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Color name
HEX #A28D94

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A28D94 it is the complementary color #5D726B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A28D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A28D94 shade: #A78D8F, #B89FA2, #C9B1B5, #DAC3C8 and #EBD5DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A28D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A28D94 shade: #A28D94, #917B81, #80696E, #6F575B and #5E4548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A28D94 shade: #A08B92, #A08B8D and #A08B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A28D94 shade: #A08B92, #A08B98, #A08B9E, #9D8BA0 and #988BA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A28D94 shade matches the following richer shades: #A08B92, #B17B8D, #C26A87, #D35982 and #E4487C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A28D94 shade: #A08B92, #8F9C98, #7FAD9E, #6EBEA3 and #5DCFA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A28D94 shade: #A08B9E, #A08B98, #A08B92, #A08B8D and #A0908B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A28D94 shade: #786269, #8E757D, #A08B92, #B3A2A8 and #C6B9BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A28D94 shade: #A28D94, #A09E8B and #8B9BA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A28D94 shade: #A28D94, #92A08B and #8B92A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A28D94 shade: #A28D94, #A09E8B, #8BA099 and #8B8EA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A28D94 shade: #A28D94, #9DA08B, #8BA099 and #8F8BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 9 / 36

HEX #A28D94

RGB 162 141 148

HSL 340, 0.1%, 0.59%

LAB 60.67, 9.1, -0.82

 

Complementary color

CMYK 18 / 0 / 6 / 55

HEX #5D726B

RGB 93 114 107

HSL 160, 0.1%, 0.41%

LAB 46.21, -9.31, 1.3

 

CMYK 0 / 16 / 14 / 35

HEX #A78D8F

RGB 167 141 143

HSL 355.38, 0.13%, 0.6%

LAB 61, 10.11, 2.58

 

CMYK 0 / 14 / 12 / 28

HEX #B89FA2

RGB 184 159 162

HSL 352.8, 0.15%, 0.67%

LAB 67.72, 9.68, 1.83

 

CMYK 0 / 12 / 10 / 21

HEX #C9B1B5

RGB 201 177 181

HSL 350, 0.18%, 0.74%

LAB 74.32, 9.29, 1.12

 

CMYK 0 / 11 / 8 / 15

HEX #DAC3C8

RGB 218 195 200

HSL 346.96, 0.24%, 0.81%

LAB 80.8, 8.94, 0.45

 

CMYK 0 / 9 / 7 / 8

HEX #EBD5DB

RGB 235 213 219

HSL 343.64, 0.35%, 0.88%

LAB 87.18, 8.61, -0.19

 

CMYK 0 / 13 / 9 / 36

HEX #A28D94

RGB 162 141 148

HSL 340, 0.1%, 0.59%

LAB 60.67, 9.1, -0.82

 

CMYK 0 / 15 / 11 / 43

HEX #917B81

RGB 145 123 129

HSL 343.64, 0.09%, 0.53%

LAB 53.78, 9.53, -0.12

 

CMYK 0 / 18 / 14 / 50

HEX #80696E

RGB 128 105 110

HSL 346.96, 0.1%, 0.46%

LAB 46.73, 10.02, 0.64

 

CMYK 0 / 22 / 18 / 56

HEX #6F575B

RGB 111 87 91

HSL 350, 0.12%, 0.39%

LAB 39.5, 10.58, 1.46

 

CMYK 0 / 27 / 23 / 63

HEX #5E4548

RGB 94 69 72

HSL 352.8, 0.15%, 0.32%

LAB 32.04, 11.26, 2.39

 

CMYK 0 / 13 / 9 / 37

HEX #A08B92

RGB 160 139 146

HSL 340, 0.1%, 0.59%

LAB 59.9, 9.13, -0.82

 

CMYK 0 / 13 / 12 / 37

HEX #A08B8D

RGB 160 139 141

HSL 354.29, 0.1%, 0.59%

LAB 59.76, 8.24, 1.84

 

CMYK 0 / 13 / 13 / 37

HEX #A08B8B

RGB 160 139 139

HSL 0, 0.1%, 0.59%

LAB 59.71, 7.89, 2.9

 

CMYK 0 / 13 / 9 / 37

HEX #A08B92

RGB 160 139 146

HSL 340, 0.1%, 0.59%

LAB 59.9, 9.13, -0.82

 

CMYK 0 / 13 / 5 / 37

HEX #A08B98

RGB 160 139 152

HSL 322.86, 0.1%, 0.59%

LAB 60.07, 10.23, -3.99

 

CMYK 0 / 13 / 1 / 37

HEX #A08B9E

RGB 160 139 158

HSL 305.71, 0.1%, 0.59%

LAB 60.26, 11.37, -7.15

 

CMYK 2 / 13 / 0 / 37

HEX #9D8BA0

RGB 157 139 160

HSL 291.43, 0.1%, 0.59%

LAB 60.04, 10.69, -8.63

 

CMYK 5 / 13 / 0 / 37

HEX #988BA0

RGB 152 139 160

HSL 277.14, 0.1%, 0.59%

LAB 59.6, 8.92, -9.35

 

CMYK 0 / 13 / 9 / 37

HEX #A08B92

RGB 160 139 146

HSL 340, 0.1%, 0.59%

LAB 59.9, 9.13, -0.82

 

CMYK 0 / 31 / 20 / 31

HEX #B17B8D

RGB 177 123 141

HSL 340, 0.26%, 0.59%

LAB 57.5, 23.71, -1.25

 

CMYK 0 / 45 / 30 / 24

HEX #C26A87

RGB 194 106 135

HSL 340.23, 0.42%, 0.59%

LAB 55.61, 38.35, -0.27

 

CMYK 0 / 58 / 38 / 17

HEX #D35982

RGB 211 89 130

HSL 339.84, 0.58%, 0.59%

LAB 54.66, 51.96, 1.58

 

CMYK 0 / 68 / 46 / 11

HEX #E4487C

RGB 228 72 124

HSL 340, 0.74%, 0.59%

LAB 54.64, 63.69, 5.46

 

CMYK 0 / 13 / 9 / 37

HEX #A08B92

RGB 160 139 146

HSL 340, 0.1%, 0.59%

LAB 59.9, 9.13, -0.82

 

CMYK 8 / 0 / 3 / 39

HEX #8F9C98

RGB 143 156 152

HSL 161.54, 0.06%, 0.59%

LAB 63.25, -5.42, 0.5

 

CMYK 27 / 0 / 9 / 32

HEX #7FAD9E

RGB 127 173 158

HSL 160.43, 0.22%, 0.59%

LAB 67.18, -18.59, 2.73

 

CMYK 42 / 0 / 14 / 25

HEX #6EBEA3

RGB 110 190 163

HSL 159.75, 0.38%, 0.59%

LAB 71.41, -30.92, 5.99

 

CMYK 55 / 0 / 18 / 19

HEX #5DCFA9

RGB 93 207 169

HSL 160, 0.54%, 0.59%

LAB 75.96, -41.47, 9.17

 

CMYK 0 / 13 / 1 / 37

HEX #A08B9E

RGB 160 139 158

HSL 305.71, 0.1%, 0.59%

LAB 60.26, 11.37, -7.15

 

CMYK 0 / 13 / 5 / 37

HEX #A08B98

RGB 160 139 152

HSL 322.86, 0.1%, 0.59%

LAB 60.07, 10.23, -3.99

 

CMYK 0 / 13 / 9 / 37

HEX #A08B92

RGB 160 139 146

HSL 340, 0.1%, 0.59%

LAB 59.9, 9.13, -0.82

 

CMYK 0 / 13 / 12 / 37

HEX #A08B8D

RGB 160 139 141

HSL 354.29, 0.1%, 0.59%

LAB 59.76, 8.24, 1.84

 

CMYK 0 / 10 / 13 / 37

HEX #A0908B

RGB 160 144 139

HSL 14.29, 0.1%, 0.59%

LAB 61.03, 5.08, 4.81

 

CMYK 0 / 18 / 13 / 53

HEX #786269

RGB 120 98 105

HSL 340.91, 0.1%, 0.43%

LAB 43.87, 10.1, -0.63

 

CMYK 0 / 18 / 12 / 44

HEX #8E757D

RGB 142 117 125

HSL 340.8, 0.1%, 0.51%

LAB 51.79, 11.14, -0.73

 

CMYK 0 / 13 / 9 / 37

HEX #A08B92

RGB 160 139 146

HSL 340, 0.1%, 0.59%

LAB 59.9, 9.13, -0.82

 

CMYK 0 / 9 / 6 / 30

HEX #B3A2A8

RGB 179 162 168

HSL 338.82, 0.1%, 0.67%

LAB 68.21, 7.25, -0.86

 

CMYK 0 / 7 / 5 / 22

HEX #C6B9BD

RGB 198 185 189

HSL 341.54, 0.1%, 0.75%

LAB 76.3, 5.3, -0.38

 

CMYK 0 / 13 / 9 / 36

HEX #A28D94

RGB 162 141 148

HSL 340, 0.1%, 0.59%

LAB 60.67, 9.1, -0.82

 

CMYK 0 / 1 / 13 / 37

HEX #A09E8B

RGB 160 158 139

HSL 54.29, 0.1%, 0.59%

LAB 64.8, -2.67, 10.19

 

CMYK 13 / 3 / 0 / 37

HEX #8B9BA0

RGB 139 155 160

HSL 194.29, 0.1%, 0.59%

LAB 62.9, -4.6, -4.55

 

CMYK 0 / 13 / 9 / 36

HEX #A28D94

RGB 162 141 148

HSL 340, 0.1%, 0.59%

LAB 60.67, 9.1, -0.82

 

CMYK 9 / 0 / 13 / 37

HEX #92A08B

RGB 146 160 139

HSL 100, 0.1%, 0.59%

LAB 64.26, -8.99, 9.27

 

CMYK 13 / 9 / 0 / 37

HEX #8B92A0

RGB 139 146 160

HSL 220, 0.1%, 0.59%

LAB 60.41, 0.41, -8.24

 

CMYK 0 / 13 / 9 / 36

HEX #A28D94

RGB 162 141 148

HSL 340, 0.1%, 0.59%

LAB 60.67, 9.1, -0.82

 

CMYK 0 / 1 / 13 / 37

HEX #A09E8B

RGB 160 158 139

HSL 54.29, 0.1%, 0.59%

LAB 64.8, -2.67, 10.19

 

CMYK 13 / 0 / 4 / 37

HEX #8BA099

RGB 139 160 153

HSL 160, 0.1%, 0.59%

LAB 64.1, -8.8, 1.15

 

CMYK 13 / 11 / 0 / 37

HEX #8B8EA0

RGB 139 142 160

HSL 231.43, 0.1%, 0.59%

LAB 59.32, 2.67, -9.88

 

CMYK 0 / 13 / 9 / 36

HEX #A28D94

RGB 162 141 148

HSL 340, 0.1%, 0.59%

LAB 60.67, 9.1, -0.82

 

CMYK 2 / 0 / 13 / 37

HEX #9DA08B

RGB 157 160 139

HSL 68.57, 0.1%, 0.59%

LAB 65.1, -4.9, 10.59

 

CMYK 13 / 0 / 4 / 37

HEX #8BA099

RGB 139 160 153

HSL 160, 0.1%, 0.59%

LAB 64.1, -8.8, 1.15

 

CMYK 11 / 13 / 0 / 37

HEX #8F8BA0

RGB 143 139 160

HSL 251.43, 0.1%, 0.59%

LAB 58.83, 5.76, -10.58

 

Description

Color code: HEX #A28D94 | qconv.com Color code: HEX #A28D94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 141 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 141 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 9 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 9% 36% C M Y K

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Provide designers and agencies with accurate color values.

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