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Color name
HEX #A2A133

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2A133 it is the complementary color #5D5ECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2A133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2A133 shade: #A7A12E, #B8B341, #C9C554, #DAD767 and #EBE97A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2A133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2A133 shade: #A2A133, #918F20, #807D0D, #6F6B00 and #5E5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2A133 shade: #A2A133, #A28333, #A26533, #A24733 and #A23333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2A133 shade: #A2A133, #85A233, #67A233, #49A233 and #33A23B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2A133 shade matches the following richer shades: #A2A133, #B4B222 and #C5C310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2A133 shade: #A2A133, #919044, #807F56, #6E6E67 and #5D5D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2A133 shade: #A26533, #A28333, #A2A033, #86A233 and #69A233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2A133 shade: #64631F, #838229, #A2A133, #C1C03D and #CBCA5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2A133 shade: #A2A133, #33A247 and #7433A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2A133 shade: #A2A133, #33A2A0 and #A033A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2A133 shade: #A2A133, #33A247, #3335A2 and #A2338E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2A133 shade: #A2A133, #33A269, #3335A2 and #A2336C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

Complementary color

CMYK 54 / 54 / 0 / 20

HEX #5D5ECC

RGB 93 94 204

HSL 239.46, 0.52%, 0.58%

LAB 45.21, 30.64, -57.46

 

CMYK 0 / 4 / 72 / 35

HEX #A7A12E

RGB 167 161 46

HSL 57.02, 0.57%, 0.42%

LAB 64.89, -11.36, 57.14

 

CMYK 0 / 3 / 65 / 28

HEX #B8B341

RGB 184 179 65

HSL 57.48, 0.48%, 0.49%

LAB 71.43, -12.28, 56.69

 

CMYK 0 / 2 / 58 / 21

HEX #C9C554

RGB 201 197 84

HSL 57.95, 0.52%, 0.56%

LAB 77.87, -13.03, 55.85

 

CMYK 0 / 1 / 53 / 15

HEX #DAD767

RGB 218 215 103

HSL 58.43, 0.61%, 0.63%

LAB 84.22, -13.65, 54.82

 

CMYK 0 / 1 / 48 / 8

HEX #EBE97A

RGB 235 233 122

HSL 58.94, 0.74%, 0.7%

LAB 90.48, -14.17, 53.71

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 0 / 1 / 78 / 43

HEX #918F20

RGB 145 143 32

HSL 58.94, 0.64%, 0.35%

LAB 57.82, -12.3, 54.74

 

CMYK 0 / 2 / 90 / 50

HEX #807D0D

RGB 128 125 13

HSL 58.43, 0.82%, 0.28%

LAB 51.02, -11.04, 53.55

 

CMYK 0 / 4 / 100 / 56

HEX #6F6B00

RGB 111 107 0

HSL 57.84, 1%, 0.22%

LAB 44.08, -9.45, 50.3

 

CMYK 0 / 5 / 100 / 63

HEX #5E5900

RGB 94 89 0

HSL 56.81, 1%, 0.18%

LAB 36.98, -7.51, 44.41

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 0 / 19 / 69 / 36

HEX #A28333

RGB 162 131 51

HSL 43.24, 0.52%, 0.42%

LAB 56.24, 2.94, 46.19

 

CMYK 0 / 38 / 69 / 36

HEX #A26533

RGB 162 101 51

HSL 27.03, 0.52%, 0.42%

LAB 48.55, 19.93, 37.83

 

CMYK 0 / 56 / 69 / 36

HEX #A24733

RGB 162 71 51

HSL 10.81, 0.52%, 0.42%

LAB 41.89, 36.29, 30.17

 

CMYK 0 / 69 / 69 / 36

HEX #A23333

RGB 162 51 51

HSL 0, 0.52%, 0.42%

LAB 38.35, 45.66, 25.93

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 18 / 0 / 69 / 36

HEX #85A233

RGB 133 162 51

HSL 75.68, 0.52%, 0.42%

LAB 62.56, -26.2, 52.02

 

CMYK 36 / 0 / 69 / 36

HEX #67A233

RGB 103 162 51

HSL 91.89, 0.52%, 0.42%

LAB 60.75, -37.89, 49.57

 

CMYK 55 / 0 / 69 / 36

HEX #49A233

RGB 73 162 51

HSL 108.11, 0.52%, 0.42%

LAB 59.43, -47.54, 47.77

 

CMYK 69 / 0 / 64 / 36

HEX #33A23B

RGB 51 162 59

HSL 124.32, 0.52%, 0.42%

LAB 58.84, -51.96, 43.47

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 0 / 1 / 81 / 29

HEX #B4B222

RGB 180 178 34

HSL 59.18, 0.68%, 0.42%

LAB 70.64, -14.94, 66.64

 

CMYK 0 / 1 / 92 / 23

HEX #C5C310

RGB 197 195 16

HSL 59.34, 0.85%, 0.42%

LAB 76.64, -16.57, 75.7

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 0 / 1 / 53 / 43

HEX #919044

RGB 145 144 68

HSL 59.22, 0.36%, 0.42%

LAB 58.4, -10.5, 39.99

 

CMYK 0 / 1 / 33 / 50

HEX #807F56

RGB 128 127 86

HSL 58.57, 0.2%, 0.42%

LAB 52.33, -6.49, 22.48

 

CMYK 0 / 0 / 6 / 57

HEX #6E6E67

RGB 110 110 103

HSL 60, 0.03%, 0.42%

LAB 46.24, -1.39, 3.9

 

CMYK 23 / 23 / 0 / 53

HEX #5D5D78

RGB 93 93 120

HSL 240, 0.13%, 0.42%

LAB 40.43, 6.33, -15.19

 

CMYK 0 / 38 / 69 / 36

HEX #A26533

RGB 162 101 51

HSL 27.03, 0.52%, 0.42%

LAB 48.55, 19.93, 37.83

 

CMYK 0 / 19 / 69 / 36

HEX #A28333

RGB 162 131 51

HSL 43.24, 0.52%, 0.42%

LAB 56.24, 2.94, 46.19

 

CMYK 0 / 1 / 69 / 36

HEX #A2A033

RGB 162 160 51

HSL 58.92, 0.52%, 0.42%

LAB 64.21, -12.77, 54.41

 

CMYK 17 / 0 / 69 / 36

HEX #86A233

RGB 134 162 51

HSL 75.14, 0.52%, 0.42%

LAB 62.63, -25.79, 52.11

 

CMYK 35 / 0 / 69 / 36

HEX #69A233

RGB 105 162 51

HSL 90.81, 0.52%, 0.42%

LAB 60.85, -37.17, 49.71

 

CMYK 0 / 1 / 69 / 61

HEX #64631F

RGB 100 99 31

HSL 59.13, 0.53%, 0.26%

LAB 40.79, -9.01, 37.26

 

CMYK 0 / 1 / 69 / 49

HEX #838229

RGB 131 130 41

HSL 59.33, 0.52%, 0.34%

LAB 52.9, -11.2, 46.19

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 0 / 1 / 68 / 24

HEX #C1C03D

RGB 193 192 61

HSL 59.55, 0.52%, 0.5%

LAB 75.68, -15.3, 62.86

 

CMYK 0 / 0 / 55 / 20

HEX #CBCA5C

RGB 203 202 92

HSL 59.46, 0.52%, 0.58%

LAB 79.45, -14.13, 54.06

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 69 / 0 / 56 / 36

HEX #33A247

RGB 51 162 71

HSL 130.81, 0.52%, 0.42%

LAB 58.97, -50.45, 37.96

 

CMYK 28 / 69 / 0 / 36

HEX #7433A2

RGB 116 51 162

HSL 275.14, 0.52%, 0.42%

LAB 35.38, 48.19, -48.52

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 69 / 0 / 1 / 36

HEX #33A2A0

RGB 51 162 160

HSL 178.92, 0.52%, 0.42%

LAB 60.85, -30.78, -8.04

 

CMYK 1 / 69 / 0 / 36

HEX #A033A2

RGB 160 51 162

HSL 298.92, 0.52%, 0.42%

LAB 41.92, 58.27, -37.68

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 69 / 0 / 56 / 36

HEX #33A247

RGB 51 162 71

HSL 130.81, 0.52%, 0.42%

LAB 58.97, -50.45, 37.96

 

CMYK 69 / 67 / 0 / 36

HEX #3335A2

RGB 51 53 162

HSL 238.92, 0.52%, 0.42%

LAB 29.05, 35.04, -59.1

 

CMYK 0 / 69 / 12 / 36

HEX #A2338E

RGB 162 51 142

HSL 310.81, 0.52%, 0.42%

LAB 41.22, 55.48, -26.69

 

CMYK 0 / 1 / 69 / 36

HEX #A2A133

RGB 162 161 51

HSL 59.46, 0.52%, 0.42%

LAB 64.49, -13.3, 54.69

 

CMYK 69 / 0 / 35 / 36

HEX #33A269

RGB 51 162 105

HSL 149.19, 0.52%, 0.42%

LAB 59.49, -44.6, 20.81

 

CMYK 69 / 67 / 0 / 36

HEX #3335A2

RGB 51 53 162

HSL 238.92, 0.52%, 0.42%

LAB 29.05, 35.04, -59.1

 

CMYK 0 / 69 / 33 / 36

HEX #A2336C

RGB 162 51 108

HSL 329.19, 0.52%, 0.42%

LAB 39.8, 50.75, -7.87

 

Description

Color code: HEX #A2A133 | qconv.com Color code: HEX #A2A133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 161 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 161 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 69 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 69% 36% C M Y K

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