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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2D453 it is the complementary color #5D2BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2D453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2D453 shade: #A7D44E, #B8E661, #C9F874, #DAFF87 and #EBFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2D453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2D453 shade: #A2D453, #91C240, #80B02D, #6F9E1A and #5E8C07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2D453 shade: #A2D453, #C4D453, #D4C053, #D49E53 and #D47B53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2D453 shade: #A2D453, #7FD453, #5DD453, #53D46C and #53D48F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2D453 shade matches the following richer shades: #A2D453, #A6E542 and #AAF630

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2D453 shade: #A2D453, #9EC264, #9AB176, #96A087 and #928E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2D453 shade: #D4C053, #C5D453, #A2D453, #80D453 and #5ED453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2D453 shade: #79AA2A, #90CB32, #A2D453, #B4DC74 and #C6E495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2D453 shade: #A2D453, #53D49E and #D253D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2D453 shade: #A2D453, #53A2D4 and #D453A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2D453 shade: #A2D453, #53D49E, #8453D4 and #D45389

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2D453 shade: #A2D453, #53D4C5, #8453D4 and #D45362

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

Complementary color

CMYK 46 / 75 / 0 / 33

HEX #5D2BAC

RGB 93 43 172

HSL 263.26, 0.6%, 0.42%

LAB 31.88, 50.06, -60.34

 

CMYK 21 / 0 / 63 / 17

HEX #A7D44E

RGB 167 212 78

HSL 80.15, 0.61%, 0.57%

LAB 79.53, -34.42, 59.53

 

CMYK 20 / 0 / 58 / 10

HEX #B8E661

RGB 184 230 97

HSL 80.75, 0.73%, 0.64%

LAB 85.83, -34.7, 58.71

 

CMYK 19 / 0 / 53 / 3

HEX #C9F874

RGB 201 248 116

HSL 81.36, 0.9%, 0.71%

LAB 92.05, -34.89, 57.73

 

CMYK 15 / 0 / 47 / 0

HEX #DAFF87

RGB 218 255 135

HSL 78.5, 1%, 0.76%

LAB 95.23, -29.98, 53.1

 

CMYK 8 / 0 / 40 / 0

HEX #EBFF9A

RGB 235 255 154

HSL 71.88, 1%, 0.8%

LAB 96.62, -21.65, 46.05

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 25 / 0 / 67 / 24

HEX #91C240

RGB 145 194 64

HSL 82.62, 0.52%, 0.51%

LAB 72.87, -35.63, 57.74

 

CMYK 27 / 0 / 74 / 31

HEX #80B02D

RGB 128 176 45

HSL 81.98, 0.59%, 0.43%

LAB 66.39, -35.19, 57.98

 

CMYK 30 / 0 / 84 / 38

HEX #6F9E1A

RGB 111 158 26

HSL 81.36, 0.72%, 0.36%

LAB 59.81, -34.55, 57.38

 

CMYK 33 / 0 / 95 / 45

HEX #5E8C07

RGB 94 140 7

HSL 80.75, 0.9%, 0.29%

LAB 53.11, -33.64, 55.31

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 8 / 0 / 61 / 17

HEX #C4D453

RGB 196 212 83

HSL 67.44, 0.6%, 0.58%

LAB 81.54, -22.61, 60.19

 

CMYK 0 / 9 / 61 / 17

HEX #D4C053

RGB 212 192 83

HSL 50.7, 0.6%, 0.58%

LAB 77.47, -5.94, 56.11

 

CMYK 0 / 25 / 61 / 17

HEX #D49E53

RGB 212 158 83

HSL 34.88, 0.6%, 0.58%

LAB 68.81, 12.06, 46.32

 

CMYK 0 / 42 / 61 / 17

HEX #D47B53

RGB 212 123 83

HSL 18.6, 0.6%, 0.58%

LAB 60.59, 30.93, 36.56

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 40 / 0 / 61 / 17

HEX #7FD453

RGB 127 212 83

HSL 99.53, 0.6%, 0.58%

LAB 77.41, -48.21, 54.48

 

CMYK 56 / 0 / 61 / 17

HEX #5DD453

RGB 93 212 83

HSL 115.35, 0.6%, 0.58%

LAB 76.09, -57.97, 52.63

 

CMYK 61 / 0 / 49 / 17

HEX #53D46C

RGB 83 212 108

HSL 131.63, 0.6%, 0.58%

LAB 76.07, -57.13, 40.91

 

CMYK 61 / 0 / 33 / 17

HEX #53D48F

RGB 83 212 143

HSL 147.91, 0.6%, 0.58%

LAB 76.62, -51.16, 23.85

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 28 / 0 / 71 / 10

HEX #A6E542

RGB 166 229 66

HSL 83.19, 0.76%, 0.58%

LAB 84.25, -43.18, 68.96

 

CMYK 31 / 0 / 80 / 4

HEX #AAF630

RGB 170 246 48

HSL 83.03, 0.92%, 0.58%

LAB 89.24, -49.81, 79.15

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 19 / 0 / 48 / 24

HEX #9EC264

RGB 158 194 100

HSL 82.98, 0.44%, 0.58%

LAB 74.04, -27.39, 43.09

 

CMYK 13 / 0 / 33 / 31

HEX #9AB176

RGB 154 177 118

HSL 83.39, 0.27%, 0.58%

LAB 69.2, -18.25, 27.64

 

CMYK 6 / 0 / 16 / 37

HEX #96A087

RGB 150 160 135

HSL 84, 0.12%, 0.58%

LAB 64.46, -8.21, 11.84

 

CMYK 4 / 7 / 0 / 40

HEX #928E98

RGB 146 142 152

HSL 264, 0.05%, 0.58%

LAB 59.64, 3.44, -4.77

 

CMYK 0 / 9 / 61 / 17

HEX #D4C053

RGB 212 192 83

HSL 50.7, 0.6%, 0.58%

LAB 77.47, -5.94, 56.11

 

CMYK 7 / 0 / 61 / 17

HEX #C5D453

RGB 197 212 83

HSL 66.98, 0.6%, 0.58%

LAB 81.61, -22.2, 60.29

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 40 / 0 / 61 / 17

HEX #80D453

RGB 128 212 83

HSL 99.07, 0.6%, 0.58%

LAB 77.46, -47.89, 54.54

 

CMYK 56 / 0 / 61 / 17

HEX #5ED453

RGB 94 212 83

HSL 114.88, 0.6%, 0.58%

LAB 76.13, -57.72, 52.67

 

CMYK 29 / 0 / 75 / 33

HEX #79AA2A

RGB 121 170 42

HSL 82.97, 0.6%, 0.42%

LAB 64.15, -35.34, 56.71

 

CMYK 29 / 0 / 75 / 20

HEX #90CB32

RGB 144 203 50

HSL 83.14, 0.6%, 0.5%

LAB 75.37, -40.89, 65.28

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 18 / 0 / 47 / 14

HEX #B4DC74

RGB 180 220 116

HSL 83.08, 0.6%, 0.66%

LAB 82.99, -29.72, 46.58

 

CMYK 13 / 0 / 35 / 11

HEX #C6E495

RGB 198 228 149

HSL 82.78, 0.59%, 0.74%

LAB 86.83, -22.93, 35.38

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 61 / 0 / 25 / 17

HEX #53D49E

RGB 83 212 158

HSL 154.88, 0.6%, 0.58%

LAB 76.92, -48.09, 16.35

 

CMYK 1 / 61 / 0 / 17

HEX #D253D4

RGB 210 83 212

HSL 299.07, 0.6%, 0.58%

LAB 56.72, 66.02, -42.89

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 61 / 24 / 0 / 17

HEX #53A2D4

RGB 83 162 212

HSL 203.26, 0.6%, 0.58%

LAB 63.7, -9.37, -32.74

 

CMYK 0 / 61 / 24 / 17

HEX #D453A2

RGB 212 83 162

HSL 323.26, 0.6%, 0.58%

LAB 54.86, 58.89, -16.95

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 61 / 0 / 25 / 17

HEX #53D49E

RGB 83 212 158

HSL 154.88, 0.6%, 0.58%

LAB 76.92, -48.09, 16.35

 

CMYK 38 / 61 / 0 / 17

HEX #8453D4

RGB 132 83 212

HSL 262.79, 0.6%, 0.58%

LAB 46.77, 47.61, -59.36

 

CMYK 0 / 61 / 35 / 17

HEX #D45389

RGB 212 83 137

HSL 334.88, 0.6%, 0.58%

LAB 54.02, 55.77, -3.49

 

CMYK 24 / 0 / 61 / 17

HEX #A2D453

RGB 162 212 83

HSL 83.26, 0.6%, 0.58%

LAB 79.27, -35.92, 57.05

 

CMYK 61 / 0 / 7 / 17

HEX #53D4C5

RGB 83 212 197

HSL 173.02, 0.6%, 0.58%

LAB 77.85, -38.82, -3.14

 

CMYK 38 / 61 / 0 / 17

HEX #8453D4

RGB 132 83 212

HSL 262.79, 0.6%, 0.58%

LAB 46.77, 47.61, -59.36

 

CMYK 0 / 61 / 54 / 17

HEX #D45362

RGB 212 83 98

HSL 353.02, 0.6%, 0.58%

LAB 53.02, 51.95, 18.27

 

Description

Color code: HEX #A2D453 | qconv.com Color code: HEX #A2D453 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 212 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 212 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 61 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 61% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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