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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B214 it is the complementary color #5D4DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B214 shade: #A7B20F, #B8C422, #C9D635, #DAE848 and #EBFA5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B214 shade: #A2B214, #91A001, #808E00, #6F7C00 and #5E6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B214 shade: #A2B313, #B39813, #B36D13, #B34213 and #B31713

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B214 shade: #A2B313, #77B313, #4DB313, #22B313 and #13B330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B214 shade matches the following richer shades: #A2B313 and #AFC303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B214 shade: #A2B313, #96A223, #899234, #7C8244 and #6F7254

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B214 shade: #B36E13, #B39813, #A3B313, #78B313 and #4EB313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B214 shade: #5F680B, #818D0F, #A2B313, #C4D818 and #D5E831

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B214 shade: #A2B214, #13B343 and #8313B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B214 shade: #A2B214, #13A3B3 and #B313A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B214 shade: #A2B214, #13B343, #2313B3 and #B31383

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B214 shade: #A2B214, #13B373, #2313B3 and #B31353

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 89 / 30

HEX #A2B214

RGB 162 178 20

HSL 66.08, 0.8%, 0.39%

LAB 69.16, -23.11, 68

 

Complementary color

CMYK 60 / 67 / 0 / 8

HEX #5D4DEB

RGB 93 77 235

HSL 246.08, 0.8%, 0.61%

LAB 43.7, 50.42, -77.58

 

CMYK 6 / 0 / 92 / 30

HEX #A7B20F

RGB 167 178 15

HSL 64.05, 0.84%, 0.38%

LAB 69.53, -21.05, 69.28

 

CMYK 6 / 0 / 83 / 23

HEX #B8C422

RGB 184 196 34

HSL 64.44, 0.7%, 0.45%

LAB 75.94, -22.23, 71.31

 

CMYK 6 / 0 / 75 / 16

HEX #C9D635

RGB 201 214 53

HSL 64.84, 0.66%, 0.52%

LAB 82.25, -23.2, 72.13

 

CMYK 6 / 0 / 69 / 9

HEX #DAE848

RGB 218 232 72

HSL 65.25, 0.78%, 0.6%

LAB 88.49, -24.01, 72.18

 

CMYK 6 / 0 / 64 / 2

HEX #EBFA5B

RGB 235 250 91

HSL 65.66, 0.94%, 0.67%

LAB 94.65, -24.68, 71.76

 

CMYK 9 / 0 / 89 / 30

HEX #A2B214

RGB 162 178 20

HSL 66.08, 0.8%, 0.39%

LAB 69.16, -23.11, 68

 

CMYK 9 / 0 / 99 / 37

HEX #91A001

RGB 145 160 1

HSL 65.66, 0.99%, 0.32%

LAB 62.65, -21.85, 65.11

 

CMYK 10 / 0 / 100 / 44

HEX #808E00

RGB 128 142 0

HSL 65.92, 1%, 0.28%

LAB 56.02, -20.29, 59.74

 

CMYK 10 / 0 / 100 / 51

HEX #6F7C00

RGB 111 124 0

HSL 66.29, 1%, 0.24%

LAB 49.25, -18.67, 54.1

 

CMYK 11 / 0 / 100 / 58

HEX #5E6A00

RGB 94 106 0

HSL 66.79, 1%, 0.21%

LAB 42.29, -17.03, 48.31

 

CMYK 9 / 0 / 89 / 30

HEX #A2B313

RGB 162 179 19

HSL 66.38, 0.81%, 0.39%

LAB 69.45, -23.62, 68.4

 

CMYK 0 / 15 / 89 / 30

HEX #B39813

RGB 179 152 19

HSL 49.88, 0.81%, 0.39%

LAB 63.41, -2.11, 64.21

 

CMYK 0 / 39 / 89 / 30

HEX #B36D13

RGB 179 109 19

HSL 33.75, 0.81%, 0.39%

LAB 52.47, 21.66, 55.63

 

CMYK 0 / 63 / 89 / 30

HEX #B34213

RGB 179 66 19

HSL 17.63, 0.81%, 0.39%

LAB 43.55, 43.94, 48.71

 

CMYK 0 / 87 / 89 / 30

HEX #B31713

RGB 179 23 19

HSL 1.5, 0.81%, 0.39%

LAB 38.28, 58.48, 44.68

 

CMYK 9 / 0 / 89 / 30

HEX #A2B313

RGB 162 179 19

HSL 66.38, 0.81%, 0.39%

LAB 69.45, -23.62, 68.4

 

CMYK 34 / 0 / 89 / 30

HEX #77B313

RGB 119 179 19

HSL 82.5, 0.81%, 0.39%

LAB 66.68, -41.03, 65

 

CMYK 57 / 0 / 89 / 30

HEX #4DB313

RGB 77 179 19

HSL 98.25, 0.81%, 0.39%

LAB 64.86, -54.64, 62.73

 

CMYK 81 / 0 / 89 / 30

HEX #22B313

RGB 34 179 19

HSL 114.38, 0.81%, 0.39%

LAB 63.86, -63.07, 61.48

 

CMYK 89 / 0 / 73 / 30

HEX #13B330

RGB 19 179 48

HSL 130.88, 0.81%, 0.39%

LAB 63.83, -62.81, 53.19

 

CMYK 9 / 0 / 89 / 30

HEX #A2B313

RGB 162 179 19

HSL 66.38, 0.81%, 0.39%

LAB 69.45, -23.62, 68.4

 

CMYK 10 / 0 / 98 / 24

HEX #AFC303

RGB 175 195 3

HSL 66.25, 0.97%, 0.39%

LAB 74.92, -26.12, 75.07

 

CMYK 9 / 0 / 89 / 30

HEX #A2B313

RGB 162 179 19

HSL 66.38, 0.81%, 0.39%

LAB 69.45, -23.62, 68.4

 

CMYK 7 / 0 / 78 / 36

HEX #96A223

RGB 150 162 35

HSL 65.67, 0.64%, 0.39%

LAB 63.71, -19.83, 59.29

 

CMYK 6 / 0 / 64 / 43

HEX #899234

RGB 137 146 52

HSL 65.74, 0.47%, 0.39%

LAB 58.15, -16.33, 47.08

 

CMYK 5 / 0 / 48 / 49

HEX #7C8244

RGB 124 130 68

HSL 65.81, 0.31%, 0.39%

LAB 52.58, -12.05, 32.62

 

CMYK 3 / 0 / 26 / 55

HEX #6F7254

RGB 111 114 84

HSL 66, 0.15%, 0.39%

LAB 47.05, -6.61, 16.29

 

CMYK 0 / 39 / 89 / 30

HEX #B36E13

RGB 179 110 19

HSL 34.13, 0.81%, 0.39%

LAB 52.71, 21.1, 55.81

 

CMYK 0 / 15 / 89 / 30

HEX #B39813

RGB 179 152 19

HSL 49.88, 0.81%, 0.39%

LAB 63.41, -2.11, 64.21

 

CMYK 9 / 0 / 89 / 30

HEX #A3B313

RGB 163 179 19

HSL 66, 0.81%, 0.39%

LAB 69.52, -23.19, 68.5

 

CMYK 33 / 0 / 89 / 30

HEX #78B313

RGB 120 179 19

HSL 82.13, 0.81%, 0.39%

LAB 66.73, -40.65, 65.06

 

CMYK 56 / 0 / 89 / 30

HEX #4EB313

RGB 78 179 19

HSL 97.88, 0.81%, 0.39%

LAB 64.89, -54.37, 62.77

 

CMYK 9 / 0 / 89 / 59

HEX #5F680B

RGB 95 104 11

HSL 65.81, 0.81%, 0.23%

LAB 41.78, -15.15, 45.24

 

CMYK 9 / 0 / 89 / 45

HEX #818D0F

RGB 129 141 15

HSL 65.71, 0.81%, 0.31%

LAB 55.84, -19.02, 57.08

 

CMYK 9 / 0 / 89 / 30

HEX #A2B313

RGB 162 179 19

HSL 66.38, 0.81%, 0.39%

LAB 69.45, -23.62, 68.4

 

CMYK 9 / 0 / 89 / 15

HEX #C4D818

RGB 196 216 24

HSL 66.25, 0.8%, 0.47%

LAB 82.33, -27.1, 78.95

 

CMYK 8 / 0 / 79 / 9

HEX #D5E831

RGB 213 232 49

HSL 66.23, 0.8%, 0.55%

LAB 88.01, -27.03, 78.81

 

CMYK 9 / 0 / 89 / 30

HEX #A2B214

RGB 162 178 20

HSL 66.08, 0.8%, 0.39%

LAB 69.16, -23.11, 68

 

CMYK 89 / 0 / 63 / 30

HEX #13B343

RGB 19 179 67

HSL 138, 0.81%, 0.39%

LAB 63.99, -60.85, 45.55

 

CMYK 27 / 89 / 0 / 30

HEX #8313B3

RGB 131 19 179

HSL 282, 0.81%, 0.39%

LAB 35.09, 65.45, -59.05

 

CMYK 9 / 0 / 89 / 30

HEX #A2B214

RGB 162 178 20

HSL 66.08, 0.8%, 0.39%

LAB 69.16, -23.11, 68

 

CMYK 89 / 9 / 0 / 30

HEX #13A3B3

RGB 19 163 179

HSL 186, 0.81%, 0.39%

LAB 61.3, -28.51, -18.12

 

CMYK 0 / 89 / 9 / 30

HEX #B313A3

RGB 179 19 163

HSL 306, 0.81%, 0.39%

LAB 42.3, 70.92, -37.47

 

CMYK 9 / 0 / 89 / 30

HEX #A2B214

RGB 162 178 20

HSL 66.08, 0.8%, 0.39%

LAB 69.16, -23.11, 68

 

CMYK 89 / 0 / 63 / 30

HEX #13B343

RGB 19 179 67

HSL 138, 0.81%, 0.39%

LAB 63.99, -60.85, 45.55

 

CMYK 80 / 89 / 0 / 30

HEX #2313B3

RGB 35 19 179

HSL 246, 0.81%, 0.39%

LAB 23.93, 56.33, -77.85

 

CMYK 0 / 89 / 27 / 30

HEX #B31383

RGB 179 19 131

HSL 318, 0.81%, 0.39%

LAB 40.72, 66.75, -20.49

 

CMYK 9 / 0 / 89 / 30

HEX #A2B214

RGB 162 178 20

HSL 66.08, 0.8%, 0.39%

LAB 69.16, -23.11, 68

 

CMYK 89 / 0 / 36 / 30

HEX #13B373

RGB 19 179 115

HSL 156, 0.81%, 0.39%

LAB 64.66, -52.85, 22.27

 

CMYK 80 / 89 / 0 / 30

HEX #2313B3

RGB 35 19 179

HSL 246, 0.81%, 0.39%

LAB 23.93, 56.33, -77.85

 

CMYK 0 / 89 / 54 / 30

HEX #B31353

RGB 179 19 83

HSL 336, 0.81%, 0.39%

LAB 39.03, 62.11, 7.21

 

Description

Color code: HEX #A2B214 | qconv.com Color code: HEX #A2B214 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 178 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 178 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 89% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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