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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A29C2F it is the complementary color #5D63D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A29C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A29C2F shade: #A79C2A, #B8AE3D, #C9C050, #DAD263 and #EBE476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A29C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A29C2F shade: #A29C2F, #918A1C, #807809, #6F6600 and #5E5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A29C2F shade: #A29C2F, #A27D2F, #A25E2F, #A23F2F and #A22F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A29C2F shade: #A29C2F, #89A22F, #6AA22F, #4BA22F and #2FA232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A29C2F shade matches the following richer shades: #A29C2F, #B2AB1E and #C3BA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A29C2F shade: #A29C2F, #918C3F, #807D50, #6F6E61 and #5E5F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A29C2F shade: #A25D2F, #A27B2F, #A29A2F, #8BA22F and #6CA22F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A29C2F shade: #625E1C, #827D25, #A29C2F, #C2BA38 and #CDC755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A29C2F shade: #A29C2F, #2FA23E and #6C2FA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A29C2F shade: #A29C2F, #2FA29A and #9A2FA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A29C2F shade: #A29C2F, #2FA23E, #2F36A2 and #A22F92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A29C2F shade: #A29C2F, #2FA260, #2F36A2 and #A22F70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

Complementary color

CMYK 55 / 52 / 0 / 18

HEX #5D63D0

RGB 93 99 208

HSL 236.87, 0.55%, 0.59%

LAB 46.72, 28.84, -57.33

 

CMYK 0 / 7 / 75 / 35

HEX #A79C2A

RGB 167 156 42

HSL 54.72, 0.6%, 0.41%

LAB 63.47, -8.91, 57.25

 

CMYK 0 / 5 / 67 / 28

HEX #B8AE3D

RGB 184 174 61

HSL 55.12, 0.5%, 0.48%

LAB 70.04, -9.93, 56.9

 

CMYK 0 / 4 / 60 / 21

HEX #C9C050

RGB 201 192 80

HSL 55.54, 0.53%, 0.55%

LAB 76.49, -10.77, 56.1

 

CMYK 0 / 4 / 55 / 15

HEX #DAD263

RGB 218 210 99

HSL 55.97, 0.62%, 0.62%

LAB 82.86, -11.46, 55.09

 

CMYK 0 / 3 / 50 / 8

HEX #EBE476

RGB 235 228 118

HSL 56.41, 0.75%, 0.69%

LAB 89.14, -12.05, 53.98

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 0 / 5 / 81 / 43

HEX #918A1C

RGB 145 138 28

HSL 56.41, 0.68%, 0.34%

LAB 56.37, -9.78, 54.71

 

CMYK 0 / 6 / 93 / 50

HEX #807809

RGB 128 120 9

HSL 55.97, 0.87%, 0.27%

LAB 49.55, -8.38, 53.18

 

CMYK 0 / 8 / 100 / 56

HEX #6F6600

RGB 111 102 0

HSL 55.14, 1%, 0.22%

LAB 42.59, -6.62, 49.22

 

CMYK 0 / 11 / 100 / 63

HEX #5E5400

RGB 94 84 0

HSL 53.62, 1%, 0.18%

LAB 35.44, -4.57, 43.3

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 0 / 23 / 71 / 36

HEX #A27D2F

RGB 162 125 47

HSL 40.7, 0.55%, 0.41%

LAB 54.61, 6.08, 46.3

 

CMYK 0 / 42 / 71 / 36

HEX #A25E2F

RGB 162 94 47

HSL 24.52, 0.55%, 0.41%

LAB 46.83, 23.64, 38.01

 

CMYK 0 / 61 / 71 / 36

HEX #A23F2F

RGB 162 63 47

HSL 8.35, 0.55%, 0.41%

LAB 40.31, 40.03, 30.65

 

CMYK 0 / 71 / 71 / 36

HEX #A22F2F

RGB 162 47 47

HSL 0, 0.55%, 0.41%

LAB 37.7, 47.07, 27.58

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 15 / 0 / 71 / 36

HEX #89A22F

RGB 137 162 47

HSL 73.04, 0.55%, 0.41%

LAB 62.81, -24.79, 53.93

 

CMYK 35 / 0 / 71 / 36

HEX #6AA22F

RGB 106 162 47

HSL 89.22, 0.55%, 0.41%

LAB 60.88, -37.1, 51.35

 

CMYK 54 / 0 / 71 / 36

HEX #4BA22F

RGB 75 162 47

HSL 105.39, 0.55%, 0.41%

LAB 59.47, -47.32, 49.46

 

CMYK 71 / 0 / 69 / 36

HEX #2FA232

RGB 47 162 50

HSL 121.57, 0.55%, 0.41%

LAB 58.67, -53.67, 47.15

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 0 / 4 / 83 / 30

HEX #B2AB1E

RGB 178 171 30

HSL 57.16, 0.71%, 0.41%

LAB 68.52, -12.34, 65.81

 

CMYK 0 / 5 / 93 / 24

HEX #C3BA0D

RGB 195 186 13

HSL 57.03, 0.88%, 0.41%

LAB 74.03, -12.93, 74.02

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 0 / 3 / 57 / 43

HEX #918C3F

RGB 145 140 63

HSL 56.34, 0.39%, 0.41%

LAB 57.21, -8.77, 41.09

 

CMYK 0 / 2 / 38 / 50

HEX #807D50

RGB 128 125 80

HSL 56.25, 0.23%, 0.41%

LAB 51.65, -6.16, 24.97

 

CMYK 0 / 1 / 13 / 56

HEX #6F6E61

RGB 111 110 97

HSL 55.71, 0.07%, 0.41%

LAB 46.17, -2.11, 7.39

 

CMYK 18 / 17 / 0 / 55

HEX #5E5F72

RGB 94 95 114

HSL 237, 0.1%, 0.41%

LAB 40.86, 3.95, -10.85

 

CMYK 0 / 43 / 71 / 36

HEX #A25D2F

RGB 162 93 47

HSL 24, 0.55%, 0.41%

LAB 46.6, 24.2, 37.75

 

CMYK 0 / 24 / 71 / 36

HEX #A27B2F

RGB 162 123 47

HSL 39.65, 0.55%, 0.41%

LAB 54.08, 7.21, 45.75

 

CMYK 0 / 5 / 71 / 36

HEX #A29A2F

RGB 162 154 47

HSL 55.83, 0.55%, 0.41%

LAB 62.51, -9.83, 54.29

 

CMYK 14 / 0 / 71 / 36

HEX #8BA22F

RGB 139 162 47

HSL 72, 0.55%, 0.41%

LAB 62.96, -23.95, 54.12

 

CMYK 33 / 0 / 71 / 36

HEX #6CA22F

RGB 108 162 47

HSL 88.17, 0.55%, 0.41%

LAB 60.99, -36.35, 51.5

 

CMYK 0 / 4 / 71 / 62

HEX #625E1C

RGB 98 94 28

HSL 56.57, 0.56%, 0.25%

LAB 39.05, -7.29, 36.78

 

CMYK 0 / 4 / 72 / 49

HEX #827D25

RGB 130 125 37

HSL 56.77, 0.56%, 0.33%

LAB 51.32, -9.16, 46.24

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 0 / 4 / 71 / 24

HEX #C2BA38

RGB 194 186 56

HSL 56.52, 0.55%, 0.49%

LAB 74.11, -12.08, 63.2

 

CMYK 0 / 3 / 59 / 20

HEX #CDC755

RGB 205 199 85

HSL 57, 0.55%, 0.57%

LAB 78.74, -12.31, 56.46

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 71 / 0 / 62 / 36

HEX #2FA23E

RGB 47 162 62

HSL 127.83, 0.55%, 0.41%

LAB 58.78, -52.36, 42.01

 

CMYK 33 / 71 / 0 / 36

HEX #6C2FA2

RGB 108 47 162

HSL 271.83, 0.55%, 0.41%

LAB 33.63, 48.4, -51.4

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 71 / 0 / 5 / 36

HEX #2FA29A

RGB 47 162 154

HSL 175.83, 0.55%, 0.41%

LAB 60.59, -33.08, -5.06

 

CMYK 5 / 71 / 0 / 36

HEX #9A2FA2

RGB 154 47 162

HSL 295.83, 0.55%, 0.41%

LAB 40.43, 58.39, -40.11

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 71 / 0 / 62 / 36

HEX #2FA23E

RGB 47 162 62

HSL 127.83, 0.55%, 0.41%

LAB 58.78, -52.36, 42.01

 

CMYK 71 / 67 / 0 / 36

HEX #2F36A2

RGB 47 54 162

HSL 236.35, 0.55%, 0.41%

LAB 29.03, 33.89, -59.15

 

CMYK 0 / 71 / 10 / 36

HEX #A22F92

RGB 162 47 146

HSL 308.35, 0.55%, 0.41%

LAB 40.88, 57.6, -29.65

 

CMYK 0 / 4 / 71 / 36

HEX #A29C2F

RGB 162 156 47

HSL 56.87, 0.55%, 0.41%

LAB 63.06, -10.89, 54.84

 

CMYK 71 / 0 / 41 / 36

HEX #2FA260

RGB 47 162 96

HSL 145.57, 0.55%, 0.41%

LAB 59.24, -47.07, 25.34

 

CMYK 71 / 67 / 0 / 36

HEX #2F36A2

RGB 47 54 162

HSL 236.35, 0.55%, 0.41%

LAB 29.03, 33.89, -59.15

 

CMYK 0 / 71 / 31 / 36

HEX #A22F70

RGB 162 47 112

HSL 326.09, 0.55%, 0.41%

LAB 39.38, 52.81, -11

 

Description

Color code: HEX #A29C2F | qconv.com Color code: HEX #A29C2F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 156 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 156 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 71 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 71% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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