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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A33C98 it is the complementary color #5CC367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A33C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A33C98 shade: #A83C93, #B94EA6, #CA60B9, #DB72CC and #EC84DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A33C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A33C98 shade: #A33C98, #922A85, #811872, #70065F and #5F004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A33C98 shade: #A33C98, #A33C7C, #A33C61, #A33C45 and #A33C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A33C98 shade: #A33C98, #933CA3, #773CA3, #5B3CA3 and #3F3CA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A33C98 shade matches the following richer shades: #A33C98, #B52AA7, #C818B5 and #DA06C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A33C98 shade: #A33C98, #914E8A, #7F607C, #6D736D and #5B855F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A33C98 shade: #773CA3, #923CA3, #A33C99, #A33C7D and #A33C62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A33C98 shade: #672660, #85317C, #A33C98, #BD4CB1 and #C86ABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A33C98 shade: #A33C98, #A35B3C and #3CA384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A33C98 shade: #A33C98, #99A33C and #3C99A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A33C98 shade: #A33C98, #A35B3C, #3CA346 and #3C84A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A33C98 shade: #A33C98, #A37A3C, #3CA346 and #3C65A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

Complementary color

CMYK 53 / 0 / 47 / 24

HEX #5CC367

RGB 92 195 103

HSL 126.41, 0.46%, 0.56%

LAB 71.07, -49.15, 37.18

 

CMYK 0 / 64 / 13 / 34

HEX #A83C93

RGB 168 60 147

HSL 311.67, 0.47%, 0.45%

LAB 43.75, 54.19, -25.71

 

CMYK 0 / 58 / 10 / 27

HEX #B94EA6

RGB 185 78 166

HSL 310.65, 0.43%, 0.52%

LAB 50.12, 53.99, -26.93

 

CMYK 0 / 52 / 8 / 21

HEX #CA60B9

RGB 202 96 185

HSL 309.62, 0.5%, 0.58%

LAB 56.51, 53.51, -27.88

 

CMYK 0 / 48 / 7 / 14

HEX #DB72CC

RGB 219 114 204

HSL 308.57, 0.59%, 0.65%

LAB 62.89, 52.89, -28.65

 

CMYK 0 / 44 / 6 / 7

HEX #EC84DF

RGB 236 132 223

HSL 307.5, 0.73%, 0.72%

LAB 69.23, 52.21, -29.3

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 0 / 71 / 9 / 43

HEX #922A85

RGB 146 42 133

HSL 307.5, 0.55%, 0.37%

LAB 36.86, 53.42, -28.2

 

CMYK 0 / 81 / 12 / 49

HEX #811872

RGB 129 24 114

HSL 308.57, 0.69%, 0.3%

LAB 30.72, 52.31, -26.13

 

CMYK 0 / 95 / 15 / 56

HEX #70065F

RGB 112 6 95

HSL 309.62, 0.9%, 0.23%

LAB 24.96, 49.77, -23.13

 

CMYK 0 / 100 / 20 / 63

HEX #5F004C

RGB 95 0 76

HSL 312, 1%, 0.19%

LAB 19.86, 44.77, -18.63

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 0 / 63 / 24 / 36

HEX #A33C7C

RGB 163 60 124

HSL 322.72, 0.46%, 0.44%

LAB 41.96, 49.34, -14.52

 

CMYK 0 / 63 / 40 / 36

HEX #A33C61

RGB 163 60 97

HSL 338.45, 0.46%, 0.44%

LAB 41.03, 45.92, 0.84

 

CMYK 0 / 63 / 58 / 36

HEX #A33C45

RGB 163 60 69

HSL 354.76, 0.46%, 0.44%

LAB 40.32, 43.25, 17.37

 

CMYK 0 / 63 / 63 / 36

HEX #A33C3C

RGB 163 60 60

HSL 0, 0.46%, 0.44%

LAB 40.15, 42.6, 22.71

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 10 / 63 / 0 / 36

HEX #933CA3

RGB 147 60 163

HSL 290.68, 0.46%, 0.44%

LAB 41.34, 51.51, -39.32

 

CMYK 27 / 63 / 0 / 36

HEX #773CA3

RGB 119 60 163

HSL 274.37, 0.46%, 0.44%

LAB 37.48, 44.62, -45.72

 

CMYK 44 / 63 / 0 / 36

HEX #5B3CA3

RGB 91 60 163

HSL 258.06, 0.46%, 0.44%

LAB 34.19, 38.21, -51.19

 

CMYK 61 / 63 / 0 / 36

HEX #3F3CA3

RGB 63 60 163

HSL 241.75, 0.46%, 0.44%

LAB 31.65, 32.8, -55.42

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 0 / 77 / 8 / 29

HEX #B52AA7

RGB 181 42 167

HSL 306.04, 0.62%, 0.44%

LAB 44.62, 66.83, -36.17

 

CMYK 0 / 88 / 10 / 22

HEX #C818B5

RGB 200 24 181

HSL 306.48, 0.79%, 0.44%

LAB 47.33, 76.64, -39.95

 

CMYK 0 / 97 / 11 / 15

HEX #DA06C3

RGB 218 6 195

HSL 306.51, 0.95%, 0.44%

LAB 50.66, 83.68, -42.64

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 0 / 46 / 5 / 43

HEX #914E8A

RGB 145 78 138

HSL 306.27, 0.3%, 0.44%

LAB 43.22, 37.05, -21.36

 

CMYK 0 / 24 / 2 / 50

HEX #7F607C

RGB 127 96 124

HSL 305.81, 0.14%, 0.44%

LAB 44.71, 17.67, -10.82

 

CMYK 5 / 0 / 5 / 55

HEX #6D736D

RGB 109 115 109

HSL 120, 0.03%, 0.44%

LAB 47.77, -3.5, 2.53

 

CMYK 32 / 0 / 29 / 48

HEX #5B855F

RGB 91 133 95

HSL 125.71, 0.19%, 0.44%

LAB 51.64, -22.75, 15.98

 

CMYK 27 / 63 / 0 / 36

HEX #773CA3

RGB 119 60 163

HSL 274.37, 0.46%, 0.44%

LAB 37.48, 44.62, -45.72

 

CMYK 10 / 63 / 0 / 36

HEX #923CA3

RGB 146 60 163

HSL 290.1, 0.46%, 0.44%

LAB 41.2, 51.26, -39.56

 

CMYK 0 / 63 / 6 / 36

HEX #A33C99

RGB 163 60 153

HSL 305.83, 0.46%, 0.44%

LAB 43.24, 53.83, -30.17

 

CMYK 0 / 63 / 23 / 36

HEX #A33C7D

RGB 163 60 125

HSL 322.14, 0.46%, 0.44%

LAB 42, 49.48, -15.07

 

CMYK 0 / 63 / 40 / 36

HEX #A33C62

RGB 163 60 98

HSL 337.86, 0.46%, 0.44%

LAB 41.06, 46.03, 0.26

 

CMYK 0 / 63 / 7 / 60

HEX #672660

RGB 103 38 96

HSL 306.46, 0.46%, 0.28%

LAB 27.06, 37.1, -20.6

 

CMYK 0 / 63 / 7 / 48

HEX #85317C

RGB 133 49 124

HSL 306.43, 0.46%, 0.36%

LAB 35.28, 45.58, -25.23

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 0 / 60 / 6 / 26

HEX #BD4CB1

RGB 189 76 177

HSL 306.37, 0.46%, 0.52%

LAB 50.88, 57.78, -32.15

 

CMYK 0 / 47 / 5 / 22

HEX #C86ABE

RGB 200 106 190

HSL 306.38, 0.46%, 0.6%

LAB 58.33, 48.84, -27.96

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 0 / 44 / 63 / 36

HEX #A35B3C

RGB 163 91 60

HSL 18.06, 0.46%, 0.44%

LAB 46.44, 26.57, 30.51

 

CMYK 63 / 0 / 19 / 36

HEX #3CA384

RGB 60 163 132

HSL 161.94, 0.46%, 0.44%

LAB 60.62, -37.28, 7.42

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 6 / 0 / 63 / 36

HEX #99A33C

RGB 153 163 60

HSL 65.83, 0.46%, 0.44%

LAB 64.4, -17.66, 50.61

 

CMYK 63 / 6 / 0 / 36

HEX #3C99A3

RGB 60 153 163

HSL 185.83, 0.46%, 0.44%

LAB 58.4, -23.98, -13.39

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 0 / 44 / 63 / 36

HEX #A35B3C

RGB 163 91 60

HSL 18.06, 0.46%, 0.44%

LAB 46.44, 26.57, 30.51

 

CMYK 63 / 0 / 57 / 36

HEX #3CA346

RGB 60 163 70

HSL 125.83, 0.46%, 0.44%

LAB 59.52, -49.07, 39.16

 

CMYK 63 / 19 / 0 / 36

HEX #3C84A3

RGB 60 132 163

HSL 198.06, 0.46%, 0.44%

LAB 51.96, -12.74, -23.21

 

CMYK 0 / 63 / 7 / 36

HEX #A33C98

RGB 163 60 152

HSL 306.41, 0.46%, 0.44%

LAB 43.19, 53.66, -29.65

 

CMYK 0 / 25 / 63 / 36

HEX #A37A3C

RGB 163 122 60

HSL 36.12, 0.46%, 0.44%

LAB 54.06, 9.05, 39.47

 

CMYK 63 / 0 / 57 / 36

HEX #3CA346

RGB 60 163 70

HSL 125.83, 0.46%, 0.44%

LAB 59.52, -49.07, 39.16

 

CMYK 63 / 38 / 0 / 36

HEX #3C65A3

RGB 60 101 163

HSL 216.12, 0.46%, 0.44%

LAB 42.63, 5.74, -37.78

 

Description

Color code: HEX #A33C98 | qconv.com Color code: HEX #A33C98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 60 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 60 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 7 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 7% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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