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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2EA70 it is the complementary color #5D158F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2EA70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2EA70 shade: #A7EA6B, #B8FC7E, #C9FF91, #DAFFA4 and #EBFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2EA70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2EA70 shade: #A2EA70, #91D85D, #80C64A, #6FB437 and #5EA224

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2EA70 shade: #A2E971, #C3E971, #E3E971, #E9CF71 and #E9AE71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2EA70 shade: #A2E971, #81E971, #71E980, #71E9A1 and #71E9C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2EA70 shade matches the following richer shades: #A2E971 and #A0F663

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2EA70 shade: #A2E971, #A4DC7E, #A7CF8B, #A9C298 and #ACB4A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2EA70 shade: #E3E971, #C3E971, #A3E971, #83E971 and #71E97F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2EA70 shade: #73DF29, #8BE44D, #A2E971, #B9EF94 and #D1F4B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2EA70 shade: #A2EA70, #71E9CF and #E971D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2EA70 shade: #A2EA70, #71A3E9 and #E971A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2EA70 shade: #A2EA70, #71E9CF, #B771E9 and #E9718B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2EA70 shade: #A2EA70, #71DFE9, #B771E9 and #E97B71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 52 / 8

HEX #A2EA70

RGB 162 234 112

HSL 95.41, 0.74%, 0.68%

LAB 85.85, -42.95, 51.68

 

Complementary color

CMYK 35 / 85 / 0 / 44

HEX #5D158F

RGB 93 21 143

HSL 275.41, 0.74%, 0.32%

LAB 26.29, 51.68, -51.81

 

CMYK 29 / 0 / 54 / 8

HEX #A7EA6B

RGB 167 234 107

HSL 91.65, 0.75%, 0.67%

LAB 86.07, -41.74, 54.29

 

CMYK 27 / 0 / 50 / 1

HEX #B8FC7E

RGB 184 252 126

HSL 92.38, 0.95%, 0.74%

LAB 92.27, -41.76, 53.21

 

CMYK 21 / 0 / 43 / 0

HEX #C9FF91

RGB 201 255 145

HSL 89.45, 1%, 0.78%

LAB 94.3, -35.03, 46.99

 

CMYK 15 / 0 / 36 / 0

HEX #DAFFA4

RGB 218 255 164

HSL 84.4, 1%, 0.82%

LAB 95.62, -26.67, 39.65

 

CMYK 8 / 0 / 28 / 0

HEX #EBFFB7

RGB 235 255 183

HSL 76.67, 1%, 0.86%

LAB 97.07, -18.1, 32.32

 

CMYK 31 / 0 / 52 / 8

HEX #A2EA70

RGB 162 234 112

HSL 95.41, 0.74%, 0.68%

LAB 85.85, -42.95, 51.68

 

CMYK 33 / 0 / 57 / 15

HEX #91D85D

RGB 145 216 93

HSL 94.63, 0.61%, 0.61%

LAB 79.57, -42.92, 52.75

 

CMYK 35 / 0 / 63 / 22

HEX #80C64A

RGB 128 198 74

HSL 93.87, 0.52%, 0.53%

LAB 73.2, -42.8, 53.68

 

CMYK 38 / 0 / 69 / 29

HEX #6FB437

RGB 111 180 55

HSL 93.12, 0.53%, 0.46%

LAB 66.75, -42.55, 54.34

 

CMYK 42 / 0 / 78 / 36

HEX #5EA224

RGB 94 162 36

HSL 92.38, 0.64%, 0.39%

LAB 60.2, -42.1, 54.44

 

CMYK 30 / 0 / 52 / 9

HEX #A2E971

RGB 162 233 113

HSL 95.5, 0.73%, 0.68%

LAB 85.58, -42.4, 50.89

 

CMYK 16 / 0 / 52 / 9

HEX #C3E971

RGB 195 233 113

HSL 79, 0.73%, 0.68%

LAB 87.52, -30.5, 53.67

 

CMYK 3 / 0 / 52 / 9

HEX #E3E971

RGB 227 233 113

HSL 63, 0.73%, 0.68%

LAB 89.77, -18.11, 56.87

 

CMYK 0 / 11 / 52 / 9

HEX #E9CF71

RGB 233 207 113

HSL 47, 0.73%, 0.68%

LAB 83.52, -2.68, 49.59

 

CMYK 0 / 25 / 52 / 9

HEX #E9AE71

RGB 233 174 113

HSL 30.5, 0.73%, 0.68%

LAB 75.32, 14.59, 39.53

 

CMYK 30 / 0 / 52 / 9

HEX #A2E971

RGB 162 233 113

HSL 95.5, 0.73%, 0.68%

LAB 85.58, -42.4, 50.89

 

CMYK 45 / 0 / 52 / 9

HEX #81E971

RGB 129 233 113

HSL 112, 0.73%, 0.68%

LAB 84.04, -52.87, 48.67

 

CMYK 52 / 0 / 45 / 9

HEX #71E980

RGB 113 233 128

HSL 127.5, 0.73%, 0.68%

LAB 83.62, -55.21, 40.84

 

CMYK 52 / 0 / 31 / 9

HEX #71E9A1

RGB 113 233 161

HSL 144, 0.73%, 0.68%

LAB 84.15, -49.71, 24.92

 

CMYK 52 / 0 / 17 / 9

HEX #71E9C1

RGB 113 233 193

HSL 160, 0.73%, 0.68%

LAB 84.81, -43.18, 9.19

 

CMYK 30 / 0 / 52 / 9

HEX #A2E971

RGB 162 233 113

HSL 95.5, 0.73%, 0.68%

LAB 85.58, -42.4, 50.89

 

CMYK 35 / 0 / 60 / 4

HEX #A0F663

RGB 160 246 99

HSL 95.1, 0.89%, 0.68%

LAB 89.06, -50, 61.13

 

CMYK 30 / 0 / 52 / 9

HEX #A2E971

RGB 162 233 113

HSL 95.5, 0.73%, 0.68%

LAB 85.58, -42.4, 50.89

 

CMYK 25 / 0 / 43 / 14

HEX #A4DC7E

RGB 164 220 126

HSL 95.74, 0.57%, 0.68%

LAB 82.16, -34.34, 40.44

 

CMYK 19 / 0 / 33 / 19

HEX #A7CF8B

RGB 167 207 139

HSL 95.29, 0.41%, 0.68%

LAB 78.87, -25.36, 29.6

 

CMYK 13 / 0 / 22 / 24

HEX #A9C298

RGB 169 194 152

HSL 95.71, 0.26%, 0.68%

LAB 75.63, -16.18, 18.36

 

CMYK 4 / 0 / 8 / 29

HEX #ACB4A5

RGB 172 180 165

HSL 92, 0.09%, 0.68%

LAB 72.32, -5.58, 6.68

 

CMYK 3 / 0 / 52 / 9

HEX #E3E971

RGB 227 233 113

HSL 63, 0.73%, 0.68%

LAB 89.77, -18.11, 56.87

 

CMYK 16 / 0 / 52 / 9

HEX #C3E971

RGB 195 233 113

HSL 79, 0.73%, 0.68%

LAB 87.52, -30.5, 53.67

 

CMYK 30 / 0 / 52 / 9

HEX #A3E971

RGB 163 233 113

HSL 95, 0.73%, 0.68%

LAB 85.63, -42.06, 50.97

 

CMYK 44 / 0 / 52 / 9

HEX #83E971

RGB 131 233 113

HSL 111, 0.73%, 0.68%

LAB 84.12, -52.29, 48.78

 

CMYK 52 / 0 / 45 / 9

HEX #71E97F

RGB 113 233 127

HSL 127, 0.73%, 0.68%

LAB 83.61, -55.35, 41.31

 

CMYK 48 / 0 / 82 / 13

HEX #73DF29

RGB 115 223 41

HSL 95.6, 0.74%, 0.52%

LAB 79.94, -59.11, 71.61

 

CMYK 39 / 0 / 66 / 11

HEX #8BE44D

RGB 139 228 77

HSL 95.36, 0.74%, 0.6%

LAB 82.65, -51.38, 62.82

 

CMYK 30 / 0 / 52 / 9

HEX #A2E971

RGB 162 233 113

HSL 95.5, 0.73%, 0.68%

LAB 85.58, -42.4, 50.89

 

CMYK 23 / 0 / 38 / 6

HEX #B9EF94

RGB 185 239 148

HSL 95.6, 0.74%, 0.76%

LAB 89.01, -32.92, 38.56

 

CMYK 14 / 0 / 25 / 4

HEX #D1F4B8

RGB 209 244 184

HSL 95, 0.73%, 0.84%

LAB 92.45, -21.81, 25.26

 

CMYK 31 / 0 / 52 / 8

HEX #A2EA70

RGB 162 234 112

HSL 95.41, 0.74%, 0.68%

LAB 85.85, -42.95, 51.68

 

CMYK 52 / 0 / 11 / 9

HEX #71E9CF

RGB 113 233 207

HSL 167, 0.73%, 0.68%

LAB 85.15, -39.99, 2.32

 

CMYK 0 / 52 / 9 / 9

HEX #E971D3

RGB 233 113 211

HSL 311, 0.73%, 0.68%

LAB 64.83, 58.59, -29.43

 

CMYK 31 / 0 / 52 / 8

HEX #A2EA70

RGB 162 234 112

HSL 95.41, 0.74%, 0.68%

LAB 85.85, -42.95, 51.68

 

CMYK 52 / 30 / 0 / 9

HEX #71A3E9

RGB 113 163 233

HSL 215, 0.73%, 0.68%

LAB 66.2, 2.74, -40.33

 

CMYK 0 / 52 / 30 / 9

HEX #E971A3

RGB 233 113 163

HSL 335, 0.73%, 0.68%

LAB 63.16, 51.7, -4.77

 

CMYK 31 / 0 / 52 / 8

HEX #A2EA70

RGB 162 234 112

HSL 95.41, 0.74%, 0.68%

LAB 85.85, -42.95, 51.68

 

CMYK 52 / 0 / 11 / 9

HEX #71E9CF

RGB 113 233 207

HSL 167, 0.73%, 0.68%

LAB 85.15, -39.99, 2.32

 

CMYK 21 / 52 / 0 / 9

HEX #B771E9

RGB 183 113 233

HSL 275, 0.73%, 0.68%

LAB 59.67, 48.96, -50.25

 

CMYK 0 / 52 / 40 / 9

HEX #E9718B

RGB 233 113 139

HSL 347, 0.73%, 0.68%

LAB 62.51, 48.9, 8.05

 

CMYK 31 / 0 / 52 / 8

HEX #A2EA70

RGB 162 234 112

HSL 95.41, 0.74%, 0.68%

LAB 85.85, -42.95, 51.68

 

CMYK 52 / 4 / 0 / 9

HEX #71DFE9

RGB 113 223 233

HSL 185, 0.73%, 0.68%

LAB 83, -28.83, -14.58

 

CMYK 21 / 52 / 0 / 9

HEX #B771E9

RGB 183 113 233

HSL 275, 0.73%, 0.68%

LAB 59.67, 48.96, -50.25

 

CMYK 0 / 47 / 52 / 9

HEX #E97B71

RGB 233 123 113

HSL 5, 0.73%, 0.68%

LAB 63.9, 41.41, 24.78

 

Description

Color code: HEX #A2EA70 | qconv.com Color code: HEX #A2EA70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 234 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 234 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 52 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 52% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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