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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2DA75 it is the complementary color #5D258A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2DA75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2DA75 shade: #A7DA70, #B8EC83, #C9FE96, #DAFFA9 and #EBFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2DA75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2DA75 shade: #A2DA75, #91C862, #80B64F, #6FA43C and #5E9229

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2DA75 shade: #A2DA76, #BDDA76, #D9DA76, #DAC076 and #DAA576

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2DA75 shade: #A2DA76, #87DA76, #76DA7F, #76DA9A and #76DAB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2DA75 shade matches the following richer shades: #A2DA76, #A1E867 and #9FF659

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2DA75 shade: #A2DA76, #A4CC84, #A5BE92, #A7B0A0 and #A8A2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2DA75 shade: #D8DA76, #BEDA76, #A3DA76, #88DA76 and #76DA7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2DA75 shade: #77C835, #8CD155, #A2DA76, #B8E396 and #CEEBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2DA75 shade: #A2DA75, #76DAC1 and #DA76CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2DA75 shade: #A2DA75, #76A3DA and #DA76A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2DA75 shade: #A2DA75, #76DAC1, #AD76DA and #DA768F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2DA75 shade: #A2DA75, #76D5DA, #AD76DA and #DA7B76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 46 / 15

HEX #A2DA75

RGB 162 218 117

HSL 93.27, 0.58%, 0.66%

LAB 81.35, -35.24, 43.83

 

Complementary color

CMYK 33 / 73 / 0 / 46

HEX #5D258A

RGB 93 37 138

HSL 273.27, 0.58%, 0.34%

LAB 28.07, 44.19, -45.8

 

CMYK 23 / 0 / 49 / 15

HEX #A7DA70

RGB 167 218 112

HSL 88.87, 0.59%, 0.65%

LAB 81.58, -34.02, 46.59

 

CMYK 22 / 0 / 44 / 7

HEX #B8EC83

RGB 184 236 131

HSL 89.71, 0.73%, 0.72%

LAB 87.88, -34.01, 45.45

 

CMYK 21 / 0 / 41 / 0

HEX #C9FE96

RGB 201 254 150

HSL 90.58, 0.98%, 0.79%

LAB 94.1, -33.97, 44.32

 

CMYK 15 / 0 / 34 / 0

HEX #DAFFA9

RGB 218 255 169

HSL 85.81, 1%, 0.83%

LAB 95.7, -26.03, 37.28

 

CMYK 8 / 0 / 26 / 0

HEX #EBFFBC

RGB 235 255 188

HSL 77.91, 1%, 0.87%

LAB 97.15, -17.42, 29.92

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA75

RGB 162 218 117

HSL 93.27, 0.58%, 0.66%

LAB 81.35, -35.24, 43.83

 

CMYK 28 / 0 / 51 / 22

HEX #91C862

RGB 145 200 98

HSL 92.35, 0.48%, 0.58%

LAB 74.96, -35.27, 44.98

 

CMYK 30 / 0 / 57 / 29

HEX #80B64F

RGB 128 182 79

HSL 91.46, 0.41%, 0.51%

LAB 68.47, -35.23, 46.09

 

CMYK 32 / 0 / 63 / 36

HEX #6FA43C

RGB 111 164 60

HSL 90.58, 0.46%, 0.44%

LAB 61.88, -35.1, 47.06

 

CMYK 36 / 0 / 72 / 43

HEX #5E9229

RGB 94 146 41

HSL 89.71, 0.56%, 0.37%

LAB 55.17, -34.82, 47.68

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA76

RGB 162 218 118

HSL 93.6, 0.57%, 0.66%

LAB 81.36, -35.12, 43.35

 

CMYK 13 / 0 / 46 / 15

HEX #BDDA76

RGB 189 218 118

HSL 77.4, 0.57%, 0.66%

LAB 83.06, -25.16, 45.82

 

CMYK 0 / 0 / 46 / 15

HEX #D9DA76

RGB 217 218 118

HSL 60.6, 0.57%, 0.66%

LAB 85.1, -14.23, 48.79

 

CMYK 0 / 12 / 46 / 15

HEX #DAC076

RGB 218 192 118

HSL 44.4, 0.57%, 0.66%

LAB 78.41, -0.55, 40.54

 

CMYK 0 / 24 / 46 / 15

HEX #DAA576

RGB 218 165 118

HSL 28.2, 0.57%, 0.66%

LAB 71.64, 13.78, 31.89

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA76

RGB 162 218 118

HSL 93.6, 0.57%, 0.66%

LAB 81.36, -35.12, 43.35

 

CMYK 38 / 0 / 46 / 15

HEX #87DA76

RGB 135 218 118

HSL 109.8, 0.57%, 0.66%

LAB 79.96, -44.18, 41.29

 

CMYK 46 / 0 / 42 / 15

HEX #76DA7F

RGB 118 218 127

HSL 125.4, 0.57%, 0.66%

LAB 79.34, -47.95, 35.88

 

CMYK 46 / 0 / 29 / 15

HEX #76DA9A

RGB 118 218 154

HSL 141.6, 0.57%, 0.66%

LAB 79.8, -43.38, 22.63

 

CMYK 46 / 0 / 17 / 15

HEX #76DAB5

RGB 118 218 181

HSL 157.8, 0.57%, 0.66%

LAB 80.37, -37.94, 9.19

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA76

RGB 162 218 118

HSL 93.6, 0.57%, 0.66%

LAB 81.36, -35.12, 43.35

 

CMYK 31 / 0 / 56 / 9

HEX #A1E867

RGB 161 232 103

HSL 93.02, 0.74%, 0.66%

LAB 85.13, -43.35, 54.92

 

CMYK 35 / 0 / 64 / 4

HEX #9FF659

RGB 159 246 89

HSL 93.25, 0.9%, 0.66%

LAB 88.92, -51.19, 65.08

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA76

RGB 162 218 118

HSL 93.6, 0.57%, 0.66%

LAB 81.36, -35.12, 43.35

 

CMYK 20 / 0 / 35 / 20

HEX #A4CC84

RGB 164 204 132

HSL 93.33, 0.41%, 0.66%

LAB 77.72, -25.98, 31.67

 

CMYK 13 / 0 / 23 / 25

HEX #A5BE92

RGB 165 190 146

HSL 94.09, 0.25%, 0.66%

LAB 74.13, -16.55, 19.46

 

CMYK 5 / 0 / 9 / 31

HEX #A7B0A0

RGB 167 176 160

HSL 93.75, 0.09%, 0.66%

LAB 70.74, -6.14, 7.1

 

CMYK 3 / 7 / 0 / 32

HEX #A8A2AE

RGB 168 162 174

HSL 270, 0.07%, 0.66%

LAB 67.44, 4.45, -5.43

 

CMYK 1 / 0 / 46 / 15

HEX #D8DA76

RGB 216 218 118

HSL 61.2, 0.57%, 0.66%

LAB 85.02, -14.63, 48.68

 

CMYK 13 / 0 / 46 / 15

HEX #BEDA76

RGB 190 218 118

HSL 76.8, 0.57%, 0.66%

LAB 83.12, -24.78, 45.92

 

CMYK 25 / 0 / 46 / 15

HEX #A3DA76

RGB 163 218 118

HSL 93, 0.57%, 0.66%

LAB 81.42, -34.76, 43.44

 

CMYK 38 / 0 / 46 / 15

HEX #88DA76

RGB 136 218 118

HSL 109.2, 0.57%, 0.66%

LAB 80, -43.87, 41.36

 

CMYK 46 / 0 / 42 / 15

HEX #76DA7E

RGB 118 218 126

HSL 124.8, 0.57%, 0.66%

LAB 79.33, -48.11, 36.37

 

CMYK 41 / 0 / 74 / 22

HEX #77C835

RGB 119 200 53

HSL 93.06, 0.58%, 0.5%

LAB 73.21, -48.3, 61.74

 

CMYK 33 / 0 / 59 / 18

HEX #8CD155

RGB 140 209 85

HSL 93.39, 0.57%, 0.58%

LAB 77.18, -42.39, 53.51

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA76

RGB 162 218 118

HSL 93.6, 0.57%, 0.66%

LAB 81.36, -35.12, 43.35

 

CMYK 19 / 0 / 34 / 11

HEX #B8E396

RGB 184 227 150

HSL 93.51, 0.58%, 0.74%

LAB 85.67, -27.36, 33.17

 

CMYK 12 / 0 / 22 / 8

HEX #CEEBB7

RGB 206 235 183

HSL 93.46, 0.57%, 0.82%

LAB 89.84, -18.62, 22.14

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA75

RGB 162 218 117

HSL 93.27, 0.58%, 0.66%

LAB 81.35, -35.24, 43.83

 

CMYK 46 / 0 / 11 / 15

HEX #76DAC1

RGB 118 218 193

HSL 165, 0.57%, 0.66%

LAB 80.65, -35.26, 3.23

 

CMYK 0 / 46 / 7 / 15

HEX #DA76CB

RGB 218 118 203

HSL 309, 0.57%, 0.66%

LAB 63.49, 50.44, -27.17

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA75

RGB 162 218 117

HSL 93.27, 0.58%, 0.66%

LAB 81.35, -35.24, 43.83

 

CMYK 46 / 25 / 0 / 15

HEX #76A3DA

RGB 118 163 218

HSL 213, 0.57%, 0.66%

LAB 65.83, -0.51, -32.63

 

CMYK 0 / 46 / 25 / 15

HEX #DA76A3

RGB 218 118 163

HSL 333, 0.57%, 0.66%

LAB 62.09, 44.26, -6.58

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA75

RGB 162 218 117

HSL 93.27, 0.58%, 0.66%

LAB 81.35, -35.24, 43.83

 

CMYK 46 / 0 / 11 / 15

HEX #76DAC1

RGB 118 218 193

HSL 165, 0.57%, 0.66%

LAB 80.65, -35.26, 3.23

 

CMYK 21 / 46 / 0 / 15

HEX #AD76DA

RGB 173 118 218

HSL 273, 0.57%, 0.66%

LAB 58.88, 40.21, -43.18

 

CMYK 0 / 46 / 34 / 15

HEX #DA768F

RGB 218 118 143

HSL 345, 0.57%, 0.66%

LAB 61.52, 41.64, 4.07

 

CMYK 26 / 0 / 46 / 15

HEX #A2DA75

RGB 162 218 117

HSL 93.27, 0.58%, 0.66%

LAB 81.35, -35.24, 43.83

 

CMYK 46 / 2 / 0 / 15

HEX #76D5DA

RGB 118 213 218

HSL 183, 0.57%, 0.66%

LAB 79.9, -26.8, -11.22

 

CMYK 21 / 46 / 0 / 15

HEX #AD76DA

RGB 173 118 218

HSL 273, 0.57%, 0.66%

LAB 58.88, 40.21, -43.18

 

CMYK 0 / 44 / 46 / 15

HEX #DA7B76

RGB 218 123 118

HSL 3, 0.57%, 0.66%

LAB 61.98, 36.27, 19.02

 

Description

Color code: HEX #A2DA75 | qconv.com Color code: HEX #A2DA75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 218 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 218 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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