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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2E09D it is the complementary color #5D1F62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2E09D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2E09D shade: #A7E098, #B8F2AB, #C9FFBE, #DAFFD1 and #EBFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2E09D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2E09D shade: #A2E09D, #91CE8A, #80BC77, #6FAA64 and #5E9851

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2E09D shade: #A3E09E, #B4E09E, #C6E09E, #D8E09E and #E0D69E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2E09D shade: #A3E09E, #9EE0AB, #9EE0BC, #9EE0CE and #9EE0E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2E09D shade matches the following richer shades: #A3E09E, #9AEA93 and #91F589

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2E09D shade: #A3E09E, #ABD6A8, #B4CBB2, #BDC1BD and #C6B7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2E09D shade: #C6E09E, #B5E09E, #A3E09E, #9EE0AA and #9EE0BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2E09D shade: #67CC5F, #85D67E, #A3E09E, #C0EABD and #DEF4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2E09D shade: #A2E09D, #9ED8E0 and #E09EBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2E09D shade: #A2E09D, #9EA3E0 and #E09EA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2E09D shade: #A2E09D, #9ED8E0, #DA9EE0 and #E0A59E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2E09D shade: #A2E09D, #9EC4E0, #DA9EE0 and #E0B99E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 30 / 12

HEX #A2E09D

RGB 162 224 157

HSL 115.52, 0.52%, 0.75%

LAB 83.67, -32.42, 26.68

 

Complementary color

CMYK 5 / 68 / 0 / 62

HEX #5D1F62

RGB 93 31 98

HSL 295.52, 0.52%, 0.25%

LAB 24.29, 38, -26.39

 

CMYK 25 / 0 / 32 / 12

HEX #A7E098

RGB 167 224 152

HSL 107.5, 0.54%, 0.74%

LAB 83.86, -31.54, 29.56

 

CMYK 24 / 0 / 29 / 5

HEX #B8F2AB

RGB 184 242 171

HSL 109.01, 0.73%, 0.81%

LAB 90.15, -31.35, 28.5

 

CMYK 21 / 0 / 25 / 0

HEX #C9FFBE

RGB 201 255 190

HSL 109.85, 1%, 0.87%

LAB 95.02, -28.84, 25.64

 

CMYK 15 / 0 / 18 / 0

HEX #DAFFD1

RGB 218 255 209

HSL 108.26, 1%, 0.91%

LAB 96.42, -20.12, 18.09

 

CMYK 8 / 0 / 11 / 0

HEX #EBFFE4

RGB 235 255 228

HSL 104.44, 1%, 0.95%

LAB 97.95, -11.28, 10.68

 

CMYK 28 / 0 / 30 / 12

HEX #A2E09D

RGB 162 224 157

HSL 115.52, 0.52%, 0.75%

LAB 83.67, -32.42, 26.68

 

CMYK 30 / 0 / 33 / 19

HEX #91CE8A

RGB 145 206 138

HSL 113.82, 0.41%, 0.67%

LAB 77.28, -32.64, 27.77

 

CMYK 32 / 0 / 37 / 26

HEX #80BC77

RGB 128 188 119

HSL 112.17, 0.34%, 0.6%

LAB 70.79, -32.87, 28.92

 

CMYK 35 / 0 / 41 / 33

HEX #6FAA64

RGB 111 170 100

HSL 110.57, 0.29%, 0.53%

LAB 64.2, -33.08, 30.14

 

CMYK 38 / 0 / 47 / 40

HEX #5E9851

RGB 94 152 81

HSL 109.01, 0.3%, 0.46%

LAB 57.49, -33.26, 31.41

 

CMYK 27 / 0 / 29 / 12

HEX #A3E09E

RGB 163 224 158

HSL 115.45, 0.52%, 0.75%

LAB 83.74, -31.93, 26.27

 

CMYK 20 / 0 / 29 / 12

HEX #B4E09E

RGB 180 224 158

HSL 100, 0.52%, 0.75%

LAB 84.73, -26.17, 27.78

 

CMYK 12 / 0 / 29 / 12

HEX #C6E09E

RGB 198 224 158

HSL 83.64, 0.52%, 0.75%

LAB 85.9, -19.77, 29.55

 

CMYK 4 / 0 / 29 / 12

HEX #D8E09E

RGB 216 224 158

HSL 67.27, 0.52%, 0.75%

LAB 87.18, -13.12, 31.5

 

CMYK 0 / 4 / 29 / 12

HEX #E0D69E

RGB 224 214 158

HSL 50.91, 0.52%, 0.75%

LAB 85.2, -5.04, 28.96

 

CMYK 27 / 0 / 29 / 12

HEX #A3E09E

RGB 163 224 158

HSL 115.45, 0.52%, 0.75%

LAB 83.74, -31.93, 26.27

 

CMYK 29 / 0 / 24 / 12

HEX #9EE0AB

RGB 158 224 171

HSL 131.82, 0.52%, 0.75%

LAB 83.72, -31.34, 19.44

 

CMYK 29 / 0 / 16 / 12

HEX #9EE0BC

RGB 158 224 188

HSL 147.27, 0.52%, 0.75%

LAB 84.08, -28.18, 11.03

 

CMYK 29 / 0 / 8 / 12

HEX #9EE0CE

RGB 158 224 206

HSL 163.64, 0.52%, 0.75%

LAB 84.5, -24.53, 2.15

 

CMYK 29 / 0 / 0 / 12

HEX #9EE0E0

RGB 158 224 224

HSL 180, 0.52%, 0.75%

LAB 84.98, -20.59, -6.67

 

CMYK 27 / 0 / 29 / 12

HEX #A3E09E

RGB 163 224 158

HSL 115.45, 0.52%, 0.75%

LAB 83.74, -31.93, 26.27

 

CMYK 34 / 0 / 37 / 8

HEX #9AEA93

RGB 154 234 147

HSL 115.17, 0.67%, 0.75%

LAB 85.92, -41.08, 34.71

 

CMYK 41 / 0 / 44 / 4

HEX #91F589

RGB 145 245 137

HSL 115.56, 0.84%, 0.75%

LAB 88.51, -49.98, 42.91

 

CMYK 27 / 0 / 29 / 12

HEX #A3E09E

RGB 163 224 158

HSL 115.45, 0.52%, 0.75%

LAB 83.74, -31.93, 26.27

 

CMYK 20 / 0 / 21 / 16

HEX #ABD6A8

RGB 171 214 168

HSL 116.09, 0.36%, 0.75%

LAB 81.61, -22.81, 18.2

 

CMYK 11 / 0 / 12 / 20

HEX #B4CBB2

RGB 180 203 178

HSL 115.2, 0.19%, 0.75%

LAB 79.4, -12.45, 9.86

 

CMYK 2 / 0 / 2 / 24

HEX #BDC1BD

RGB 189 193 189

HSL 120, 0.03%, 0.75%

LAB 77.66, -2.12, 1.52

 

CMYK 1 / 8 / 0 / 22

HEX #C6B7C7

RGB 198 183 199

HSL 296.25, 0.13%, 0.75%

LAB 76.07, 8.21, -6.16

 

CMYK 12 / 0 / 29 / 12

HEX #C6E09E

RGB 198 224 158

HSL 83.64, 0.52%, 0.75%

LAB 85.9, -19.77, 29.55

 

CMYK 19 / 0 / 29 / 12

HEX #B5E09E

RGB 181 224 158

HSL 99.09, 0.52%, 0.75%

LAB 84.79, -25.82, 27.88

 

CMYK 27 / 0 / 29 / 12

HEX #A3E09E

RGB 163 224 158

HSL 115.45, 0.52%, 0.75%

LAB 83.74, -31.93, 26.27

 

CMYK 29 / 0 / 24 / 12

HEX #9EE0AA

RGB 158 224 170

HSL 130.91, 0.52%, 0.75%

LAB 83.7, -31.52, 19.94

 

CMYK 29 / 0 / 17 / 12

HEX #9EE0BB

RGB 158 224 187

HSL 146.36, 0.52%, 0.75%

LAB 84.05, -28.38, 11.53

 

CMYK 50 / 0 / 53 / 20

HEX #67CC5F

RGB 103 204 95

HSL 115.6, 0.52%, 0.59%

LAB 74.12, -50.88, 44.94

 

CMYK 38 / 0 / 41 / 16

HEX #85D67E

RGB 133 214 126

HSL 115.23, 0.52%, 0.67%

LAB 78.8, -41.96, 35.82

 

CMYK 27 / 0 / 29 / 12

HEX #A3E09E

RGB 163 224 158

HSL 115.45, 0.52%, 0.75%

LAB 83.74, -31.93, 26.27

 

CMYK 18 / 0 / 19 / 8

HEX #C0EABD

RGB 192 234 189

HSL 116, 0.52%, 0.83%

LAB 88.79, -21.95, 17.45

 

CMYK 9 / 0 / 10 / 4

HEX #DEF4DC

RGB 222 244 220

HSL 115, 0.52%, 0.91%

LAB 94.05, -11.53, 9.11

 

CMYK 28 / 0 / 30 / 12

HEX #A2E09D

RGB 162 224 157

HSL 115.52, 0.52%, 0.75%

LAB 83.67, -32.42, 26.68

 

CMYK 29 / 4 / 0 / 12

HEX #9ED8E0

RGB 158 216 224

HSL 187.27, 0.52%, 0.75%

LAB 82.79, -16.58, -9.92

 

CMYK 0 / 29 / 15 / 12

HEX #E09EBE

RGB 224 158 190

HSL 330.91, 0.52%, 0.75%

LAB 72.24, 29.27, -6.62

 

CMYK 28 / 0 / 30 / 12

HEX #A2E09D

RGB 162 224 157

HSL 115.52, 0.52%, 0.75%

LAB 83.67, -32.42, 26.68

 

CMYK 29 / 27 / 0 / 12

HEX #9EA3E0

RGB 158 163 224

HSL 235.45, 0.52%, 0.75%

LAB 68.64, 11.9, -31.39

 

CMYK 0 / 29 / 27 / 12

HEX #E09EA3

RGB 224 158 163

HSL 355.45, 0.52%, 0.75%

LAB 71.52, 25.26, 7.26

 

CMYK 28 / 0 / 30 / 12

HEX #A2E09D

RGB 162 224 157

HSL 115.52, 0.52%, 0.75%

LAB 83.67, -32.42, 26.68

 

CMYK 29 / 4 / 0 / 12

HEX #9ED8E0

RGB 158 216 224

HSL 187.27, 0.52%, 0.75%

LAB 82.79, -16.58, -9.92

 

CMYK 3 / 29 / 0 / 12

HEX #DA9EE0

RGB 218 158 224

HSL 294.55, 0.52%, 0.75%

LAB 72.72, 33.21, -24.66

 

CMYK 0 / 26 / 29 / 12

HEX #E0A59E

RGB 224 165 158

HSL 6.36, 0.52%, 0.75%

LAB 73.04, 20.82, 12.19

 

CMYK 28 / 0 / 30 / 12

HEX #A2E09D

RGB 162 224 157

HSL 115.52, 0.52%, 0.75%

LAB 83.67, -32.42, 26.68

 

CMYK 29 / 13 / 0 / 12

HEX #9EC4E0

RGB 158 196 224

HSL 205.45, 0.52%, 0.75%

LAB 77.36, -6.2, -18.06

 

CMYK 3 / 29 / 0 / 12

HEX #DA9EE0

RGB 218 158 224

HSL 294.55, 0.52%, 0.75%

LAB 72.72, 33.21, -24.66

 

CMYK 0 / 17 / 29 / 12

HEX #E0B99E

RGB 224 185 158

HSL 24.55, 0.52%, 0.75%

LAB 77.88, 10.11, 18.96

 

Description

Color code: HEX #A2E09D | qconv.com Color code: HEX #A2E09D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 224 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 224 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 30 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 30% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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