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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A35495 it is the complementary color #5CAB6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A35495. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A35495 shade: #A85490, #B966A3, #CA78B6, #DB8AC9 and #EC9CDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A35495. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A35495 shade: #A35495, #924282, #81306F, #701E5C and #5F0C49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A35495 shade: #A15393, #A1537E, #A15369, #A15354 and #A15353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A35495 shade: #A15393, #9A53A1, #8553A1, #7053A1 and #5A53A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A35495 shade matches the following richer shades: #A15393, #B53FA0, #C92BAD, #DC17BA and #F004C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A35495 shade: #A15393, #8D6786, #797A7A, #668E6D and #52A260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A35495 shade: #8453A1, #9953A1, #A15394, #A1537F and #A1536A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A35495 shade: #6B3761, #86457A, #A15393, #B26BA6 and #C086B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A35495 shade: #A35495, #A16F53 and #53A18F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A35495 shade: #A35495, #94A153 and #5394A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A35495 shade: #A35495, #A16F53, #53A160 and #5384A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A35495 shade: #A35495, #A18753, #53A160 and #536DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 9 / 36

HEX #A35495

RGB 163 84 149

HSL 310.63, 0.32%, 0.48%

LAB 47.36, 41.59, -21.37

 

Complementary color

CMYK 46 / 0 / 38 / 33

HEX #5CAB6A

RGB 92 171 106

HSL 130.63, 0.32%, 0.52%

LAB 63.71, -38.54, 26.13

 

CMYK 0 / 50 / 14 / 34

HEX #A85490

RGB 168 84 144

HSL 317.14, 0.33%, 0.49%

LAB 47.85, 42.34, -17.58

 

CMYK 0 / 45 / 12 / 27

HEX #B966A3

RGB 185 102 163

HSL 315.9, 0.37%, 0.56%

LAB 54.51, 41.6, -18.41

 

CMYK 0 / 41 / 10 / 21

HEX #CA78B6

RGB 202 120 182

HSL 314.63, 0.44%, 0.63%

LAB 61.1, 40.84, -19.11

 

CMYK 0 / 37 / 8 / 14

HEX #DB8AC9

RGB 219 138 201

HSL 313.33, 0.53%, 0.7%

LAB 67.62, 40.08, -19.72

 

CMYK 0 / 34 / 7 / 7

HEX #EC9CDC

RGB 236 156 220

HSL 312, 0.68%, 0.77%

LAB 74.05, 39.35, -20.28

 

CMYK 0 / 48 / 9 / 36

HEX #A35495

RGB 163 84 149

HSL 310.63, 0.32%, 0.48%

LAB 47.36, 41.59, -21.37

 

CMYK 0 / 55 / 11 / 43

HEX #924282

RGB 146 66 130

HSL 312, 0.38%, 0.42%

LAB 40.6, 42.25, -20.51

 

CMYK 0 / 63 / 14 / 49

HEX #81306F

RGB 129 48 111

HSL 313.33, 0.46%, 0.35%

LAB 33.83, 42.68, -19.37

 

CMYK 0 / 73 / 18 / 56

HEX #701E5C

RGB 112 30 92

HSL 314.63, 0.58%, 0.28%

LAB 27.15, 42.58, -17.73

 

CMYK 0 / 87 / 23 / 63

HEX #5F0C49

RGB 95 12 73

HSL 315.9, 0.78%, 0.21%

LAB 20.74, 41.32, -15.21

 

CMYK 0 / 48 / 9 / 37

HEX #A15393

RGB 161 83 147

HSL 310.77, 0.32%, 0.48%

LAB 46.8, 41.13, -21.06

 

CMYK 0 / 48 / 22 / 37

HEX #A1537E

RGB 161 83 126

HSL 326.92, 0.32%, 0.48%

LAB 46, 37.67, -9.65

 

CMYK 0 / 48 / 35 / 37

HEX #A15369

RGB 161 83 105

HSL 343.08, 0.32%, 0.48%

LAB 45.34, 34.7, 2.12

 

CMYK 0 / 48 / 48 / 37

HEX #A15354

RGB 161 83 84

HSL 359.23, 0.32%, 0.48%

LAB 44.81, 32.25, 14.17

 

CMYK 0 / 48 / 48 / 37

HEX #A15353

RGB 161 83 83

HSL 0, 0.32%, 0.48%

LAB 44.78, 32.15, 14.74

 

CMYK 0 / 48 / 9 / 37

HEX #A15393

RGB 161 83 147

HSL 310.77, 0.32%, 0.48%

LAB 46.8, 41.13, -21.06

 

CMYK 4 / 48 / 0 / 37

HEX #9A53A1

RGB 154 83 161

HSL 294.62, 0.32%, 0.48%

LAB 46.48, 41.58, -29.96

 

CMYK 17 / 48 / 0 / 37

HEX #8553A1

RGB 133 83 161

HSL 278.46, 0.32%, 0.48%

LAB 43.87, 35.32, -34.25

 

CMYK 30 / 48 / 0 / 37

HEX #7053A1

RGB 112 83 161

HSL 262.31, 0.32%, 0.48%

LAB 41.54, 29.26, -38.08

 

CMYK 44 / 48 / 0 / 37

HEX #5A53A1

RGB 90 83 161

HSL 245.38, 0.32%, 0.48%

LAB 39.47, 23.34, -41.51

 

CMYK 0 / 48 / 9 / 37

HEX #A15393

RGB 161 83 147

HSL 310.77, 0.32%, 0.48%

LAB 46.8, 41.13, -21.06

 

CMYK 0 / 65 / 12 / 29

HEX #B53FA0

RGB 181 63 160

HSL 310.68, 0.48%, 0.48%

LAB 46.87, 58.44, -28.48

 

CMYK 0 / 79 / 14 / 21

HEX #C92BAD

RGB 201 43 173

HSL 310.63, 0.65%, 0.48%

LAB 48.46, 71.75, -33.44

 

CMYK 0 / 90 / 15 / 14

HEX #DC17BA

RGB 220 23 186

HSL 310.36, 0.81%, 0.48%

LAB 51.12, 81.22, -36.65

 

CMYK 0 / 98 / 18 / 6

HEX #F004C6

RGB 240 4 198

HSL 310.68, 0.97%, 0.48%

LAB 54.75, 88.09, -37.66

 

CMYK 0 / 48 / 9 / 37

HEX #A15393

RGB 161 83 147

HSL 310.77, 0.32%, 0.48%

LAB 46.8, 41.13, -21.06

 

CMYK 0 / 27 / 5 / 45

HEX #8D6786

RGB 141 103 134

HSL 311.05, 0.16%, 0.48%

LAB 48.37, 20.64, -11.15

 

CMYK 1 / 0 / 0 / 52

HEX #797A7A

RGB 121 122 122

HSL 180, 0%, 0.48%

LAB 51.14, -0.37, -0.14

 

CMYK 28 / 0 / 23 / 44

HEX #668E6D

RGB 102 142 109

HSL 130.5, 0.16%, 0.48%

LAB 55.35, -20.89, 13.23

 

CMYK 49 / 0 / 41 / 36

HEX #52A260

RGB 82 162 96

HSL 130.5, 0.33%, 0.48%

LAB 60.32, -39.14, 26.96

 

CMYK 18 / 48 / 0 / 37

HEX #8453A1

RGB 132 83 161

HSL 277.69, 0.32%, 0.48%

LAB 43.75, 35.03, -34.45

 

CMYK 5 / 48 / 0 / 37

HEX #9953A1

RGB 153 83 161

HSL 293.85, 0.32%, 0.48%

LAB 46.35, 41.28, -30.17

 

CMYK 0 / 48 / 8 / 37

HEX #A15394

RGB 161 83 148

HSL 310, 0.32%, 0.48%

LAB 46.85, 41.31, -21.6

 

CMYK 0 / 48 / 21 / 37

HEX #A1537F

RGB 161 83 127

HSL 326.15, 0.32%, 0.48%

LAB 46.04, 37.83, -10.21

 

CMYK 0 / 48 / 34 / 37

HEX #A1536A

RGB 161 83 106

HSL 342.31, 0.32%, 0.48%

LAB 45.36, 34.83, 1.56

 

CMYK 0 / 49 / 9 / 58

HEX #6B3761

RGB 107 55 97

HSL 311.54, 0.32%, 0.32%

LAB 31.16, 29.46, -14.84

 

CMYK 0 / 49 / 9 / 47

HEX #86457A

RGB 134 69 122

HSL 311.08, 0.32%, 0.4%

LAB 39.12, 35.42, -18.02

 

CMYK 0 / 48 / 9 / 37

HEX #A15393

RGB 161 83 147

HSL 310.77, 0.32%, 0.48%

LAB 46.8, 41.13, -21.06

 

CMYK 0 / 40 / 7 / 30

HEX #B26BA6

RGB 178 107 166

HSL 310.14, 0.32%, 0.56%

LAB 54.8, 37.16, -19.8

 

CMYK 0 / 30 / 5 / 25

HEX #C086B6

RGB 192 134 182

HSL 310.34, 0.32%, 0.64%

LAB 63.04, 29.93, -16.28

 

CMYK 0 / 48 / 9 / 36

HEX #A35495

RGB 163 84 149

HSL 310.63, 0.32%, 0.48%

LAB 47.36, 41.59, -21.37

 

CMYK 0 / 31 / 48 / 37

HEX #A16F53

RGB 161 111 83

HSL 21.54, 0.32%, 0.48%

LAB 51.35, 16.44, 23.52

 

CMYK 48 / 0 / 11 / 37

HEX #53A18F

RGB 83 161 143

HSL 166.15, 0.32%, 0.48%

LAB 61.06, -28.58, 1.96

 

CMYK 0 / 48 / 9 / 36

HEX #A35495

RGB 163 84 149

HSL 310.63, 0.32%, 0.48%

LAB 47.36, 41.59, -21.37

 

CMYK 8 / 0 / 48 / 37

HEX #94A153

RGB 148 161 83

HSL 70, 0.32%, 0.48%

LAB 63.68, -16.73, 38.79

 

CMYK 48 / 8 / 0 / 37

HEX #5394A1

RGB 83 148 161

HSL 190, 0.32%, 0.48%

LAB 57.65, -17.15, -13.3

 

CMYK 0 / 48 / 9 / 36

HEX #A35495

RGB 163 84 149

HSL 310.63, 0.32%, 0.48%

LAB 47.36, 41.59, -21.37

 

CMYK 0 / 31 / 48 / 37

HEX #A16F53

RGB 161 111 83

HSL 21.54, 0.32%, 0.48%

LAB 51.35, 16.44, 23.52

 

CMYK 48 / 0 / 40 / 37

HEX #53A160

RGB 83 161 96

HSL 130, 0.32%, 0.48%

LAB 60.04, -38.41, 26.61

 

CMYK 48 / 18 / 0 / 37

HEX #5384A1

RGB 83 132 161

HSL 202.31, 0.32%, 0.48%

LAB 52.86, -8.33, -20.59

 

CMYK 0 / 48 / 9 / 36

HEX #A35495

RGB 163 84 149

HSL 310.63, 0.32%, 0.48%

LAB 47.36, 41.59, -21.37

 

CMYK 0 / 16 / 48 / 37

HEX #A18753

RGB 161 135 83

HSL 40, 0.32%, 0.48%

LAB 57.59, 2.84, 31.53

 

CMYK 48 / 0 / 40 / 37

HEX #53A160

RGB 83 161 96

HSL 130, 0.32%, 0.48%

LAB 60.04, -38.41, 26.61

 

CMYK 48 / 32 / 0 / 37

HEX #536DA1

RGB 83 109 161

HSL 220, 0.32%, 0.48%

LAB 46.11, 5.28, -31.04

 

Description

Color code: HEX #A35495 | qconv.com Color code: HEX #A35495 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 84 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 84 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 9 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 9% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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