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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2C572 it is the complementary color #5D3A8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2C572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2C572 shade: #A7C56D, #B8D780, #C9E993, #DAFBA6 and #EBFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2C572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2C572 shade: #A2C572, #91B35F, #80A14C, #6F8F39 and #5E7D26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2C572 shade: #A2C571, #B8C571, #C5BB71, #C5A471 and #C58E71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2C572 shade: #A2C571, #8BC571, #75C571, #71C585 and #71C59B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2C572 shade matches the following richer shades: #A2C571, #A4D561, #A7E551 and #A9F541

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2C572 shade: #A2C571, #9FB581, #9DA591, #9A95A2 and #9884B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2C572 shade: #C5BB71, #B8C571, #A2C571, #8CC571 and #75C571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2C572 shade: #79A242, #8EB954, #A2C571, #B5D18F and #C8DDAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2C572 shade: #A2C572, #71C5A5 and #C571C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2C572 shade: #A2C572, #71A2C5 and #C571A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2C572 shade: #A2C572, #71C5A5, #9471C5 and #C57191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2C572 shade: #A2C572, #71C5BE, #9471C5 and #C57178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 42 / 23

HEX #A2C572

RGB 162 197 114

HSL 85.3, 0.42%, 0.61%

LAB 75.34, -25.7, 37.78

 

Complementary color

CMYK 34 / 59 / 0 / 45

HEX #5D3A8D

RGB 93 58 141

HSL 265.3, 0.42%, 0.39%

LAB 32.43, 33.7, -40.64

 

CMYK 15 / 0 / 45 / 23

HEX #A7C56D

RGB 167 197 109

HSL 80.45, 0.43%, 0.6%

LAB 75.61, -24.39, 40.7

 

CMYK 14 / 0 / 40 / 16

HEX #B8D780

RGB 184 215 128

HSL 81.38, 0.52%, 0.67%

LAB 82.03, -24.46, 39.54

 

CMYK 14 / 0 / 37 / 9

HEX #C9E993

RGB 201 233 147

HSL 82.33, 0.66%, 0.75%

LAB 88.35, -24.5, 38.4

 

CMYK 13 / 0 / 34 / 2

HEX #DAFBA6

RGB 218 251 166

HSL 83.29, 0.91%, 0.82%

LAB 94.59, -24.52, 37.31

 

CMYK 8 / 0 / 27 / 0

HEX #EBFFB9

RGB 235 255 185

HSL 77.14, 1%, 0.86%

LAB 97.1, -17.83, 31.36

 

CMYK 18 / 0 / 42 / 23

HEX #A2C572

RGB 162 197 114

HSL 85.3, 0.42%, 0.61%

LAB 75.34, -25.7, 37.78

 

CMYK 19 / 0 / 47 / 30

HEX #91B35F

RGB 145 179 95

HSL 84.29, 0.36%, 0.54%

LAB 68.81, -25.66, 38.97

 

CMYK 20 / 0 / 53 / 37

HEX #80A14C

RGB 128 161 76

HSL 83.29, 0.36%, 0.46%

LAB 62.17, -25.58, 40.14

 

CMYK 22 / 0 / 60 / 44

HEX #6F8F39

RGB 111 143 57

HSL 82.33, 0.43%, 0.39%

LAB 55.4, -25.4, 41.23

 

CMYK 25 / 0 / 70 / 51

HEX #5E7D26

RGB 94 125 38

HSL 81.38, 0.53%, 0.32%

LAB 48.49, -25.09, 42.03

 

CMYK 18 / 0 / 43 / 23

HEX #A2C571

RGB 162 197 113

HSL 85, 0.42%, 0.61%

LAB 75.33, -25.82, 38.27

 

CMYK 7 / 0 / 43 / 23

HEX #B8C571

RGB 184 197 113

HSL 69.29, 0.42%, 0.61%

LAB 76.87, -17.32, 40.53

 

CMYK 0 / 5 / 43 / 23

HEX #C5BB71

RGB 197 187 113

HSL 52.86, 0.42%, 0.61%

LAB 75.2, -6.99, 38.66

 

CMYK 0 / 17 / 43 / 23

HEX #C5A471

RGB 197 164 113

HSL 36.43, 0.42%, 0.61%

LAB 69.19, 5.23, 30.97

 

CMYK 0 / 28 / 43 / 23

HEX #C58E71

RGB 197 142 113

HSL 20.71, 0.42%, 0.61%

LAB 63.68, 17.24, 23.69

 

CMYK 18 / 0 / 43 / 23

HEX #A2C571

RGB 162 197 113

HSL 85, 0.42%, 0.61%

LAB 75.33, -25.82, 38.27

 

CMYK 29 / 0 / 43 / 23

HEX #8BC571

RGB 139 197 113

HSL 101.43, 0.42%, 0.61%

LAB 73.94, -34.16, 36.22

 

CMYK 41 / 0 / 43 / 23

HEX #75C571

RGB 117 197 113

HSL 117.14, 0.42%, 0.61%

LAB 72.83, -41.39, 34.57

 

CMYK 43 / 0 / 32 / 23

HEX #71C585

RGB 113 197 133

HSL 134.29, 0.42%, 0.61%

LAB 72.98, -39.33, 24.34

 

CMYK 43 / 0 / 21 / 23

HEX #71C59B

RGB 113 197 155

HSL 150, 0.42%, 0.61%

LAB 73.42, -35.11, 13.2

 

CMYK 18 / 0 / 43 / 23

HEX #A2C571

RGB 162 197 113

HSL 85, 0.42%, 0.61%

LAB 75.33, -25.82, 38.27

 

CMYK 23 / 0 / 54 / 16

HEX #A4D561

RGB 164 213 97

HSL 85.34, 0.58%, 0.61%

LAB 79.81, -34.38, 51.48

 

CMYK 27 / 0 / 65 / 10

HEX #A7E551

RGB 167 229 81

HSL 85.14, 0.74%, 0.61%

LAB 84.41, -41.82, 63.54

 

CMYK 31 / 0 / 73 / 4

HEX #A9F541

RGB 169 245 65

HSL 85.33, 0.9%, 0.61%

LAB 88.98, -48.96, 74

 

CMYK 18 / 0 / 43 / 23

HEX #A2C571

RGB 162 197 113

HSL 85, 0.42%, 0.61%

LAB 75.33, -25.82, 38.27

 

CMYK 12 / 0 / 29 / 29

HEX #9FB581

RGB 159 181 129

HSL 85.38, 0.26%, 0.61%

LAB 70.87, -16.81, 24.06

 

CMYK 5 / 0 / 12 / 35

HEX #9DA591

RGB 157 165 145

HSL 84, 0.1%, 0.61%

LAB 66.61, -6.56, 9.4

 

CMYK 5 / 8 / 0 / 36

HEX #9A95A2

RGB 154 149 162

HSL 263.08, 0.07%, 0.61%

LAB 62.49, 4.37, -6.17

 

CMYK 15 / 26 / 0 / 30

HEX #9884B2

RGB 152 132 178

HSL 266.09, 0.23%, 0.61%

LAB 58.41, 16.8, -21.43

 

CMYK 0 / 5 / 43 / 23

HEX #C5BB71

RGB 197 187 113

HSL 52.86, 0.42%, 0.61%

LAB 75.2, -6.99, 38.66

 

CMYK 7 / 0 / 43 / 23

HEX #B8C571

RGB 184 197 113

HSL 69.29, 0.42%, 0.61%

LAB 76.87, -17.32, 40.53

 

CMYK 18 / 0 / 43 / 23

HEX #A2C571

RGB 162 197 113

HSL 85, 0.42%, 0.61%

LAB 75.33, -25.82, 38.27

 

CMYK 29 / 0 / 43 / 23

HEX #8CC571

RGB 140 197 113

HSL 100.71, 0.42%, 0.61%

LAB 74, -33.81, 36.3

 

CMYK 41 / 0 / 43 / 23

HEX #75C571

RGB 117 197 113

HSL 117.14, 0.42%, 0.61%

LAB 72.83, -41.39, 34.57

 

CMYK 25 / 0 / 59 / 36

HEX #79A242

RGB 121 162 66

HSL 85.63, 0.42%, 0.45%

LAB 61.91, -29.81, 44.54

 

CMYK 23 / 0 / 55 / 27

HEX #8EB954

RGB 142 185 84

HSL 85.54, 0.42%, 0.53%

LAB 70.24, -30.89, 46.01

 

CMYK 18 / 0 / 43 / 23

HEX #A2C571

RGB 162 197 113

HSL 85, 0.42%, 0.61%

LAB 75.33, -25.82, 38.27

 

CMYK 13 / 0 / 32 / 18

HEX #B5D18F

RGB 181 209 143

HSL 85.45, 0.42%, 0.69%

LAB 80.41, -20.69, 29.74

 

CMYK 10 / 0 / 22 / 13

HEX #C8DDAC

RGB 200 221 172

HSL 85.71, 0.42%, 0.77%

LAB 85.49, -15.51, 21.77

 

CMYK 18 / 0 / 42 / 23

HEX #A2C572

RGB 162 197 114

HSL 85.3, 0.42%, 0.61%

LAB 75.34, -25.7, 37.78

 

CMYK 43 / 0 / 16 / 23

HEX #71C5A5

RGB 113 197 165

HSL 157.14, 0.42%, 0.61%

LAB 73.65, -32.99, 8.13

 

CMYK 0 / 43 / 1 / 23

HEX #C571C3

RGB 197 113 195

HSL 301.43, 0.42%, 0.61%

LAB 59.54, 45.23, -28.95

 

CMYK 18 / 0 / 42 / 23

HEX #A2C572

RGB 162 197 114

HSL 85.3, 0.42%, 0.61%

LAB 75.34, -25.7, 37.78

 

CMYK 43 / 18 / 0 / 23

HEX #71A2C5

RGB 113 162 197

HSL 205, 0.42%, 0.61%

LAB 64.47, -7.15, -23.1

 

CMYK 0 / 43 / 18 / 23

HEX #C571A2

RGB 197 113 162

HSL 325, 0.42%, 0.61%

LAB 58.31, 39.62, -11.93

 

CMYK 18 / 0 / 42 / 23

HEX #A2C572

RGB 162 197 114

HSL 85.3, 0.42%, 0.61%

LAB 75.34, -25.7, 37.78

 

CMYK 43 / 0 / 16 / 23

HEX #71C5A5

RGB 113 197 165

HSL 157.14, 0.42%, 0.61%

LAB 73.65, -32.99, 8.13

 

CMYK 25 / 43 / 0 / 23

HEX #9471C5

RGB 148 113 197

HSL 265, 0.42%, 0.61%

LAB 54.17, 31, -38.88

 

CMYK 0 / 43 / 26 / 23

HEX #C57191

RGB 197 113 145

HSL 337.14, 0.42%, 0.61%

LAB 57.78, 37.09, -2.88

 

CMYK 18 / 0 / 42 / 23

HEX #A2C572

RGB 162 197 114

HSL 85.3, 0.42%, 0.61%

LAB 75.34, -25.7, 37.78

 

CMYK 43 / 0 / 4 / 23

HEX #71C5BE

RGB 113 197 190

HSL 175, 0.42%, 0.61%

LAB 74.29, -27.19, -4.48

 

CMYK 25 / 43 / 0 / 23

HEX #9471C5

RGB 148 113 197

HSL 265, 0.42%, 0.61%

LAB 54.17, 31, -38.88

 

CMYK 0 / 43 / 39 / 23

HEX #C57178

RGB 197 113 120

HSL 355, 0.42%, 0.61%

LAB 57.11, 33.86, 10.69

 

Description

Color code: HEX #A2C572 | qconv.com Color code: HEX #A2C572 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 197 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 197 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 42 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 42% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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