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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A34814 it is the complementary color #5CB7EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A34814. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A34814 shade: #A8480F, #B95A22, #CA6C35, #DB7E48 and #EC905B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A34814. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A34814 shade: #A34814, #923601, #812400, #701200 and #5F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A34814 shade: #A34814, #A32114 and #A31414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A34814 shade: #A34814, #A36E14, #A39514, #8AA314 and #64A314

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A34814 shade matches the following richer shades: #A34814 and #B24405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A34814 shade: #A34814, #944C23, #855031, #765440 and #67584F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A34814 shade: #A3142E, #A32014, #A34614, #A36C14 and #A39214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A34814 shade: #59270B, #7E380F, #A34814, #C85818 and #E46B25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A34814 shade: #A34814, #54A314 and #141BA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A34814 shade: #A34814, #14A346 and #4614A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A34814 shade: #A34814, #54A314, #1471A3 and #6214A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A34814 shade: #A34814, #29A314, #1471A3 and #8D14A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

Complementary color

CMYK 61 / 22 / 0 / 8

HEX #5CB7EB

RGB 92 183 235

HSL 201.82, 0.78%, 0.64%

LAB 70.97, -11.95, -34.08

 

CMYK 0 / 57 / 91 / 34

HEX #A8480F

RGB 168 72 15

HSL 22.35, 0.84%, 0.36%

LAB 42.75, 36.79, 48.69

 

CMYK 0 / 51 / 82 / 27

HEX #B95A22

RGB 185 90 34

HSL 22.25, 0.69%, 0.43%

LAB 49.18, 34.86, 47.75

 

CMYK 0 / 47 / 74 / 21

HEX #CA6C35

RGB 202 108 53

HSL 22.15, 0.58%, 0.5%

LAB 55.62, 33.08, 46.09

 

CMYK 0 / 42 / 67 / 14

HEX #DB7E48

RGB 219 126 72

HSL 22.04, 0.67%, 0.57%

LAB 62.04, 31.46, 44.28

 

CMYK 0 / 39 / 61 / 7

HEX #EC905B

RGB 236 144 91

HSL 21.93, 0.79%, 0.64%

LAB 68.41, 30, 42.51

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 0 / 63 / 99 / 43

HEX #923601

RGB 146 54 1

HSL 21.93, 0.99%, 0.29%

LAB 35.5, 36.8, 46.59

 

CMYK 0 / 72 / 100 / 49

HEX #812400

RGB 129 36 0

HSL 16.74, 1%, 0.25%

LAB 29.23, 38.56, 41.33

 

CMYK 0 / 84 / 100 / 56

HEX #701200

RGB 112 18 0

HSL 9.64, 1%, 0.22%

LAB 23.26, 39.33, 34.6

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95 0 0

HSL 0, 1%, 0.19%

LAB 17.61, 38.89, 27.21

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 0 / 80 / 88 / 36

HEX #A32114

RGB 163 33 20

HSL 5.45, 0.78%, 0.36%

LAB 35.84, 51.33, 40.87

 

CMYK 0 / 88 / 88 / 36

HEX #A31414

RGB 163 20 20

HSL 0, 0.78%, 0.36%

LAB 34.68, 54.63, 39.91

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 0 / 33 / 88 / 36

HEX #A36E14

RGB 163 110 20

HSL 37.76, 0.78%, 0.36%

LAB 50.67, 13.95, 53.04

 

CMYK 0 / 9 / 88 / 36

HEX #A39514

RGB 163 149 20

HSL 54.13, 0.78%, 0.36%

LAB 61.07, -7.73, 61.48

 

CMYK 15 / 0 / 88 / 36

HEX #8AA314

RGB 138 163 20

HSL 70.49, 0.78%, 0.36%

LAB 63.05, -26.01, 62.27

 

CMYK 39 / 0 / 88 / 36

HEX #64A314

RGB 100 163 20

HSL 86.43, 0.78%, 0.36%

LAB 60.74, -41.12, 59.4

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 0 / 62 / 97 / 30

HEX #B24405

RGB 178 68 5

HSL 21.85, 0.95%, 0.36%

LAB 43.67, 42.44, 52.96

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 0 / 49 / 76 / 42

HEX #944C23

RGB 148 76 35

HSL 21.77, 0.62%, 0.36%

LAB 40.55, 27.05, 36.89

 

CMYK 0 / 40 / 63 / 48

HEX #855031

RGB 133 80 49

HSL 22.14, 0.46%, 0.36%

LAB 39.49, 19.07, 27.41

 

CMYK 0 / 29 / 46 / 54

HEX #765440

RGB 118 84 64

HSL 22.22, 0.3%, 0.36%

LAB 38.83, 11.43, 17.27

 

CMYK 0 / 15 / 23 / 60

HEX #67584F

RGB 103 88 79

HSL 22.5, 0.13%, 0.36%

LAB 38.6, 4.53, 7.48

 

CMYK 0 / 88 / 72 / 36

HEX #A3142E

RGB 163 20 46

HSL 349.09, 0.78%, 0.36%

LAB 34.97, 55.49, 24.98

 

CMYK 0 / 80 / 88 / 36

HEX #A32014

RGB 163 32 20

HSL 5.03, 0.78%, 0.36%

LAB 35.73, 51.63, 40.79

 

CMYK 0 / 57 / 88 / 36

HEX #A34614

RGB 163 70 20

HSL 20.98, 0.78%, 0.36%

LAB 41.56, 35.92, 45.59

 

CMYK 0 / 34 / 88 / 36

HEX #A36C14

RGB 163 108 20

HSL 36.92, 0.78%, 0.36%

LAB 50.17, 15.09, 52.63

 

CMYK 0 / 10 / 88 / 36

HEX #A39214

RGB 163 146 20

HSL 52.87, 0.78%, 0.36%

LAB 60.24, -6.12, 60.81

 

CMYK 0 / 56 / 88 / 65

HEX #59270B

RGB 89 39 11

HSL 21.54, 0.78%, 0.2%

LAB 22.3, 21.08, 27.68

 

CMYK 0 / 56 / 88 / 51

HEX #7E380F

RGB 126 56 15

HSL 22.16, 0.79%, 0.28%

LAB 32.48, 27.91, 37.54

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 0 / 56 / 88 / 22

HEX #C85818

RGB 200 88 24

HSL 21.82, 0.79%, 0.44%

LAB 51.07, 41.52, 54.26

 

CMYK 0 / 53 / 84 / 11

HEX #E46B25

RGB 228 107 37

HSL 21.99, 0.78%, 0.52%

LAB 59.11, 43.27, 57.83

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 48 / 0 / 88 / 36

HEX #54A314

RGB 84 163 20

HSL 93.15, 0.78%, 0.36%

LAB 60.01, -46.56, 58.47

 

CMYK 88 / 83 / 0 / 36

HEX #141BA3

RGB 20 27 163

HSL 237.06, 0.78%, 0.36%

LAB 22.22, 47.71, -71.05

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 88 / 0 / 57 / 36

HEX #14A346

RGB 20 163 70

HSL 140.98, 0.78%, 0.36%

LAB 58.78, -55.2, 38.09

 

CMYK 57 / 88 / 0 / 36

HEX #4614A3

RGB 70 20 163

HSL 260.98, 0.78%, 0.36%

LAB 25.1, 53.98, -66.17

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 48 / 0 / 88 / 36

HEX #54A314

RGB 84 163 20

HSL 93.15, 0.78%, 0.36%

LAB 60.01, -46.56, 58.47

 

CMYK 88 / 31 / 0 / 36

HEX #1471A3

RGB 20 113 163

HSL 200.98, 0.78%, 0.36%

LAB 45.09, -6.98, -33.99

 

CMYK 40 / 88 / 0 / 36

HEX #6214A3

RGB 98 20 163

HSL 272.73, 0.78%, 0.36%

LAB 28.75, 57.23, -60.02

 

CMYK 0 / 56 / 88 / 36

HEX #A34814

RGB 163 72 20

HSL 21.82, 0.78%, 0.36%

LAB 41.96, 34.9, 45.92

 

CMYK 75 / 0 / 88 / 36

HEX #29A314

RGB 41 163 20

HSL 111.19, 0.78%, 0.36%

LAB 58.71, -57.11, 56.84

 

CMYK 88 / 31 / 0 / 36

HEX #1471A3

RGB 20 113 163

HSL 200.98, 0.78%, 0.36%

LAB 45.09, -6.98, -33.99

 

CMYK 13 / 88 / 0 / 36

HEX #8D14A3

RGB 141 20 163

HSL 290.77, 0.78%, 0.36%

LAB 35.61, 63.85, -48.55

 

Description

Color code: HEX #A34814 | qconv.com Color code: HEX #A34814 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 72 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 72 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 88 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 88% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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