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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2CEA0 it is the complementary color #5D315F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2CEA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2CEA0 shade: #A7CE9B, #B8E0AE, #C9F2C1, #DAFFD4 and #EBFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2CEA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2CEA0 shade: #A2CEA0, #91BC8D, #80AA7A, #6F9867 and #5E8654

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2CEA0 shade: #A2CEA0, #AFCEA0, #BBCEA0, #C7CEA0 and #CEC8A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2CEA0 shade: #A2CEA0, #A0CEAB, #A0CEB7, #A0CEC3 and #A0CCCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2CEA0 shade matches the following richer shades: #A2CEA0, #98DA95, #8DE589, #83F17E and #78FC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2CEA0 shade: #A2CEA0, #ADC2AC, #B7B7B7, #C2ABC3 and #CCA0CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2CEA0 shade: #BBCEA0, #AFCEA0, #A3CEA0, #A0CEAA and #A0CEB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2CEA0 shade: #6DB26A, #88C085, #A2CEA0, #BDDCBB and #D8EAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2CEA0 shade: #A2CEA0, #A0C7CE and #CEA0B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2CEA0 shade: #A2CEA0, #A0A3CE and #CEA0A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2CEA0 shade: #A2CEA0, #A0C7CE, #CCA0CE and #CEA7A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2CEA0 shade: #A2CEA0, #A0B9CE, #CCA0CE and #CEB5A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

Complementary color

CMYK 2 / 48 / 0 / 63

HEX #5D315F

RGB 93 49 95

HSL 297.39, 0.32%, 0.28%

LAB 27.71, 27.74, -19.05

 

CMYK 19 / 0 / 25 / 19

HEX #A7CE9B

RGB 167 206 155

HSL 105.88, 0.34%, 0.71%

LAB 78.88, -22.41, 21.24

 

CMYK 18 / 0 / 22 / 12

HEX #B8E0AE

RGB 184 224 174

HSL 108, 0.45%, 0.78%

LAB 85.28, -22.28, 20.28

 

CMYK 17 / 0 / 20 / 5

HEX #C9F2C1

RGB 201 242 193

HSL 110.2, 0.65%, 0.85%

LAB 91.58, -22.15, 19.36

 

CMYK 15 / 0 / 17 / 0

HEX #DAFFD4

RGB 218 255 212

HSL 111.63, 1%, 0.92%

LAB 96.48, -19.63, 16.64

 

CMYK 8 / 0 / 9 / 0

HEX #EBFFE7

RGB 235 255 231

HSL 110, 1%, 0.95%

LAB 98.01, -10.77, 9.24

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 23 / 0 / 25 / 26

HEX #91BC8D

RGB 145 188 141

HSL 114.89, 0.26%, 0.65%

LAB 72.17, -23.48, 19.24

 

CMYK 25 / 0 / 28 / 33

HEX #80AA7A

RGB 128 170 122

HSL 112.5, 0.22%, 0.57%

LAB 65.55, -23.67, 20.28

 

CMYK 27 / 0 / 32 / 40

HEX #6F9867

RGB 111 152 103

HSL 110.2, 0.19%, 0.5%

LAB 58.8, -23.89, 21.4

 

CMYK 30 / 0 / 37 / 47

HEX #5E8654

RGB 94 134 84

HSL 108, 0.23%, 0.43%

LAB 51.92, -24.1, 22.6

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 15 / 0 / 22 / 19

HEX #AFCEA0

RGB 175 206 160

HSL 100.43, 0.32%, 0.72%

LAB 79.5, -18.79, 19.53

 

CMYK 9 / 0 / 22 / 19

HEX #BBCEA0

RGB 187 206 160

HSL 84.78, 0.32%, 0.72%

LAB 80.32, -14.49, 20.79

 

CMYK 3 / 0 / 22 / 19

HEX #C7CEA0

RGB 199 206 160

HSL 69.13, 0.32%, 0.72%

LAB 81.19, -10.08, 22.14

 

CMYK 0 / 3 / 22 / 19

HEX #CEC8A0

RGB 206 200 160

HSL 52.17, 0.32%, 0.72%

LAB 80.16, -4.37, 20.8

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 22 / 0 / 17 / 19

HEX #A0CEAB

RGB 160 206 171

HSL 134.35, 0.32%, 0.72%

LAB 78.79, -22, 12.55

 

CMYK 22 / 0 / 11 / 19

HEX #A0CEB7

RGB 160 206 183

HSL 150, 0.32%, 0.72%

LAB 79.06, -19.72, 6.53

 

CMYK 22 / 0 / 5 / 19

HEX #A0CEC3

RGB 160 206 195

HSL 165.65, 0.32%, 0.72%

LAB 79.36, -17.29, 0.53

 

CMYK 22 / 1 / 0 / 19

HEX #A0CCCE

RGB 160 204 206

HSL 182.61, 0.32%, 0.72%

LAB 79.11, -13.91, -5.74

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 30 / 0 / 32 / 15

HEX #98DA95

RGB 152 218 149

HSL 117.39, 0.48%, 0.72%

LAB 81.29, -34.18, 27.5

 

CMYK 38 / 0 / 40 / 10

HEX #8DE589

RGB 141 229 137

HSL 117.39, 0.64%, 0.72%

LAB 83.71, -44.4, 36.72

 

CMYK 46 / 0 / 48 / 5

HEX #83F17E

RGB 131 241 126

HSL 117.39, 0.8%, 0.72%

LAB 86.62, -53.86, 45.71

 

CMYK 52 / 0 / 55 / 1

HEX #78FC72

RGB 120 252 114

HSL 117.39, 0.96%, 0.72%

LAB 89.31, -62.53, 54.45

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 11 / 0 / 11 / 24

HEX #ADC2AC

RGB 173 194 172

HSL 117.27, 0.15%, 0.72%

LAB 76.34, -11.32, 8.65

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 1 / 12 / 0 / 24

HEX #C2ABC3

RGB 194 171 195

HSL 297.5, 0.17%, 0.72%

LAB 72.58, 12.6, -9.18

 

CMYK 1 / 22 / 0 / 19

HEX #CCA0CE

RGB 204 160 206

HSL 297.39, 0.32%, 0.72%

LAB 71.17, 24.13, -17.26

 

CMYK 9 / 0 / 22 / 19

HEX #BBCEA0

RGB 187 206 160

HSL 84.78, 0.32%, 0.72%

LAB 80.32, -14.49, 20.79

 

CMYK 15 / 0 / 22 / 19

HEX #AFCEA0

RGB 175 206 160

HSL 100.43, 0.32%, 0.72%

LAB 79.5, -18.79, 19.53

 

CMYK 21 / 0 / 22 / 19

HEX #A3CEA0

RGB 163 206 160

HSL 116.09, 0.32%, 0.72%

LAB 78.73, -22.95, 18.35

 

CMYK 22 / 0 / 17 / 19

HEX #A0CEAA

RGB 160 206 170

HSL 133.04, 0.32%, 0.72%

LAB 78.76, -22.19, 13.05

 

CMYK 22 / 0 / 12 / 19

HEX #A0CEB6

RGB 160 206 182

HSL 148.7, 0.32%, 0.72%

LAB 79.04, -19.91, 7.03

 

CMYK 39 / 0 / 40 / 30

HEX #6DB26A

RGB 109 178 106

HSL 117.5, 0.32%, 0.56%

LAB 66.62, -36.5, 30.1

 

CMYK 29 / 0 / 31 / 25

HEX #88C085

RGB 136 192 133

HSL 116.95, 0.32%, 0.64%

LAB 72.65, -29.83, 24.08

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 14 / 0 / 15 / 14

HEX #BDDCBB

RGB 189 220 187

HSL 116.36, 0.32%, 0.8%

LAB 84.79, -16.39, 12.82

 

CMYK 8 / 0 / 8 / 8

HEX #D8EAD7

RGB 216 234 215

HSL 116.84, 0.31%, 0.88%

LAB 90.94, -9.4, 7.18

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 22 / 3 / 0 / 19

HEX #A0C7CE

RGB 160 199 206

HSL 189.13, 0.32%, 0.72%

LAB 77.74, -11.33, -7.77

 

CMYK 0 / 22 / 12 / 19

HEX #CEA0B5

RGB 206 160 181

HSL 332.61, 0.32%, 0.72%

LAB 70.59, 20.35, -4.28

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 22 / 21 / 0 / 19

HEX #A0A3CE

RGB 160 163 206

HSL 236.09, 0.32%, 0.72%

LAB 68.11, 8.15, -22.26

 

CMYK 0 / 22 / 21 / 19

HEX #CEA0A3

RGB 206 160 163

HSL 356.09, 0.32%, 0.72%

LAB 70.11, 17.47, 5

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 22 / 3 / 0 / 19

HEX #A0C7CE

RGB 160 199 206

HSL 189.13, 0.32%, 0.72%

LAB 77.74, -11.33, -7.77

 

CMYK 1 / 22 / 0 / 19

HEX #CCA0CE

RGB 204 160 206

HSL 297.39, 0.32%, 0.72%

LAB 71.17, 24.13, -17.26

 

CMYK 0 / 19 / 22 / 19

HEX #CEA7A0

RGB 206 167 160

HSL 9.13, 0.32%, 0.72%

LAB 71.76, 13.21, 9.01

 

CMYK 21 / 0 / 22 / 19

HEX #A2CEA0

RGB 162 206 160

HSL 117.39, 0.32%, 0.72%

LAB 78.67, -23.29, 18.26

 

CMYK 22 / 10 / 0 / 19

HEX #A0B9CE

RGB 160 185 206

HSL 207.39, 0.32%, 0.72%

LAB 73.95, -3.92, -13.42

 

CMYK 1 / 22 / 0 / 19

HEX #CCA0CE

RGB 204 160 206

HSL 297.39, 0.32%, 0.72%

LAB 71.17, 24.13, -17.26

 

CMYK 0 / 12 / 22 / 19

HEX #CEB5A0

RGB 206 181 160

HSL 27.39, 0.32%, 0.72%

LAB 75.27, 5.66, 13.99

 

Description

Color code: HEX #A2CEA0 | qconv.com Color code: HEX #A2CEA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 206 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 206 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 22 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 22% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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