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Color name
HEX #A28238

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A28238 it is the complementary color #5D7DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A28238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A28238 shade: #A78233, #B89446, #C9A659, #DAB86C and #EBCA7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A28238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A28238 shade: #A28238, #917025, #805E12, #6F4C00 and #5E3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A28238 shade: #A38237, #A36537, #A34837 and #A33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A28238 shade: #A38237, #A39F37, #89A337, #6CA337 and #4FA337

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A28238 shade matches the following richer shades: #A38237, #B58926, #C69114 and #D89802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A28238 shade: #A38237, #917B49, #7F745B, #6E6D6D and #5C667E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A28238 shade: #A34837, #A36437, #A38137, #A39E37 and #8CA337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A28238 shade: #655122, #846A2D, #A38237, #BF9A45 and #C9AB63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A28238 shade: #A28238, #44A337 and #5637A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A28238 shade: #A28238, #37A381 and #8137A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A28238 shade: #A28238, #44A337, #3759A3 and #9637A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A28238 shade: #A28238, #37A34B, #3759A3 and #A3378F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 65 / 36

HEX #A28238

RGB 162 130 56

HSL 41.89, 0.49%, 0.43%

LAB 56.02, 3.82, 43.61

 

Complementary color

CMYK 53 / 37 / 0 / 22

HEX #5D7DC7

RGB 93 125 199

HSL 221.89, 0.49%, 0.57%

LAB 53.08, 9.97, -42.03

 

CMYK 0 / 22 / 69 / 35

HEX #A78233

RGB 167 130 51

HSL 40.86, 0.53%, 0.43%

LAB 56.51, 5.76, 46.63

 

CMYK 0 / 20 / 62 / 28

HEX #B89446

RGB 184 148 70

HSL 41.05, 0.45%, 0.5%

LAB 63.19, 4.55, 45.47

 

CMYK 0 / 17 / 56 / 21

HEX #C9A659

RGB 201 166 89

HSL 41.25, 0.51%, 0.57%

LAB 69.76, 3.55, 44.19

 

CMYK 0 / 16 / 50 / 15

HEX #DAB86C

RGB 218 184 108

HSL 41.45, 0.6%, 0.64%

LAB 76.23, 2.7, 42.89

 

CMYK 0 / 14 / 46 / 8

HEX #EBCA7F

RGB 235 202 127

HSL 41.67, 0.73%, 0.71%

LAB 82.61, 1.98, 41.61

 

CMYK 0 / 20 / 65 / 36

HEX #A28238

RGB 162 130 56

HSL 41.89, 0.49%, 0.43%

LAB 56.02, 3.82, 43.61

 

CMYK 0 / 23 / 74 / 43

HEX #917025

RGB 145 112 37

HSL 41.67, 0.59%, 0.36%

LAB 49.18, 5.14, 44.61

 

CMYK 0 / 27 / 86 / 50

HEX #805E12

RGB 128 94 18

HSL 41.45, 0.75%, 0.29%

LAB 42.21, 6.79, 44.88

 

CMYK 0 / 32 / 100 / 56

HEX #6F4C00

RGB 111 76 0

HSL 41.08, 1%, 0.22%

LAB 35.1, 8.81, 43.99

 

CMYK 0 / 38 / 100 / 63

HEX #5E3A00

RGB 94 58 0

HSL 37.02, 1%, 0.18%

LAB 27.86, 11.45, 37.73

 

CMYK 0 / 20 / 66 / 36

HEX #A38237

RGB 163 130 55

HSL 41.67, 0.5%, 0.43%

LAB 56.12, 4.2, 44.22

 

CMYK 0 / 38 / 66 / 36

HEX #A36537

RGB 163 101 55

HSL 25.56, 0.5%, 0.43%

LAB 48.72, 20.62, 35.95

 

CMYK 0 / 56 / 66 / 36

HEX #A34837

RGB 163 72 55

HSL 9.44, 0.5%, 0.43%

LAB 42.3, 36.41, 28.38

 

CMYK 0 / 66 / 66 / 36

HEX #A33737

RGB 163 55 55

HSL 0, 0.5%, 0.43%

LAB 39.23, 44.52, 24.61

 

CMYK 0 / 20 / 66 / 36

HEX #A38237

RGB 163 130 55

HSL 41.67, 0.5%, 0.43%

LAB 56.12, 4.2, 44.22

 

CMYK 0 / 2 / 66 / 36

HEX #A39F37

RGB 163 159 55

HSL 57.78, 0.5%, 0.43%

LAB 64.05, -11.58, 52.63

 

CMYK 16 / 0 / 66 / 36

HEX #89A337

RGB 137 163 55

HSL 74.44, 0.5%, 0.43%

LAB 63.17, -24.76, 51.09

 

CMYK 34 / 0 / 66 / 36

HEX #6CA337

RGB 108 163 55

HSL 90.56, 0.5%, 0.43%

LAB 61.36, -36.19, 48.62

 

CMYK 52 / 0 / 66 / 36

HEX #4FA337

RGB 79 163 55

HSL 106.67, 0.5%, 0.43%

LAB 60.01, -45.85, 46.77

 

CMYK 0 / 20 / 66 / 36

HEX #A38237

RGB 163 130 55

HSL 41.67, 0.5%, 0.43%

LAB 56.12, 4.2, 44.22

 

CMYK 0 / 24 / 79 / 29

HEX #B58926

RGB 181 137 38

HSL 41.54, 0.65%, 0.43%

LAB 59.76, 7.54, 55.73

 

CMYK 0 / 27 / 90 / 22

HEX #C69114

RGB 198 145 20

HSL 42.13, 0.82%, 0.43%

LAB 63.6, 10.24, 65

 

CMYK 0 / 30 / 99 / 15

HEX #D89802

RGB 216 152 2

HSL 42.06, 0.98%, 0.43%

LAB 67.32, 14.16, 71.44

 

CMYK 0 / 20 / 66 / 36

HEX #A38237

RGB 163 130 55

HSL 41.67, 0.5%, 0.43%

LAB 56.12, 4.2, 44.22

 

CMYK 0 / 15 / 50 / 43

HEX #917B49

RGB 145 123 73

HSL 41.67, 0.33%, 0.43%

LAB 52.58, 1.59, 30.36

 

CMYK 0 / 9 / 28 / 50

HEX #7F745B

RGB 127 116 91

HSL 41.67, 0.17%, 0.43%

LAB 49.2, 0.04, 15.38

 

CMYK 0 / 1 / 1 / 57

HEX #6E6D6D

RGB 110 109 109

HSL 0, 0%, 0.43%

LAB 46.12, 0.39, 0.13

 

CMYK 27 / 19 / 0 / 51

HEX #5C667E

RGB 92 102 126

HSL 222.35, 0.16%, 0.43%

LAB 43.19, 2.03, -14.63

 

CMYK 0 / 56 / 66 / 36

HEX #A34837

RGB 163 72 55

HSL 9.44, 0.5%, 0.43%

LAB 42.3, 36.41, 28.38

 

CMYK 0 / 39 / 66 / 36

HEX #A36437

RGB 163 100 55

HSL 25, 0.5%, 0.43%

LAB 48.48, 21.19, 35.68

 

CMYK 0 / 21 / 66 / 36

HEX #A38137

RGB 163 129 55

HSL 41.11, 0.5%, 0.43%

LAB 55.85, 4.76, 43.93

 

CMYK 0 / 3 / 66 / 36

HEX #A39E37

RGB 163 158 55

HSL 57.22, 0.5%, 0.43%

LAB 63.77, -11.05, 52.34

 

CMYK 14 / 0 / 66 / 36

HEX #8CA337

RGB 140 163 55

HSL 72.78, 0.5%, 0.43%

LAB 63.38, -23.51, 51.38

 

CMYK 0 / 20 / 66 / 60

HEX #655122

RGB 101 81 34

HSL 42.09, 0.5%, 0.26%

LAB 35.53, 2.33, 30.15

 

CMYK 0 / 20 / 66 / 48

HEX #846A2D

RGB 132 106 45

HSL 42.07, 0.49%, 0.35%

LAB 46.18, 3.04, 37.26

 

CMYK 0 / 20 / 66 / 36

HEX #A38237

RGB 163 130 55

HSL 41.67, 0.5%, 0.43%

LAB 56.12, 4.2, 44.22

 

CMYK 0 / 19 / 64 / 25

HEX #BF9A45

RGB 191 154 69

HSL 41.8, 0.49%, 0.51%

LAB 65.45, 4.26, 48.67

 

CMYK 0 / 15 / 51 / 21

HEX #C9AB63

RGB 201 171 99

HSL 42.35, 0.49%, 0.59%

LAB 71.18, 1.73, 40.86

 

CMYK 0 / 20 / 65 / 36

HEX #A28238

RGB 162 130 56

HSL 41.89, 0.49%, 0.43%

LAB 56.02, 3.82, 43.61

 

CMYK 58 / 0 / 66 / 36

HEX #44A337

RGB 68 163 55

HSL 112.78, 0.5%, 0.43%

LAB 59.62, -48.88, 46.23

 

CMYK 47 / 66 / 0 / 36

HEX #5637A3

RGB 86 55 163

HSL 257.22, 0.5%, 0.43%

LAB 32.6, 40.04, -53.79

 

CMYK 0 / 20 / 65 / 36

HEX #A28238

RGB 162 130 56

HSL 41.89, 0.49%, 0.43%

LAB 56.02, 3.82, 43.61

 

CMYK 66 / 0 / 21 / 36

HEX #37A381

RGB 55 163 129

HSL 161.11, 0.5%, 0.43%

LAB 60.42, -38.92, 8.79

 

CMYK 21 / 66 / 0 / 36

HEX #8137A3

RGB 129 55 163

HSL 281.11, 0.5%, 0.43%

LAB 37.92, 49.46, -44.93

 

CMYK 0 / 20 / 65 / 36

HEX #A28238

RGB 162 130 56

HSL 41.89, 0.49%, 0.43%

LAB 56.02, 3.82, 43.61

 

CMYK 58 / 0 / 66 / 36

HEX #44A337

RGB 68 163 55

HSL 112.78, 0.5%, 0.43%

LAB 59.62, -48.88, 46.23

 

CMYK 66 / 45 / 0 / 36

HEX #3759A3

RGB 55 89 163

HSL 221.11, 0.5%, 0.43%

LAB 38.9, 12.5, -43.74

 

CMYK 8 / 66 / 0 / 36

HEX #9637A3

RGB 150 55 163

HSL 292.78, 0.5%, 0.43%

LAB 40.99, 54.46, -39.85

 

CMYK 0 / 20 / 65 / 36

HEX #A28238

RGB 162 130 56

HSL 41.89, 0.49%, 0.43%

LAB 56.02, 3.82, 43.61

 

CMYK 66 / 0 / 54 / 36

HEX #37A34B

RGB 55 163 75

HSL 131.11, 0.5%, 0.43%

LAB 59.45, -49.46, 36.58

 

CMYK 66 / 45 / 0 / 36

HEX #3759A3

RGB 55 89 163

HSL 221.11, 0.5%, 0.43%

LAB 38.9, 12.5, -43.74

 

CMYK 0 / 66 / 12 / 36

HEX #A3378F

RGB 163 55 143

HSL 311.11, 0.5%, 0.43%

LAB 42, 54.3, -26.06

 

Description

Color code: HEX #A28238 | qconv.com Color code: HEX #A28238 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 130 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 130 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 65 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 65% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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