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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A30E88 it is the complementary color #5CF177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A30E88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A30E88 shade: #A80E83, #B92096, #CA32A9, #DB44BC and #EC56CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A30E88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A30E88 shade: #A30E88, #920075, #810062, #70004F and #5F003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A30E88 shade: #A40E89, #A40E60, #A40E38, #A40E0F and #A40E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A30E88 shade: #A40E89, #960EA4, #6E0EA4, #460EA4 and #1D0EA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A30E88 shade matches the following richer shades: #A40E89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A30E88 shade: #A40E89, #951C7F, #872B76, #78396D and #6A4864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A30E88 shade: #6D0EA4, #950EA4, #A40E8B, #A40E63 and #A40E3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A30E88 shade: #580749, #7E0A69, #A40E89, #CA11A8 and #EB19C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A30E88 shade: #A30E88, #A4450E and #0EA481

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A30E88 shade: #A30E88, #8BA40E and #0E8BA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A30E88 shade: #A30E88, #A4450E, #0EA427 and #0E6DA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A30E88 shade: #A30E88, #A4720E, #0EA427 and #0E40A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 17 / 36

HEX #A30E88

RGB 163 14 136

HSL 310.87, 0.84%, 0.35%

LAB 37.62, 64.79, -28.63

 

Complementary color

CMYK 62 / 0 / 51 / 5

HEX #5CF177

RGB 92 241 119

HSL 130.87, 0.84%, 0.65%

LAB 85.26, -64.29, 47.06

 

CMYK 0 / 92 / 22 / 34

HEX #A80E83

RGB 168 14 131

HSL 314.42, 0.85%, 0.36%

LAB 38.34, 65.17, -24.35

 

CMYK 0 / 83 / 19 / 27

HEX #B92096

RGB 185 32 150

HSL 313.73, 0.71%, 0.43%

LAB 43.58, 67.89, -27.56

 

CMYK 0 / 75 / 16 / 21

HEX #CA32A9

RGB 202 50 169

HSL 313.03, 0.6%, 0.49%

LAB 49.13, 69.46, -30.02

 

CMYK 0 / 69 / 14 / 14

HEX #DB44BC

RGB 219 68 188

HSL 312.32, 0.68%, 0.56%

LAB 54.89, 70.24, -31.92

 

CMYK 0 / 64 / 12 / 7

HEX #EC56CF

RGB 236 86 207

HSL 311.6, 0.8%, 0.63%

LAB 60.78, 70.48, -33.43

 

CMYK 0 / 91 / 17 / 36

HEX #A30E88

RGB 163 14 136

HSL 310.87, 0.84%, 0.35%

LAB 37.62, 64.79, -28.63

 

CMYK 0 / 100 / 20 / 43

HEX #920075

RGB 146 0 117

HSL 311.92, 1%, 0.29%

LAB 32.69, 60.72, -24.71

 

CMYK 0 / 100 / 24 / 49

HEX #810062

RGB 129 0 98

HSL 314.42, 1%, 0.25%

LAB 28.24, 54.84, -19.69

 

CMYK 0 / 100 / 29 / 56

HEX #70004F

RGB 112 0 79

HSL 317.68, 1%, 0.22%

LAB 23.7, 48.84, -14.41

 

CMYK 0 / 100 / 37 / 63

HEX #5F003C

RGB 95 0 60

HSL 322.11, 1%, 0.19%

LAB 19.05, 42.72, -8.79

 

CMYK 0 / 91 / 16 / 36

HEX #A40E89

RGB 164 14 137

HSL 310.8, 0.84%, 0.35%

LAB 37.87, 65.13, -28.85

 

CMYK 0 / 91 / 41 / 36

HEX #A40E60

RGB 164 14 96

HSL 327.2, 0.84%, 0.35%

LAB 36.08, 60.38, -5.79

 

CMYK 0 / 91 / 66 / 36

HEX #A40E38

RGB 164 14 56

HSL 343.2, 0.84%, 0.35%

LAB 34.99, 57.34, 18.62

 

CMYK 0 / 91 / 91 / 36

HEX #A40E0F

RGB 164 14 15

HSL 359.6, 0.84%, 0.35%

LAB 34.48, 55.9, 42.25

 

CMYK 0 / 91 / 91 / 36

HEX #A40E0E

RGB 164 14 14

HSL 0, 0.84%, 0.35%

LAB 34.47, 55.88, 42.69

 

CMYK 0 / 91 / 16 / 36

HEX #A40E89

RGB 164 14 137

HSL 310.8, 0.84%, 0.35%

LAB 37.87, 65.13, -28.85

 

CMYK 9 / 91 / 0 / 36

HEX #960EA4

RGB 150 14 164

HSL 294.4, 0.84%, 0.35%

LAB 36.89, 66.6, -47.01

 

CMYK 33 / 91 / 0 / 36

HEX #6E0EA4

RGB 110 14 164

HSL 278.4, 0.84%, 0.35%

LAB 30.18, 60.45, -58.21

 

CMYK 57 / 91 / 0 / 36

HEX #460EA4

RGB 70 14 164

HSL 262.4, 0.84%, 0.35%

LAB 24.63, 55.97, -67.55

 

CMYK 82 / 91 / 0 / 36

HEX #1D0EA4

RGB 29 14 164

HSL 246, 0.84%, 0.35%

LAB 21.04, 53.51, -73.61

 

CMYK 0 / 91 / 16 / 36

HEX #A40E89

RGB 164 14 137

HSL 310.8, 0.84%, 0.35%

LAB 37.87, 65.13, -28.85

 

CMYK 0 / 91 / 16 / 36

HEX #A40E89

RGB 164 14 137

HSL 310.8, 0.84%, 0.35%

LAB 37.87, 65.13, -28.85

 

CMYK 0 / 81 / 15 / 42

HEX #951C7F

RGB 149 28 127

HSL 310.91, 0.68%, 0.35%

LAB 35.5, 57.72, -26.55

 

CMYK 0 / 68 / 13 / 47

HEX #872B76

RGB 135 43 118

HSL 311.09, 0.52%, 0.35%

LAB 34.37, 47.74, -22.87

 

CMYK 0 / 53 / 9 / 53

HEX #78396D

RGB 120 57 109

HSL 310.48, 0.36%, 0.35%

LAB 34.03, 34.96, -17.91

 

CMYK 0 / 32 / 6 / 58

HEX #6A4864

RGB 106 72 100

HSL 310.59, 0.19%, 0.35%

LAB 35.24, 19.52, -10.55

 

CMYK 34 / 91 / 0 / 36

HEX #6D0EA4

RGB 109 14 164

HSL 278, 0.84%, 0.35%

LAB 30.02, 60.32, -58.47

 

CMYK 9 / 91 / 0 / 36

HEX #950EA4

RGB 149 14 164

HSL 294, 0.84%, 0.35%

LAB 36.71, 66.43, -47.31

 

CMYK 0 / 91 / 15 / 36

HEX #A40E8B

RGB 164 14 139

HSL 310, 0.84%, 0.35%

LAB 37.97, 65.4, -29.92

 

CMYK 0 / 91 / 40 / 36

HEX #A40E63

RGB 164 14 99

HSL 326, 0.84%, 0.35%

LAB 36.19, 60.67, -7.55

 

CMYK 0 / 91 / 64 / 36

HEX #A40E3B

RGB 164 14 59

HSL 342, 0.84%, 0.35%

LAB 35.05, 57.51, 16.75

 

CMYK 0 / 92 / 17 / 65

HEX #580749

RGB 88 7 73

HSL 311.11, 0.85%, 0.19%

LAB 18.83, 40.92, -18.29

 

CMYK 0 / 92 / 17 / 51

HEX #7E0A69

RGB 126 10 105

HSL 310.86, 0.85%, 0.27%

LAB 28.57, 53.47, -23.78

 

CMYK 0 / 91 / 16 / 36

HEX #A40E89

RGB 164 14 137

HSL 310.8, 0.84%, 0.35%

LAB 37.87, 65.13, -28.85

 

CMYK 0 / 92 / 17 / 21

HEX #CA11A8

RGB 202 17 168

HSL 311.03, 0.84%, 0.43%

LAB 46.69, 76.25, -33.25

 

CMYK 0 / 89 / 16 / 8

HEX #EB19C5

RGB 235 25 197

HSL 310.86, 0.84%, 0.51%

LAB 54.44, 85.18, -37.63

 

CMYK 0 / 91 / 17 / 36

HEX #A30E88

RGB 163 14 136

HSL 310.87, 0.84%, 0.35%

LAB 37.62, 64.79, -28.63

 

CMYK 0 / 58 / 91 / 36

HEX #A4450E

RGB 164 69 14

HSL 22, 0.84%, 0.35%

LAB 41.5, 36.69, 47.79

 

CMYK 91 / 0 / 21 / 36

HEX #0EA481

RGB 14 164 129

HSL 166, 0.84%, 0.35%

LAB 60.1, -43.99, 8.24

 

CMYK 0 / 91 / 17 / 36

HEX #A30E88

RGB 163 14 136

HSL 310.87, 0.84%, 0.35%

LAB 37.62, 64.79, -28.63

 

CMYK 15 / 0 / 91 / 36

HEX #8BA40E

RGB 139 164 14

HSL 70, 0.84%, 0.35%

LAB 63.4, -26.21, 63.69

 

CMYK 91 / 15 / 0 / 36

HEX #0E8BA4

RGB 14 139 164

HSL 190, 0.84%, 0.35%

LAB 53.21, -21.58, -21.94

 

CMYK 0 / 91 / 17 / 36

HEX #A30E88

RGB 163 14 136

HSL 310.87, 0.84%, 0.35%

LAB 37.62, 64.79, -28.63

 

CMYK 0 / 58 / 91 / 36

HEX #A4450E

RGB 164 69 14

HSL 22, 0.84%, 0.35%

LAB 41.5, 36.69, 47.79

 

CMYK 91 / 0 / 76 / 36

HEX #0EA427

RGB 14 164 39

HSL 130, 0.84%, 0.35%

LAB 58.78, -59.39, 51.32

 

CMYK 91 / 34 / 0 / 36

HEX #0E6DA4

RGB 14 109 164

HSL 202, 0.84%, 0.35%

LAB 43.82, -4.57, -36.58

 

CMYK 0 / 91 / 17 / 36

HEX #A30E88

RGB 163 14 136

HSL 310.87, 0.84%, 0.35%

LAB 37.62, 64.79, -28.63

 

CMYK 0 / 30 / 91 / 36

HEX #A4720E

RGB 164 114 14

HSL 40, 0.84%, 0.35%

LAB 51.79, 12.01, 55.55

 

CMYK 91 / 0 / 76 / 36

HEX #0EA427

RGB 14 164 39

HSL 130, 0.84%, 0.35%

LAB 58.78, -59.39, 51.32

 

CMYK 91 / 61 / 0 / 36

HEX #0E40A4

RGB 14 64 164

HSL 220, 0.84%, 0.35%

LAB 30.5, 25.05, -58.01

 

Description

Color code: HEX #A30E88 | qconv.com Color code: HEX #A30E88 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 14 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 14 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 17 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 17% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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