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Color name
HEX #A28D51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A28D51 it is the complementary color #5D72AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A28D51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A28D51 shade: #A78D4C, #B89F5F, #C9B172, #DAC385 and #EBD598

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A28D51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A28D51 shade: #A28D51, #917B3E, #80692B, #6F5718 and #5E4505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A28D51 shade: #A28D52, #A27852, #A26252 and #A25252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A28D51 shade: #A28D52, #A1A252, #8CA252, #76A252 and #60A252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A28D51 shade matches the following richer shades: #A28D52, #B6973E, #CAA02A, #DEAA16 and #F2B302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A28D51 shade: #A28D52, #8E8465, #7B7A79, #67718D and #5367A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A28D51 shade: #A26252, #A27752, #A28D52, #A2A252 and #8DA252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A28D51 shade: #6B5E36, #877544, #A28D52, #B3A06A and #C1B285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A28D51 shade: #A28D51, #57A252 and #6C52A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A28D51 shade: #A28D51, #52A28D and #8D52A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A28D51 shade: #A28D51, #57A252, #5267A2 and #9D52A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A28D51 shade: #A28D51, #52A264, #5267A2 and #A2528F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 50 / 36

HEX #A28D51

RGB 162 141 81

HSL 44.44, 0.33%, 0.48%

LAB 59.27, -0.26, 34.72

 

Complementary color

CMYK 47 / 34 / 0 / 32

HEX #5D72AE

RGB 93 114 174

HSL 224.44, 0.33%, 0.52%

LAB 48.78, 8.81, -34.41

 

CMYK 0 / 16 / 54 / 35

HEX #A78D4C

RGB 167 141 76

HSL 42.86, 0.37%, 0.48%

LAB 59.7, 1.46, 37.96

 

CMYK 0 / 14 / 48 / 28

HEX #B89F5F

RGB 184 159 95

HSL 43.15, 0.39%, 0.55%

LAB 66.38, 0.67, 36.63

 

CMYK 0 / 12 / 43 / 21

HEX #C9B172

RGB 201 177 114

HSL 43.45, 0.45%, 0.62%

LAB 72.94, 0.01, 35.35

 

CMYK 0 / 11 / 39 / 15

HEX #DAC385

RGB 218 195 133

HSL 43.76, 0.53%, 0.69%

LAB 79.4, -0.55, 34.13

 

CMYK 0 / 9 / 35 / 8

HEX #EBD598

RGB 235 213 152

HSL 44.1, 0.67%, 0.76%

LAB 85.76, -1.03, 32.96

 

CMYK 0 / 13 / 50 / 36

HEX #A28D51

RGB 162 141 81

HSL 44.44, 0.33%, 0.48%

LAB 59.27, -0.26, 34.72

 

CMYK 0 / 15 / 57 / 43

HEX #917B3E

RGB 145 123 62

HSL 44.1, 0.4%, 0.41%

LAB 52.44, 0.57, 36.06

 

CMYK 0 / 18 / 66 / 50

HEX #80692B

RGB 128 105 43

HSL 43.76, 0.5%, 0.34%

LAB 45.45, 1.61, 37.34

 

CMYK 0 / 22 / 78 / 56

HEX #6F5718

RGB 111 87 24

HSL 43.45, 0.64%, 0.26%

LAB 38.31, 2.96, 38.26

 

CMYK 0 / 27 / 95 / 63

HEX #5E4505

RGB 94 69 5

HSL 43.15, 0.9%, 0.19%

LAB 30.99, 4.74, 38.18

 

CMYK 0 / 13 / 49 / 36

HEX #A28D52

RGB 162 141 82

HSL 44.25, 0.33%, 0.48%

LAB 59.29, -0.16, 34.21

 

CMYK 0 / 26 / 49 / 36

HEX #A27852

RGB 162 120 82

HSL 28.5, 0.33%, 0.48%

LAB 53.73, 11.64, 27.2

 

CMYK 0 / 40 / 49 / 36

HEX #A26252

RGB 162 98 82

HSL 12, 0.33%, 0.48%

LAB 48.29, 24.14, 20.1

 

CMYK 0 / 49 / 49 / 36

HEX #A25252

RGB 162 82 82

HSL 0, 0.33%, 0.48%

LAB 44.7, 32.98, 15.25

 

CMYK 0 / 13 / 49 / 36

HEX #A28D52

RGB 162 141 82

HSL 44.25, 0.33%, 0.48%

LAB 59.29, -0.16, 34.21

 

CMYK 1 / 0 / 49 / 36

HEX #A1A252

RGB 161 162 82

HSL 60.75, 0.33%, 0.48%

LAB 64.98, -11.92, 41.11

 

CMYK 14 / 0 / 49 / 36

HEX #8CA252

RGB 140 162 82

HSL 76.5, 0.33%, 0.48%

LAB 63.36, -20.63, 38.78

 

CMYK 27 / 0 / 49 / 36

HEX #76A252

RGB 118 162 82

HSL 93, 0.33%, 0.48%

LAB 61.91, -29.24, 36.68

 

CMYK 41 / 0 / 49 / 36

HEX #60A252

RGB 96 162 82

HSL 109.5, 0.33%, 0.48%

LAB 60.73, -37, 34.95

 

CMYK 0 / 13 / 49 / 36

HEX #A28D52

RGB 162 141 82

HSL 44.25, 0.33%, 0.48%

LAB 59.29, -0.16, 34.21

 

CMYK 0 / 17 / 66 / 29

HEX #B6973E

RGB 182 151 62

HSL 44.5, 0.49%, 0.48%

LAB 63.69, 1.51, 49.73

 

CMYK 0 / 21 / 79 / 21

HEX #CAA02A

RGB 202 160 42

HSL 44.25, 0.66%, 0.48%

LAB 67.92, 4.49, 62.6

 

CMYK 0 / 23 / 90 / 13

HEX #DEAA16

RGB 222 170 22

HSL 44.4, 0.82%, 0.48%

LAB 72.45, 7.4, 72.52

 

CMYK 0 / 26 / 99 / 5

HEX #F2B302

RGB 242 179 2

HSL 44.25, 0.98%, 0.48%

LAB 76.75, 11.1, 79.25

 

CMYK 0 / 13 / 49 / 36

HEX #A28D52

RGB 162 141 82

HSL 44.25, 0.33%, 0.48%

LAB 59.29, -0.16, 34.21

 

CMYK 0 / 7 / 29 / 44

HEX #8E8465

RGB 142 132 101

HSL 45.37, 0.17%, 0.48%

LAB 55.27, -1.35, 18.13

 

CMYK 0 / 1 / 2 / 52

HEX #7B7A79

RGB 123 122 121

HSL 30, 0.01%, 0.48%

LAB 51.28, 0.18, 0.67

 

CMYK 27 / 20 / 0 / 45

HEX #67718D

RGB 103 113 141

HSL 224.21, 0.16%, 0.48%

LAB 47.77, 2.94, -16.54

 

CMYK 48 / 36 / 0 / 37

HEX #5367A1

RGB 83 103 161

HSL 224.62, 0.32%, 0.48%

LAB 44.39, 8.98, -33.73

 

CMYK 0 / 40 / 49 / 36

HEX #A26252

RGB 162 98 82

HSL 12, 0.33%, 0.48%

LAB 48.29, 24.14, 20.1

 

CMYK 0 / 27 / 49 / 36

HEX #A27752

RGB 162 119 82

HSL 27.75, 0.33%, 0.48%

LAB 53.48, 12.21, 26.87

 

CMYK 0 / 13 / 49 / 36

HEX #A28D52

RGB 162 141 82

HSL 44.25, 0.33%, 0.48%

LAB 59.29, -0.16, 34.21

 

CMYK 0 / 0 / 49 / 36

HEX #A2A252

RGB 162 162 82

HSL 60, 0.33%, 0.48%

LAB 65.07, -11.49, 41.23

 

CMYK 13 / 0 / 49 / 36

HEX #8DA252

RGB 141 162 82

HSL 75.75, 0.33%, 0.48%

LAB 63.44, -20.22, 38.88

 

CMYK 0 / 12 / 50 / 58

HEX #6B5E36

RGB 107 94 54

HSL 45.28, 0.33%, 0.32%

LAB 40.24, -0.76, 24.76

 

CMYK 0 / 13 / 50 / 47

HEX #877544

RGB 135 117 68

HSL 43.88, 0.33%, 0.4%

LAB 49.85, 0.06, 29.48

 

CMYK 0 / 13 / 49 / 36

HEX #A28D52

RGB 162 141 82

HSL 44.25, 0.33%, 0.48%

LAB 59.29, -0.16, 34.21

 

CMYK 0 / 11 / 41 / 30

HEX #B3A06A

RGB 179 160 106

HSL 44.38, 0.32%, 0.56%

LAB 66.34, -0.81, 30.68

 

CMYK 0 / 8 / 31 / 24

HEX #C1B285

RGB 193 178 133

HSL 45, 0.33%, 0.64%

LAB 72.81, -1.51, 24.99

 

CMYK 0 / 13 / 50 / 36

HEX #A28D51

RGB 162 141 81

HSL 44.44, 0.33%, 0.48%

LAB 59.27, -0.26, 34.72

 

CMYK 46 / 0 / 49 / 36

HEX #57A252

RGB 87 162 82

HSL 116.25, 0.33%, 0.48%

LAB 60.32, -39.84, 34.35

 

CMYK 33 / 49 / 0 / 36

HEX #6C52A2

RGB 108 82 162

HSL 259.5, 0.33%, 0.48%

LAB 40.95, 29.02, -39.65

 

CMYK 0 / 13 / 50 / 36

HEX #A28D51

RGB 162 141 81

HSL 44.44, 0.33%, 0.48%

LAB 59.27, -0.26, 34.72

 

CMYK 49 / 0 / 13 / 36

HEX #52A28D

RGB 82 162 141

HSL 164.25, 0.33%, 0.48%

LAB 61.27, -29.8, 3.39

 

CMYK 13 / 49 / 0 / 36

HEX #8D52A2

RGB 141 82 162

HSL 284.25, 0.33%, 0.48%

LAB 44.67, 38.46, -33.52

 

CMYK 0 / 13 / 50 / 36

HEX #A28D51

RGB 162 141 81

HSL 44.44, 0.33%, 0.48%

LAB 59.27, -0.26, 34.72

 

CMYK 46 / 0 / 49 / 36

HEX #57A252

RGB 87 162 82

HSL 116.25, 0.33%, 0.48%

LAB 60.32, -39.84, 34.35

 

CMYK 49 / 36 / 0 / 36

HEX #5267A2

RGB 82 103 162

HSL 224.25, 0.33%, 0.48%

LAB 44.38, 9.05, -34.35

 

CMYK 3 / 49 / 0 / 36

HEX #9D52A2

RGB 157 82 162

HSL 296.25, 0.33%, 0.48%

LAB 46.73, 43.2, -30.15

 

CMYK 0 / 13 / 50 / 36

HEX #A28D51

RGB 162 141 81

HSL 44.44, 0.33%, 0.48%

LAB 59.27, -0.26, 34.72

 

CMYK 49 / 0 / 38 / 36

HEX #52A264

RGB 82 162 100

HSL 133.5, 0.33%, 0.48%

LAB 60.39, -38.44, 24.9

 

CMYK 49 / 36 / 0 / 36

HEX #5267A2

RGB 82 103 162

HSL 224.25, 0.33%, 0.48%

LAB 44.38, 9.05, -34.35

 

CMYK 0 / 49 / 12 / 36

HEX #A2528F

RGB 162 82 143

HSL 314.25, 0.33%, 0.48%

LAB 46.58, 41.29, -19

 

Description

Color code: HEX #A28D51 | qconv.com Color code: HEX #A28D51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 141 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 141 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 50 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 50% 36% C M Y K

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Provide designers and agencies with accurate color values.

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