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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A28CED it is the complementary color #5D7312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A28CED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A28CED shade: #A78CE8, #B89EFB, #C9B0FF, #DAC2FF and #EBD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A28CED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A28CED shade: #A28CED, #917ADA, #8068C7, #6F56B4 and #5E44A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A28CED shade: #A28CED, #BC8CED, #D68CED, #ED8CE9 and #ED8CCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A28CED shade: #A28CED and #8C8CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A28CED shade matches the following richer shades: #A28CED and #9C81F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A28CED shade: #A28CED, #A897E2, #ADA1D7, #B3ACCC and #B9B7C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A28CED shade: #8CAAED, #8C91ED, #A18CED, #BB8CED and #D48CED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A28CED shade: #6844E1, #8568E7, #A28CED, #BFAFF2 and #DBD3F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A28CED shade: #A28CED, #ED8CC4 and #9EED8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A28CED shade: #A28CED, #EDA18C and #8CEDA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A28CED shade: #A28CED, #ED8CC4, #D8ED8C and #8CEDB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A28CED shade: #A28CED, #ED8CA7, #D8ED8C and #8CEDD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

Complementary color

CMYK 19 / 0 / 84 / 55

HEX #5D7312

RGB 93 115 18

HSL 73.61, 0.73%, 0.26%

LAB 45.13, -21.64, 46.15

 

CMYK 28 / 40 / 0 / 9

HEX #A78CE8

RGB 167 140 232

HSL 257.61, 0.67%, 0.73%

LAB 64, 29.5, -42.97

 

CMYK 27 / 37 / 0 / 2

HEX #B89EFB

RGB 184 158 251

HSL 256.77, 0.92%, 0.8%

LAB 70.6, 28.75, -42.93

 

CMYK 21 / 31 / 0 / 0

HEX #C9B0FF

RGB 201 176 255

HSL 258.99, 1%, 0.85%

LAB 76.49, 24.61, -35.81

 

CMYK 15 / 24 / 0 / 0

HEX #DAC2FF

RGB 218 194 255

HSL 263.61, 1%, 0.88%

LAB 82.22, 19.96, -26.88

 

CMYK 8 / 17 / 0 / 0

HEX #EBD4FF

RGB 235 212 255

HSL 272.09, 1%, 0.92%

LAB 87.95, 15.71, -18.05

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 33 / 44 / 0 / 15

HEX #917ADA

RGB 145 122 218

HSL 254.38, 0.56%, 0.67%

LAB 57.08, 30.27, -46.21

 

CMYK 36 / 48 / 0 / 22

HEX #8068C7

RGB 128 104 199

HSL 255.16, 0.46%, 0.59%

LAB 50.23, 31.25, -46.38

 

CMYK 38 / 52 / 0 / 29

HEX #6F56B4

RGB 111 86 180

HSL 255.96, 0.39%, 0.52%

LAB 43.26, 32.36, -46.58

 

CMYK 42 / 58 / 0 / 37

HEX #5E44A1

RGB 94 68 161

HSL 256.77, 0.41%, 0.45%

LAB 36.15, 33.59, -46.8

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 21 / 41 / 0 / 7

HEX #BC8CED

RGB 188 140 237

HSL 269.69, 0.73%, 0.74%

LAB 66.18, 36.62, -42.16

 

CMYK 10 / 41 / 0 / 7

HEX #D68CED

RGB 214 140 237

HSL 285.77, 0.73%, 0.74%

LAB 68.87, 44.15, -37.77

 

CMYK 0 / 41 / 2 / 7

HEX #ED8CE9

RGB 237 140 233

HSL 302.47, 0.73%, 0.74%

LAB 71.31, 50.2, -31.58

 

CMYK 0 / 41 / 13 / 7

HEX #ED8CCF

RGB 237 140 207

HSL 318.56, 0.73%, 0.74%

LAB 70.36, 45.83, -18.69

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 41 / 41 / 0 / 7

HEX #8C8CED

RGB 140 140 237

HSL 240, 0.73%, 0.74%

LAB 62.04, 23.64, -48.98

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 37 / 48 / 0 / 3

HEX #9C81F7

RGB 156 129 247

HSL 253.73, 0.88%, 0.74%

LAB 61.21, 36.68, -55.73

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 26 / 33 / 0 / 11

HEX #A897E2

RGB 168 151 226

HSL 253.6, 0.56%, 0.74%

LAB 66.48, 22.09, -35.77

 

CMYK 20 / 25 / 0 / 16

HEX #ADA1D7

RGB 173 161 215

HSL 253.33, 0.4%, 0.74%

LAB 68.95, 15.39, -25.85

 

CMYK 12 / 16 / 0 / 20

HEX #B3ACCC

RGB 179 172 204

HSL 253.13, 0.24%, 0.74%

LAB 71.86, 8.8, -15.34

 

CMYK 5 / 6 / 0 / 24

HEX #B9B7C2

RGB 185 183 194

HSL 250.91, 0.08%, 0.74%

LAB 74.87, 2.79, -5.32

 

CMYK 41 / 28 / 0 / 7

HEX #8CAAED

RGB 140 170 237

HSL 221.44, 0.73%, 0.74%

LAB 69.78, 6.43, -36.83

 

CMYK 41 / 39 / 0 / 7

HEX #8C91ED

RGB 140 145 237

HSL 236.91, 0.73%, 0.74%

LAB 63.29, 20.74, -46.99

 

CMYK 32 / 41 / 0 / 7

HEX #A18CED

RGB 161 140 237

HSL 252.99, 0.73%, 0.74%

LAB 63.71, 29.11, -46.22

 

CMYK 21 / 41 / 0 / 7

HEX #BB8CED

RGB 187 140 237

HSL 269.07, 0.73%, 0.74%

LAB 66.09, 36.33, -42.32

 

CMYK 11 / 41 / 0 / 7

HEX #D48CED

RGB 212 140 237

HSL 284.54, 0.73%, 0.74%

LAB 68.66, 43.56, -38.12

 

CMYK 54 / 70 / 0 / 12

HEX #6844E1

RGB 104 68 225

HSL 253.76, 0.72%, 0.57%

LAB 42.02, 53.93, -74.63

 

CMYK 42 / 55 / 0 / 9

HEX #8568E7

RGB 133 104 231

HSL 253.7, 0.73%, 0.66%

LAB 52.57, 41.22, -60.77

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 21 / 28 / 0 / 5

HEX #BFAFF2

RGB 191 175 242

HSL 254.33, 0.72%, 0.82%

LAB 74.92, 19.25, -31.3

 

CMYK 12 / 15 / 0 / 3

HEX #DBD3F8

RGB 219 211 248

HSL 252.97, 0.73%, 0.9%

LAB 86.22, 9.75, -17.09

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 0 / 41 / 17 / 7

HEX #ED8CC4

RGB 237 140 196

HSL 325.36, 0.73%, 0.74%

LAB 70, 44.12, -13.13

 

CMYK 33 / 0 / 41 / 7

HEX #9EED8C

RGB 158 237 140

HSL 108.87, 0.73%, 0.74%

LAB 86.86, -42.14, 39.47

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 0 / 32 / 41 / 7

HEX #EDA18C

RGB 237 161 140

HSL 12.99, 0.73%, 0.74%

LAB 73.15, 25.74, 22.4

 

CMYK 41 / 0 / 32 / 7

HEX #8CEDA1

RGB 140 237 161

HSL 132.99, 0.73%, 0.74%

LAB 86.36, -44.35, 28.09

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 0 / 41 / 17 / 7

HEX #ED8CC4

RGB 237 140 196

HSL 325.36, 0.73%, 0.74%

LAB 70, 44.12, -13.13

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8C

RGB 216 237 140

HSL 72.99, 0.73%, 0.74%

LAB 90.35, -21.68, 44.62

 

CMYK 41 / 0 / 24 / 7

HEX #8CEDB4

RGB 140 237 180

HSL 144.74, 0.73%, 0.74%

LAB 86.72, -40.93, 18.81

 

CMYK 32 / 41 / 0 / 7

HEX #A28CED

RGB 162 140 237

HSL 253.61, 0.73%, 0.74%

LAB 63.8, 29.38, -46.08

 

CMYK 0 / 41 / 30 / 7

HEX #ED8CA7

RGB 237 140 167

HSL 343.3, 0.73%, 0.74%

LAB 69.15, 40.02, 1.81

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8C

RGB 216 237 140

HSL 72.99, 0.73%, 0.74%

LAB 90.35, -21.68, 44.62

 

CMYK 41 / 0 / 12 / 7

HEX #8CEDD1

RGB 140 237 209

HSL 162.68, 0.73%, 0.74%

LAB 87.36, -35, 4.61

 

Description

Color code: HEX #A28CED | qconv.com Color code: HEX #A28CED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 140 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 140 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 41 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 41% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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