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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A37A37 it is the complementary color #5C85C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A37A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A37A37 shade: #A87A32, #B98C45, #CA9E58, #DBB06B and #ECC27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A37A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A37A37 shade: #A37A37, #926824, #815611, #704400 and #5F3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A37A37 shade: #A47A36, #A45D36, #A43F36 and #A43636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A37A37 shade: #A47A36, #A49836, #92A436, #75A436 and #57A436

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A37A37 shade matches the following richer shades: #A47A36, #B67F25, #C78313 and #D98701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A37A37 shade: #A47A36, #927648, #80725A, #6F6E6C and #5D697D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A37A37 shade: #A43F36, #A45D36, #A47A36, #A49736 and #94A436

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A37A37 shade: #664C22, #85632C, #A47A36, #C09143 and #CAA362

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A37A37 shade: #A37A37, #4AA436 and #4E36A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A37A37 shade: #A37A37, #36A47A and #7A36A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A37A37 shade: #A37A37, #4AA436, #3660A4 and #9036A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A37A37 shade: #A37A37, #36A443, #3660A4 and #A43697

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

Complementary color

CMYK 54 / 34 / 0 / 22

HEX #5C85C8

RGB 92 133 200

HSL 217.22, 0.5%, 0.57%

LAB 55.3, 5.28, -39.11

 

CMYK 0 / 27 / 70 / 34

HEX #A87A32

RGB 168 122 50

HSL 36.61, 0.54%, 0.43%

LAB 54.53, 10.64, 45.04

 

CMYK 0 / 24 / 63 / 27

HEX #B98C45

RGB 185 140 69

HSL 36.72, 0.46%, 0.5%

LAB 61.22, 9.32, 43.76

 

CMYK 0 / 22 / 56 / 21

HEX #CA9E58

RGB 202 158 88

HSL 36.84, 0.52%, 0.57%

LAB 67.81, 8.21, 42.39

 

CMYK 0 / 20 / 51 / 14

HEX #DBB06B

RGB 219 176 107

HSL 36.96, 0.61%, 0.64%

LAB 74.3, 7.26, 41.03

 

CMYK 0 / 18 / 47 / 7

HEX #ECC27E

RGB 236 194 126

HSL 37.09, 0.74%, 0.71%

LAB 80.7, 6.45, 39.72

 

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

CMYK 0 / 29 / 75 / 43

HEX #926824

RGB 146 104 36

HSL 37.09, 0.6%, 0.36%

LAB 47.16, 10.16, 43.07

 

CMYK 0 / 33 / 87 / 49

HEX #815611

RGB 129 86 17

HSL 36.96, 0.77%, 0.29%

LAB 40.19, 11.97, 43.53

 

CMYK 0 / 39 / 100 / 56

HEX #704400

RGB 112 68 0

HSL 36.43, 1%, 0.22%

LAB 33.09, 14.16, 42.73

 

CMYK 0 / 47 / 100 / 63

HEX #5F3200

RGB 95 50 0

HSL 31.58, 1%, 0.19%

LAB 25.9, 16.9, 36.07

 

CMYK 0 / 26 / 67 / 36

HEX #A47A36

RGB 164 122 54

HSL 37.09, 0.5%, 0.43%

LAB 54.11, 9.09, 42.54

 

CMYK 0 / 43 / 67 / 36

HEX #A45D36

RGB 164 93 54

HSL 21.27, 0.5%, 0.43%

LAB 46.96, 25.48, 34.49

 

CMYK 0 / 62 / 67 / 36

HEX #A43F36

RGB 164 63 54

HSL 4.91, 0.5%, 0.43%

LAB 40.76, 41.17, 27.13

 

CMYK 0 / 67 / 67 / 36

HEX #A43636

RGB 164 54 54

HSL 0, 0.5%, 0.43%

LAB 39.24, 45.24, 25.26

 

CMYK 0 / 26 / 67 / 36

HEX #A47A36

RGB 164 122 54

HSL 37.09, 0.5%, 0.43%

LAB 54.11, 9.09, 42.54

 

CMYK 0 / 7 / 67 / 36

HEX #A49836

RGB 164 152 54

HSL 53.45, 0.5%, 0.43%

LAB 62.18, -7.48, 51.15

 

CMYK 11 / 0 / 67 / 36

HEX #92A436

RGB 146 164 54

HSL 69.82, 0.5%, 0.43%

LAB 64.1, -21.55, 52.68

 

CMYK 29 / 0 / 67 / 36

HEX #75A436

RGB 117 164 54

HSL 85.64, 0.5%, 0.43%

LAB 62.17, -33.33, 50.06

 

CMYK 47 / 0 / 67 / 36

HEX #57A436

RGB 87 164 54

HSL 102, 0.5%, 0.43%

LAB 60.64, -43.91, 47.98

 

CMYK 0 / 26 / 67 / 36

HEX #A47A36

RGB 164 122 54

HSL 37.09, 0.5%, 0.43%

LAB 54.11, 9.09, 42.54

 

CMYK 0 / 30 / 80 / 29

HEX #B67F25

RGB 182 127 37

HSL 37.24, 0.66%, 0.43%

LAB 57.33, 13.5, 53.9

 

CMYK 0 / 34 / 90 / 22

HEX #C78313

RGB 199 131 19

HSL 37.33, 0.83%, 0.43%

LAB 60.27, 18.32, 62.73

 

CMYK 0 / 38 / 100 / 15

HEX #D98701

RGB 217 135 1

HSL 37.22, 0.99%, 0.43%

LAB 63.41, 23.73, 69.04

 

CMYK 0 / 26 / 67 / 36

HEX #A47A36

RGB 164 122 54

HSL 37.09, 0.5%, 0.43%

LAB 54.11, 9.09, 42.54

 

CMYK 0 / 19 / 51 / 43

HEX #927648

RGB 146 118 72

HSL 37.3, 0.34%, 0.43%

LAB 51.31, 4.79, 29.34

 

CMYK 0 / 11 / 30 / 50

HEX #80725A

RGB 128 114 90

HSL 37.89, 0.17%, 0.43%

LAB 48.71, 1.47, 15.31

 

CMYK 0 / 1 / 3 / 56

HEX #6F6E6C

RGB 111 110 108

HSL 40, 0.01%, 0.43%

LAB 46.46, -0.01, 1.24

 

CMYK 26 / 16 / 0 / 51

HEX #5D697D

RGB 93 105 125

HSL 217.5, 0.15%, 0.43%

LAB 44.1, 0.3, -12.63

 

CMYK 0 / 62 / 67 / 36

HEX #A43F36

RGB 164 63 54

HSL 4.91, 0.5%, 0.43%

LAB 40.76, 41.17, 27.13

 

CMYK 0 / 43 / 67 / 36

HEX #A45D36

RGB 164 93 54

HSL 21.27, 0.5%, 0.43%

LAB 46.96, 25.48, 34.49

 

CMYK 0 / 26 / 67 / 36

HEX #A47A36

RGB 164 122 54

HSL 37.09, 0.5%, 0.43%

LAB 54.11, 9.09, 42.54

 

CMYK 0 / 8 / 67 / 36

HEX #A49736

RGB 164 151 54

HSL 52.91, 0.5%, 0.43%

LAB 61.91, -6.94, 50.86

 

CMYK 10 / 0 / 67 / 36

HEX #94A436

RGB 148 164 54

HSL 68.73, 0.5%, 0.43%

LAB 64.25, -20.7, 52.88

 

CMYK 0 / 25 / 67 / 60

HEX #664C22

RGB 102 76 34

HSL 37.06, 0.5%, 0.27%

LAB 34.21, 5.88, 28.69

 

CMYK 0 / 26 / 67 / 48

HEX #85632C

RGB 133 99 44

HSL 37.08, 0.5%, 0.35%

LAB 44.36, 7.52, 35.79

 

CMYK 0 / 26 / 67 / 36

HEX #A47A36

RGB 164 122 54

HSL 37.09, 0.5%, 0.43%

LAB 54.11, 9.09, 42.54

 

CMYK 0 / 24 / 65 / 25

HEX #C09143

RGB 192 145 67

HSL 37.44, 0.5%, 0.51%

LAB 63.23, 9.48, 47.19

 

CMYK 0 / 19 / 51 / 21

HEX #CAA362

RGB 202 163 98

HSL 37.5, 0.5%, 0.59%

LAB 69.21, 6.35, 38.97

 

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

CMYK 55 / 0 / 67 / 36

HEX #4AA436

RGB 74 164 54

HSL 109.09, 0.5%, 0.43%

LAB 60.13, -47.76, 47.28

 

CMYK 52 / 67 / 0 / 36

HEX #4E36A4

RGB 78 54 164

HSL 253.09, 0.5%, 0.43%

LAB 31.67, 39.39, -55.95

 

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

CMYK 67 / 0 / 26 / 36

HEX #36A47A

RGB 54 164 122

HSL 157.09, 0.5%, 0.43%

LAB 60.55, -41.2, 12.88

 

CMYK 26 / 67 / 0 / 36

HEX #7A36A4

RGB 122 54 164

HSL 277.09, 0.5%, 0.43%

LAB 36.85, 48.55, -47.31

 

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

CMYK 55 / 0 / 67 / 36

HEX #4AA436

RGB 74 164 54

HSL 109.09, 0.5%, 0.43%

LAB 60.13, -47.76, 47.28

 

CMYK 67 / 41 / 0 / 36

HEX #3660A4

RGB 54 96 164

HSL 217.09, 0.5%, 0.43%

LAB 40.95, 8.17, -41.07

 

CMYK 12 / 67 / 0 / 36

HEX #9036A4

RGB 144 54 164

HSL 289.09, 0.5%, 0.43%

LAB 40, 53.65, -42.09

 

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

CMYK 67 / 0 / 59 / 36

HEX #36A443

RGB 54 164 67

HSL 127.09, 0.5%, 0.43%

LAB 59.65, -51.11, 40.71

 

CMYK 67 / 41 / 0 / 36

HEX #3660A4

RGB 54 96 164

HSL 217.09, 0.5%, 0.43%

LAB 40.95, 8.17, -41.07

 

CMYK 0 / 67 / 8 / 36

HEX #A43697

RGB 164 54 151

HSL 307.09, 0.5%, 0.43%

LAB 42.41, 56.24, -30.26

 

Description

Color code: HEX #A37A37 | qconv.com Color code: HEX #A37A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 122 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 122 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 66 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 66% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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