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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B982 it is the complementary color #5D467D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B982 shade: #A7B97D, #B8CB90, #C9DDA3, #DAEFB6 and #EBFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B982 shade: #A2B982, #91A76F, #80955C, #6F8349 and #5E7136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B982 shade: #A2B982, #B1B982, #B9B282, #B9A482 and #B99582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B982 shade: #A2B982, #93B982, #85B982, #82B98F and #82B99D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B982 shade matches the following richer shades: #A2B982, #A5C873, #A7D863, #AAE853 and #ACF744

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B982 shade: #A2B982, #9FA992, #9D99A2, #9A8AB2 and #987AC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B982 shade: #B9B282, #B1B982, #A2B982, #94B982 and #85B982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B982 shade: #7A9554, #8EAA68, #A2B982, #B6C89D and #C9D6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B982 shade: #A2B982, #82B9A4 and #B982B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B982 shade: #A2B982, #82A2B9 and #B982A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B982 shade: #A2B982, #82B9A4, #9982B9 and #B98297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B982 shade: #A2B982, #82B9B4, #9982B9 and #B98287

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

Complementary color

CMYK 26 / 44 / 0 / 51

HEX #5D467D

RGB 93 70 125

HSL 265.09, 0.28%, 0.38%

LAB 34.37, 22.08, -27.66

 

CMYK 10 / 0 / 32 / 27

HEX #A7B97D

RGB 167 185 125

HSL 78, 0.3%, 0.61%

LAB 72.49, -16.39, 28.46

 

CMYK 9 / 0 / 29 / 20

HEX #B8CB90

RGB 184 203 144

HSL 79.32, 0.36%, 0.68%

LAB 78.99, -16.44, 27.36

 

CMYK 9 / 0 / 26 / 13

HEX #C9DDA3

RGB 201 221 163

HSL 80.69, 0.46%, 0.75%

LAB 85.39, -16.48, 26.32

 

CMYK 9 / 0 / 24 / 6

HEX #DAEFB6

RGB 218 239 182

HSL 82.11, 0.64%, 0.83%

LAB 91.69, -16.51, 25.34

 

CMYK 8 / 0 / 21 / 0

HEX #EBFFC9

RGB 235 255 201

HSL 82.22, 1%, 0.89%

LAB 97.39, -15.56, 23.68

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 13 / 0 / 34 / 35

HEX #91A76F

RGB 145 167 111

HSL 83.57, 0.24%, 0.55%

LAB 65.6, -17.58, 26.5

 

CMYK 14 / 0 / 38 / 42

HEX #80955C

RGB 128 149 92

HSL 82.11, 0.24%, 0.47%

LAB 58.84, -17.56, 27.68

 

CMYK 15 / 0 / 44 / 49

HEX #6F8349

RGB 111 131 73

HSL 80.69, 0.28%, 0.4%

LAB 51.94, -17.5, 28.92

 

CMYK 17 / 0 / 52 / 56

HEX #5E7136

RGB 94 113 54

HSL 79.32, 0.35%, 0.33%

LAB 44.88, -17.38, 30.19

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 4 / 0 / 30 / 27

HEX #B1B982

RGB 177 185 130

HSL 68.73, 0.28%, 0.62%

LAB 73.32, -11.85, 27.05

 

CMYK 0 / 4 / 30 / 27

HEX #B9B282

RGB 185 178 130

HSL 52.36, 0.28%, 0.62%

LAB 72.07, -5.06, 25.49

 

CMYK 0 / 11 / 30 / 27

HEX #B9A482

RGB 185 164 130

HSL 37.09, 0.28%, 0.62%

LAB 68.37, 2.44, 20.47

 

CMYK 0 / 19 / 30 / 27

HEX #B99582

RGB 185 149 130

HSL 20.73, 0.28%, 0.62%

LAB 64.5, 10.66, 15.13

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 21 / 0 / 30 / 27

HEX #93B982

RGB 147 185 130

HSL 101.45, 0.28%, 0.62%

LAB 71.22, -23.09, 23.87

 

CMYK 28 / 0 / 30 / 27

HEX #85B982

RGB 133 185 130

HSL 116.73, 0.28%, 0.62%

LAB 70.38, -27.98, 22.59

 

CMYK 30 / 0 / 23 / 27

HEX #82B98F

RGB 130 185 143

HSL 134.18, 0.28%, 0.62%

LAB 70.47, -26.67, 15.68

 

CMYK 30 / 0 / 15 / 27

HEX #82B99D

RGB 130 185 157

HSL 149.45, 0.28%, 0.62%

LAB 70.79, -23.94, 8.5

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 18 / 0 / 43 / 22

HEX #A5C873

RGB 165 200 115

HSL 84.71, 0.44%, 0.62%

LAB 76.4, -25.9, 38.66

 

CMYK 23 / 0 / 54 / 15

HEX #A7D863

RGB 167 216 99

HSL 85.13, 0.6%, 0.62%

LAB 80.87, -34.45, 51.84

 

CMYK 27 / 0 / 64 / 9

HEX #AAE853

RGB 170 232 83

HSL 84.97, 0.76%, 0.62%

LAB 85.45, -41.89, 63.9

 

CMYK 30 / 0 / 72 / 3

HEX #ACF744

RGB 172 247 68

HSL 85.14, 0.92%, 0.62%

LAB 89.72, -48.57, 73.8

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 6 / 0 / 14 / 34

HEX #9FA992

RGB 159 169 146

HSL 86.09, 0.12%, 0.62%

LAB 67.89, -7.79, 10.68

 

CMYK 3 / 6 / 0 / 36

HEX #9D99A2

RGB 157 153 162

HSL 266.67, 0.05%, 0.62%

LAB 63.8, 3.2, -4.19

 

CMYK 13 / 22 / 0 / 30

HEX #9A8AB2

RGB 154 138 178

HSL 264, 0.21%, 0.62%

LAB 60.12, 14.01, -18.79

 

CMYK 21 / 37 / 0 / 24

HEX #987AC1

RGB 152 122 193

HSL 265.35, 0.36%, 0.62%

LAB 56.53, 26.03, -32.88

 

CMYK 0 / 4 / 30 / 27

HEX #B9B282

RGB 185 178 130

HSL 52.36, 0.28%, 0.62%

LAB 72.07, -5.06, 25.49

 

CMYK 4 / 0 / 30 / 27

HEX #B1B982

RGB 177 185 130

HSL 68.73, 0.28%, 0.62%

LAB 73.32, -11.85, 27.05

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 20 / 0 / 30 / 27

HEX #94B982

RGB 148 185 130

HSL 100.36, 0.28%, 0.62%

LAB 71.29, -22.73, 23.96

 

CMYK 28 / 0 / 30 / 27

HEX #85B982

RGB 133 185 130

HSL 116.73, 0.28%, 0.62%

LAB 70.38, -27.98, 22.59

 

CMYK 18 / 0 / 44 / 42

HEX #7A9554

RGB 122 149 84

HSL 84.92, 0.28%, 0.46%

LAB 58.29, -21, 31.19

 

CMYK 16 / 0 / 39 / 33

HEX #8EAA68

RGB 142 170 104

HSL 85.45, 0.28%, 0.54%

LAB 66.14, -21.23, 30.9

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 9 / 0 / 22 / 22

HEX #B6C89D

RGB 182 200 157

HSL 85.12, 0.28%, 0.7%

LAB 78.28, -13.72, 19.51

 

CMYK 6 / 0 / 14 / 16

HEX #C9D6B7

RGB 201 214 183

HSL 85.16, 0.27%, 0.78%

LAB 83.93, -9.87, 13.83

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 30 / 0 / 11 / 27

HEX #82B9A4

RGB 130 185 164

HSL 157.09, 0.28%, 0.62%

LAB 70.96, -22.48, 4.92

 

CMYK 0 / 30 / 1 / 27

HEX #B982B8

RGB 185 130 184

HSL 301.09, 0.28%, 0.62%

LAB 61.43, 30.15, -19.93

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 30 / 12 / 0 / 27

HEX #82A2B9

RGB 130 162 185

HSL 205.09, 0.28%, 0.62%

LAB 65.03, -5.54, -15.46

 

CMYK 0 / 30 / 12 / 27

HEX #B982A2

RGB 185 130 162

HSL 325.09, 0.28%, 0.62%

LAB 60.68, 26.18, -8.52

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 30 / 0 / 11 / 27

HEX #82B9A4

RGB 130 185 164

HSL 157.09, 0.28%, 0.62%

LAB 70.96, -22.48, 4.92

 

CMYK 17 / 30 / 0 / 27

HEX #9982B9

RGB 153 130 185

HSL 265.09, 0.28%, 0.62%

LAB 58.26, 19.86, -25.63

 

CMYK 0 / 30 / 18 / 27

HEX #B98297

RGB 185 130 151

HSL 337.09, 0.28%, 0.62%

LAB 60.35, 24.36, -2.72

 

CMYK 12 / 0 / 30 / 27

HEX #A2B982

RGB 162 185 130

HSL 85.09, 0.28%, 0.62%

LAB 72.22, -17.58, 25.38

 

CMYK 30 / 0 / 3 / 27

HEX #82B9B4

RGB 130 185 180

HSL 174.55, 0.28%, 0.62%

LAB 71.38, -18.95, -3.23

 

CMYK 17 / 30 / 0 / 27

HEX #9982B9

RGB 153 130 185

HSL 265.09, 0.28%, 0.62%

LAB 58.26, 19.86, -25.63

 

CMYK 0 / 30 / 27 / 27

HEX #B98287

RGB 185 130 135

HSL 354.55, 0.28%, 0.62%

LAB 59.91, 21.93, 5.82

 

Description

Color code: HEX #A2B982 | qconv.com Color code: HEX #A2B982 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 185 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 185 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 30 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 30% 27% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Gastroteket frokostr...
Link: http://www.gastroteket.dk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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