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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A324B1 it is the complementary color #5CDB4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A324B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A324B1 shade: #A824AC, #B936BF, #CA48D2, #DB5AE5 and #EC6CF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A324B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A324B1 shade: #A324B1, #92129E, #81008B, #700078 and #5F0065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A324B1 shade: #A324B1, #B12499, #B12473, #B1244D and #B12427

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A324B1 shade: #A324B1, #7D24B1, #5724B1, #3124B1 and #2424B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A324B1 shade matches the following richer shades: #A324B1, #B113C3 and #BF01D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A324B1 shade: #A324B1, #9535A0, #87478F, #7A587D and #6C696C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A324B1 shade: #5824B1, #7D24B1, #A324B1, #B1249A and #B12474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A324B1 shade: #64166D, #841D8F, #A324B1, #C32BD3 and #CC4DDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A324B1 shade: #A324B1, #B13224 and #24B16B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A324B1 shade: #A324B1, #B1A324 and #24B1A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A324B1 shade: #A324B1, #B13224, #32B124 and #24A3B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A324B1 shade: #A324B1, #B15C24, #32B124 and #2479B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

Complementary color

CMYK 58 / 0 / 64 / 14

HEX #5CDB4E

RGB 92 219 78

HSL 114.04, 0.66%, 0.58%

LAB 78.16, -61.25, 57.05

 

CMYK 2 / 79 / 0 / 33

HEX #A824AC

RGB 168 36 172

HSL 298.24, 0.65%, 0.41%

LAB 42.1, 66.58, -43.28

 

CMYK 3 / 72 / 0 / 25

HEX #B936BF

RGB 185 54 191

HSL 297.37, 0.56%, 0.48%

LAB 47.9, 67.75, -45.05

 

CMYK 4 / 66 / 0 / 18

HEX #CA48D2

RGB 202 72 210

HSL 296.52, 0.61%, 0.55%

LAB 53.86, 68.21, -46.36

 

CMYK 4 / 61 / 0 / 10

HEX #DB5AE5

RGB 219 90 229

HSL 295.68, 0.73%, 0.63%

LAB 59.92, 68.2, -47.34

 

CMYK 5 / 56 / 0 / 3

HEX #EC6CF8

RGB 236 108 248

HSL 294.86, 0.91%, 0.7%

LAB 66.01, 67.91, -48.11

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 8 / 89 / 0 / 38

HEX #92129E

RGB 146 18 158

HSL 294.86, 0.8%, 0.35%

LAB 36.01, 64.24, -44.84

 

CMYK 7 / 100 / 0 / 45

HEX #81008B

RGB 129 0 139

HSL 295.68, 1%, 0.27%

LAB 30.71, 60.89, -41.87

 

CMYK 7 / 100 / 0 / 53

HEX #700078

RGB 112 0 120

HSL 296, 1%, 0.24%

LAB 26.16, 54.89, -37.41

 

CMYK 6 / 100 / 0 / 60

HEX #5F0065

RGB 95 0 101

HSL 296.44, 1%, 0.2%

LAB 21.48, 48.72, -32.82

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 0 / 80 / 14 / 31

HEX #B12499

RGB 177 36 153

HSL 310.21, 0.66%, 0.42%

LAB 42.63, 65.57, -30.97

 

CMYK 0 / 80 / 35 / 31

HEX #B12473

RGB 177 36 115

HSL 326.38, 0.66%, 0.42%

LAB 40.97, 60.76, -10.21

 

CMYK 0 / 80 / 56 / 31

HEX #B1244D

RGB 177 36 77

HSL 342.55, 0.66%, 0.42%

LAB 39.82, 57.28, 12.09

 

CMYK 0 / 80 / 78 / 31

HEX #B12427

RGB 177 36 39

HSL 358.72, 0.66%, 0.42%

LAB 39.17, 55.23, 34.79

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 29 / 80 / 0 / 31

HEX #7D24B1

RGB 125 36 177

HSL 277.87, 0.66%, 0.42%

LAB 35.59, 59.48, -57.1

 

CMYK 51 / 80 / 0 / 31

HEX #5724B1

RGB 87 36 177

HSL 261.7, 0.66%, 0.42%

LAB 30.55, 53.6, -65.54

 

CMYK 72 / 80 / 0 / 31

HEX #3124B1

RGB 49 36 177

HSL 245.53, 0.66%, 0.42%

LAB 26.99, 49.44, -71.54

 

CMYK 80 / 80 / 0 / 31

HEX #2424B1

RGB 36 36 177

HSL 240, 0.66%, 0.42%

LAB 26.19, 48.5, -72.89

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 9 / 90 / 0 / 24

HEX #B113C3

RGB 177 19 195

HSL 293.86, 0.82%, 0.42%

LAB 43.88, 75.45, -53.89

 

CMYK 10 / 100 / 0 / 17

HEX #BF01D4

RGB 191 1 212

HSL 294.03, 0.99%, 0.42%

LAB 46.78, 82.17, -58.93

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 6 / 50 / 0 / 44

HEX #87478F

RGB 135 71 143

HSL 293.33, 0.34%, 0.42%

LAB 40.64, 38.7, -28.5

 

CMYK 2 / 30 / 0 / 51

HEX #7A587D

RGB 122 88 125

HSL 295.14, 0.17%, 0.42%

LAB 42.15, 20.85, -15.35

 

CMYK 0 / 3 / 0 / 58

HEX #6C696C

RGB 108 105 108

HSL 300, 0.01%, 0.42%

LAB 44.76, 1.78, -1.27

 

CMYK 50 / 80 / 0 / 31

HEX #5824B1

RGB 88 36 177

HSL 262.13, 0.66%, 0.42%

LAB 30.67, 53.74, -65.35

 

CMYK 29 / 80 / 0 / 31

HEX #7D24B1

RGB 125 36 177

HSL 277.87, 0.66%, 0.42%

LAB 35.59, 59.48, -57.1

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 0 / 80 / 13 / 31

HEX #B1249A

RGB 177 36 154

HSL 309.79, 0.66%, 0.42%

LAB 42.68, 65.71, -31.49

 

CMYK 0 / 80 / 34 / 31

HEX #B12474

RGB 177 36 116

HSL 325.96, 0.66%, 0.42%

LAB 41.01, 60.87, -10.78

 

CMYK 8 / 80 / 0 / 57

HEX #64166D

RGB 100 22 109

HSL 293.79, 0.66%, 0.26%

LAB 24.91, 45.51, -32.47

 

CMYK 8 / 80 / 0 / 44

HEX #841D8F

RGB 132 29 143

HSL 294.21, 0.66%, 0.34%

LAB 33.49, 56.34, -39.85

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 8 / 80 / 0 / 17

HEX #C32BD3

RGB 195 43 211

HSL 294.29, 0.66%, 0.5%

LAB 49.54, 76.33, -53.89

 

CMYK 6 / 65 / 0 / 15

HEX #CC4DDA

RGB 204 77 218

HSL 294.04, 0.66%, 0.58%

LAB 55.28, 68.09, -48.63

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 0 / 72 / 80 / 31

HEX #B13224

RGB 177 50 36

HSL 5.96, 0.66%, 0.42%

LAB 40.83, 50.42, 38.21

 

CMYK 80 / 0 / 40 / 31

HEX #24B16B

RGB 36 177 107

HSL 150.21, 0.66%, 0.42%

LAB 64.06, -52.22, 25.79

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 0 / 8 / 80 / 31

HEX #B1A324

RGB 177 163 36

HSL 54.04, 0.66%, 0.42%

LAB 66.27, -8.41, 62.14

 

CMYK 80 / 0 / 8 / 31

HEX #24B1A3

RGB 36 177 163

HSL 174.04, 0.66%, 0.42%

LAB 65.33, -38.7, -3.12

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 0 / 72 / 80 / 31

HEX #B13224

RGB 177 50 36

HSL 5.96, 0.66%, 0.42%

LAB 40.83, 50.42, 38.21

 

CMYK 72 / 0 / 80 / 31

HEX #32B124

RGB 50 177 36

HSL 114.04, 0.66%, 0.42%

LAB 63.55, -59.22, 57.11

 

CMYK 80 / 8 / 0 / 31

HEX #24A3B1

RGB 36 163 177

HSL 185.96, 0.66%, 0.42%

LAB 61.43, -27.88, -16.77

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 0 / 48 / 80 / 31

HEX #B15C24

RGB 177 92 36

HSL 23.83, 0.66%, 0.42%

LAB 48.42, 30.6, 45.71

 

CMYK 72 / 0 / 80 / 31

HEX #32B124

RGB 50 177 36

HSL 114.04, 0.66%, 0.42%

LAB 63.55, -59.22, 57.11

 

CMYK 80 / 32 / 0 / 31

HEX #2479B1

RGB 36 121 177

HSL 203.83, 0.66%, 0.42%

LAB 48.54, -5.02, -36.7

 

Description

Color code: HEX #A324B1 | qconv.com Color code: HEX #A324B1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 36 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 36 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 80 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 80% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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