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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2CEA3 it is the complementary color #5D315C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2CEA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2CEA3 shade: #A7CE9E, #B8E0B1, #C9F2C4, #DAFFD7 and #EBFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2CEA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2CEA3 shade: #A2CEA3, #91BC90, #80AA7D, #6F986A and #5E8657

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2CEA3 shade: #A1CDA2, #ACCDA1, #B8CDA1, #C4CDA1 and #CDCBA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2CEA3 shade: #A1CDA2, #A1CDAE, #A1CDBA, #A1CDC6 and #A1C9CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2CEA3 shade matches the following richer shades: #A1CDA2, #95D997, #8AE48C, #7EF081 and #73FB76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2CEA3 shade: #A1CDA2, #ADC2AD, #B8B6B8, #C4ABC3 and #CF9FCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2CEA3 shade: #B8CDA1, #ACCDA1, #A1CDA2, #A1CDAE and #A1CDB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2CEA3 shade: #6BB16C, #86BF87, #A1CDA2, #BCDBBD and #D7EAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2CEA3 shade: #A2CEA3, #A1C4CD and #CDA1B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2CEA3 shade: #A2CEA3, #A2A1CD and #CDA2A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2CEA3 shade: #A2CEA3, #A1C4CD, #CDA1CC and #CDABA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2CEA3 shade: #A2CEA3, #A1B6CD, #CDA1CC and #CDB8A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 21 / 19

HEX #A2CEA3

RGB 162 206 163

HSL 121.36, 0.31%, 0.72%

LAB 78.73, -22.77, 16.75

 

Complementary color

CMYK 0 / 47 / 1 / 64

HEX #5D315C

RGB 93 49 92

HSL 301.36, 0.31%, 0.28%

LAB 27.56, 27.11, -17.33

 

CMYK 19 / 0 / 23 / 19

HEX #A7CE9E

RGB 167 206 158

HSL 108.75, 0.33%, 0.71%

LAB 78.94, -21.92, 19.74

 

CMYK 18 / 0 / 21 / 12

HEX #B8E0B1

RGB 184 224 177

HSL 111.06, 0.43%, 0.79%

LAB 85.34, -21.78, 18.8

 

CMYK 17 / 0 / 19 / 5

HEX #C9F2C4

RGB 201 242 196

HSL 113.48, 0.64%, 0.86%

LAB 91.64, -21.66, 17.9

 

CMYK 15 / 0 / 16 / 0

HEX #DAFFD7

RGB 218 255 215

HSL 115.5, 1%, 0.92%

LAB 96.55, -19.13, 15.2

 

CMYK 8 / 0 / 8 / 0

HEX #EBFFEA

RGB 235 255 234

HSL 117.14, 1%, 0.96%

LAB 98.08, -10.25, 7.8

 

CMYK 21 / 0 / 21 / 19

HEX #A2CEA3

RGB 162 206 163

HSL 121.36, 0.31%, 0.72%

LAB 78.73, -22.77, 16.75

 

CMYK 23 / 0 / 23 / 26

HEX #91BC90

RGB 145 188 144

HSL 118.64, 0.25%, 0.65%

LAB 72.23, -22.96, 17.71

 

CMYK 25 / 0 / 26 / 33

HEX #80AA7D

RGB 128 170 125

HSL 116, 0.21%, 0.58%

LAB 65.61, -23.16, 18.73

 

CMYK 27 / 0 / 30 / 40

HEX #6F986A

RGB 111 152 106

HSL 113.48, 0.18%, 0.51%

LAB 58.86, -23.38, 19.82

 

CMYK 30 / 0 / 35 / 47

HEX #5E8657

RGB 94 134 87

HSL 111.06, 0.21%, 0.43%

LAB 51.97, -23.61, 20.99

 

CMYK 21 / 0 / 21 / 20

HEX #A1CDA2

RGB 161 205 162

HSL 121.36, 0.31%, 0.72%

LAB 78.37, -22.79, 16.77

 

CMYK 16 / 0 / 21 / 20

HEX #ACCDA1

RGB 172 205 161

HSL 105, 0.31%, 0.72%

LAB 79.05, -19.18, 18.34

 

CMYK 10 / 0 / 21 / 20

HEX #B8CDA1

RGB 184 205 161

HSL 88.64, 0.31%, 0.72%

LAB 79.86, -14.91, 19.59

 

CMYK 4 / 0 / 21 / 20

HEX #C4CDA1

RGB 196 205 161

HSL 72.27, 0.31%, 0.72%

LAB 80.72, -10.53, 20.92

 

CMYK 0 / 1 / 21 / 20

HEX #CDCBA1

RGB 205 203 161

HSL 57.27, 0.31%, 0.72%

LAB 80.89, -6.15, 21.26

 

CMYK 21 / 0 / 21 / 20

HEX #A1CDA2

RGB 161 205 162

HSL 121.36, 0.31%, 0.72%

LAB 78.37, -22.79, 16.77

 

CMYK 21 / 0 / 15 / 20

HEX #A1CDAE

RGB 161 205 174

HSL 137.73, 0.31%, 0.72%

LAB 78.63, -20.62, 10.74

 

CMYK 21 / 0 / 9 / 20

HEX #A1CDBA

RGB 161 205 186

HSL 154.09, 0.31%, 0.72%

LAB 78.92, -18.3, 4.72

 

CMYK 21 / 0 / 3 / 20

HEX #A1CDC6

RGB 161 205 198

HSL 170.45, 0.31%, 0.72%

LAB 79.22, -15.84, -1.27

 

CMYK 21 / 2 / 0 / 20

HEX #A1C9CD

RGB 161 201 205

HSL 185.45, 0.31%, 0.72%

LAB 78.32, -12.28, -6.36

 

CMYK 21 / 0 / 21 / 20

HEX #A1CDA2

RGB 161 205 162

HSL 121.36, 0.31%, 0.72%

LAB 78.37, -22.79, 16.77

 

CMYK 31 / 0 / 30 / 15

HEX #95D997

RGB 149 217 151

HSL 121.76, 0.47%, 0.72%

LAB 80.88, -34.35, 25.89

 

CMYK 39 / 0 / 39 / 11

HEX #8AE48C

RGB 138 228 140

HSL 121.33, 0.63%, 0.72%

LAB 83.33, -44.43, 34.69

 

CMYK 48 / 0 / 46 / 6

HEX #7EF081

RGB 126 240 129

HSL 121.58, 0.79%, 0.72%

LAB 86.18, -54.43, 43.67

 

CMYK 54 / 0 / 53 / 2

HEX #73FB76

RGB 115 251 118

HSL 121.32, 0.94%, 0.72%

LAB 88.9, -62.92, 52.1

 

CMYK 21 / 0 / 21 / 20

HEX #A1CDA2

RGB 161 205 162

HSL 121.36, 0.31%, 0.72%

LAB 78.37, -22.79, 16.77

 

CMYK 11 / 0 / 11 / 24

HEX #ADC2AD

RGB 173 194 173

HSL 120, 0.15%, 0.72%

LAB 76.37, -11.14, 8.15

 

CMYK 0 / 1 / 0 / 28

HEX #B8B6B8

RGB 184 182 184

HSL 300, 0.01%, 0.72%

LAB 74.26, 1.08, -0.77

 

CMYK 0 / 13 / 1 / 23

HEX #C4ABC3

RGB 196 171 195

HSL 302.4, 0.17%, 0.72%

LAB 72.76, 13.3, -8.89

 

CMYK 0 / 23 / 0 / 19

HEX #CF9FCE

RGB 207 159 206

HSL 301.25, 0.33%, 0.72%

LAB 71.23, 25.68, -17.15

 

CMYK 10 / 0 / 21 / 20

HEX #B8CDA1

RGB 184 205 161

HSL 88.64, 0.31%, 0.72%

LAB 79.86, -14.91, 19.59

 

CMYK 16 / 0 / 21 / 20

HEX #ACCDA1

RGB 172 205 161

HSL 105, 0.31%, 0.72%

LAB 79.05, -19.18, 18.34

 

CMYK 21 / 0 / 21 / 20

HEX #A1CDA2

RGB 161 205 162

HSL 121.36, 0.31%, 0.72%

LAB 78.37, -22.79, 16.77

 

CMYK 21 / 0 / 15 / 20

HEX #A1CDAE

RGB 161 205 174

HSL 137.73, 0.31%, 0.72%

LAB 78.63, -20.62, 10.74

 

CMYK 21 / 0 / 10 / 20

HEX #A1CDB9

RGB 161 205 185

HSL 152.73, 0.31%, 0.72%

LAB 78.89, -18.5, 5.22

 

CMYK 40 / 0 / 39 / 31

HEX #6BB16C

RGB 107 177 108

HSL 120.86, 0.31%, 0.56%

LAB 66.25, -36.37, 28.55

 

CMYK 30 / 0 / 29 / 25

HEX #86BF87

RGB 134 191 135

HSL 121.05, 0.31%, 0.64%

LAB 72.28, -29.69, 22.5

 

CMYK 21 / 0 / 21 / 20

HEX #A1CDA2

RGB 161 205 162

HSL 121.36, 0.31%, 0.72%

LAB 78.37, -22.79, 16.77

 

CMYK 14 / 0 / 14 / 14

HEX #BCDBBD

RGB 188 219 189

HSL 121.94, 0.3%, 0.8%

LAB 84.5, -15.88, 11.35

 

CMYK 8 / 0 / 8 / 8

HEX #D7EAD7

RGB 215 234 215

HSL 120, 0.31%, 0.88%

LAB 90.87, -9.73, 7.07

 

CMYK 21 / 0 / 21 / 19

HEX #A2CEA3

RGB 162 206 163

HSL 121.36, 0.31%, 0.72%

LAB 78.73, -22.77, 16.75

 

CMYK 21 / 4 / 0 / 20

HEX #A1C4CD

RGB 161 196 205

HSL 192.27, 0.31%, 0.72%

LAB 76.96, -9.67, -8.38

 

CMYK 0 / 21 / 13 / 20

HEX #CDA1B2

RGB 205 161 178

HSL 336.82, 0.31%, 0.72%

LAB 70.65, 18.94, -2.54

 

CMYK 21 / 0 / 21 / 19

HEX #A2CEA3

RGB 162 206 163

HSL 121.36, 0.31%, 0.72%

LAB 78.73, -22.77, 16.75

 

CMYK 21 / 21 / 0 / 20

HEX #A2A1CD

RGB 162 161 205

HSL 241.36, 0.31%, 0.72%

LAB 67.71, 9.66, -22.31

 

CMYK 0 / 21 / 21 / 20

HEX #CDA2A1

RGB 205 162 161

HSL 1.36, 0.31%, 0.72%

LAB 70.45, 15.71, 6.58

 

CMYK 21 / 0 / 21 / 19

HEX #A2CEA3

RGB 162 206 163

HSL 121.36, 0.31%, 0.72%

LAB 78.73, -22.77, 16.75

 

CMYK 21 / 4 / 0 / 20

HEX #A1C4CD

RGB 161 196 205

HSL 192.27, 0.31%, 0.72%

LAB 76.96, -9.67, -8.38

 

CMYK 0 / 21 / 0 / 20

HEX #CDA1CC

RGB 205 161 204

HSL 301.36, 0.31%, 0.72%

LAB 71.44, 23.54, -15.74

 

CMYK 0 / 17 / 21 / 20

HEX #CDABA1

RGB 205 171 161

HSL 13.64, 0.31%, 0.72%

LAB 72.68, 10.82, 9.77

 

CMYK 21 / 0 / 21 / 19

HEX #A2CEA3

RGB 162 206 163

HSL 121.36, 0.31%, 0.72%

LAB 78.73, -22.77, 16.75

 

CMYK 21 / 11 / 0 / 20

HEX #A1B6CD

RGB 161 182 205

HSL 211.36, 0.31%, 0.72%

LAB 73.18, -2.22, -14.03

 

CMYK 0 / 21 / 0 / 20

HEX #CDA1CC

RGB 205 161 204

HSL 301.36, 0.31%, 0.72%

LAB 71.44, 23.54, -15.74

 

CMYK 0 / 10 / 21 / 20

HEX #CDB8A1

RGB 205 184 161

HSL 31.36, 0.31%, 0.72%

LAB 75.97, 3.83, 14.41

 

Description

Color code: HEX #A2CEA3 | qconv.com Color code: HEX #A2CEA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 206 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 206 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 21 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 21% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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