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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A365C1 it is the complementary color #5C9A3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A365C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A365C1 shade: #A865BC, #B977CF, #CA89E2, #DB9BF5 and #ECADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A365C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A365C1 shade: #A365C1, #9253AE, #81419B, #702F88 and #5F1D75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A365C1 shade: #A365C1, #BC65C1, #C165AE, #C16595 and #C1657C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A365C1 shade: #A365C1, #8B65C1, #7265C1 and #6565C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A365C1 shade matches the following richer shades: #A365C1, #A954D3, #AF43E4 and #B531F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A365C1 shade: #A365C1, #9D77B0, #97889F, #91998D and #8BAB7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A365C1 shade: #7265C1, #8A65C1, #A365C1, #BB65C1 and #C165AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A365C1 shade: #7A3C98, #9248B5, #A365C1, #B583CD and #C7A0D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A365C1 shade: #A365C1, #C16572 and #65C17E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A365C1 shade: #A365C1, #C1A365 and #65C1A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A365C1 shade: #A365C1, #C16572, #84C165 and #65C1B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A365C1 shade: #A365C1, #C17565, #84C165 and #65B2C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

Complementary color

CMYK 40 / 0 / 60 / 40

HEX #5C9A3E

RGB 92 154 62

HSL 100.43, 0.43%, 0.42%

LAB 57.78, -37.22, 41.28

 

CMYK 11 / 46 / 0 / 26

HEX #A865BC

RGB 168 101 188

HSL 286.21, 0.39%, 0.57%

LAB 53.24, 41.54, -35.04

 

CMYK 11 / 43 / 0 / 19

HEX #B977CF

RGB 185 119 207

HSL 285, 0.48%, 0.64%

LAB 59.9, 40.75, -35.3

 

CMYK 11 / 39 / 0 / 11

HEX #CA89E2

RGB 202 137 226

HSL 283.82, 0.61%, 0.71%

LAB 66.47, 39.98, -35.53

 

CMYK 11 / 37 / 0 / 4

HEX #DB9BF5

RGB 219 155 245

HSL 282.67, 0.82%, 0.78%

LAB 72.95, 39.25, -35.75

 

CMYK 7 / 32 / 0 / 0

HEX #ECADFF

RGB 236 173 255

HSL 286.1, 1%, 0.84%

LAB 79.01, 36.77, -31.66

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 16 / 52 / 0 / 32

HEX #9253AE

RGB 146 83 174

HSL 281.54, 0.36%, 0.5%

LAB 46.11, 41.97, -38.28

 

CMYK 17 / 58 / 0 / 39

HEX #81419B

RGB 129 65 155

HSL 282.67, 0.41%, 0.43%

LAB 39.27, 42.72, -37.97

 

CMYK 18 / 65 / 0 / 47

HEX #702F88

RGB 112 47 136

HSL 283.82, 0.49%, 0.36%

LAB 32.38, 43.28, -37.49

 

CMYK 19 / 75 / 0 / 54

HEX #5F1D75

RGB 95 29 117

HSL 285, 0.6%, 0.29%

LAB 25.55, 43.35, -36.63

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 3 / 48 / 0 / 24

HEX #BC65C1

RGB 188 101 193

HSL 296.74, 0.43%, 0.58%

LAB 55.94, 48.37, -33.51

 

CMYK 0 / 48 / 10 / 24

HEX #C165AE

RGB 193 101 174

HSL 312.39, 0.43%, 0.58%

LAB 55.79, 46.5, -22.75

 

CMYK 0 / 48 / 23 / 24

HEX #C16595

RGB 193 101 149

HSL 328.7, 0.43%, 0.58%

LAB 54.88, 42.57, -9.57

 

CMYK 0 / 48 / 36 / 24

HEX #C1657C

RGB 193 101 124

HSL 345, 0.43%, 0.58%

LAB 54.13, 39.21, 4.03

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 28 / 48 / 0 / 24

HEX #8B65C1

RGB 139 101 193

HSL 264.78, 0.43%, 0.58%

LAB 50.27, 34.39, -42.81

 

CMYK 41 / 48 / 0 / 24

HEX #7265C1

RGB 114 101 193

HSL 248.48, 0.43%, 0.58%

LAB 47.92, 27.78, -46.68

 

CMYK 48 / 48 / 0 / 24

HEX #6565C1

RGB 101 101 193

HSL 240, 0.43%, 0.58%

LAB 46.88, 24.62, -48.42

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 20 / 60 / 0 / 17

HEX #A954D3

RGB 169 84 211

HSL 280.16, 0.59%, 0.58%

LAB 51.24, 55.41, -51.37

 

CMYK 23 / 71 / 0 / 11

HEX #AF43E4

RGB 175 67 228

HSL 280.25, 0.75%, 0.58%

LAB 50.37, 67.78, -62.39

 

CMYK 26 / 80 / 0 / 4

HEX #B531F5

RGB 181 49 245

HSL 280.41, 0.91%, 0.58%

LAB 50.23, 78.4, -72.14

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 11 / 32 / 0 / 31

HEX #9D77B0

RGB 157 119 176

HSL 280, 0.27%, 0.58%

LAB 55.58, 25.49, -24.58

 

CMYK 5 / 14 / 0 / 38

HEX #97889F

RGB 151 136 159

HSL 279.13, 0.11%, 0.58%

LAB 58.69, 10.07, -10.15

 

CMYK 5 / 0 / 8 / 40

HEX #91998D

RGB 145 153 141

HSL 100, 0.06%, 0.58%

LAB 62.28, -5.19, 5.31

 

CMYK 19 / 0 / 27 / 33

HEX #8BAB7C

RGB 139 171 124

HSL 100.85, 0.22%, 0.58%

LAB 66.57, -19.9, 20.7

 

CMYK 41 / 48 / 0 / 24

HEX #7265C1

RGB 114 101 193

HSL 248.48, 0.43%, 0.58%

LAB 47.92, 27.78, -46.68

 

CMYK 28 / 48 / 0 / 24

HEX #8A65C1

RGB 138 101 193

HSL 264.13, 0.43%, 0.58%

LAB 50.17, 34.12, -42.97

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 3 / 48 / 0 / 24

HEX #BB65C1

RGB 187 101 193

HSL 296.09, 0.43%, 0.58%

LAB 55.81, 48.08, -33.71

 

CMYK 0 / 48 / 9 / 24

HEX #C165AF

RGB 193 101 175

HSL 311.74, 0.43%, 0.58%

LAB 55.83, 46.67, -23.27

 

CMYK 20 / 61 / 0 / 40

HEX #7A3C98

RGB 122 60 152

HSL 280.43, 0.43%, 0.42%

LAB 37.18, 42.82, -39.54

 

CMYK 19 / 60 / 0 / 29

HEX #9248B5

RGB 146 72 181

HSL 280.73, 0.43%, 0.5%

LAB 44.35, 49.23, -45.2

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 12 / 36 / 0 / 20

HEX #B583CD

RGB 181 131 205

HSL 280.54, 0.43%, 0.66%

LAB 62.05, 32.53, -30.86

 

CMYK 8 / 26 / 0 / 15

HEX #C7A0D9

RGB 199 160 217

HSL 281.05, 0.43%, 0.74%

LAB 71.07, 24.64, -23.51

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 0 / 48 / 41 / 24

HEX #C16572

RGB 193 101 114

HSL 351.52, 0.43%, 0.58%

LAB 53.88, 38.03, 9.56

 

CMYK 48 / 0 / 35 / 24

HEX #65C17E

RGB 101 193 126

HSL 136.3, 0.43%, 0.58%

LAB 71.15, -42.17, 25.49

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 0 / 16 / 48 / 24

HEX #C1A365

RGB 193 163 101

HSL 40.43, 0.43%, 0.58%

LAB 68.37, 2.87, 36.17

 

CMYK 48 / 0 / 16 / 24

HEX #65C1A3

RGB 101 193 163

HSL 160.43, 0.43%, 0.58%

LAB 71.93, -34.65, 6.68

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 0 / 48 / 41 / 24

HEX #C16572

RGB 193 101 114

HSL 351.52, 0.43%, 0.58%

LAB 53.88, 38.03, 9.56

 

CMYK 32 / 0 / 48 / 24

HEX #84C165

RGB 132 193 101

HSL 99.78, 0.43%, 0.58%

LAB 72.22, -36.32, 40

 

CMYK 48 / 0 / 6 / 24

HEX #65C1B5

RGB 101 193 181

HSL 172.17, 0.43%, 0.58%

LAB 72.39, -30.36, -2.44

 

CMYK 16 / 48 / 0 / 24

HEX #A365C1

RGB 163 101 193

HSL 280.43, 0.43%, 0.58%

LAB 52.89, 41.15, -38.5

 

CMYK 0 / 39 / 48 / 24

HEX #C17565

RGB 193 117 101

HSL 10.43, 0.43%, 0.58%

LAB 57.08, 28.09, 21.52

 

CMYK 32 / 0 / 48 / 24

HEX #84C165

RGB 132 193 101

HSL 99.78, 0.43%, 0.58%

LAB 72.22, -36.32, 40

 

CMYK 48 / 8 / 0 / 24

HEX #65B2C1

RGB 101 178 193

HSL 189.78, 0.43%, 0.58%

LAB 68.36, -19.76, -15.03

 

Description

Color code: HEX #A365C1 | qconv.com Color code: HEX #A365C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 101 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 101 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 48 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 48% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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