LAB 62.82, -19.52, 39.64

 

CMYK 51 / 12 / 0 / 37

HEX #4F8DA0

RGB 79 141 160

HSL 194.07, 0.34%, 0.47%

LAB 55.33, -14.62, -16.26

 

CMYK 0 / 51 / 12 / 36

HEX #A2508E

RGB 162 80 142

HSL 314.63, 0.34%, 0.47%

LAB 46.14, 42.15, -19.08

 

CMYK 0 / 29 / 51 / 37

HEX #A0724F

RGB 160 114 79

HSL 25.93, 0.34%, 0.47%

LAB 51.92, 13.89, 26.52

 

CMYK 51 / 0 / 39 / 37

HEX #4FA062

RGB 79 160 98

HSL 134.07, 0.34%, 0.47%

LAB 59.6, -38.75, 24.92

 

CMYK 51 / 22 / 0 / 37

HEX #4F7DA0

RGB 79 125 160

HSL 205.93, 0.34%, 0.47%

LAB 50.53, -5.6, -23.6

 

CMYK 0 / 51 / 12 / 36

HEX #A2508E

RGB 162 80 142

HSL 314.63, 0.34%, 0.47%

LAB 46.14, 42.15, -19.08

 

CMYK 0 / 14 / 51 / 37

HEX #A08A4F

RGB 160 138 79

HSL 43.7, 0.34%, 0.47%

LAB 58.24, 0.34, 34.46

 

CMYK 51 / 0 / 39 / 37

HEX #4FA062

RGB 79 160 98

HSL 134.07, 0.34%, 0.47%

LAB 59.6, -38.75, 24.92

 

CMYK 51 / 38 / 0 / 37

HEX #4F64A0

RGB 79 100 160

HSL 224.44, 0.34%, 0.47%

LAB 43.23, 9.54, -34.99

 

Description

Color code: HEX #A2508E | qconv.com Color code: HEX #A2508E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 80 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 80 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 12 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 12% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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