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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A32376 it is the complementary color #5CDC89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A32376. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A32376 shade: #A82371, #B93584, #CA4797, #DB59AA and #EC6BBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A32376. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A32376 shade: #A32376, #921163, #810050, #70003D and #5F002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A32376 shade: #A42276, #A42253, #A42230 and #A42222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A32376 shade: #A42276, #A42299, #8B22A4, #6822A4 and #4622A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A32376 shade matches the following richer shades: #A42276, #B4127B and #C40280

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A32376 shade: #A42276, #943271, #83426D, #735368 and #636363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A32376 shade: #8C22A4, #A42299, #A42276, #A42254 and #A42231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A32376 shade: #601445, #821B5E, #A42276, #C62A8F and #D642A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A32376 shade: #A32376, #A46922 and #22A49D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A32376 shade: #A32376, #76A422 and #2276A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A32376 shade: #A32376, #A46922, #22A450 and #225CA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A32376 shade: #A32376, #A49022, #22A450 and #2236A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 28 / 36

HEX #A32376

RGB 163 35 118

HSL 321.09, 0.65%, 0.39%

LAB 38.37, 57.88, -16.28

 

Complementary color

CMYK 58 / 0 / 38 / 14

HEX #5CDC89

RGB 92 220 137

HSL 141.09, 0.65%, 0.61%

LAB 79.2, -53.58, 30.45

 

CMYK 0 / 79 / 33 / 34

HEX #A82371

RGB 168 35 113

HSL 324.81, 0.66%, 0.4%

LAB 39.1, 58.54, -11.95

 

CMYK 0 / 71 / 29 / 27

HEX #B93584

RGB 185 53 132

HSL 324.09, 0.55%, 0.47%

LAB 44.98, 59.41, -14.48

 

CMYK 0 / 65 / 25 / 21

HEX #CA4797

RGB 202 71 151

HSL 323.36, 0.55%, 0.54%

LAB 51.03, 59.61, -16.43

 

CMYK 0 / 59 / 22 / 14

HEX #DB59AA

RGB 219 89 170

HSL 322.62, 0.64%, 0.6%

LAB 57.18, 59.39, -17.98

 

CMYK 0 / 55 / 20 / 7

HEX #EC6BBD

RGB 236 107 189

HSL 321.86, 0.77%, 0.67%

LAB 63.36, 58.94, -19.24

 

CMYK 0 / 79 / 28 / 36

HEX #A32376

RGB 163 35 118

HSL 321.09, 0.65%, 0.39%

LAB 38.37, 57.88, -16.28

 

CMYK 0 / 88 / 32 / 43

HEX #921163

RGB 146 17 99

HSL 321.86, 0.79%, 0.32%

LAB 32.73, 55.94, -13.14

 

CMYK 0 / 100 / 38 / 49

HEX #810050

RGB 129 0 80

HSL 322.79, 1%, 0.25%

LAB 27.43, 52.74, -9.07

 

CMYK 0 / 100 / 46 / 56

HEX #70003D

RGB 112 0 61

HSL 327.32, 1%, 0.22%

LAB 22.94, 46.86, -3.27

 

CMYK 0 / 100 / 56 / 63

HEX #5F002A

RGB 95 0 42

HSL 333.47, 1%, 0.19%

LAB 18.37, 40.92, 3.01

 

CMYK 0 / 79 / 28 / 36

HEX #A42276

RGB 164 34 118

HSL 321.23, 0.66%, 0.39%

LAB 38.45, 58.42, -16.14

 

CMYK 0 / 79 / 49 / 36

HEX #A42253

RGB 164 34 83

HSL 337.38, 0.66%, 0.39%

LAB 37.23, 54.71, 4.24

 

CMYK 0 / 79 / 71 / 36

HEX #A42230

RGB 164 34 48

HSL 353.54, 0.66%, 0.39%

LAB 36.46, 52.32, 25.57

 

CMYK 0 / 79 / 79 / 36

HEX #A42222

RGB 164 34 34

HSL 0, 0.66%, 0.39%

LAB 36.28, 51.73, 33.84

 

CMYK 0 / 79 / 28 / 36

HEX #A42276

RGB 164 34 118

HSL 321.23, 0.66%, 0.39%

LAB 38.45, 58.42, -16.14

 

CMYK 0 / 79 / 7 / 36

HEX #A42299

RGB 164 34 153

HSL 305.08, 0.66%, 0.39%

LAB 40.14, 63.28, -35.04

 

CMYK 15 / 79 / 0 / 36

HEX #8B22A4

RGB 139 34 164

HSL 288.46, 0.66%, 0.39%

LAB 36.58, 60.07, -47.61

 

CMYK 37 / 79 / 0 / 36

HEX #6822A4

RGB 104 34 164

HSL 272.31, 0.66%, 0.39%

LAB 31.27, 53.74, -56.47

 

CMYK 57 / 79 / 0 / 36

HEX #4622A4

RGB 70 34 164

HSL 256.62, 0.66%, 0.39%

LAB 27.09, 48.71, -63.48

 

CMYK 0 / 79 / 28 / 36

HEX #A42276

RGB 164 34 118

HSL 321.23, 0.66%, 0.39%

LAB 38.45, 58.42, -16.14

 

CMYK 0 / 90 / 32 / 29

HEX #B4127B

RGB 180 18 123

HSL 321.11, 0.82%, 0.39%

LAB 40.52, 66.21, -15.83

 

CMYK 0 / 99 / 35 / 23

HEX #C40280

RGB 196 2 128

HSL 321.03, 0.98%, 0.39%

LAB 43.27, 71.93, -14.44

 

CMYK 0 / 79 / 28 / 36

HEX #A42276

RGB 164 34 118

HSL 321.23, 0.66%, 0.39%

LAB 38.45, 58.42, -16.14

 

CMYK 0 / 66 / 24 / 42

HEX #943271

RGB 148 50 113

HSL 321.43, 0.49%, 0.39%

LAB 37.43, 47.7, -14.83

 

CMYK 0 / 50 / 17 / 49

HEX #83426D

RGB 131 66 109

HSL 320.31, 0.33%, 0.39%

LAB 37.53, 33.76, -12.41

 

CMYK 0 / 28 / 10 / 55

HEX #735368

RGB 115 83 104

HSL 320.63, 0.16%, 0.39%

LAB 39.29, 17.03, -6.85

 

CMYK 0 / 0 / 0 / 61

HEX #636363

RGB 99 99 99

HSL 0, 0%, 0.39%

LAB 41.96, 0, -0.01

 

CMYK 15 / 79 / 0 / 36

HEX #8C22A4

RGB 140 34 164

HSL 288.92, 0.66%, 0.39%

LAB 36.74, 60.26, -47.34

 

CMYK 0 / 79 / 7 / 36

HEX #A42299

RGB 164 34 153

HSL 305.08, 0.66%, 0.39%

LAB 40.14, 63.28, -35.04

 

CMYK 0 / 79 / 28 / 36

HEX #A42276

RGB 164 34 118

HSL 321.23, 0.66%, 0.39%

LAB 38.45, 58.42, -16.14

 

CMYK 0 / 79 / 49 / 36

HEX #A42254

RGB 164 34 84

HSL 336.92, 0.66%, 0.39%

LAB 37.26, 54.8, 3.63

 

CMYK 0 / 79 / 70 / 36

HEX #A42231

RGB 164 34 49

HSL 353.08, 0.66%, 0.39%

LAB 36.48, 52.37, 24.97

 

CMYK 0 / 79 / 28 / 62

HEX #601445

RGB 96 20 69

HSL 321.32, 0.66%, 0.23%

LAB 21.64, 38.47, -11.06

 

CMYK 0 / 79 / 28 / 49

HEX #821B5E

RGB 130 27 94

HSL 320.97, 0.66%, 0.31%

LAB 30.25, 48.79, -13.97

 

CMYK 0 / 79 / 28 / 36

HEX #A42276

RGB 164 34 118

HSL 321.23, 0.66%, 0.39%

LAB 38.45, 58.42, -16.14

 

CMYK 0 / 79 / 28 / 22

HEX #C62A8F

RGB 198 42 143

HSL 321.15, 0.65%, 0.47%

LAB 46.51, 67.48, -18.61

 

CMYK 0 / 69 / 24 / 16

HEX #D642A2

RGB 214 66 162

HSL 321.08, 0.64%, 0.55%

LAB 52.73, 66.18, -20.16

 

CMYK 0 / 79 / 28 / 36

HEX #A32376

RGB 163 35 118

HSL 321.09, 0.65%, 0.39%

LAB 38.37, 57.88, -16.28

 

CMYK 0 / 36 / 79 / 36

HEX #A46922

RGB 164 105 34

HSL 32.77, 0.66%, 0.39%

LAB 49.63, 17.69, 47.11

 

CMYK 79 / 0 / 4 / 36

HEX #22A49D

RGB 34 164 157

HSL 176.77, 0.66%, 0.39%

LAB 61.07, -34.69, -6.06

 

CMYK 0 / 79 / 28 / 36

HEX #A32376

RGB 163 35 118

HSL 321.09, 0.65%, 0.39%

LAB 38.37, 57.88, -16.28

 

CMYK 28 / 0 / 79 / 36

HEX #76A422

RGB 118 164 34

HSL 81.23, 0.66%, 0.39%

LAB 62.1, -34.19, 57.32

 

CMYK 79 / 28 / 0 / 36

HEX #2276A4

RGB 34 118 164

HSL 201.23, 0.66%, 0.39%

LAB 46.94, -8.27, -31.64

 

CMYK 0 / 79 / 28 / 36

HEX #A32376

RGB 163 35 118

HSL 321.09, 0.65%, 0.39%

LAB 38.37, 57.88, -16.28

 

CMYK 0 / 36 / 79 / 36

HEX #A46922

RGB 164 105 34

HSL 32.77, 0.66%, 0.39%

LAB 49.63, 17.69, 47.11

 

CMYK 79 / 0 / 51 / 36

HEX #22A450

RGB 34 164 80

HSL 141.23, 0.66%, 0.39%

LAB 59.41, -52.55, 33.91

 

CMYK 79 / 44 / 0 / 36

HEX #225CA4

RGB 34 92 164

HSL 213.23, 0.66%, 0.39%

LAB 39.03, 7.85, -44.18

 

CMYK 0 / 79 / 28 / 36

HEX #A32376

RGB 163 35 118

HSL 321.09, 0.65%, 0.39%

LAB 38.37, 57.88, -16.28

 

CMYK 0 / 12 / 79 / 36

HEX #A49022

RGB 164 144 34

HSL 50.77, 0.66%, 0.39%

LAB 59.85, -4.15, 56.57

 

CMYK 79 / 0 / 51 / 36

HEX #22A450

RGB 34 164 80

HSL 141.23, 0.66%, 0.39%

LAB 59.41, -52.55, 33.91

 

CMYK 79 / 67 / 0 / 36

HEX #2236A4

RGB 34 54 164

HSL 230.77, 0.66%, 0.39%

LAB 28.53, 33.2, -61.2

 

Description

Color code: HEX #A32376 | qconv.com Color code: HEX #A32376 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 35 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 35 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 28 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 28% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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