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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2E7B9 it is the complementary color #5D1846. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2E7B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2E7B9 shade: #A7E7B4, #B8F9C7, #C9FFDA, #DAFFED and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2E7B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2E7B9 shade: #A2E7B9, #91D5A6, #80C393, #6FB180 and #5E9F6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2E7B9 shade: #A1E6B8, #A1E6A6, #B0E6A1, #C2E6A1 and #D5E6A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2E7B9 shade: #A1E6B8, #A1E6CB, #A1E6DE, #A1DDE6 and #A1CAE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2E7B9 shade matches the following richer shades: #A1E6B8, #98F0B5 and #8EF9B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2E7B9 shade: #A1E6B8, #ABDDBB, #B4D3BF, #BECAC2 and #C7C0C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2E7B9 shade: #AFE6A1, #A1E6A6, #A1E6B8, #A1E6CB and #A1E6DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2E7B9 shade: #60D687, #80DEA0, #A1E6B8, #C2EFD1 and #E3F7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2E7B9 shade: #A2E7B9, #A1C2E6 and #E6A1A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2E7B9 shade: #A2E7B9, #B8A1E6 and #E6B8A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2E7B9 shade: #A2E7B9, #A1C2E6, #E6A1CF and #E6C6A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2E7B9 shade: #A2E7B9, #A1ADE6, #E6A1CF and #E6DBA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 20 / 9

HEX #A2E7B9

RGB 162 231 185

HSL 140, 0.59%, 0.77%

LAB 86.17, -30.86, 15.6

 

Complementary color

CMYK 0 / 74 / 25 / 64

HEX #5D1846

RGB 93 24 70

HSL 320, 0.59%, 0.23%

LAB 21.66, 36.15, -11.77

 

CMYK 28 / 0 / 22 / 9

HEX #A7E7B4

RGB 167 231 180

HSL 132.19, 0.57%, 0.78%

LAB 86.34, -30.21, 18.47

 

CMYK 26 / 0 / 20 / 2

HEX #B8F9C7

RGB 184 249 199

HSL 133.85, 0.84%, 0.85%

LAB 92.6, -29.98, 17.56

 

CMYK 21 / 0 / 15 / 0

HEX #C9FFDA

RGB 201 255 218

HSL 138.89, 1%, 0.89%

LAB 95.58, -24.1, 12.14

 

CMYK 15 / 0 / 7 / 0

HEX #DAFFED

RGB 218 255 237

HSL 150.81, 1%, 0.93%

LAB 97.04, -15.24, 4.62

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 30 / 0 / 20 / 9

HEX #A2E7B9

RGB 162 231 185

HSL 140, 0.59%, 0.77%

LAB 86.17, -30.86, 15.6

 

CMYK 32 / 0 / 22 / 16

HEX #91D5A6

RGB 145 213 166

HSL 138.53, 0.45%, 0.7%

LAB 79.82, -31.11, 16.54

 

CMYK 34 / 0 / 25 / 24

HEX #80C393

RGB 128 195 147

HSL 137.01, 0.36%, 0.63%

LAB 73.37, -31.37, 17.53

 

CMYK 37 / 0 / 28 / 31

HEX #6FB180

RGB 111 177 128

HSL 135.45, 0.3%, 0.56%

LAB 66.81, -31.65, 18.59

 

CMYK 41 / 0 / 31 / 38

HEX #5E9F6D

RGB 94 159 109

HSL 133.85, 0.26%, 0.5%

LAB 60.14, -31.92, 19.74

 

CMYK 30 / 0 / 20 / 10

HEX #A1E6B8

RGB 161 230 184

HSL 140, 0.58%, 0.77%

LAB 85.82, -30.88, 15.62

 

CMYK 30 / 0 / 28 / 10

HEX #A1E6A6

RGB 161 230 166

HSL 124.35, 0.58%, 0.77%

LAB 85.47, -34.05, 24.47

 

CMYK 23 / 0 / 30 / 10

HEX #B0E6A1

RGB 176 230 161

HSL 106.96, 0.58%, 0.77%

LAB 86.2, -29.94, 28.19

 

CMYK 16 / 0 / 30 / 10

HEX #C2E6A1

RGB 194 230 161

HSL 91.3, 0.58%, 0.77%

LAB 87.31, -23.7, 29.86

 

CMYK 7 / 0 / 30 / 10

HEX #D5E6A1

RGB 213 230 161

HSL 74.78, 0.58%, 0.77%

LAB 88.6, -16.82, 31.82

 

CMYK 30 / 0 / 20 / 10

HEX #A1E6B8

RGB 161 230 184

HSL 140, 0.58%, 0.77%

LAB 85.82, -30.88, 15.62

 

CMYK 30 / 0 / 12 / 10

HEX #A1E6CB

RGB 161 230 203

HSL 156.52, 0.58%, 0.77%

LAB 86.25, -27.18, 6.27

 

CMYK 30 / 0 / 3 / 10

HEX #A1E6DE

RGB 161 230 222

HSL 173.04, 0.58%, 0.77%

LAB 86.72, -23.16, -3.02

 

CMYK 30 / 4 / 0 / 10

HEX #A1DDE6

RGB 161 221 230

HSL 187.83, 0.58%, 0.77%

LAB 84.49, -16.88, -10.56

 

CMYK 30 / 12 / 0 / 10

HEX #A1CAE6

RGB 161 202 230

HSL 204.35, 0.58%, 0.77%

LAB 79.35, -7.08, -18.27

 

CMYK 30 / 0 / 20 / 10

HEX #A1E6B8

RGB 161 230 184

HSL 140, 0.58%, 0.77%

LAB 85.82, -30.88, 15.62

 

CMYK 37 / 0 / 25 / 6

HEX #98F0B5

RGB 152 240 181

HSL 139.77, 0.75%, 0.77%

LAB 88.13, -38.71, 20.33

 

CMYK 43 / 0 / 29 / 2

HEX #8EF9B2

RGB 142 249 178

HSL 140.19, 0.9%, 0.77%

LAB 90.19, -46, 24.65

 

CMYK 30 / 0 / 20 / 10

HEX #A1E6B8

RGB 161 230 184

HSL 140, 0.58%, 0.77%

LAB 85.82, -30.88, 15.62

 

CMYK 23 / 0 / 15 / 13

HEX #ABDDBB

RGB 171 221 187

HSL 139.2, 0.42%, 0.77%

LAB 83.94, -22.85, 11.47

 

CMYK 15 / 0 / 9 / 17

HEX #B4D3BF

RGB 180 211 191

HSL 141.29, 0.26%, 0.77%

LAB 81.87, -14.16, 6.46

 

CMYK 6 / 0 / 4 / 21

HEX #BECAC2

RGB 190 202 194

HSL 140, 0.1%, 0.77%

LAB 80.23, -5.59, 2.57

 

CMYK 0 / 4 / 1 / 22

HEX #C7C0C5

RGB 199 192 197

HSL 317.14, 0.06%, 0.77%

LAB 78.39, 3.35, -1.65

 

CMYK 24 / 0 / 30 / 10

HEX #AFE6A1

RGB 175 230 161

HSL 107.83, 0.58%, 0.77%

LAB 86.15, -30.28, 28.1

 

CMYK 30 / 0 / 28 / 10

HEX #A1E6A6

RGB 161 230 166

HSL 124.35, 0.58%, 0.77%

LAB 85.47, -34.05, 24.47

 

CMYK 30 / 0 / 20 / 10

HEX #A1E6B8

RGB 161 230 184

HSL 140, 0.58%, 0.77%

LAB 85.82, -30.88, 15.62

 

CMYK 30 / 0 / 12 / 10

HEX #A1E6CB

RGB 161 230 203

HSL 156.52, 0.58%, 0.77%

LAB 86.25, -27.18, 6.27

 

CMYK 30 / 0 / 4 / 10

HEX #A1E6DD

RGB 161 230 221

HSL 172.17, 0.58%, 0.77%

LAB 86.7, -23.38, -2.53

 

CMYK 55 / 0 / 37 / 16

HEX #60D687

RGB 96 214 135

HSL 139.83, 0.59%, 0.61%

LAB 77.48, -50.63, 29.21

 

CMYK 42 / 0 / 28 / 13

HEX #80DEA0

RGB 128 222 160

HSL 140.43, 0.59%, 0.69%

LAB 81.49, -41.31, 21.89

 

CMYK 30 / 0 / 20 / 10

HEX #A1E6B8

RGB 161 230 184

HSL 140, 0.58%, 0.77%

LAB 85.82, -30.88, 15.62

 

CMYK 19 / 0 / 13 / 6

HEX #C2EFD1

RGB 194 239 209

HSL 140, 0.58%, 0.85%

LAB 90.69, -20.21, 9.76

 

CMYK 8 / 0 / 5 / 3

HEX #E3F7EA

RGB 227 247 234

HSL 141, 0.56%, 0.93%

LAB 95.49, -8.9, 4

 

CMYK 30 / 0 / 20 / 9

HEX #A2E7B9

RGB 162 231 185

HSL 140, 0.59%, 0.77%

LAB 86.17, -30.86, 15.6

 

CMYK 30 / 16 / 0 / 10

HEX #A1C2E6

RGB 161 194 230

HSL 211.3, 0.58%, 0.77%

LAB 77.21, -2.82, -21.51

 

CMYK 0 / 30 / 28 / 10

HEX #E6A1A6

RGB 230 161 166

HSL 355.65, 0.58%, 0.77%

LAB 72.94, 26.28, 7.72

 

CMYK 30 / 0 / 20 / 9

HEX #A2E7B9

RGB 162 231 185

HSL 140, 0.59%, 0.77%

LAB 86.17, -30.86, 15.6

 

CMYK 20 / 30 / 0 / 10

HEX #B8A1E6

RGB 184 161 230

HSL 260, 0.58%, 0.77%

LAB 70.45, 22.18, -31.71

 

CMYK 0 / 20 / 30 / 10

HEX #E6B8A1

RGB 230 184 161

HSL 20, 0.58%, 0.77%

LAB 78.27, 13.33, 17.98

 

CMYK 30 / 0 / 20 / 9

HEX #A2E7B9

RGB 162 231 185

HSL 140, 0.59%, 0.77%

LAB 86.17, -30.86, 15.6

 

CMYK 30 / 16 / 0 / 10

HEX #A1C2E6

RGB 161 194 230

HSL 211.3, 0.58%, 0.77%

LAB 77.21, -2.82, -21.51

 

CMYK 0 / 30 / 10 / 10

HEX #E6A1CF

RGB 230 161 207

HSL 320, 0.58%, 0.77%

LAB 74.07, 32.51, -13.18

 

CMYK 0 / 14 / 30 / 10

HEX #E6C6A1

RGB 230 198 161

HSL 32.17, 0.58%, 0.77%

LAB 81.72, 5.94, 22.74

 

CMYK 30 / 0 / 20 / 9

HEX #A2E7B9

RGB 162 231 185

HSL 140, 0.59%, 0.77%

LAB 86.17, -30.86, 15.6

 

CMYK 30 / 25 / 0 / 10

HEX #A1ADE6

RGB 161 173 230

HSL 229.57, 0.58%, 0.77%

LAB 71.68, 8.66, -29.97

 

CMYK 0 / 30 / 10 / 10

HEX #E6A1CF

RGB 230 161 207

HSL 320, 0.58%, 0.77%

LAB 74.07, 32.51, -13.18

 

CMYK 0 / 5 / 30 / 10

HEX #E6DBA1

RGB 230 219 161

HSL 50.43, 0.58%, 0.77%

LAB 87.03, -4.93, 29.94

 

Description

Color code: HEX #A2E7B9 | qconv.com Color code: HEX #A2E7B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 231 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 231 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 20 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 20% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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