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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A37223 it is the complementary color #5C8DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A37223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A37223 shade: #A8721E, #B98431, #CA9644, #DBA857 and #ECBA6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A37223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A37223 shade: #A37223, #926010, #814E00, #703C00 and #5F2A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A37223 shade: #A47222, #A44F22, #A42C22 and #A42222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A37223 shade: #A47222, #A49522, #8FA422, #6CA422 and #4AA422

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A37223 shade matches the following richer shades: #A47222, #B47612 and #C47A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A37223 shade: #A47222, #946E32, #836B42, #736753 and #636363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A37223 shade: #A42D22, #A45022, #A47222, #A49522 and #90A422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A37223 shade: #604314, #825A1B, #A47222, #C68A2A and #D69E42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A37223 shade: #A37223, #3AA422 and #3E22A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A37223 shade: #A37223, #22A472 and #7222A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A37223 shade: #A37223, #3AA422, #2254A4 and #8C22A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A37223 shade: #A37223, #22A431, #2254A4 and #A42295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 79 / 36

HEX #A37223

RGB 163 114 35

HSL 37.03, 0.65%, 0.39%

LAB 51.77, 12.18, 48.69

 

Complementary color

CMYK 58 / 36 / 0 / 14

HEX #5C8DDC

RGB 92 141 220

HSL 217.03, 0.65%, 0.61%

LAB 58.5, 6.97, -45.31

 

CMYK 0 / 32 / 82 / 34

HEX #A8721E

RGB 168 114 30

HSL 36.52, 0.7%, 0.39%

LAB 52.35, 14.25, 51.38

 

CMYK 0 / 29 / 74 / 27

HEX #B98431

RGB 185 132 49

HSL 36.62, 0.58%, 0.46%

LAB 59.01, 12.56, 50.74

 

CMYK 0 / 26 / 66 / 21

HEX #CA9644

RGB 202 150 68

HSL 36.72, 0.56%, 0.53%

LAB 65.58, 11.14, 49.62

 

CMYK 0 / 23 / 60 / 14

HEX #DBA857

RGB 219 168 87

HSL 36.82, 0.65%, 0.6%

LAB 72.06, 9.93, 48.33

 

CMYK 0 / 21 / 55 / 7

HEX #ECBA6A

RGB 236 186 106

HSL 36.92, 0.77%, 0.67%

LAB 78.46, 8.89, 46.99

 

CMYK 0 / 30 / 79 / 36

HEX #A37223

RGB 163 114 35

HSL 37.03, 0.65%, 0.39%

LAB 51.77, 12.18, 48.69

 

CMYK 0 / 34 / 89 / 43

HEX #926010

RGB 146 96 16

HSL 36.92, 0.8%, 0.32%

LAB 44.96, 14.06, 48.71

 

CMYK 0 / 40 / 100 / 49

HEX #814E00

RGB 129 78 0

HSL 36.28, 1%, 0.25%

LAB 38.05, 16.3, 47.11

 

CMYK 0 / 46 / 100 / 56

HEX #703C00

RGB 112 60 0

HSL 32.14, 1%, 0.22%

LAB 31.06, 18.97, 41.37

 

CMYK 0 / 56 / 100 / 63

HEX #5F2A00

RGB 95 42 0

HSL 26.53, 1%, 0.19%

LAB 23.96, 21.69, 34.21

 

CMYK 0 / 30 / 79 / 36

HEX #A47222

RGB 164 114 34

HSL 36.92, 0.66%, 0.39%

LAB 51.89, 12.59, 49.24

 

CMYK 0 / 52 / 79 / 36

HEX #A44F22

RGB 164 79 34

HSL 20.77, 0.66%, 0.39%

LAB 43.65, 32.09, 41.33

 

CMYK 0 / 73 / 79 / 36

HEX #A42C22

RGB 164 44 34

HSL 4.62, 0.66%, 0.39%

LAB 37.5, 48.32, 35.11

 

CMYK 0 / 79 / 79 / 36

HEX #A42222

RGB 164 34 34

HSL 0, 0.66%, 0.39%

LAB 36.28, 51.73, 33.84

 

CMYK 0 / 30 / 79 / 36

HEX #A47222

RGB 164 114 34

HSL 36.92, 0.66%, 0.39%

LAB 51.89, 12.59, 49.24

 

CMYK 0 / 9 / 79 / 36

HEX #A49522

RGB 164 149 34

HSL 53.08, 0.66%, 0.39%

LAB 61.22, -6.85, 57.81

 

CMYK 13 / 0 / 79 / 36

HEX #8FA422

RGB 143 164 34

HSL 69.69, 0.66%, 0.39%

LAB 63.76, -23.89, 59.45

 

CMYK 34 / 0 / 79 / 36

HEX #6CA422

RGB 108 164 34

HSL 85.85, 0.66%, 0.39%

LAB 61.53, -38.03, 56.58

 

CMYK 55 / 0 / 79 / 36

HEX #4AA422

RGB 74 164 34

HSL 101.54, 0.66%, 0.39%

LAB 60, -49.29, 54.6

 

CMYK 0 / 30 / 79 / 36

HEX #A47222

RGB 164 114 34

HSL 36.92, 0.66%, 0.39%

LAB 51.89, 12.59, 49.24

 

CMYK 0 / 34 / 90 / 29

HEX #B47612

RGB 180 118 18

HSL 37.04, 0.82%, 0.39%

LAB 54.77, 17.08, 57.73

 

CMYK 0 / 38 / 99 / 23

HEX #C47A02

RGB 196 122 2

HSL 37.11, 0.98%, 0.39%

LAB 57.71, 21.7, 63.85

 

CMYK 0 / 30 / 79 / 36

HEX #A47222

RGB 164 114 34

HSL 36.92, 0.66%, 0.39%

LAB 51.89, 12.59, 49.24

 

CMYK 0 / 26 / 66 / 42

HEX #946E32

RGB 148 110 50

HSL 36.73, 0.49%, 0.39%

LAB 49.1, 8.44, 38.49

 

CMYK 0 / 18 / 50 / 49

HEX #836B42

RGB 131 107 66

HSL 37.85, 0.33%, 0.39%

LAB 46.62, 3.83, 26.47

 

CMYK 0 / 10 / 28 / 55

HEX #736753

RGB 115 103 83

HSL 37.5, 0.16%, 0.39%

LAB 44.19, 1.32, 13.03

 

CMYK 0 / 0 / 0 / 61

HEX #636363

RGB 99 99 99

HSL 0, 0%, 0.39%

LAB 41.96, 0, -0.01

 

CMYK 0 / 73 / 79 / 36

HEX #A42D22

RGB 164 45 34

HSL 5.08, 0.66%, 0.39%

LAB 37.63, 47.95, 35.25

 

CMYK 0 / 51 / 79 / 36

HEX #A45022

RGB 164 80 34

HSL 21.23, 0.66%, 0.39%

LAB 43.87, 31.55, 41.54

 

CMYK 0 / 30 / 79 / 36

HEX #A47222

RGB 164 114 34

HSL 36.92, 0.66%, 0.39%

LAB 51.89, 12.59, 49.24

 

CMYK 0 / 9 / 79 / 36

HEX #A49522

RGB 164 149 34

HSL 53.08, 0.66%, 0.39%

LAB 61.22, -6.85, 57.81

 

CMYK 12 / 0 / 79 / 36

HEX #90A422

RGB 144 164 34

HSL 69.23, 0.66%, 0.39%

LAB 63.83, -23.46, 59.54

 

CMYK 0 / 30 / 79 / 62

HEX #604314

RGB 96 67 20

HSL 37.11, 0.66%, 0.23%

LAB 30.76, 7.59, 32.05

 

CMYK 0 / 31 / 79 / 49

HEX #825A1B

RGB 130 90 27

HSL 36.7, 0.66%, 0.31%

LAB 41.43, 10.45, 40.76

 

CMYK 0 / 30 / 79 / 36

HEX #A47222

RGB 164 114 34

HSL 36.92, 0.66%, 0.39%

LAB 51.89, 12.59, 49.24

 

CMYK 0 / 30 / 79 / 22

HEX #C68A2A

RGB 198 138 42

HSL 36.92, 0.65%, 0.47%

LAB 61.95, 14.68, 56.97

 

CMYK 0 / 26 / 69 / 16

HEX #D69E42

RGB 214 158 66

HSL 37.3, 0.64%, 0.55%

LAB 68.85, 11.86, 54.44

 

CMYK 0 / 30 / 79 / 36

HEX #A37223

RGB 163 114 35

HSL 37.03, 0.65%, 0.39%

LAB 51.77, 12.18, 48.69

 

CMYK 65 / 0 / 79 / 36

HEX #3AA422

RGB 58 164 34

HSL 108.92, 0.66%, 0.39%

LAB 59.49, -53.36, 53.94

 

CMYK 62 / 79 / 0 / 36

HEX #3E22A4

RGB 62 34 164

HSL 252.92, 0.66%, 0.39%

LAB 26.3, 47.74, -64.81

 

CMYK 0 / 30 / 79 / 36

HEX #A37223

RGB 163 114 35

HSL 37.03, 0.65%, 0.39%

LAB 51.77, 12.18, 48.69

 

CMYK 79 / 0 / 30 / 36

HEX #22A472

RGB 34 164 114

HSL 156.92, 0.66%, 0.39%

LAB 59.98, -45.96, 16.47

 

CMYK 30 / 79 / 0 / 36

HEX #7222A4

RGB 114 34 164

HSL 276.92, 0.66%, 0.39%

LAB 32.7, 55.45, -54.07

 

CMYK 0 / 30 / 79 / 36

HEX #A37223

RGB 163 114 35

HSL 37.03, 0.65%, 0.39%

LAB 51.77, 12.18, 48.69

 

CMYK 65 / 0 / 79 / 36

HEX #3AA422

RGB 58 164 34

HSL 108.92, 0.66%, 0.39%

LAB 59.49, -53.36, 53.94

 

CMYK 79 / 49 / 0 / 36

HEX #2254A4

RGB 34 84 164

HSL 216.92, 0.66%, 0.39%

LAB 36.67, 13.12, -47.96

 

CMYK 15 / 79 / 0 / 36

HEX #8C22A4

RGB 140 34 164

HSL 288.92, 0.66%, 0.39%

LAB 36.74, 60.26, -47.34

 

CMYK 0 / 30 / 79 / 36

HEX #A37223

RGB 163 114 35

HSL 37.03, 0.65%, 0.39%

LAB 51.77, 12.18, 48.69

 

CMYK 79 / 0 / 70 / 36

HEX #22A431

RGB 34 164 49

HSL 126.92, 0.66%, 0.39%

LAB 59.08, -56.51, 47.92

 

CMYK 79 / 49 / 0 / 36

HEX #2254A4

RGB 34 84 164

HSL 216.92, 0.66%, 0.39%

LAB 36.67, 13.12, -47.96

 

CMYK 0 / 79 / 9 / 36

HEX #A42295

RGB 164 34 149

HSL 306.92, 0.66%, 0.39%

LAB 39.93, 62.67, -32.95

 

Description

Color code: HEX #A37223 | qconv.com Color code: HEX #A37223 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 114 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 114 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 79 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 79% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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