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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B247 it is the complementary color #5D4DB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B247 shade: #A7B242, #B8C455, #C9D668, #DAE87B and #EBFA8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B247 shade: #A2B247, #91A034, #808E21, #6F7C0E and #5E6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B247 shade: #A2B247, #B2A547, #B28847, #B26B47 and #B24E47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B247 shade: #A2B247, #85B247, #68B247, #4BB247 and #47B25F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B247 shade matches the following richer shades: #A2B247, #B0C633, #BEDB1E and #CDEF0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B247 shade: #A2B247, #949E5B, #868A6F, #787683 and #696198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B247 shade: #B28747, #B2A447, #A4B247, #87B247 and #6BB247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B247 shade: #6C772F, #87953B, #A2B247, #B2C062 and #C0CC80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B247 shade: #A2B247, #47B26B and #9647B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B247 shade: #A2B247, #47A4B2 and #B247A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B247 shade: #A2B247, #47B26B, #5547B2 and #B2478E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B247 shade: #A2B247, #47B28B, #5547B2 and #B2476E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

Complementary color

CMYK 49 / 58 / 0 / 28

HEX #5D4DB8

RGB 93 77 184

HSL 248.97, 0.43%, 0.51%

LAB 39.74, 34.77, -54.67

 

CMYK 6 / 0 / 63 / 30

HEX #A7B242

RGB 167 178 66

HSL 65.89, 0.46%, 0.48%

LAB 69.79, -18.93, 54.12

 

CMYK 6 / 0 / 57 / 23

HEX #B8C455

RGB 184 196 85

HSL 66.49, 0.48%, 0.55%

LAB 76.27, -19.47, 53.24

 

CMYK 6 / 0 / 51 / 16

HEX #C9D668

RGB 201 214 104

HSL 67.09, 0.57%, 0.62%

LAB 82.65, -19.9, 52.2

 

CMYK 6 / 0 / 47 / 9

HEX #DAE87B

RGB 218 232 123

HSL 67.71, 0.7%, 0.7%

LAB 88.95, -20.25, 51.09

 

CMYK 6 / 0 / 43 / 2

HEX #EBFA8E

RGB 235 250 142

HSL 68.33, 0.92%, 0.77%

LAB 95.16, -20.54, 49.96

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 9 / 0 / 68 / 37

HEX #91A034

RGB 145 160 52

HSL 68.33, 0.51%, 0.42%

LAB 62.85, -20.08, 52.18

 

CMYK 10 / 0 / 77 / 44

HEX #808E21

RGB 128 142 33

HSL 67.71, 0.62%, 0.34%

LAB 56.13, -19.34, 52.34

 

CMYK 10 / 0 / 89 / 51

HEX #6F7C0E

RGB 111 124 14

HSL 67.09, 0.8%, 0.27%

LAB 49.29, -18.34, 51.31

 

CMYK 11 / 0 / 100 / 58

HEX #5E6A00

RGB 94 106 0

HSL 66.79, 1%, 0.21%

LAB 42.29, -17.03, 48.31

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 0 / 7 / 60 / 30

HEX #B2A547

RGB 178 165 71

HSL 52.71, 0.43%, 0.49%

LAB 67.15, -7.15, 49.28

 

CMYK 0 / 24 / 60 / 30

HEX #B28847

RGB 178 136 71

HSL 36.45, 0.43%, 0.49%

LAB 59.46, 8.62, 40.53

 

CMYK 0 / 40 / 60 / 30

HEX #B26B47

RGB 178 107 71

HSL 20.19, 0.43%, 0.49%

LAB 52.33, 24.8, 31.99

 

CMYK 0 / 56 / 60 / 30

HEX #B24E47

RGB 178 78 71

HSL 3.93, 0.43%, 0.49%

LAB 46.14, 40.2, 24.22

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 25 / 0 / 60 / 30

HEX #85B247

RGB 133 178 71

HSL 85.23, 0.43%, 0.49%

LAB 67.49, -32.28, 48.73

 

CMYK 42 / 0 / 60 / 30

HEX #68B247

RGB 104 178 71

HSL 101.5, 0.43%, 0.49%

LAB 65.93, -42.64, 46.55

 

CMYK 58 / 0 / 60 / 30

HEX #4BB247

RGB 75 178 71

HSL 117.76, 0.43%, 0.49%

LAB 64.8, -51.07, 44.95

 

CMYK 60 / 0 / 47 / 30

HEX #47B25F

RGB 71 178 95

HSL 133.46, 0.43%, 0.49%

LAB 64.97, -48.73, 33.39

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 11 / 0 / 74 / 22

HEX #B0C633

RGB 176 198 51

HSL 68.98, 0.59%, 0.49%

LAB 75.98, -25.89, 66.25

 

CMYK 13 / 0 / 86 / 14

HEX #BEDB1E

RGB 190 219 30

HSL 69.21, 0.76%, 0.49%

LAB 82.76, -30.84, 78.06

 

CMYK 14 / 0 / 96 / 6

HEX #CDEF0A

RGB 205 239 10

HSL 68.91, 0.92%, 0.49%

LAB 89.27, -34.33, 86.26

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 6 / 0 / 42 / 38

HEX #949E5B

RGB 148 158 91

HSL 68.96, 0.27%, 0.49%

LAB 62.93, -14.29, 33.74

 

CMYK 3 / 0 / 20 / 46

HEX #868A6F

RGB 134 138 111

HSL 68.89, 0.11%, 0.49%

LAB 56.48, -6.4, 13.99

 

CMYK 8 / 10 / 0 / 49

HEX #787683

RGB 120 118 131

HSL 249.23, 0.05%, 0.49%

LAB 50.2, 3.47, -6.83

 

CMYK 31 / 36 / 0 / 40

HEX #696198

RGB 105 97 152

HSL 248.73, 0.22%, 0.49%

LAB 43.97, 16.23, -28.93

 

CMYK 0 / 24 / 60 / 30

HEX #B28747

RGB 178 135 71

HSL 35.89, 0.43%, 0.49%

LAB 59.2, 9.18, 40.23

 

CMYK 0 / 8 / 60 / 30

HEX #B2A447

RGB 178 164 71

HSL 52.15, 0.43%, 0.49%

LAB 66.88, -6.62, 48.98

 

CMYK 8 / 0 / 60 / 30

HEX #A4B247

RGB 164 178 71

HSL 67.85, 0.43%, 0.49%

LAB 69.6, -19.82, 51.67

 

CMYK 24 / 0 / 60 / 30

HEX #87B247

RGB 135 178 71

HSL 84.11, 0.43%, 0.49%

LAB 67.61, -31.51, 48.9

 

CMYK 40 / 0 / 60 / 30

HEX #6BB247

RGB 107 178 71

HSL 99.81, 0.43%, 0.49%

LAB 66.08, -41.65, 46.75

 

CMYK 9 / 0 / 61 / 53

HEX #6C772F

RGB 108 119 47

HSL 69.17, 0.43%, 0.33%

LAB 47.74, -15.18, 37.37

 

CMYK 9 / 0 / 60 / 42

HEX #87953B

RGB 135 149 59

HSL 69.33, 0.43%, 0.41%

LAB 58.94, -18.23, 44.72

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 7 / 0 / 49 / 25

HEX #B2C062

RGB 178 192 98

HSL 68.94, 0.43%, 0.57%

LAB 74.85, -18.76, 45.37

 

CMYK 6 / 0 / 37 / 20

HEX #C0CC80

RGB 192 204 128

HSL 69.47, 0.43%, 0.65%

LAB 79.59, -15.98, 36.52

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 60 / 0 / 40 / 30

HEX #47B26B

RGB 71 178 107

HSL 140.19, 0.43%, 0.49%

LAB 65.15, -46.7, 27.37

 

CMYK 16 / 60 / 0 / 30

HEX #9647B2

RGB 150 71 178

HSL 284.3, 0.43%, 0.49%

LAB 44.53, 50.09, -43.12

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 60 / 8 / 0 / 30

HEX #47A4B2

RGB 71 164 178

HSL 187.85, 0.43%, 0.49%

LAB 62.6, -23.14, -15.49

 

CMYK 0 / 60 / 8 / 30

HEX #B247A4

RGB 178 71 164

HSL 307.85, 0.43%, 0.49%

LAB 47.82, 54.88, -29.4

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 60 / 0 / 40 / 30

HEX #47B26B

RGB 71 178 107

HSL 140.19, 0.43%, 0.49%

LAB 65.15, -46.7, 27.37

 

CMYK 52 / 60 / 0 / 30

HEX #5547B2

RGB 85 71 178

HSL 247.85, 0.43%, 0.49%

LAB 37.21, 34.92, -55.27

 

CMYK 0 / 60 / 20 / 30

HEX #B2478E

RGB 178 71 142

HSL 320.19, 0.43%, 0.49%

LAB 46.88, 51.45, -17.74

 

CMYK 9 / 0 / 60 / 30

HEX #A2B247

RGB 162 178 71

HSL 68.97, 0.43%, 0.49%

LAB 69.45, -20.65, 51.46

 

CMYK 60 / 0 / 22 / 30

HEX #47B28B

RGB 71 178 139

HSL 158.13, 0.43%, 0.49%

LAB 65.78, -40.13, 10.91

 

CMYK 52 / 60 / 0 / 30

HEX #5547B2

RGB 85 71 178

HSL 247.85, 0.43%, 0.49%

LAB 37.21, 34.92, -55.27

 

CMYK 0 / 60 / 38 / 30

HEX #B2476E

RGB 178 71 110

HSL 338.13, 0.43%, 0.49%

LAB 45.77, 47.26, 0.02

 

Description

Color code: HEX #A2B247 | qconv.com Color code: HEX #A2B247 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 178 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 178 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 60 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 60% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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