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Color name
HEX #A29F33

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A29F33 it is the complementary color #5D60CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A29F33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A29F33 shade: #A79F2E, #B8B141, #C9C354, #DAD567 and #EBE77A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A29F33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A29F33 shade: #A29F33, #918D20, #807B0D, #6F6900 and #5E5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A29F33 shade: #A29F33, #A28133, #A26333, #A24533 and #A23333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A29F33 shade: #A29F33, #87A233, #69A233, #4BA233 and #33A239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A29F33 shade matches the following richer shades: #A29F33, #B4B022 and #C5C010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A29F33 shade: #A29F33, #918F44, #807E56, #6E6E67 and #5D5E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A29F33 shade: #A26333, #A28133, #A29F33, #88A233 and #6BA233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A29F33 shade: #64621F, #838129, #A29F33, #C1BE3D and #CBC85C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A29F33 shade: #A29F33, #33A245 and #7233A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A29F33 shade: #A29F33, #33A29F and #9F33A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A29F33 shade: #A29F33, #33A245, #3337A2 and #A23390

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A29F33 shade: #A29F33, #33A267, #3337A2 and #A2336E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

Complementary color

CMYK 54 / 53 / 0 / 20

HEX #5D60CC

RGB 93 96 204

HSL 238.38, 0.52%, 0.58%

LAB 45.71, 29.41, -56.66

 

CMYK 0 / 5 / 72 / 35

HEX #A79F2E

RGB 167 159 46

HSL 56.03, 0.57%, 0.42%

LAB 64.33, -10.31, 56.61

 

CMYK 0 / 4 / 65 / 28

HEX #B8B141

RGB 184 177 65

HSL 56.47, 0.48%, 0.49%

LAB 70.88, -11.25, 56.11

 

CMYK 0 / 3 / 58 / 21

HEX #C9C354

RGB 201 195 84

HSL 56.92, 0.52%, 0.56%

LAB 77.33, -12.02, 55.25

 

CMYK 0 / 2 / 53 / 15

HEX #DAD567

RGB 218 213 103

HSL 57.39, 0.61%, 0.63%

LAB 83.69, -12.65, 54.21

 

CMYK 0 / 2 / 48 / 8

HEX #EBE77A

RGB 235 231 122

HSL 57.88, 0.74%, 0.7%

LAB 89.96, -13.18, 53.09

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 0 / 3 / 78 / 43

HEX #918D20

RGB 145 141 32

HSL 57.88, 0.64%, 0.35%

LAB 57.24, -11.23, 54.22

 

CMYK 0 / 4 / 90 / 50

HEX #807B0D

RGB 128 123 13

HSL 57.39, 0.82%, 0.28%

LAB 50.43, -9.94, 53.08

 

CMYK 0 / 5 / 100 / 56

HEX #6F6900

RGB 111 105 0

HSL 56.76, 1%, 0.22%

LAB 43.48, -8.32, 49.87

 

CMYK 0 / 7 / 100 / 63

HEX #5E5700

RGB 94 87 0

HSL 55.53, 1%, 0.18%

LAB 36.36, -6.34, 43.96

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 0 / 20 / 69 / 36

HEX #A28133

RGB 162 129 51

HSL 42.16, 0.52%, 0.42%

LAB 55.71, 4.06, 45.62

 

CMYK 0 / 39 / 69 / 36

HEX #A26333

RGB 162 99 51

HSL 25.95, 0.52%, 0.42%

LAB 48.06, 21.06, 37.29

 

CMYK 0 / 57 / 69 / 36

HEX #A24533

RGB 162 69 51

HSL 9.73, 0.52%, 0.42%

LAB 41.5, 37.3, 29.71

 

CMYK 0 / 69 / 69 / 36

HEX #A23333

RGB 162 51 51

HSL 0, 0.52%, 0.42%

LAB 38.35, 45.66, 25.93

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 17 / 0 / 69 / 36

HEX #87A233

RGB 135 162 51

HSL 74.59, 0.52%, 0.42%

LAB 62.7, -25.37, 52.2

 

CMYK 35 / 0 / 69 / 36

HEX #69A233

RGB 105 162 51

HSL 90.81, 0.52%, 0.42%

LAB 60.85, -37.17, 49.71

 

CMYK 54 / 0 / 69 / 36

HEX #4BA233

RGB 75 162 51

HSL 107.03, 0.52%, 0.42%

LAB 59.5, -46.98, 47.87

 

CMYK 69 / 0 / 65 / 36

HEX #33A239

RGB 51 162 57

HSL 123.24, 0.52%, 0.42%

LAB 58.83, -52.18, 44.35

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 0 / 2 / 81 / 29

HEX #B4B022

RGB 180 176 34

HSL 58.36, 0.68%, 0.42%

LAB 70.08, -13.92, 66.16

 

CMYK 0 / 3 / 92 / 23

HEX #C5C010

RGB 197 192 16

HSL 58.34, 0.85%, 0.42%

LAB 75.83, -15.06, 75.07

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 0 / 1 / 53 / 43

HEX #918F44

RGB 145 143 68

HSL 58.44, 0.36%, 0.42%

LAB 58.11, -9.96, 39.66

 

CMYK 0 / 2 / 33 / 50

HEX #807E56

RGB 128 126 86

HSL 57.14, 0.2%, 0.42%

LAB 52.04, -5.93, 22.1

 

CMYK 0 / 0 / 6 / 57

HEX #6E6E67

RGB 110 110 103

HSL 60, 0.03%, 0.42%

LAB 46.24, -1.39, 3.9

 

CMYK 23 / 22 / 0 / 53

HEX #5D5E78

RGB 93 94 120

HSL 237.78, 0.13%, 0.42%

LAB 40.72, 5.71, -14.75

 

CMYK 0 / 39 / 69 / 36

HEX #A26333

RGB 162 99 51

HSL 25.95, 0.52%, 0.42%

LAB 48.06, 21.06, 37.29

 

CMYK 0 / 20 / 69 / 36

HEX #A28133

RGB 162 129 51

HSL 42.16, 0.52%, 0.42%

LAB 55.71, 4.06, 45.62

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 16 / 0 / 69 / 36

HEX #88A233

RGB 136 162 51

HSL 74.05, 0.52%, 0.42%

LAB 62.77, -24.95, 52.3

 

CMYK 34 / 0 / 69 / 36

HEX #6BA233

RGB 107 162 51

HSL 89.73, 0.52%, 0.42%

LAB 60.96, -36.43, 49.85

 

CMYK 0 / 2 / 69 / 61

HEX #64621F

RGB 100 98 31

HSL 58.26, 0.53%, 0.26%

LAB 40.48, -8.43, 36.95

 

CMYK 0 / 2 / 69 / 49

HEX #838129

RGB 131 129 41

HSL 58.67, 0.52%, 0.34%

LAB 52.6, -10.66, 45.9

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 0 / 2 / 68 / 24

HEX #C1BE3D

RGB 193 190 61

HSL 58.64, 0.52%, 0.5%

LAB 75.14, -14.29, 62.32

 

CMYK 0 / 1 / 55 / 20

HEX #CBC85C

RGB 203 200 92

HSL 58.38, 0.52%, 0.58%

LAB 78.91, -13.12, 53.45

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 69 / 0 / 57 / 36

HEX #33A245

RGB 51 162 69

HSL 129.73, 0.52%, 0.42%

LAB 58.95, -50.72, 38.91

 

CMYK 30 / 69 / 0 / 36

HEX #7233A2

RGB 114 51 162

HSL 274.05, 0.52%, 0.42%

LAB 35.11, 47.75, -48.96

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 69 / 0 / 2 / 36

HEX #33A29F

RGB 51 162 159

HSL 178.38, 0.52%, 0.42%

LAB 60.82, -31.07, -7.52

 

CMYK 2 / 69 / 0 / 36

HEX #9F33A2

RGB 159 51 162

HSL 298.38, 0.52%, 0.42%

LAB 41.76, 58.03, -37.94

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 69 / 0 / 57 / 36

HEX #33A245

RGB 51 162 69

HSL 129.73, 0.52%, 0.42%

LAB 58.95, -50.72, 38.91

 

CMYK 69 / 66 / 0 / 36

HEX #3337A2

RGB 51 55 162

HSL 237.84, 0.52%, 0.42%

LAB 29.53, 33.78, -58.33

 

CMYK 0 / 69 / 11 / 36

HEX #A23390

RGB 162 51 144

HSL 309.73, 0.52%, 0.42%

LAB 41.32, 55.79, -27.76

 

CMYK 0 / 2 / 69 / 36

HEX #A29F33

RGB 162 159 51

HSL 58.38, 0.52%, 0.42%

LAB 63.93, -12.25, 54.13

 

CMYK 69 / 0 / 36 / 36

HEX #33A267

RGB 51 162 103

HSL 148.11, 0.52%, 0.42%

LAB 59.46, -45.01, 21.85

 

CMYK 69 / 66 / 0 / 36

HEX #3337A2

RGB 51 55 162

HSL 237.84, 0.52%, 0.42%

LAB 29.53, 33.78, -58.33

 

CMYK 0 / 69 / 32 / 36

HEX #A2336E

RGB 162 51 110

HSL 328.11, 0.52%, 0.42%

LAB 39.87, 51, -9.01

 

Description

Color code: HEX #A29F33 | qconv.com Color code: HEX #A29F33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 159 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 159 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 69 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 69% 36% C M Y K

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Provide designers and agencies with accurate color values.

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