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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A32C86 it is the complementary color #5CD379. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A32C86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A32C86 shade: #A82C81, #B93E94, #CA50A7, #DB62BA and #EC74CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A32C86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A32C86 shade: #A32C86, #921A73, #810860, #70004D and #5F003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A32C86 shade: #A42C87, #A42C66, #A42C46 and #A42C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A32C86 shade: #A42C87, #A12CA4, #802CA4, #602CA4 and #402CA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A32C86 shade matches the following richer shades: #A42C87, #B51C8F and #C50B98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A32C86 shade: #A42C87, #933D7E, #824E75, #715F6D and #607064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A32C86 shade: #802CA4, #A02CA4, #A42C88, #A42C68 and #A42C48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A32C86 shade: #631B51, #83246C, #A42C87, #C435A1 and #D053B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A32C86 shade: #A32C86, #A4602C and #2CA490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A32C86 shade: #A32C86, #88A42C and #2C88A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A32C86 shade: #A32C86, #A4602C, #2CA448 and #2C70A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A32C86 shade: #A32C86, #A4842C, #2CA448 and #2C4CA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 18 / 36

HEX #A32C86

RGB 163 44 134

HSL 314.62, 0.57%, 0.41%

LAB 40.1, 57.12, -23.53

 

Complementary color

CMYK 56 / 0 / 43 / 17

HEX #5CD379

RGB 92 211 121

HSL 134.62, 0.57%, 0.59%

LAB 76.22, -52.73, 34.69

 

CMYK 0 / 74 / 23 / 34

HEX #A82C81

RGB 168 44 129

HSL 318.87, 0.58%, 0.42%

LAB 40.75, 57.7, -19.37

 

CMYK 0 / 66 / 20 / 27

HEX #B93E94

RGB 185 62 148

HSL 318.05, 0.5%, 0.48%

LAB 46.84, 58.13, -21.3

 

CMYK 0 / 60 / 17 / 21

HEX #CA50A7

RGB 202 80 167

HSL 317.21, 0.54%, 0.55%

LAB 53.04, 58.04, -22.79

 

CMYK 0 / 55 / 15 / 14

HEX #DB62BA

RGB 219 98 186

HSL 316.36, 0.63%, 0.62%

LAB 59.29, 57.66, -23.97

 

CMYK 0 / 51 / 13 / 7

HEX #EC74CD

RGB 236 116 205

HSL 315.5, 0.76%, 0.69%

LAB 65.54, 57.1, -24.94

 

CMYK 0 / 73 / 18 / 36

HEX #A32C86

RGB 163 44 134

HSL 314.62, 0.57%, 0.41%

LAB 40.1, 57.12, -23.53

 

CMYK 0 / 82 / 21 / 43

HEX #921A73

RGB 146 26 115

HSL 315.5, 0.7%, 0.34%

LAB 34.16, 55.87, -21.15

 

CMYK 0 / 94 / 26 / 49

HEX #810860

RGB 129 8 96

HSL 316.36, 0.88%, 0.27%

LAB 28.6, 53.24, -17.83

 

CMYK 0 / 100 / 31 / 56

HEX #70004D

RGB 112 0 77

HSL 318.75, 1%, 0.22%

LAB 23.61, 48.6, -13.21

 

CMYK 0 / 100 / 39 / 63

HEX #5F003A

RGB 95 0 58

HSL 323.37, 1%, 0.19%

LAB 18.96, 42.49, -7.52

 

CMYK 0 / 73 / 18 / 36

HEX #A42C87

RGB 164 44 135

HSL 314.5, 0.58%, 0.41%

LAB 40.32, 57.51, -23.79

 

CMYK 0 / 73 / 38 / 36

HEX #A42C66

RGB 164 44 102

HSL 331, 0.58%, 0.41%

LAB 38.99, 53.31, -5.28

 

CMYK 0 / 73 / 57 / 36

HEX #A42C46

RGB 164 44 70

HSL 347, 0.58%, 0.41%

LAB 38.09, 50.32, 13.75

 

CMYK 0 / 73 / 73 / 36

HEX #A42C2C

RGB 164 44 44

HSL 0, 0.58%, 0.41%

LAB 37.62, 48.74, 29.4

 

CMYK 0 / 73 / 18 / 36

HEX #A42C87

RGB 164 44 135

HSL 314.5, 0.58%, 0.41%

LAB 40.32, 57.51, -23.79

 

CMYK 2 / 73 / 0 / 36

HEX #A12CA4

RGB 161 44 164

HSL 298.5, 0.58%, 0.41%

LAB 41.31, 61.36, -39.84

 

CMYK 22 / 73 / 0 / 36

HEX #802CA4

RGB 128 44 164

HSL 282, 0.58%, 0.41%

LAB 36.12, 54.29, -48.44

 

CMYK 41 / 73 / 0 / 36

HEX #602CA4

RGB 96 44 164

HSL 266, 0.58%, 0.41%

LAB 31.74, 48.01, -55.75

 

CMYK 61 / 73 / 0 / 36

HEX #402CA4

RGB 64 44 164

HSL 250, 0.58%, 0.41%

LAB 28.31, 42.82, -61.5

 

CMYK 0 / 73 / 18 / 36

HEX #A42C87

RGB 164 44 135

HSL 314.5, 0.58%, 0.41%

LAB 40.32, 57.51, -23.79

 

CMYK 0 / 85 / 21 / 29

HEX #B51C8F

RGB 181 28 143

HSL 314.9, 0.73%, 0.41%

LAB 42.21, 66.99, -25.5

 

CMYK 0 / 94 / 23 / 23

HEX #C50B98

RGB 197 11 152

HSL 314.52, 0.89%, 0.41%

LAB 44.77, 73.95, -26.75

 

CMYK 0 / 73 / 18 / 36

HEX #A42C87

RGB 164 44 135

HSL 314.5, 0.58%, 0.41%

LAB 40.32, 57.51, -23.79

 

CMYK 0 / 59 / 14 / 42

HEX #933D7E

RGB 147 61 126

HSL 314.65, 0.41%, 0.41%

LAB 39.66, 44.36, -19.5

 

CMYK 0 / 40 / 10 / 49

HEX #824E75

RGB 130 78 117

HSL 315, 0.25%, 0.41%

LAB 40.38, 28.05, -13.07

 

CMYK 0 / 16 / 4 / 56

HEX #715F6D

RGB 113 95 109

HSL 313.33, 0.09%, 0.41%

LAB 42.46, 9.94, -5.23

 

CMYK 14 / 0 / 11 / 56

HEX #607064

RGB 96 112 100

HSL 135, 0.08%, 0.41%

LAB 45.63, -8.56, 4.66

 

CMYK 22 / 73 / 0 / 36

HEX #802CA4

RGB 128 44 164

HSL 282, 0.58%, 0.41%

LAB 36.12, 54.29, -48.44

 

CMYK 2 / 73 / 0 / 36

HEX #A02CA4

RGB 160 44 164

HSL 298, 0.58%, 0.41%

LAB 41.14, 61.14, -40.11

 

CMYK 0 / 73 / 17 / 36

HEX #A42C88

RGB 164 44 136

HSL 314, 0.58%, 0.41%

LAB 40.36, 57.66, -24.33

 

CMYK 0 / 73 / 37 / 36

HEX #A42C68

RGB 164 44 104

HSL 330, 0.58%, 0.41%

LAB 39.06, 53.53, -6.43

 

CMYK 0 / 73 / 56 / 36

HEX #A42C48

RGB 164 44 72

HSL 346, 0.58%, 0.41%

LAB 38.13, 50.47, 12.54

 

CMYK 0 / 73 / 18 / 61

HEX #631B51

RGB 99 27 81

HSL 315, 0.57%, 0.25%

LAB 23.77, 38.38, -15.86

 

CMYK 0 / 73 / 18 / 49

HEX #83246C

RGB 131 36 108

HSL 314.53, 0.57%, 0.33%

LAB 32.19, 47.89, -19.98

 

CMYK 0 / 73 / 18 / 36

HEX #A42C87

RGB 164 44 135

HSL 314.5, 0.58%, 0.41%

LAB 40.32, 57.51, -23.79

 

CMYK 0 / 73 / 18 / 23

HEX #C435A1

RGB 196 53 161

HSL 314.69, 0.57%, 0.49%

LAB 48.08, 66.01, -27

 

CMYK 0 / 60 / 15 / 18

HEX #D053B1

RGB 208 83 177

HSL 314.88, 0.57%, 0.57%

LAB 54.84, 59.89, -25.78

 

CMYK 0 / 73 / 18 / 36

HEX #A32C86

RGB 163 44 134

HSL 314.62, 0.57%, 0.41%

LAB 40.1, 57.12, -23.53

 

CMYK 0 / 41 / 73 / 36

HEX #A4602C

RGB 164 96 44

HSL 26, 0.58%, 0.41%

LAB 47.55, 23.23, 40.39

 

CMYK 73 / 0 / 12 / 36

HEX #2CA490

RGB 44 164 144

HSL 170, 0.58%, 0.41%

LAB 60.87, -37.21, 0.99

 

CMYK 0 / 73 / 18 / 36

HEX #A32C86

RGB 163 44 134

HSL 314.62, 0.57%, 0.41%

LAB 40.1, 57.12, -23.53

 

CMYK 17 / 0 / 73 / 36

HEX #88A42C

RGB 136 164 44

HSL 74, 0.58%, 0.41%

LAB 63.32, -26.36, 55.52

 

CMYK 73 / 17 / 0 / 36

HEX #2C88A4

RGB 44 136 164

HSL 194, 0.58%, 0.41%

LAB 52.76, -17.19, -22.6

 

CMYK 0 / 73 / 18 / 36

HEX #A32C86

RGB 163 44 134

HSL 314.62, 0.57%, 0.41%

LAB 40.1, 57.12, -23.53

 

CMYK 0 / 41 / 73 / 36

HEX #A4602C

RGB 164 96 44

HSL 26, 0.58%, 0.41%

LAB 47.55, 23.23, 40.39

 

CMYK 73 / 0 / 56 / 36

HEX #2CA448

RGB 44 164 72

HSL 134, 0.58%, 0.41%

LAB 59.48, -52.29, 38.04

 

CMYK 73 / 32 / 0 / 36

HEX #2C70A4

RGB 44 112 164

HSL 206, 0.58%, 0.41%

LAB 45.36, -3.41, -34.1

 

CMYK 0 / 73 / 18 / 36

HEX #A32C86

RGB 163 44 134

HSL 314.62, 0.57%, 0.41%

LAB 40.1, 57.12, -23.53

 

CMYK 0 / 20 / 73 / 36

HEX #A4842C

RGB 164 132 44

HSL 44, 0.58%, 0.41%

LAB 56.66, 2.91, 49.76

 

CMYK 73 / 0 / 56 / 36

HEX #2CA448

RGB 44 164 72

HSL 134, 0.58%, 0.41%

LAB 59.48, -52.29, 38.04

 

CMYK 73 / 54 / 0 / 36

HEX #2C4CA4

RGB 44 76 164

HSL 224, 0.58%, 0.41%

LAB 34.77, 19.72, -51.01

 

Description

Color code: HEX #A32C86 | qconv.com Color code: HEX #A32C86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 44 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 44 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 18 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 18% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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