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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2A139 it is the complementary color #5D5EC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2A139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2A139 shade: #A7A134, #B8B347, #C9C55A, #DAD76D and #EBE980

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2A139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2A139 shade: #A2A139, #918F26, #807D13, #6F6B00 and #5E5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2A139 shade: #A2A139, #A28439, #A26839, #A24C39 and #A23939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2A139 shade: #A2A139, #86A239, #6AA239, #4EA239 and #39A240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2A139 shade matches the following richer shades: #A2A139, #B4B227, #C5C415 and #D7D503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2A139 shade: #A2A139, #908F4A, #7E7E5C, #6D6D6E and #5B5B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2A139 shade: #A26839, #A28439, #A2A039, #87A239 and #6BA239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2A139 shade: #656423, #83822E, #A2A139, #BEBD46 and #C8C764

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2A139 shade: #A2A139, #39A24C and #7639A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2A139 shade: #A2A139, #39A2A0 and #A039A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2A139 shade: #A2A139, #39A24C, #393AA2 and #A2398E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2A139 shade: #A2A139, #39A26B, #393AA2 and #A2396F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

Complementary color

CMYK 53 / 53 / 0 / 22

HEX #5D5EC6

RGB 93 94 198

HSL 239.43, 0.48%, 0.57%

LAB 44.81, 28.72, -54.64

 

CMYK 0 / 4 / 69 / 35

HEX #A7A134

RGB 167 161 52

HSL 56.87, 0.53%, 0.43%

LAB 64.93, -11.05, 54.87

 

CMYK 0 / 3 / 61 / 28

HEX #B8B347

RGB 184 179 71

HSL 57.35, 0.44%, 0.5%

LAB 71.48, -11.89, 54.17

 

CMYK 0 / 2 / 55 / 21

HEX #C9C55A

RGB 201 197 90

HSL 57.84, 0.51%, 0.57%

LAB 77.93, -12.58, 53.2

 

CMYK 0 / 1 / 50 / 15

HEX #DAD76D

RGB 218 215 109

HSL 58.35, 0.6%, 0.64%

LAB 84.28, -13.15, 52.11

 

CMYK 0 / 1 / 46 / 8

HEX #EBE980

RGB 235 233 128

HSL 58.88, 0.73%, 0.71%

LAB 90.55, -13.63, 50.97

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 0 / 1 / 74 / 43

HEX #918F26

RGB 145 143 38

HSL 58.88, 0.58%, 0.36%

LAB 57.85, -12.03, 52.67

 

CMYK 0 / 2 / 85 / 50

HEX #807D13

RGB 128 125 19

HSL 58.35, 0.74%, 0.29%

LAB 51.04, -10.87, 52.12

 

CMYK 0 / 4 / 100 / 56

HEX #6F6B00

RGB 111 107 0

HSL 57.84, 1%, 0.22%

LAB 44.08, -9.45, 50.3

 

CMYK 0 / 5 / 100 / 63

HEX #5E5900

RGB 94 89 0

HSL 56.81, 1%, 0.18%

LAB 36.98, -7.51, 44.41

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 0 / 19 / 65 / 36

HEX #A28439

RGB 162 132 57

HSL 42.86, 0.48%, 0.43%

LAB 56.56, 2.77, 43.73

 

CMYK 0 / 36 / 65 / 36

HEX #A26839

RGB 162 104 57

HSL 26.86, 0.48%, 0.43%

LAB 49.35, 18.62, 35.57

 

CMYK 0 / 53 / 65 / 36

HEX #A24C39

RGB 162 76 57

HSL 10.86, 0.48%, 0.43%

LAB 42.98, 34.08, 28

 

CMYK 0 / 65 / 65 / 36

HEX #A23939

RGB 162 57 57

HSL 0, 0.48%, 0.43%

LAB 39.42, 43.41, 23.57

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 17 / 0 / 65 / 36

HEX #86A239

RGB 134 162 57

HSL 76, 0.48%, 0.43%

LAB 62.68, -25.36, 49.66

 

CMYK 35 / 0 / 65 / 36

HEX #6AA239

RGB 106 162 57

HSL 92, 0.48%, 0.43%

LAB 60.96, -36.3, 47.3

 

CMYK 52 / 0 / 65 / 36

HEX #4EA239

RGB 78 162 57

HSL 108, 0.48%, 0.43%

LAB 59.67, -45.54, 45.51

 

CMYK 65 / 0 / 60 / 36

HEX #39A240

RGB 57 162 64

HSL 124, 0.48%, 0.43%

LAB 59.05, -50.12, 41.45

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 0 / 1 / 78 / 29

HEX #B4B227

RGB 180 178 39

HSL 59.15, 0.64%, 0.43%

LAB 70.66, -14.77, 65.24

 

CMYK 0 / 1 / 89 / 23

HEX #C5C415

RGB 197 196 21

HSL 59.66, 0.81%, 0.43%

LAB 76.92, -16.99, 75.17

 

CMYK 0 / 1 / 99 / 16

HEX #D7D503

RGB 215 213 3

HSL 59.43, 0.97%, 0.43%

LAB 82.94, -17.94, 82.41

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 0 / 1 / 49 / 44

HEX #908F4A

RGB 144 143 74

HSL 59.14, 0.32%, 0.43%

LAB 58.1, -9.83, 36.57

 

CMYK 0 / 0 / 27 / 51

HEX #7E7E5C

RGB 126 126 92

HSL 60, 0.16%, 0.43%

LAB 51.98, -5.92, 18.57

 

CMYK 1 / 1 / 0 / 57

HEX #6D6D6E

RGB 109 109 110

HSL 240, 0%, 0.43%

LAB 46.06, 0.21, -0.56

 

CMYK 28 / 28 / 0 / 50

HEX #5B5B7F

RGB 91 91 127

HSL 240, 0.17%, 0.43%

LAB 39.98, 8.75, -20.17

 

CMYK 0 / 36 / 65 / 36

HEX #A26839

RGB 162 104 57

HSL 26.86, 0.48%, 0.43%

LAB 49.35, 18.62, 35.57

 

CMYK 0 / 19 / 65 / 36

HEX #A28439

RGB 162 132 57

HSL 42.86, 0.48%, 0.43%

LAB 56.56, 2.77, 43.73

 

CMYK 0 / 1 / 65 / 36

HEX #A2A039

RGB 162 160 57

HSL 58.86, 0.48%, 0.43%

LAB 64.26, -12.41, 51.98

 

CMYK 17 / 0 / 65 / 36

HEX #87A239

RGB 135 162 57

HSL 75.43, 0.48%, 0.43%

LAB 62.75, -24.95, 49.75

 

CMYK 34 / 0 / 65 / 36

HEX #6BA239

RGB 107 162 57

HSL 91.43, 0.48%, 0.43%

LAB 61.01, -35.94, 47.37

 

CMYK 0 / 1 / 65 / 60

HEX #656423

RGB 101 100 35

HSL 59.09, 0.49%, 0.27%

LAB 41.22, -8.82, 35.87

 

CMYK 0 / 1 / 65 / 49

HEX #83822E

RGB 131 130 46

HSL 59.29, 0.48%, 0.35%

LAB 52.94, -10.88, 44.06

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 0 / 1 / 63 / 25

HEX #BEBD46

RGB 190 189 70

HSL 59.5, 0.48%, 0.51%

LAB 74.69, -14.53, 58.18

 

CMYK 0 / 0 / 50 / 22

HEX #C8C764

RGB 200 199 100

HSL 59.4, 0.48%, 0.59%

LAB 78.49, -13.18, 49.15

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 65 / 0 / 53 / 36

HEX #39A24C

RGB 57 162 76

HSL 130.86, 0.48%, 0.43%

LAB 59.19, -48.52, 35.77

 

CMYK 27 / 65 / 0 / 36

HEX #7639A2

RGB 118 57 162

HSL 274.86, 0.48%, 0.43%

LAB 36.72, 45.68, -46.34

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 65 / 0 / 1 / 36

HEX #39A2A0

RGB 57 162 160

HSL 178.86, 0.48%, 0.43%

LAB 61, -29.85, -7.8

 

CMYK 1 / 65 / 0 / 36

HEX #A039A2

RGB 160 57 162

HSL 298.86, 0.48%, 0.43%

LAB 42.78, 55.88, -36.33

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 65 / 0 / 53 / 36

HEX #39A24C

RGB 57 162 76

HSL 130.86, 0.48%, 0.43%

LAB 59.19, -48.52, 35.77

 

CMYK 65 / 64 / 0 / 36

HEX #393AA2

RGB 57 58 162

HSL 239.43, 0.48%, 0.43%

LAB 30.65, 32.75, -56.47

 

CMYK 0 / 65 / 12 / 36

HEX #A2398E

RGB 162 57 142

HSL 311.43, 0.48%, 0.43%

LAB 42.09, 53.04, -25.33

 

CMYK 0 / 1 / 65 / 36

HEX #A2A139

RGB 162 161 57

HSL 59.43, 0.48%, 0.43%

LAB 64.54, -12.94, 52.27

 

CMYK 65 / 0 / 34 / 36

HEX #39A26B

RGB 57 162 107

HSL 148.57, 0.48%, 0.43%

LAB 59.68, -43.07, 19.99

 

CMYK 65 / 64 / 0 / 36

HEX #393AA2

RGB 57 58 162

HSL 239.43, 0.48%, 0.43%

LAB 30.65, 32.75, -56.47

 

CMYK 0 / 65 / 31 / 36

HEX #A2396F

RGB 162 57 111

HSL 329.14, 0.48%, 0.43%

LAB 40.82, 48.61, -8.21

 

Description

Color code: HEX #A2A139 | qconv.com Color code: HEX #A2A139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 161 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 161 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 65 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 65% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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