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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A338AD it is the complementary color #5CC752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A338AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A338AD shade: #A838A8, #B94ABB, #CA5CCE, #DB6EE1 and #EC80F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A338AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A338AD shade: #A338AD, #92269A, #811487, #700274 and #5F0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A338AD shade: #A338AD, #AD3897, #AD3878, #AD3858 and #AD3839

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A338AD shade: #A338AD, #8338AD, #6438AD, #4438AD and #3838AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A338AD shade matches the following richer shades: #A338AD, #B225BF, #C213D2 and #D100E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A338AD shade: #A338AD, #934A9A, #845D88, #756F75 and #658263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A338AD shade: #6338AD, #8238AD, #A138AD, #AD3899 and #AD387A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A338AD shade: #68246E, #852E8E, #A338AD, #B94AC4 and #C569CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A338AD shade: #A338AD, #AD4338 and #38AD72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A338AD shade: #A338AD, #ADA138 and #38ADA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A338AD shade: #A338AD, #AD4338, #43AD38 and #38A1AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A338AD shade: #A338AD, #AD6738, #43AD38 and #387EAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

Complementary color

CMYK 54 / 0 / 59 / 22

HEX #5CC752

RGB 92 199 82

HSL 114.87, 0.51%, 0.55%

LAB 72.05, -53.45, 48.44

 

CMYK 0 / 67 / 0 / 34

HEX #A838A8

RGB 168 56 168

HSL 300, 0.5%, 0.44%

LAB 44.2, 59.27, -37.56

 

CMYK 1 / 60 / 0 / 27

HEX #B94ABB

RGB 185 74 187

HSL 298.94, 0.45%, 0.51%

LAB 50.45, 59.31, -38.68

 

CMYK 2 / 55 / 0 / 19

HEX #CA5CCE

RGB 202 92 206

HSL 297.89, 0.54%, 0.58%

LAB 56.75, 59, -39.52

 

CMYK 3 / 51 / 0 / 12

HEX #DB6EE1

RGB 219 110 225

HSL 296.87, 0.66%, 0.66%

LAB 63.05, 58.48, -40.17

 

CMYK 3 / 48 / 0 / 4

HEX #EC80F4

RGB 236 128 244

HSL 295.86, 0.84%, 0.73%

LAB 69.33, 57.86, -40.7

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 5 / 75 / 0 / 40

HEX #92269A

RGB 146 38 154

HSL 295.86, 0.6%, 0.38%

LAB 37.54, 58.38, -39.97

 

CMYK 4 / 85 / 0 / 47

HEX #811487

RGB 129 20 135

HSL 296.87, 0.74%, 0.3%

LAB 31.62, 56.77, -37.93

 

CMYK 3 / 98 / 0 / 55

HEX #700274

RGB 112 2 116

HSL 297.89, 0.97%, 0.23%

LAB 26.01, 53.84, -35.1

 

CMYK 2 / 100 / 0 / 62

HEX #5F0061

RGB 95 0 97

HSL 298.76, 1%, 0.19%

LAB 21.19, 48.04, -30.64

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 0 / 68 / 13 / 32

HEX #AD3897

RGB 173 56 151

HSL 311.28, 0.51%, 0.45%

LAB 44.16, 57.76, -27.42

 

CMYK 0 / 68 / 31 / 32

HEX #AD3878

RGB 173 56 120

HSL 327.18, 0.51%, 0.45%

LAB 42.87, 53.44, -10.52

 

CMYK 0 / 68 / 49 / 32

HEX #AD3858

RGB 173 56 88

HSL 343.59, 0.51%, 0.45%

LAB 41.87, 49.96, 7.91

 

CMYK 0 / 68 / 67 / 32

HEX #AD3839

RGB 173 56 57

HSL 359.49, 0.51%, 0.45%

LAB 41.23, 47.65, 26.26

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 24 / 68 / 0 / 32

HEX #8338AD

RGB 131 56 173

HSL 278.46, 0.51%, 0.45%

LAB 39.02, 51.65, -49.12

 

CMYK 42 / 68 / 0 / 32

HEX #6438AD

RGB 100 56 173

HSL 262.56, 0.51%, 0.45%

LAB 35.11, 45.07, -55.63

 

CMYK 61 / 68 / 0 / 32

HEX #4438AD

RGB 68 56 173

HSL 246.15, 0.51%, 0.45%

LAB 31.98, 39.36, -60.88

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 7 / 81 / 0 / 25

HEX #B225BF

RGB 178 37 191

HSL 294.94, 0.68%, 0.45%

LAB 45.01, 71.39, -49.72

 

CMYK 8 / 91 / 0 / 18

HEX #C213D2

RGB 194 19 210

HSL 294.97, 0.83%, 0.45%

LAB 47.74, 80.6, -56.21

 

CMYK 8 / 100 / 0 / 11

HEX #D100E4

RGB 209 0 228

HSL 295, 1%, 0.45%

LAB 50.87, 87.39, -61.31

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 5 / 52 / 0 / 40

HEX #934A9A

RGB 147 74 154

HSL 294.75, 0.35%, 0.45%

LAB 43.41, 42.87, -30.67

 

CMYK 3 / 32 / 0 / 47

HEX #845D88

RGB 132 93 136

HSL 294.42, 0.19%, 0.45%

LAB 44.96, 23.71, -17.61

 

CMYK 0 / 5 / 0 / 54

HEX #756F75

RGB 117 111 117

HSL 300, 0.03%, 0.45%

LAB 47.54, 3.52, -2.5

 

CMYK 22 / 0 / 24 / 49

HEX #658263

RGB 101 130 99

HSL 116.13, 0.14%, 0.45%

LAB 51.42, -16.83, 13.47

 

CMYK 43 / 68 / 0 / 32

HEX #6338AD

RGB 99 56 173

HSL 262.05, 0.51%, 0.45%

LAB 35, 44.88, -55.82

 

CMYK 25 / 68 / 0 / 32

HEX #8238AD

RGB 130 56 173

HSL 277.95, 0.51%, 0.45%

LAB 38.88, 51.43, -49.35

 

CMYK 7 / 68 / 0 / 32

HEX #A138AD

RGB 161 56 173

HSL 293.85, 0.51%, 0.45%

LAB 43.39, 58.5, -41.88

 

CMYK 0 / 68 / 12 / 32

HEX #AD3899

RGB 173 56 153

HSL 310.26, 0.51%, 0.45%

LAB 44.25, 58.06, -28.47

 

CMYK 0 / 68 / 29 / 32

HEX #AD387A

RGB 173 56 122

HSL 326.15, 0.51%, 0.45%

LAB 42.94, 53.69, -11.64

 

CMYK 5 / 67 / 0 / 57

HEX #68246E

RGB 104 36 110

HSL 295.14, 0.51%, 0.29%

LAB 27.66, 41.02, -28.7

 

CMYK 6 / 68 / 0 / 44

HEX #852E8E

RGB 133 46 142

HSL 294.38, 0.51%, 0.37%

LAB 35.78, 50.18, -35.58

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 6 / 62 / 0 / 23

HEX #B94AC4

RGB 185 74 196

HSL 294.59, 0.51%, 0.53%

LAB 50.92, 60.91, -43.15

 

CMYK 4 / 49 / 0 / 19

HEX #C569CE

RGB 197 105 206

HSL 294.65, 0.51%, 0.61%

LAB 58.44, 51.36, -36.91

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 0 / 61 / 68 / 32

HEX #AD4338

RGB 173 67 56

HSL 5.64, 0.51%, 0.45%

LAB 43.04, 42.69, 29.07

 

CMYK 68 / 0 / 34 / 32

HEX #38AD72

RGB 56 173 114

HSL 149.74, 0.51%, 0.45%

LAB 63.3, -46.33, 21.07

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 0 / 7 / 68 / 32

HEX #ADA138

RGB 173 161 56

HSL 53.85, 0.51%, 0.45%

LAB 65.48, -8.19, 53.97

 

CMYK 68 / 0 / 7 / 32

HEX #38ADA1

RGB 56 173 161

HSL 173.85, 0.51%, 0.45%

LAB 64.4, -34.96, -3.33

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 0 / 61 / 68 / 32

HEX #AD4338

RGB 173 67 56

HSL 5.64, 0.51%, 0.45%

LAB 43.04, 42.69, 29.07

 

CMYK 61 / 0 / 68 / 32

HEX #43AD38

RGB 67 173 56

HSL 114.36, 0.51%, 0.45%

LAB 62.82, -52.74, 49.26

 

CMYK 68 / 7 / 0 / 32

HEX #38A1AD

RGB 56 161 173

HSL 186.15, 0.51%, 0.45%

LAB 61.09, -25.66, -15

 

CMYK 6 / 68 / 0 / 32

HEX #A338AD

RGB 163 56 173

HSL 294.87, 0.51%, 0.45%

LAB 43.7, 58.97, -41.37

 

CMYK 0 / 40 / 68 / 32

HEX #AD6738

RGB 173 103 56

HSL 24.1, 0.51%, 0.45%

LAB 50.54, 23.87, 37.85

 

CMYK 61 / 0 / 68 / 32

HEX #43AD38

RGB 67 173 56

HSL 114.36, 0.51%, 0.45%

LAB 62.82, -52.74, 49.26

 

CMYK 68 / 27 / 0 / 32

HEX #387EAD

RGB 56 126 173

HSL 204.1, 0.51%, 0.45%

LAB 50.43, -6.65, -31.38

 

Description

Color code: HEX #A338AD | qconv.com Color code: HEX #A338AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 56 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 56 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 68 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 68% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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