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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B732 it is the complementary color #5D48CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B732. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B732 shade: #A7B72D, #B8C940, #C9DB53, #DAED66 and #EBFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B732. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B732 shade: #A2B732, #91A51F, #80930C, #6F8100 and #5E6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B732 shade: #A3B832, #B8A932, #B88532, #B86132 and #B83D32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B732 shade: #A3B832, #7EB832, #5AB832, #36B832 and #32B852

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B732 shade matches the following richer shades: #A3B832, #B0CB1F and #BDDE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B732 shade: #A3B832, #96A545, #899258, #7C7F6B and #6F6C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B732 shade: #B88432, #B8A832, #A4B832, #80B832 and #5CB832

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B732 shade: #697720, #869729, #A3B832, #B7CC47 and #C4D567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B732 shade: #A2B732, #32B861 and #9632B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B732 shade: #A2B732, #32A4B8 and #B832A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B732 shade: #A2B732, #32B861, #4632B8 and #B83289

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B732 shade: #A2B732, #32B889, #4632B8 and #B83261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 73 / 28

HEX #A2B732

RGB 162 183 50

HSL 69.47, 0.57%, 0.46%

LAB 70.72, -24.47, 61.2

 

Complementary color

CMYK 55 / 65 / 0 / 20

HEX #5D48CD

RGB 93 72 205

HSL 249.47, 0.57%, 0.54%

LAB 40.2, 44.11, -66.17

 

CMYK 9 / 0 / 75 / 28

HEX #A7B72D

RGB 167 183 45

HSL 66.96, 0.61%, 0.45%

LAB 71.06, -22.61, 63.35

 

CMYK 8 / 0 / 68 / 21

HEX #B8C940

RGB 184 201 64

HSL 67.45, 0.56%, 0.52%

LAB 77.48, -23.37, 63.3

 

CMYK 8 / 0 / 62 / 14

HEX #C9DB53

RGB 201 219 83

HSL 67.94, 0.65%, 0.59%

LAB 83.81, -23.98, 62.75

 

CMYK 8 / 0 / 57 / 7

HEX #DAED66

RGB 218 237 102

HSL 68.44, 0.79%, 0.66%

LAB 90.06, -24.47, 61.92

 

CMYK 8 / 0 / 53 / 0

HEX #EBFF79

RGB 235 255 121

HSL 68.96, 1%, 0.74%

LAB 96.23, -24.87, 60.95

 

CMYK 11 / 0 / 73 / 28

HEX #A2B732

RGB 162 183 50

HSL 69.47, 0.57%, 0.46%

LAB 70.72, -24.47, 61.2

 

CMYK 12 / 0 / 81 / 35

HEX #91A51F

RGB 145 165 31

HSL 68.96, 0.68%, 0.38%

LAB 64.18, -23.65, 60.76

 

CMYK 13 / 0 / 92 / 42

HEX #80930C

RGB 128 147 12

HSL 68.44, 0.85%, 0.31%

LAB 57.54, -22.59, 58.99

 

CMYK 14 / 0 / 100 / 49

HEX #6F8100

RGB 111 129 0

HSL 68.37, 1%, 0.25%

LAB 50.78, -21.26, 55.25

 

CMYK 15 / 0 / 100 / 56

HEX #5E6F00

RGB 94 111 0

HSL 69.19, 1%, 0.22%

LAB 43.87, -19.68, 49.5

 

CMYK 11 / 0 / 73 / 28

HEX #A3B832

RGB 163 184 50

HSL 69.4, 0.57%, 0.46%

LAB 71.08, -24.54, 61.57

 

CMYK 0 / 8 / 73 / 28

HEX #B8A932

RGB 184 169 50

HSL 53.28, 0.57%, 0.46%

LAB 68.6, -7.9, 59.77

 

CMYK 0 / 28 / 73 / 28

HEX #B88532

RGB 184 133 50

HSL 37.16, 0.57%, 0.46%

LAB 59.16, 11.62, 50.41

 

CMYK 0 / 47 / 73 / 28

HEX #B86132

RGB 184 97 50

HSL 21.04, 0.57%, 0.46%

LAB 50.65, 31.42, 41.52

 

CMYK 0 / 67 / 73 / 28

HEX #B83D32

RGB 184 61 50

HSL 4.93, 0.57%, 0.46%

LAB 43.88, 48.93, 34.03

 

CMYK 11 / 0 / 73 / 28

HEX #A3B832

RGB 163 184 50

HSL 69.4, 0.57%, 0.46%

LAB 71.08, -24.54, 61.57

 

CMYK 32 / 0 / 73 / 28

HEX #7EB832

RGB 126 184 50

HSL 85.97, 0.57%, 0.46%

LAB 68.71, -39.24, 58.46

 

CMYK 51 / 0 / 73 / 28

HEX #5AB832

RGB 90 184 50

HSL 102.09, 0.57%, 0.46%

LAB 67.04, -51.25, 56.24

 

CMYK 71 / 0 / 73 / 28

HEX #36B832

RGB 54 184 50

HSL 118.21, 0.57%, 0.46%

LAB 65.98, -59.79, 54.82

 

CMYK 73 / 0 / 55 / 28

HEX #32B852

RGB 50 184 82

HSL 134.33, 0.57%, 0.46%

LAB 66.19, -56.97, 41.25

 

CMYK 11 / 0 / 73 / 28

HEX #A3B832

RGB 163 184 50

HSL 69.4, 0.57%, 0.46%

LAB 71.08, -24.54, 61.57

 

CMYK 13 / 0 / 85 / 20

HEX #B0CB1F

RGB 176 203 31

HSL 69.42, 0.74%, 0.46%

LAB 77.31, -29.03, 72.92

 

CMYK 15 / 0 / 95 / 13

HEX #BDDE0C

RGB 189 222 12

HSL 69.43, 0.9%, 0.46%

LAB 83.49, -32.96, 81.18

 

CMYK 11 / 0 / 73 / 28

HEX #A3B832

RGB 163 184 50

HSL 69.4, 0.57%, 0.46%

LAB 71.08, -24.54, 61.57

 

CMYK 9 / 0 / 58 / 35

HEX #96A545

RGB 150 165 69

HSL 69.38, 0.41%, 0.46%

LAB 64.82, -19.26, 46.97

 

CMYK 6 / 0 / 40 / 43

HEX #899258

RGB 137 146 88

HSL 69.31, 0.25%, 0.46%

LAB 58.58, -12.84, 29.65

 

CMYK 2 / 0 / 16 / 50

HEX #7C7F6B

RGB 124 127 107

HSL 69, 0.09%, 0.46%

LAB 52.43, -4.88, 10.51

 

CMYK 12 / 14 / 0 / 51

HEX #6F6C7E

RGB 111 108 126

HSL 250, 0.08%, 0.46%

LAB 46.46, 5.02, -9.54

 

CMYK 0 / 28 / 73 / 28

HEX #B88432

RGB 184 132 50

HSL 36.72, 0.57%, 0.46%

LAB 58.9, 12.17, 50.16

 

CMYK 0 / 9 / 73 / 28

HEX #B8A832

RGB 184 168 50

HSL 52.84, 0.57%, 0.46%

LAB 68.33, -7.37, 59.51

 

CMYK 11 / 0 / 73 / 28

HEX #A4B832

RGB 164 184 50

HSL 68.96, 0.57%, 0.46%

LAB 71.15, -24.13, 61.67

 

CMYK 30 / 0 / 73 / 28

HEX #80B832

RGB 128 184 50

HSL 85.07, 0.57%, 0.46%

LAB 68.82, -38.49, 58.61

 

CMYK 50 / 0 / 73 / 28

HEX #5CB832

RGB 92 184 50

HSL 101.19, 0.57%, 0.46%

LAB 67.12, -50.66, 56.34

 

CMYK 12 / 0 / 73 / 53

HEX #697720

RGB 105 119 32

HSL 69.66, 0.58%, 0.3%

LAB 47.37, -17.63, 43.64

 

CMYK 11 / 0 / 73 / 41

HEX #869729

RGB 134 151 41

HSL 69.27, 0.57%, 0.38%

LAB 59.31, -20.91, 52.66

 

CMYK 11 / 0 / 73 / 28

HEX #A3B832

RGB 163 184 50

HSL 69.4, 0.57%, 0.46%

LAB 71.08, -24.54, 61.57

 

CMYK 10 / 0 / 65 / 20

HEX #B7CC47

RGB 183 204 71

HSL 69.47, 0.57%, 0.54%

LAB 78.29, -24.81, 61.38

 

CMYK 8 / 0 / 52 / 16

HEX #C4D567

RGB 196 213 103

HSL 69.27, 0.57%, 0.62%

LAB 82, -21.49, 51.81

 

CMYK 11 / 0 / 73 / 28

HEX #A2B732

RGB 162 183 50

HSL 69.47, 0.57%, 0.46%

LAB 70.72, -24.47, 61.2

 

CMYK 73 / 0 / 47 / 28

HEX #32B861

RGB 50 184 97

HSL 141.04, 0.57%, 0.46%

LAB 66.38, -54.7, 34.06

 

CMYK 18 / 73 / 0 / 28

HEX #9632B8

RGB 150 50 184

HSL 284.78, 0.57%, 0.46%

LAB 41.57, 60.55, -51.38

 

CMYK 11 / 0 / 73 / 28

HEX #A2B732

RGB 162 183 50

HSL 69.47, 0.57%, 0.46%

LAB 70.72, -24.47, 61.2

 

CMYK 73 / 11 / 0 / 28

HEX #32A4B8

RGB 50 164 184

HSL 188.96, 0.57%, 0.46%

LAB 62.24, -24.59, -19.44

 

CMYK 0 / 73 / 11 / 28

HEX #B832A4

RGB 184 50 164

HSL 308.96, 0.57%, 0.46%

LAB 45.84, 64.58, -32.43

 

CMYK 11 / 0 / 73 / 28

HEX #A2B732

RGB 162 183 50

HSL 69.47, 0.57%, 0.46%

LAB 70.72, -24.47, 61.2

 

CMYK 73 / 0 / 47 / 28

HEX #32B861

RGB 50 184 97

HSL 141.04, 0.57%, 0.46%

LAB 66.38, -54.7, 34.06

 

CMYK 62 / 73 / 0 / 28

HEX #4632B8

RGB 70 50 184

HSL 248.96, 0.57%, 0.46%

LAB 31.91, 46.53, -67.54

 

CMYK 0 / 73 / 26 / 28

HEX #B83289

RGB 184 50 137

HSL 321.04, 0.57%, 0.46%

LAB 44.63, 60.83, -18.07

 

CMYK 11 / 0 / 73 / 28

HEX #A2B732

RGB 162 183 50

HSL 69.47, 0.57%, 0.46%

LAB 70.72, -24.47, 61.2

 

CMYK 73 / 0 / 26 / 28

HEX #32B889

RGB 50 184 137

HSL 158.96, 0.57%, 0.46%

LAB 67.1, -46.74, 13.79

 

CMYK 62 / 73 / 0 / 28

HEX #4632B8

RGB 70 50 184

HSL 248.96, 0.57%, 0.46%

LAB 31.91, 46.53, -67.54

 

CMYK 0 / 73 / 47 / 28

HEX #B83261

RGB 184 50 97

HSL 338.96, 0.57%, 0.46%

LAB 43.26, 56.43, 4.54

 

Description

Color code: HEX #A2B732 | qconv.com Color code: HEX #A2B732 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 183 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 183 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 73 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 73% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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