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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A363BF it is the complementary color #5C9C40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A363BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A363BF shade: #A863BA, #B975CD, #CA87E0, #DB99F3 and #ECABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A363BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A363BF shade: #A363BF, #9251AC, #813F99, #702D86 and #5F1B73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A363BF shade: #A363BF, #BC63BF, #BF63A9, #BF6390 and #BF6378

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A363BF shade: #A363BF, #8A63BF, #7163BF and #6363BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A363BF shade matches the following richer shades: #A363BF, #AA51D1, #B13FE2 and #B82EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A363BF shade: #A363BF, #9C75AD, #95869B, #8E988A and #87AA78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A363BF shade: #7163BF, #8963BF, #A263BF, #BA63BF and #BF63AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A363BF shade: #793C93, #9148B1, #A363BF, #B480CB and #C59DD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A363BF shade: #A363BF, #BF636E and #63BF7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A363BF shade: #A363BF, #BFA263 and #63BFA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A363BF shade: #A363BF, #BF636E, #80BF63 and #63BFB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A363BF shade: #A363BF, #BF7463, #80BF63 and #63AEBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

Complementary color

CMYK 41 / 0 / 59 / 39

HEX #5C9C40

RGB 92 156 64

HSL 101.74, 0.42%, 0.43%

LAB 58.44, -37.88, 41.08

 

CMYK 10 / 47 / 0 / 27

HEX #A863BA

RGB 168 99 186

HSL 287.59, 0.39%, 0.56%

LAB 52.72, 42.21, -34.69

 

CMYK 10 / 43 / 0 / 20

HEX #B975CD

RGB 185 117 205

HSL 286.36, 0.47%, 0.63%

LAB 59.38, 41.43, -34.98

 

CMYK 10 / 40 / 0 / 12

HEX #CA87E0

RGB 202 135 224

HSL 285.17, 0.59%, 0.7%

LAB 65.96, 40.66, -35.23

 

CMYK 10 / 37 / 0 / 5

HEX #DB99F3

RGB 219 153 243

HSL 284, 0.79%, 0.78%

LAB 72.44, 39.91, -35.46

 

CMYK 7 / 33 / 0 / 0

HEX #ECABFF

RGB 236 171 255

HSL 286.43, 1%, 0.84%

LAB 78.57, 37.83, -32.34

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 15 / 53 / 0 / 33

HEX #9251AC

RGB 146 81 172

HSL 282.86, 0.36%, 0.5%

LAB 45.6, 42.61, -37.92

 

CMYK 16 / 59 / 0 / 40

HEX #813F99

RGB 129 63 153

HSL 284, 0.42%, 0.42%

LAB 38.76, 43.33, -37.57

 

CMYK 16 / 66 / 0 / 47

HEX #702D86

RGB 112 45 134

HSL 285.17, 0.5%, 0.35%

LAB 31.9, 43.82, -37.01

 

CMYK 17 / 77 / 0 / 55

HEX #5F1B73

RGB 95 27 115

HSL 286.36, 0.62%, 0.28%

LAB 25.12, 43.74, -36.05

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 2 / 48 / 0 / 25

HEX #BC63BF

RGB 188 99 191

HSL 298.04, 0.42%, 0.57%

LAB 55.46, 49.02, -33.11

 

CMYK 0 / 48 / 12 / 25

HEX #BF63A9

RGB 191 99 169

HSL 314.35, 0.42%, 0.57%

LAB 54.93, 46.06, -21.19

 

CMYK 0 / 48 / 25 / 25

HEX #BF6390

RGB 191 99 144

HSL 330.65, 0.42%, 0.57%

LAB 54.04, 42.2, -7.92

 

CMYK 0 / 48 / 37 / 25

HEX #BF6378

RGB 191 99 120

HSL 346.3, 0.42%, 0.57%

LAB 53.34, 39.04, 5.21

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 28 / 48 / 0 / 25

HEX #8A63BF

RGB 138 99 191

HSL 265.43, 0.42%, 0.57%

LAB 49.6, 34.77, -42.72

 

CMYK 41 / 48 / 0 / 25

HEX #7163BF

RGB 113 99 191

HSL 249.13, 0.42%, 0.57%

LAB 47.23, 28.16, -46.63

 

CMYK 48 / 48 / 0 / 25

HEX #6363BF

RGB 99 99 191

HSL 240, 0.42%, 0.57%

LAB 46.09, 24.77, -48.52

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 19 / 61 / 0 / 18

HEX #AA51D1

RGB 170 81 209

HSL 281.72, 0.58%, 0.57%

LAB 50.73, 56.66, -51.04

 

CMYK 22 / 72 / 0 / 11

HEX #B13FE2

RGB 177 63 226

HSL 281.96, 0.74%, 0.57%

LAB 49.97, 69.32, -61.89

 

CMYK 25 / 81 / 0 / 4

HEX #B82EF4

RGB 184 46 244

HSL 281.82, 0.9%, 0.57%

LAB 50.31, 79.52, -71.44

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 10 / 32 / 0 / 32

HEX #9C75AD

RGB 156 117 173

HSL 281.79, 0.25%, 0.57%

LAB 54.87, 25.67, -23.95

 

CMYK 4 / 14 / 0 / 39

HEX #95869B

RGB 149 134 155

HSL 282.86, 0.1%, 0.57%

LAB 57.85, 9.69, -9.12

 

CMYK 7 / 0 / 9 / 40

HEX #8E988A

RGB 142 152 138

HSL 102.86, 0.06%, 0.57%

LAB 61.69, -6.31, 6.13

 

CMYK 21 / 0 / 29 / 33

HEX #87AA78

RGB 135 170 120

HSL 102, 0.23%, 0.57%

LAB 65.95, -21.5, 21.99

 

CMYK 41 / 48 / 0 / 25

HEX #7163BF

RGB 113 99 191

HSL 249.13, 0.42%, 0.57%

LAB 47.23, 28.16, -46.63

 

CMYK 28 / 48 / 0 / 25

HEX #8963BF

RGB 137 99 191

HSL 264.78, 0.42%, 0.57%

LAB 49.5, 34.5, -42.89

 

CMYK 15 / 48 / 0 / 25

HEX #A263BF

RGB 162 99 191

HSL 281.09, 0.42%, 0.57%

LAB 52.25, 41.52, -38.36

 

CMYK 3 / 48 / 0 / 25

HEX #BA63BF

RGB 186 99 191

HSL 296.74, 0.42%, 0.57%

LAB 55.2, 48.44, -33.53

 

CMYK 0 / 48 / 10 / 25

HEX #BF63AB

RGB 191 99 171

HSL 313.04, 0.42%, 0.57%

LAB 55.01, 46.4, -22.23

 

CMYK 18 / 59 / 0 / 42

HEX #793C93

RGB 121 60 147

HSL 282.07, 0.42%, 0.41%

LAB 36.75, 41.43, -37.2

 

CMYK 18 / 59 / 0 / 31

HEX #9148B1

RGB 145 72 177

HSL 281.71, 0.42%, 0.49%

LAB 43.99, 48.11, -43.43

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 11 / 37 / 0 / 20

HEX #B480CB

RGB 180 128 203

HSL 281.6, 0.42%, 0.65%

LAB 61.18, 33.46, -31.1

 

CMYK 8 / 27 / 0 / 16

HEX #C59DD7

RGB 197 157 215

HSL 281.38, 0.42%, 0.73%

LAB 70.1, 25.25, -23.91

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 0 / 48 / 42 / 25

HEX #BF636E

RGB 191 99 110

HSL 352.83, 0.42%, 0.57%

LAB 53.09, 37.9, 10.76

 

CMYK 48 / 0 / 35 / 25

HEX #63BF7D

RGB 99 191 125

HSL 136.96, 0.42%, 0.57%

LAB 70.45, -42.02, 25.06

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 0 / 15 / 48 / 25

HEX #BFA263

RGB 191 162 99

HSL 41.09, 0.42%, 0.57%

LAB 67.89, 2.38, 36.58

 

CMYK 48 / 0 / 15 / 25

HEX #63BFA2

RGB 99 191 162

HSL 161.09, 0.42%, 0.57%

LAB 71.23, -34.44, 6.22

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 0 / 48 / 42 / 25

HEX #BF636E

RGB 191 99 110

HSL 352.83, 0.42%, 0.57%

LAB 53.09, 37.9, 10.76

 

CMYK 33 / 0 / 48 / 25

HEX #80BF63

RGB 128 191 99

HSL 101.09, 0.42%, 0.57%

LAB 71.39, -37.05, 39.92

 

CMYK 48 / 0 / 6 / 25

HEX #63BFB4

RGB 99 191 180

HSL 172.83, 0.42%, 0.57%

LAB 71.7, -30.12, -2.93

 

CMYK 15 / 48 / 0 / 25

HEX #A363BF

RGB 163 99 191

HSL 281.74, 0.42%, 0.57%

LAB 52.37, 41.81, -38.17

 

CMYK 0 / 39 / 48 / 25

HEX #BF7463

RGB 191 116 99

HSL 11.09, 0.42%, 0.57%

LAB 56.55, 27.64, 21.92

 

CMYK 33 / 0 / 48 / 25

HEX #80BF63

RGB 128 191 99

HSL 101.09, 0.42%, 0.57%

LAB 71.39, -37.05, 39.92

 

CMYK 48 / 9 / 0 / 25

HEX #63AEBF

RGB 99 174 191

HSL 191.09, 0.42%, 0.57%

LAB 67.04, -18.7, -15.92

 

Description

Color code: HEX #A363BF | qconv.com Color code: HEX #A363BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 99 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 99 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 48 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 48% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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