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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2EAE1 it is the complementary color #5D151E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2EAE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2EAE1 shade: #A7EADC, #B8FCEF, #C9FFFF, #DAFFFF and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2EAE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2EAE1 shade: #A2EAE1, #91D8CE, #80C6BB, #6FB4A8 and #5EA295

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2EAE1 shade: #A3EAE1, #A3EACE, #A3EABB, #A3EAA8 and #B1EAA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2EAE1 shade: #A3EAE1, #A3E0EA, #A3CCEA, #A3B9EA and #A3A6EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2EAE1 shade matches the following richer shades: #A3EAE1, #9AF3E8 and #91FCEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2EAE1 shade: #A3EAE1, #ACE1DA, #B5D8D3, #BECFCC and #C7C5C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2EAE1 shade: #A3EABB, #A3EACD, #A3EAE0, #A3E0EA and #A3CDEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2EAE1 shade: #60DACB, #81E2D6, #A3EAE1, #C5F1EC and #E6F9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2EAE1 shade: #A2EAE1, #A8A3EA and #EAC4A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2EAE1 shade: #A2EAE1, #E0A3EA and #EAE0A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2EAE1 shade: #A2EAE1, #A8A3EA, #EAA3AC and #E5EAA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2EAE1 shade: #A2EAE1, #BDA3EA, #EAA3AC and #D0EAA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 4 / 8

HEX #A2EAE1

RGB 162 234 225

HSL 172.5, 0.63%, 0.78%

LAB 87.95, -24.18, -2.79

 

Complementary color

CMYK 0 / 77 / 68 / 64

HEX #5D151E

RGB 93 21 30

HSL 352.5, 0.63%, 0.22%

LAB 19.87, 32.94, 13.54

 

CMYK 29 / 0 / 6 / 8

HEX #A7EADC

RGB 167 234 220

HSL 167.46, 0.61%, 0.79%

LAB 88.08, -23.84, 0.05

 

CMYK 27 / 0 / 5 / 1

HEX #B8FCEF

RGB 184 252 239

HSL 168.53, 0.92%, 0.85%

LAB 94.33, -23.69, -0.6

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 31 / 0 / 4 / 8

HEX #A2EAE1

RGB 162 234 225

HSL 172.5, 0.63%, 0.78%

LAB 87.95, -24.18, -2.79

 

CMYK 33 / 0 / 5 / 15

HEX #91D8CE

RGB 145 216 206

HSL 171.55, 0.48%, 0.71%

LAB 81.61, -24.32, -2.15

 

CMYK 35 / 0 / 6 / 22

HEX #80C6BB

RGB 128 198 187

HSL 170.57, 0.38%, 0.64%

LAB 75.18, -24.46, -1.47

 

CMYK 38 / 0 / 7 / 29

HEX #6FB4A8

RGB 111 180 168

HSL 169.57, 0.32%, 0.57%

LAB 68.64, -24.61, -0.76

 

CMYK 42 / 0 / 8 / 36

HEX #5EA295

RGB 94 162 149

HSL 168.53, 0.27%, 0.5%

LAB 61.99, -24.76, 0

 

CMYK 30 / 0 / 4 / 8

HEX #A3EAE1

RGB 163 234 225

HSL 172.39, 0.63%, 0.78%

LAB 88, -23.9, -2.71

 

CMYK 30 / 0 / 12 / 8

HEX #A3EACE

RGB 163 234 206

HSL 156.34, 0.63%, 0.78%

LAB 87.53, -27.91, 6.56

 

CMYK 30 / 0 / 20 / 8

HEX #A3EABB

RGB 163 234 187

HSL 140.28, 0.63%, 0.78%

LAB 87.1, -31.59, 15.88

 

CMYK 30 / 0 / 28 / 8

HEX #A3EAA8

RGB 163 234 168

HSL 124.23, 0.63%, 0.78%

LAB 86.73, -34.93, 25.19

 

CMYK 24 / 0 / 30 / 8

HEX #B1EAA3

RGB 177 234 163

HSL 108.17, 0.63%, 0.78%

LAB 87.41, -31.18, 28.8

 

CMYK 30 / 0 / 4 / 8

HEX #A3EAE1

RGB 163 234 225

HSL 172.39, 0.63%, 0.78%

LAB 88, -23.9, -2.71

 

CMYK 30 / 4 / 0 / 8

HEX #A3E0EA

RGB 163 224 234

HSL 188.45, 0.63%, 0.78%

LAB 85.52, -16.91, -11.11

 

CMYK 30 / 13 / 0 / 8

HEX #A3CCEA

RGB 163 204 234

HSL 205.35, 0.63%, 0.78%

LAB 80.13, -6.6, -19.21

 

CMYK 30 / 21 / 0 / 8

HEX #A3B9EA

RGB 163 185 234

HSL 221.41, 0.63%, 0.78%

LAB 75.09, 3.6, -26.88

 

CMYK 30 / 29 / 0 / 8

HEX #A3A6EA

RGB 163 166 234

HSL 237.46, 0.63%, 0.78%

LAB 70.18, 14.14, -34.46

 

CMYK 30 / 0 / 4 / 8

HEX #A3EAE1

RGB 163 234 225

HSL 172.39, 0.63%, 0.78%

LAB 88, -23.9, -2.71

 

CMYK 37 / 0 / 5 / 5

HEX #9AF3E8

RGB 154 243 232

HSL 172.58, 0.79%, 0.78%

LAB 90.23, -29.1, -3.15

 

CMYK 42 / 0 / 5 / 1

HEX #91FCEF

RGB 145 252 239

HSL 172.71, 0.95%, 0.78%

LAB 92.52, -33.96, -3.47

 

CMYK 30 / 0 / 4 / 8

HEX #A3EAE1

RGB 163 234 225

HSL 172.39, 0.63%, 0.78%

LAB 88, -23.9, -2.71

 

CMYK 24 / 0 / 3 / 12

HEX #ACE1DA

RGB 172 225 218

HSL 172.08, 0.47%, 0.78%

LAB 85.85, -18.36, -2.13

 

CMYK 16 / 0 / 2 / 15

HEX #B5D8D3

RGB 181 216 211

HSL 171.43, 0.31%, 0.78%

LAB 83.78, -12.49, -1.4

 

CMYK 8 / 0 / 1 / 19

HEX #BECFCC

RGB 190 207 204

HSL 169.41, 0.15%, 0.78%

LAB 81.8, -6.3, -0.49

 

CMYK 0 / 1 / 1 / 22

HEX #C7C5C6

RGB 199 197 198

HSL 330, 0.02%, 0.78%

LAB 79.7, 0.88, -0.26

 

CMYK 30 / 0 / 20 / 8

HEX #A3EABB

RGB 163 234 187

HSL 140.28, 0.63%, 0.78%

LAB 87.1, -31.59, 15.88

 

CMYK 30 / 0 / 12 / 8

HEX #A3EACD

RGB 163 234 205

HSL 155.49, 0.63%, 0.78%

LAB 87.5, -28.11, 7.05

 

CMYK 30 / 0 / 4 / 8

HEX #A3EAE0

RGB 163 234 224

HSL 171.55, 0.63%, 0.78%

LAB 87.98, -24.12, -2.22

 

CMYK 30 / 4 / 0 / 8

HEX #A3E0EA

RGB 163 224 234

HSL 188.45, 0.63%, 0.78%

LAB 85.52, -16.91, -11.11

 

CMYK 30 / 12 / 0 / 8

HEX #A3CDEA

RGB 163 205 234

HSL 204.51, 0.63%, 0.78%

LAB 80.4, -7.13, -18.81

 

CMYK 56 / 0 / 7 / 15

HEX #60DACB

RGB 96 218 203

HSL 172.62, 0.62%, 0.62%

LAB 80.15, -37.64, -2.93

 

CMYK 43 / 0 / 5 / 11

HEX #81E2D6

RGB 129 226 214

HSL 172.58, 0.63%, 0.7%

LAB 83.92, -31.46, -3.09

 

CMYK 30 / 0 / 4 / 8

HEX #A3EAE1

RGB 163 234 225

HSL 172.39, 0.63%, 0.78%

LAB 88, -23.9, -2.71

 

CMYK 18 / 0 / 2 / 5

HEX #C5F1EC

RGB 197 241 236

HSL 173.18, 0.61%, 0.86%

LAB 92.06, -15.05, -2.28

 

CMYK 8 / 0 / 1 / 2

HEX #E6F9F7

RGB 230 249 247

HSL 173.68, 0.61%, 0.94%

LAB 96.53, -6.56, -1.18

 

CMYK 31 / 0 / 4 / 8

HEX #A2EAE1

RGB 162 234 225

HSL 172.5, 0.63%, 0.78%

LAB 87.95, -24.18, -2.79

 

CMYK 28 / 30 / 0 / 8

HEX #A8A3EA

RGB 168 163 234

HSL 244.23, 0.63%, 0.78%

LAB 69.8, 17.26, -35.02

 

CMYK 0 / 16 / 30 / 8

HEX #EAC4A3

RGB 234 196 163

HSL 27.89, 0.63%, 0.78%

LAB 81.63, 8.77, 21.61

 

CMYK 31 / 0 / 4 / 8

HEX #A2EAE1

RGB 162 234 225

HSL 172.5, 0.63%, 0.78%

LAB 87.95, -24.18, -2.79

 

CMYK 4 / 30 / 0 / 8

HEX #E0A3EA

RGB 224 163 234

HSL 291.55, 0.63%, 0.78%

LAB 74.81, 34.33, -26.86

 

CMYK 0 / 4 / 30 / 8

HEX #EAE0A3

RGB 234 224 163

HSL 51.55, 0.63%, 0.78%

LAB 88.66, -5.7, 31.16

 

CMYK 31 / 0 / 4 / 8

HEX #A2EAE1

RGB 162 234 225

HSL 172.5, 0.63%, 0.78%

LAB 87.95, -24.18, -2.79

 

CMYK 28 / 30 / 0 / 8

HEX #A8A3EA

RGB 168 163 234

HSL 244.23, 0.63%, 0.78%

LAB 69.8, 17.26, -35.02

 

CMYK 0 / 30 / 26 / 8

HEX #EAA3AC

RGB 234 163 172

HSL 352.39, 0.63%, 0.78%

LAB 73.98, 27.5, 5.97

 

CMYK 2 / 0 / 30 / 8

HEX #E5EAA3

RGB 229 234 163

HSL 64.23, 0.63%, 0.78%

LAB 90.85, -12.6, 34.01

 

CMYK 31 / 0 / 4 / 8

HEX #A2EAE1

RGB 162 234 225

HSL 172.5, 0.63%, 0.78%

LAB 87.95, -24.18, -2.79

 

CMYK 19 / 30 / 0 / 8

HEX #BDA3EA

RGB 189 163 234

HSL 261.97, 0.63%, 0.78%

LAB 71.52, 23.48, -32.2

 

CMYK 0 / 30 / 26 / 8

HEX #EAA3AC

RGB 234 163 172

HSL 352.39, 0.63%, 0.78%

LAB 73.98, 27.5, 5.97

 

CMYK 11 / 0 / 30 / 8

HEX #D0EAA3

RGB 208 234 163

HSL 81.97, 0.63%, 0.78%

LAB 89.35, -20.34, 31.74

 

Description

Color code: HEX #A2EAE1 | qconv.com Color code: HEX #A2EAE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 234 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 234 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 4 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 4% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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